Special! Animal Crackers Movie Watch

The gang is all here as we watch and comment in real time the 1930 Marx Brothers Film: Animal Crackers.  

So tune in and enjoy the show!

email: bearlyfurcasting@gmail.com

This podcast contains adult language and adult topics. It is rated M for Mature. Listener discretion is advised.

Transcript

SPEAKER_13 0:19

On this recording, we are watching in real time the 1930 film The Marks Brothers in Animal Crackers. And that's actually the name of the title. It's not Animal Crackers, it's The Marks Brothers in Animal Crackers. I looked that up and it was actually that way. You can listen on any podcast platform, but if you want to see us, you can watch you can go to the injured nerves YouTube channel and watch us. Special thanks to all those that are here tonight. Rain, Raccoon, TikTok, Chitaro Ziggy, and of course the pup that can't be stopped, Tabin. Hi there. Hello. I hope that you are all ready to jump right in. And with that, I am going to give you today's movie is The Marks Brothers in Animal Crackers 1930. 30.

SPEAKER_14 1:14

Correct title.

SPEAKER_13 1:20

Such wonderful soundtracks.

SPEAKER_22 1:22

The audio is amazing. Yes, yes.

SPEAKER_13 1:31

From the 1920s, yeah. People must have read very slowly in the 1930s because they're on their first.

SPEAKER_22 1:47

Wow, I got all of that and stuff.

SPEAKER_17 1:50

They want you to be able to see everybody's games.

SPEAKER_11 1:54

Specifically the player's And these are basically a list of everybody that's dead.

SPEAKER_22 2:03

Yeah, pretty much.

SPEAKER_14 2:10

In the morning. Was this recorded in Quadriponic?

SPEAKER_13 2:14

I maybe don't know. Really? I don't think it's a brilliant house party at the home of Mrs. Richard House.

SPEAKER_17 2:20

Richard House? Isn't that a beautiful Frank Lloyd Ride home?

SPEAKER_13 2:24

It's not the one that uh that Captain Shooter is at least called the noted explorer returning from Africa to be the guest of honor. Roscoe W. Chandler, wealthy art patron, will exhibit Bovregard's famous painting after the hunt.

SPEAKER_22 2:41

I just can't get over this music. I don't care about it. I just want to be amazing.

SPEAKER_13 2:48

Soundtracks are available in the lobby.

SPEAKER_17 2:50

Look, it says Teddy be.

SPEAKER_13 2:54

He looks so comfortable walking. Come here. Come here. You over there.

SPEAKER_11 2:59

You are up to the Zark. You over there.

SPEAKER_21 3:08

We'll see how he gets what he deserves.

SPEAKER_14 3:10

He's one of those men. I always think of them at a party. Yes.

SPEAKER_07 3:16

You must be loud. On this object, you must have your heart head. We'll do nothing.

SPEAKER_21 3:22

I don't get the music has got better. Be on your toes. No, no. I'll give it a chance.

SPEAKER_22 3:33

They do a really good job acting those animals.

SPEAKER_14 3:38

Oh, are they bow? Oh wait. Oh no, one one didn't bow.

SPEAKER_21 3:43

He is fired. No.

SPEAKER_14 3:45

And they're not in step.

SPEAKER_21 3:46

I think we can't. No, they are not.

SPEAKER_02 3:52

And Captain Fault because the bummer will have the green duplicate. Really? Changes?

SPEAKER_07 3:56

Come on. Already we decided.

SPEAKER_02 3:59

I think the captain would like two bars, don't you?

SPEAKER_07 4:02

Well, if he's touched, he may need two bars. Absolutely.

SPEAKER_17 4:12

He must be really stinking. He must be stinking.

SPEAKER_02 4:16

So nice to see you.

SPEAKER_14 4:18

Well, look at my mustache, please. I treat you.

SPEAKER_02 4:22

How can I ever express my gratitude?

SPEAKER_14 4:25

Only one booger.

SPEAKER_02 4:26

Nothing. You return from Europe with a masterpiece valued at the end of the city. Why are they carrying a palate around? And it's little bit of a big thing.

SPEAKER_17 4:32

Because I bring various things.

SPEAKER_02 4:34

You allow me. You want to build a dozen falls.

SPEAKER_17 4:37

Because they want to have habits somewhere in their flat.

SPEAKER_13 4:41

They didn't have cardboard decades. Very careful, please.

SPEAKER_22 4:48

It's a little house. You think that is something to the plate of the case?

SPEAKER_13 4:55

Well, no, Mr.

SPEAKER_21 4:58

Chan. Modern art.

SPEAKER_14 5:00

Yeah, modern art, yeah.

SPEAKER_03 5:02

Right. Mother Pub Key. I love you.

SPEAKER_16 5:07

He wants a little piece of it. He wants a piece of it. Oh no.

SPEAKER_06 5:13

Well uh do you think Johnny Parker?

SPEAKER_02 5:20

Yeah, I know, right?

SPEAKER_11 5:28

You can tell, look at those eyes. Uh oh.

SPEAKER_22 5:31

She ruined the mood. You know, like does it look like Jimmy Fallen feel here? It seems like they're all looking over off screen to see the lines.

SPEAKER_17 5:42

Oh yeah. Alright.

SPEAKER_14 5:48

Okay. Yeah.

SPEAKER_16 5:50

Here's the famous song. Another song.

SPEAKER_11 6:06

The girl by yourself out what's happened.

SPEAKER_01 6:16

Anyone stepping down the stairs? In one thing, he is very straight.

SPEAKER_13 6:24

And that's Zeppo.

SPEAKER_14 6:32

Look at those buggeries. Nice ball boots.

SPEAKER_13 6:39

He's definitely invading her s her uh spatial bubble. Yeah.

SPEAKER_06 6:43

Those are very funny pants.

SPEAKER_14 6:48

Yes, bloomers.

SPEAKER_22 6:51

Oh, good choreography. Did you see that choreography?

SPEAKER_14 7:00

This is a very striking file. Oh, here we go. Uh oh. This could be pretty good.

SPEAKER_13 7:08

Oh, this is carried by the box of my guns.

SPEAKER_14 7:20

I never put them in like cases. I just have the whole box. Throw them in a box.

SPEAKER_04 7:28

You know it's all ripped up. You should have come right up to Lake at Willabon. Where do you come with that stuff? Turn around the rear end. I want to see your license blame. I don't think you guys are on the square. I'll attend to you later. Don't try to pull my phone! Why, you're one of the most beautiful women I've ever seen, and that's not saying much for you.

SPEAKER_18 7:45

I don't certainly grateful for this magnificent wash house. I guess they were supposed to sort of number still. I must be going. I cannot say I came to say I must be going. I'm glad I came, but just to say I must be going.

SPEAKER_02 8:01

For my sake, you must stay. If you should go away, spoilers must be I am I'll stay a week or two.

SPEAKER_18 8:09

Yes. I'll stay in the summer's rooms, but I am going to I must be can't go.

SPEAKER_17 8:27

In fact, I'll even say He does have to walk through a lot of people.

SPEAKER_01 8:37

There's something that I'd like to say that he's too modest to relax.

SPEAKER_04 8:43

Sometimes he finds a try. Miss fact I'll emphasize my stress. I never take a drink unless.

SPEAKER_18 8:49

Somebody's buying.

SPEAKER_01 8:52

If he hears anything obscene, he'll naturally revolt his problem.

SPEAKER_11 8:58

Same, same gratitude.

SPEAKER_17 9:00

Totally a fair statement.

SPEAKER_18 9:01

Knows how to tell it.

SPEAKER_04 9:18

If I stay here, I'll go nuts.

SPEAKER_14 9:22

More fantastic moves. Wow, look at that. Oh my god, those are moves. Yeah. Hey, there's some moves for you. This is for talking off.

SPEAKER_17 9:36

Any moment now he's gonna do the the uh the moon walk. Oh there's gonna take so many minutes.

SPEAKER_14 9:43

So the nuts, brother.

SPEAKER_22 9:48

What am I even watching? I'm a little confused.

unknown 9:52

Hey!

SPEAKER_14 9:53

We're spinning.

SPEAKER_17 9:56

Amazing he hasn't fallen down yet.

SPEAKER_22 9:58

I already have fallen down this one.

SPEAKER_13 10:09

Crescendo!

SPEAKER_16 10:21

Hi friends. Well as I say, I saw the beginnings of popping and locking there, so they're doing that on purpose.

SPEAKER_04 10:44

Well, somebody's gotta do it.

SPEAKER_02 10:45

Captain Spaulding, he did it to you great honor to welcome my pool.

SPEAKER_04 10:50

Oh, this is not bad.

SPEAKER_02 10:51

I need to say, wait a minute, I think you're right.

SPEAKER_04 10:53

It is pretty bad. As a matter of fact, it's one of the frowsiest looking joints I've ever seen. Where did you hit your wallpaper? You're letting this place run down, and what's the result? You're not getting the class of people that you used to. Why you've got people here now that look like you. Now I'll tell you what we do. We've put up a side outside place under new management. We've set up a 70 price and feel that's knocked their eyes out. After we knock their eyes out, we can charge him anything we want. Now sign here and give me your check for fifteen hundred dollars. Now I want to tell you, madam, that with this insurance policy you are provided for your little ones and for your old age, which will be here in a couple of weeks now. If I'm any judge of horse place. I know, madam. I feel that the time has come, the wall was says.

SPEAKER_17 11:31

Who knew that he was an explorer and an insurance salesman? And a break dancer. He did.

SPEAKER_02 11:36

There'd be no danger. You have no idea.

SPEAKER_03 11:39

It's MC.

SPEAKER_02 11:41

He's an everyday man. Never once in all those weird times. Did you also follow that? Color this is unknown.

SPEAKER_06 11:58

Pardon me, I can't pill like Captain.

SPEAKER_15 12:02

Oh, it must be the captain of the Titan game.

SPEAKER_04 12:04

Oh yes, I'm not sure.

SPEAKER_22 12:05

Oh, he finally fell down after his dancing. Okay.

SPEAKER_04 12:10

Dilly's reaction. Catapulted. It's in my little black bag in the right hand corner.

SPEAKER_17 12:21

Because you must carry your own Visquin.

SPEAKER_14 12:25

Get him a cocktail.

SPEAKER_13 12:32

Oh, that's uh Chico.

SPEAKER_03 12:34

That's Harpo.

SPEAKER_04 12:37

No, that's Chico. No, that's Chico. Are you his brother? I am Emmanuel Ravelli. You're Emmanuel Ravelli? I'm Emmanuel Ravelli. Well, no wonder you look like him. But I still insist there is a resemblance.

SPEAKER_02 12:53

You are one of the musicians. What do you mean not to do until tomorrow?

SPEAKER_04 12:57

Couldn't come tomorrow, that's too quick. We were busy yesterday, but we charge just the same. This is better than exploring. What do you fellas get an hour?

SPEAKER_05 13:07

Oh, for playing, we get ten dollars an hour.

SPEAKER_04 13:09

I see. What do you get for not playing? $12 an hour. Well, let me off a piece of that.

SPEAKER_05 13:14

Now for rehearsing, we make special rate. That's $15 an hour. That's a good person.

SPEAKER_04 13:19

That's a free housing. And what do you get for not rehearsing? You couldn't afford it.

SPEAKER_05 13:22

Oh you see, if we don't reheice, so we don't play. And if we don't play, that runs a little money.

SPEAKER_04 13:30

How much would you want to run into an open manhole?

SPEAKER_05 13:33

Just the cover charge.

SPEAKER_04 13:37

Well, drop in sometime.

SPEAKER_19 13:42

Let's see how we stand. Flat footed. Yesterday we didn't cost.

SPEAKER_05 13:48

You remember. Yesterday we didn't cost you. I remember.

SPEAKER_04 13:50

That's $300. Yesterday you didn't come, that's $300. Yeah, that's $300. Well, that's reasonable. I can see that alright. Now today we did come. That's uh that's a hundred you owe us.

SPEAKER_05 14:00

Hey, I bet I'm gonna lose on the deal. Tomorrow we leave. That's worth about a million dollars. Yeah, that's all right for me, but I got a partner. What? The Professor.

SPEAKER_17 14:18

Oh, there we go. There's Harper's He's carrying like a toilet printer.

SPEAKER_02 14:34

How do you do that?

SPEAKER_14 14:36

Did everybody smell Buck Dan? Oh yes.

SPEAKER_17 14:41

Yes, his horn. Oh look, she's putting on her glasses.

SPEAKER_22 14:52

And we're watching a thing that has got everything.

SPEAKER_02 14:57

Take the professor's hat.

SPEAKER_17 15:10

Okay, I'm taking everything.

SPEAKER_13 15:20

Oh, oh guns. Well that elevated quickly.

SPEAKER_17 15:26

And he shot himself in the back. What?

SPEAKER_14 15:29

Oh now we have a runner.

SPEAKER_17 15:32

Oh yeah.

SPEAKER_14 15:37

No, no.

SPEAKER_13 15:43

There's some quality videography right there.

SPEAKER_11 15:46

Oh yeah.

SPEAKER_13 15:47

Oh my god, look at the hair. Look at that hair in his armpits. Oh my god, he could breathe that.

SPEAKER_17 15:53

Who needs to be on when you got this?

SPEAKER_14 15:55

And his skin is paler than his undershirt.

SPEAKER_17 15:58

I know, right? That means he doesn't get a lot of sun.

SPEAKER_13 16:01

And those shorts.

SPEAKER_11 16:02

Who wears around. I think those are the shorts that uh Dangle wore in Reno 911. No.

SPEAKER_16 16:12

Who is a little more to the right.

SPEAKER_07 16:21

Oh no.

SPEAKER_17 16:22

Still can used. That's called sexual harassment. No. Yes.

SPEAKER_13 16:30

I mean he just said a little more to the right, they touched it. He said, that's better. They didn't even move the damn thing.

SPEAKER_22 16:34

Well, that's better, I guess. It shouldn't have been hello hive.

SPEAKER_02 16:40

He's well hung.

SPEAKER_17 16:40

It's well hung.

SPEAKER_02 16:42

Me too. You haven't lost any weight yourself.

SPEAKER_07 16:48

No, unfortunately not.

SPEAKER_02 16:50

You know, Hive? It seems strange to find you work here instead of in our own home.

SPEAKER_17 16:55

That's not a nice thing to say.

SPEAKER_22 16:57

It's all the music back then. It just wasn't a good influence.

SPEAKER_02 17:00

By the way, Hyde.

SPEAKER_22 17:01

You play it backwards and you hear no secret God. I don't know.

SPEAKER_02 17:06

Fox Haven't got to be a few of the original? Where did she get hold of that beautiful? Is it very valuable? It must be worth a lot. What's it? It looks as if we look at the thing. I think they're together.

SPEAKER_22 17:22

Look at the way she's holding her hand.

SPEAKER_02 17:26

Oh, these are the same two?

SPEAKER_13 17:29

No, no, these are 11.

SPEAKER_17 17:31

It's running. It's all over the place. I mean, it's those hats.

SPEAKER_22 17:37

Pretty nice.

SPEAKER_02 17:39

But I still don't get it. Oh, you think that's fake for an imitation? No, not in the 1930s. No.

SPEAKER_17 17:53

That could be fake.

SPEAKER_02 17:54

That could be long. Alright. See you later.

SPEAKER_11 18:00

I think that's one of Ziggy's answers.

SPEAKER_02 18:02

It won't be long. No. You still feel there's a strong bond between us and the bigger.

SPEAKER_07 18:07

Why most certainly Mrs. Whitehead at the chair?

SPEAKER_02 18:09

Strong enough you would do me a big favor. Suppose I were to ask you to uh take away the bogard.

SPEAKER_07 18:22

Well, I should consider it rather an unusual request.

SPEAKER_02 18:25

It is hard. But somehow I still think of you as one of the whiteheads.

SPEAKER_07 18:31

You may count on me.

SPEAKER_08 18:36

No, yeah, Mrs. Rittenhouse.

SPEAKER_11 18:39

Why hi? The whole movie's full of crackers. Yeah. There are two of them right there on the screen. Well, except for the guys that brought uh in on the uh southern pocket.

SPEAKER_02 18:52

Oh no, the central dockers uh you know the uh benches and trees. I see.

SPEAKER_09 19:04

Well, never mind, you can over here and tell me whom you do like.

SPEAKER_15 19:08

Oh, so that's okay.

SPEAKER_13 19:10

Now look and that's a Mark's brother too, I believe. I can't remember his name.

SPEAKER_10 19:18

On what? Last year I sold two paintings. One at a hundred and one at fifty. Could we live on a hundred and fifty dollars a year?

SPEAKER_02 19:26

We wouldn't need any money. I've got a charge account every shot on the back.

SPEAKER_09 19:32

Well, if I had any brains, I'd give up painting and get a regular. You know what I have a cousin who made fifty thousand dollars in Wall Street last year.

SPEAKER_02 19:42

I don't want to marry a cousin.

SPEAKER_17 19:43

Or he could become a housekeeper. True. Yeah, they make good money. Yeah, or do you prefer the art?

SPEAKER_10 19:52

Chandler? What does he know about art?

SPEAKER_02 19:55

Well, the best he knows the easier it'll be for you to.

SPEAKER_17 20:04

Oh Lord.

SPEAKER_16 20:11

Holy hell.

SPEAKER_22 20:15

Uh oh. Are you alone?

SPEAKER_04 20:19

Like, you don't understand being alone? Don't give me that innocence, Gov, or you'll be alone.

SPEAKER_12 20:23

No, you're with us.

SPEAKER_14 20:29

So mean.

SPEAKER_12 20:32

Oh pardon me. Pardon me.

SPEAKER_11 20:34

I love his I roll.

SPEAKER_02 20:37

No care.

SPEAKER_12 20:38

But you will be. Mr. Rittenhouse. Ever since I met you, I've cut you off my feet.

SPEAKER_04 20:45

Something has been throbbing within me. Oh, it's been beating like the incessant tom tom in the primitive jungle. Would you wash out a pair of socks for me? No, incessant tom. Well, it may be a surprise to you, but it's been on my mind for weeks. It's just my way of telling you that I love you, that's all. I love you. I want my part of you.

SPEAKER_02 21:06

I have your part. I beg your pardon. Am I intruding?

SPEAKER_12 21:10

Are you intruding? Just when I had her on the five-yard line.

unknown 21:14

Yes.

SPEAKER_03 21:14

So you are intruding. Yes.

SPEAKER_04 21:16

I should say you are intruding. I think you think it's subjective and still the past tent. Yes, we're away past tents. We're living in bungalows now. This is a mechanical age, of course.

SPEAKER_02 21:25

This is my case. You haven't been before. Why no, I haven't.

SPEAKER_04 21:31

How are you?

SPEAKER_02 21:32

I'm fine, thank you. And how are you?

SPEAKER_04 21:34

And how are you? That means you won up. Did anyone ever tell you you had the beautiful eyes? I don't think I've ever seen more beautiful eyes in my life. You know, you two can remember the first women. And John and Brunette. And that's just the kind of a girl I crave. We three would make an ideal couple. Why, you've got beauty, char, money. You have that money, haven't you? Because if you haven't, we can quit do so.

SPEAKER_02 22:11

The captain is charming, isn't he? I'm fascinated.

SPEAKER_04 22:15

I'm fascinated too. Right on the arm. Fascinating. When where?

SPEAKER_12 22:21

Why were you getting on here? You know, you're very fortunate that theater gill isn't putting this on. And so is the gill. Ooh. Pardon me while I have a strange interlude. Hi, you couple of baboons. What makes you think I'd marry you one day? Strange how the wind blows tonight. It has a finity voice that reminds me of poor old Mosum. How happy I could be with either of these two. If both of them just went away. Well, what do you say, girl? What do you say, will you mind? Both of you, let's all get married. This is my party. Party. Party. Here I am talking to party. Oh, it's my party, and I'll marry who I want to. Nothing. Not even ice cream. The gods look down and laugh. This would be a better one for children if parents had to eat the spinach.

SPEAKER_22 23:19

Well, what do you say, girl? Spinach? What do you say? Uh are we all going to get married?

SPEAKER_04 23:23

I would agree for that state. All of us.

SPEAKER_15 23:25

But that's big of me.

SPEAKER_04 23:26

Yes, and that's big of me, too. It's big of all of us. Let's be big for a change. I'm sick of these conventional marriages. Nobody. Not even your grandpa. Think, think of the honeymoon, strictly private. I wouldn't let another woman in on this. Well, at least one or two, but no men. I may not go myself.

SPEAKER_02 23:46

Are you suggesting companionate marriage?

SPEAKER_04 23:49

Well, it's got its advantages. You could live with your folks, and I could live with your folks. And you? You could sell phone up brushes.

SPEAKER_12 23:59

Uh-huh. Living with your folks, the beginning of the end. But I have dead yesterday shutting out beautiful tomorrows. Hideous stumbling footsteps creaking along the misty corridors of time. And in those corridors I see figures. Strange figures. Weird figures. Steel 186, Anaconda 74, American Can 138.

SPEAKER_04 24:24

Well, let's see, where were we? Oh, yes. Uh we were upon it.

SPEAKER_16 24:28

Do you think we're going to get married?

SPEAKER_02 24:30

I think that is. It's a very noble institution. It's the foundation of the American home.

SPEAKER_04 24:38

Yes, but the trouble is you can't. While our boys were over there. While our girls were over here.

SPEAKER_20 24:47

I've been waiting at the bottom of these stairs for years to give such a moment as this. My captain.

SPEAKER_04 24:51

That's a big marriage more girl is. I'm sorry, ladies. I'm sorry, but uh I'm afraid we're gonna have to postpone the wedding for a few days. Maybe for a few years. Before I get married, I'm gonna sew a couple of wild oats.

SPEAKER_02 25:04

The captain's so amusing. Isn't he charming?

SPEAKER_10 25:07

So that's the famous book, Artist.

SPEAKER_17 25:09

I think that's like a whole theory.

SPEAKER_10 25:11

It's so amusing. Seen it. I spent three days in Paris copying it.

SPEAKER_15 25:16

You did?

SPEAKER_10 25:17

Well, me and a million.

SPEAKER_02 25:19

Oh. I bet your coffee was better than any of them.

SPEAKER_13 25:23

Well, it wasn't bad at that. I'll show it to you sometime.

SPEAKER_02 25:28

Listen.

SPEAKER_13 25:29

What?

SPEAKER_02 25:30

Mother's going to unveil it tonight.

SPEAKER_13 25:32

Yeah?

SPEAKER_02 25:34

Suppose suppose when she unveils it, it's not the Bogard at all.

SPEAKER_08 25:39

Uh-oh. Oh. You mean put my copy in place of the Bull Guard?

SPEAKER_02 25:44

Exactly.

SPEAKER_08 25:44

Why, Arabella, you're crazy. What good would that do?

SPEAKER_02 25:47

What good? Crazy. You're crazy. And then we'll tell you who really painted it. You'll say you're a great artist. You'll get six commissions for painting, and we can be married and divorced in no time.

SPEAKER_09 26:05

Well, that sounds great. But they don't like my painting. Married and divorced in the world.

SPEAKER_02 26:12

A bucket list.

SPEAKER_17 26:12

That's quick, quick, quick to marriage and divorce.

SPEAKER_06 26:16

Ah, I see you're admiring my picture, eh? It's such a well-done painting, too. Your picture. Yes, my picture. Well, it don't look like you. Hey, wait, wait. Some place I met you before. Of course, your face to have it for me. Well, after all, I'm one of the most well-known men in America. He must be the first one.

SPEAKER_05 26:37

Oh, nonsense. All right, hey, wait. Nonsense. Now, please, Chandler is my name. Hasko W. Chandler. Yeah, but I don't care about the name. It's some place I met you before because your face is very familiar. Now wait, let me see. Were you ever in Sing Zinki looking? Like that horse in the state horse.

SPEAKER_06 26:57

I got it. I got it. Juliette. You hit me alone. Are there shadows on the stairs? Now listen here. I have never been in these places. I spend most of my time in Europe. I got it now.

SPEAKER_05 27:09

I know.

SPEAKER_06 27:10

You come from Czechoslovakia. Hey, here we go. Hey, hey, I tell you the way from the way. You remember him? Who was he? He came from Czechoslovakia.

SPEAKER_05 27:24

He came from Czechoslovakia, and I know who it is. I told me the fish pedal from Czechoslovakia.

SPEAKER_06 27:30

Ridiculous, I can't even.

SPEAKER_05 27:32

Ridiculous. Wait, wait, wait. We prove it. He had a point mark, remember? Please, but you try on the arm. Oh no. Oh, there it is. There is a point mark.

SPEAKER_06 27:45

Oh, I tell you. I confess, I've got this. Well, how did you get to be Rasco What Sandler? Say, how did you get to be an Italian? Never mind. Whose confession is this? How did you get to it?

SPEAKER_03 27:56

Come on here, boys.

SPEAKER_06 27:57

For heaven's sake, don't say anything about this to anybody. And I think we can come to some agreement. Some arrangement which will be uh mutually satisfactory. Yes. Money. Money. Shall we say uh five hundred dollars? Well, that is all the cash I have. Five hundred dollars.

SPEAKER_19 28:12

All right, I tell you what we I know, right? We'll get your own. That is all you will get. That's all you give. Yes. A beat the fish, man. A beat the fish, man. A beat the fish, man.

SPEAKER_06 28:24

A beat the fish man. Hey, boy, five. I have you a check for five thousand dollars. Now I give it to you, yeah. Hey, is it good? Well, of course it is good. Who would give me a bad check? I would. Hey, see if it's good.

SPEAKER_19 28:45

The technology. Uh oh, it bounced. Yes. He's A B the Fishman. Please give the one. A B the fishman.

SPEAKER_06 28:54

A B the fishman. A B the fishman.

SPEAKER_13 28:57

He's an imposter. He's not actually an art dealer.

SPEAKER_06 29:01

My tongue. That is my time.

SPEAKER_13 29:03

No, no, no. They recognized him from Czechoslovakia.

SPEAKER_06 29:07

I get it at that. Oh, sorry.

SPEAKER_13 29:09

They said how did Coslovakia? That's why they be How did you become an Italian? That's the thing. He was in Czechoslovakia.

SPEAKER_22 29:15

I'm still back on the exquisite music and dancing in this movie. So I haven't paid as much attention as you can.

SPEAKER_06 29:22

Have you got gothers? Of course I have got it.

SPEAKER_20 29:24

Here. Oh, they've taken my goths too. A likely story. Turning collegiate on me, eh? Have you got socks?

SPEAKER_04 29:30

Certainly. Here they are. You have got socks. They look pretty old to me, too. Whose are they? Well, old socks. Let me introduce myself. My name is Spawn, Captain Spaulding. I am Roscoe W. Chandler. Well, this is a tree, your tree.

SPEAKER_06 29:43

You have uh heard about me?

SPEAKER_04 29:45

Yes, I've heard about you for a great many years, Mr. Channel, and I'm getting pretty darn sick of it, too. Quite naturally, I have also heard of the great Captain Sporting. Well, that's fine. I've heard of you and you've heard of me. Now, have you ever heard the one about the two Irishmen? Oh, yes.

SPEAKER_20 30:01

Well, now that I've got you set down a business.

SPEAKER_04 30:03

My name is Sprawling, Captain Spaulding. I am Roscoe W. Chen. And I am Jeffrey T. Spaulding. I bet you don't know what the T stands for. Uh Thomas? Edgar. You were close, though. You were close, though, and you still are, I'll bet. Now, this is what I want to talk to you about, Mr. Kenler. How would you like to convince a scientific expedition? Well, that is a question. Yes, that is a question. You certainly know a question when you see it. I congratulate you, Mr. Kenler. That brings us right back to where we were. How would you like to finance a scientific expedition? Well, is there any particular kind of an expedition you've had in mind? Well, I'll tell you, I'm getting along in years now, and there's one thing that I've always wanted to do before I quit. What is that? Retire. Now, would you be interested in a proposition of that kind? You know, I've always had an idea that what we find will be the greatest contribution to science that the world is ever known. This is your chance, Mr. Channel, when I think what you have done for this country. And by the way, what have you done for this country?

SPEAKER_06 30:51

Oh, well, I've always tried to do what I could, especially in the world of art.

SPEAKER_04 30:55

Art. Well, I don't know how we drifted around to that, but what is your opinion of art?

SPEAKER_06 30:59

I am very glad you asked me. I withdraw the question.

SPEAKER_04 31:02

This fellow takes things seriously. It isn't safe to ask him a simple question. Tell me, Mr. Channel, where are you planning on putting your new opera house? Oh, I thought I should like to put it somewhere near Central Park. I see. Why don't you put it right in Central Park? Could we do that? Sure, do it at night when no one is looking. Why don't you put it in the reservoir and get the whole thing over with? Of course, that might interfere with the water supply. But after all, we must remember that art is art. Still, on the other hand, water is water, isn't it? And east is east and west is west. And if you take cranberries and stew them like applesauce, it tastes much more like prunes than rhubarb does. Now, uh is true. Now you tell me what you.

SPEAKER_22 31:33

It happened to me the other day.

SPEAKER_04 31:34

I would be very glad to hear my opinion. Well, that's dandy. I'll ask you for them someday. Remind me that. Hey, where's he go? Could you come to my office at 10 o'clock tomorrow morning? If I'm not there, ask them Mr. Jamison. That's my secretary. And if he sees you, I'll discharge him. That's a date now, Saturday at three. No, you better make it Tuesday. I'm going to Europe Monday. Pardon me. My name is Spaulding. I've always wanted to meet you, Mr. Chandler. Tell me, what do you think of the traffic problem? What do you think of the marriage problem? Oh, we're doing that. You go to bed, you're the beast. Yes.

SPEAKER_06 31:59

Well, I'll tell you, my dear.

SPEAKER_04 32:00

I'd rather not discuss it any further. Remember, there are children present. Oh no.

SPEAKER_06 32:04

Well, you see, my dear captain, in the last analysis, it is a question of money. They keep standing up.

SPEAKER_04 32:11

Well, I'll go further now. I'll get off with the default. Yes, yes. The nickel today is what it was fifteen years ago. Do you know what this country needs today? What? A seven cent nickel.

SPEAKER_17 32:18

They're going up and down in their country.

SPEAKER_04 32:22

Now that's pretty near a hundred years, they like saving. Now why not give the seven-cent nickel a chance? If that works out, next year we could have an eight cent nickel. Think what that would mean. You could go to a newsstand, buy a three cent newspaper, and get the same nickel back again. One nickel carefully used would last a family a lifetime. Captain Spaulding?

SPEAKER_06 32:36

I think that is a wonderful idea. Nickel back.

SPEAKER_04 32:39

Yes. Well, then there can't be much to it. Forget about it. Excuse me, uh, Spaulding.

SPEAKER_14 32:47

Forget about it.

SPEAKER_04 32:48

I'm Spain and you're Chandler. Let's have no more of that either, right? Oh bad not being spauling. Well, tell me, Captain Spaulding. Uh Spaulding is the name. That's right, that's all. I'm I'm Chan. And I'm Spawn. Spaulding? Can I look at a program a minute? I might be the newsweek, for all he knows, are coming next week. Tell me, Captain Spaulding. You've been quite a funny.

SPEAKER_14 33:08

Uh what do you think about the piece of the fourth wall, right?

SPEAKER_04 33:12

Uruguay. Well, you go Uruguay and I'll go mine. Say, how long has this been going on? Let's change the subject. Abyssinia. I'll tell you, you take Abyssinia and I'll take a hot butter scot Sunday on Rybran. Let's go and see what the boys in the back room. Yes. Oh, me too.

SPEAKER_22 33:27

Yeah, I'm wondering about this. Sunday on Rybrat. I didn't listen to that music too much. I love that chair. So you can call right every time you try and sit in the chair chair.

SPEAKER_03 33:39

Oh you go to go back to 1930, I think.

SPEAKER_16 33:42

Well, look, look stronger and better picture. Oh, you can't have a woo woo!

SPEAKER_14 33:56

It's like when you have multiple cats at like four o'clock at night.

SPEAKER_19 33:59

Oh you summaragsa veta of Mr.

SPEAKER_02 34:06

Rabbiola.

SPEAKER_05 34:07

Ravelli, Ravelli.

SPEAKER_02 34:08

Oh, Mr. Ravelli. I want you to do something for me.

SPEAKER_05 34:12

I do anything for you. What do you want, Dice would do?

SPEAKER_02 34:15

Do you see that painting?

SPEAKER_05 34:17

I mean, this picks.

SPEAKER_02 34:19

I want you to take that out of the frame and put this one in its place.

SPEAKER_05 34:23

You want dice for taking this one down, put it this one upstairs, huh? Yes. Oh Lord. You want dice with steal.

SPEAKER_02 34:29

Oh no, no. It's not stealing.

SPEAKER_05 34:32

Well, then I couldn't do it. No.

SPEAKER_02 34:34

Oh!

SPEAKER_16 34:39

I know.

SPEAKER_14 34:39

It's all watered up. It's gonna be all wrinkly.

SPEAKER_19 34:45

I don't think you can hide anything. Get up, get up, come here. That's all you do, eh? Chase with the wind.

SPEAKER_16 34:51

Not with that attitude, you can't.

SPEAKER_19 34:54

Everybody don't ask us. Here we are to waste all the time. We've been here all day, huh? How much are we making?

SPEAKER_05 35:01

We make enough thing. First thing you know, we're gonna live on a charity, then we go to the old lady's home. How do you like that? No, no, that's no good.

SPEAKER_19 35:16

I play anything. Oh, senior if any.

SPEAKER_02 35:19

I won't speak to you about the music.

SPEAKER_14 35:21

What does he have on his belly button?

SPEAKER_02 35:23

What is the matter with you?

SPEAKER_14 35:24

It's horrid.

SPEAKER_02 35:26

Oh, what is he doing? Oh my dear, I'll just heavens, what's the matter with this people?

SPEAKER_11 35:43

Not that kind of blackjack.

SPEAKER_02 35:49

I would depend on it. One three. Oh yeah. That's that's the Marx brothers. The Marx brothers. I'm just trying to watch my channel.

SPEAKER_16 36:20

Okay, there we go. Oh, back to assault.

SPEAKER_19 36:34

Well, why don't you leave him alone?

SPEAKER_14 36:36

Fierce to look, girl.

SPEAKER_19 36:39

Now uh that this game is over. How about playing some bridge? You play bridge?

SPEAKER_02 36:44

I take the crystals.

SPEAKER_19 36:45

What are you frightened for?

SPEAKER_02 36:46

Oh, we just played the slots, take.

SPEAKER_19 36:48

And French fried potatoes.

SPEAKER_22 36:49

I saw that coming. Oh. Oh, Dad, I see what he's doing.

SPEAKER_16 37:10

Take it up way high.

SPEAKER_19 37:13

Now, how do you want to play, honest? Alrighty then. Well, I draw.

SPEAKER_02 37:17

You put that right away. It's your own fault. Come along now, we press the part.

SPEAKER_05 37:25

Oh, he's my partner. That's the only way we play.

SPEAKER_02 37:28

I'm sorry, but it's against the rules of the game. We have to cut the partners.

SPEAKER_05 37:31

All right, we cut for partners. I got ace of spades. He's got ace of spades. That's what you call coincidences.

SPEAKER_02 37:40

Two aces of these.

SPEAKER_05 37:41

Yeah, he's got thousands of them. What are the odds?

SPEAKER_02 37:44

I suppose that's giving the twice of feet.

SPEAKER_05 37:53

He thought it was contact bridge.

SPEAKER_02 37:56

Shut up on the card.

SPEAKER_05 37:57

Yeah, you gotta scroll up a mother, you know?

SPEAKER_14 38:00

Full contact bridge.

SPEAKER_02 38:11

Oh he's looking at her. I think that's hard.

SPEAKER_22 38:20

I saw what he did.

SPEAKER_17 38:28

Yes.

SPEAKER_13 38:32

They were all in the like early twenties when they did this stuff, weren't they? Yeah. Twenties and thirties, yeah.

SPEAKER_17 38:38

I can't remember.

SPEAKER_22 38:43

No, I don't want that one. Yeah, that yeah, that's no, you can have this one. I don't want it.

SPEAKER_14 38:58

How many cards are in this game?

SPEAKER_19 39:01

I've all of them. All of them.

SPEAKER_02 39:07

You have I did one thing.

SPEAKER_05 39:11

I have anything. One clock.

SPEAKER_02 39:19

I don't understand this kind of thing.

SPEAKER_19 39:26

You bid four spades, eh?

SPEAKER_02 39:29

Why I haven't a spade in my hand.

SPEAKER_05 39:31

Alright, we got him.

SPEAKER_02 39:33

There's something wrong here. I want you to blow the spiding.

SPEAKER_05 39:37

Oh, hey, she wants to start him off again to fit it. He bits one.

SPEAKER_02 39:41

One? One more?

SPEAKER_19 39:43

That's all right, you'll find out.

SPEAKER_02 39:45

But we have to do one bidding.

SPEAKER_05 39:47

We tell you hey, now I think.

SPEAKER_02 39:50

Too hot.

SPEAKER_05 39:50

Uh two of the same heat bits. Now the bidding's over. See? That's enough bidding. Uh your leader. Oh no, you can't leave that.

SPEAKER_02 39:59

Why not?

SPEAKER_05 39:59

Why we can take it.

SPEAKER_02 40:01

Well, what should I need?

SPEAKER_19 40:06

Very good.

SPEAKER_14 40:07

Oh, choose your own.

SPEAKER_19 40:13

You trumpet?

SPEAKER_05 40:17

That's what you call up for that. You trumpet. No space fine. No space. Right.

SPEAKER_17 40:29

All right. There's another less card.

SPEAKER_14 40:40

Your cards are all lovely.

SPEAKER_05 40:43

Dummy leads. The dummy leads. I'm not sure.

SPEAKER_13 40:49

The dummy leads. I'm not the dummy.

SPEAKER_05 40:53

I'm not the dummy leaders.

SPEAKER_19 40:59

That's better.

SPEAKER_06 41:03

Lord.

SPEAKER_22 41:04

Another one. They're good at like drawing things way out in these old movies, it seems.

SPEAKER_13 41:12

Oh yeah. Oh yeah. Oh yeah. I guess if you mark others.

SPEAKER_22 41:16

I guess if you played bridge, it might be fun. So I yeah.

SPEAKER_11 41:20

Hey, it's just a big thing. Well, in the 30s, everybody played bridge.

unknown 41:23

Yeah.

SPEAKER_17 41:24

It doesn't even look like they're playing bridge. It looked like they're playing rummy.

SPEAKER_14 41:30

Or they're just picking it up as they go along.

SPEAKER_17 41:32

I think so.

SPEAKER_19 41:36

Hey, you're taking the ladies' shoes, eh?

SPEAKER_22 41:45

Great camera work there. Oh, and the sound is the sound effects are pretty good. What the hell?

SPEAKER_17 41:54

I think I think it's supposed to be thunder and lightning for.

SPEAKER_13 42:01

Who knows? And shovels. And a gas can.

SPEAKER_22 42:10

Silence. Silence of the markets. Huh?

SPEAKER_19 42:18

All right, all right, I'm not going to be able to do that.

SPEAKER_17 42:20

There's a place to hide.

SPEAKER_22 42:22

I mean, it makes sense to me. Hey, okay, go. It is, actually. Is that how you always find things?

SPEAKER_05 42:32

I've got to find in the dynamics of pineapple.

SPEAKER_19 42:36

Where's the flesh? Flesh. That's a flesh. Flesh. That's flesh. Flesh. Yeah, that's flesh. That's a fish. And the one fish, no fish. Fish. Flesh. Flesh. Oh, stop it. This like crazy.

SPEAKER_05 42:54

When you go out in the night time, you gotta have it a flesh.

SPEAKER_19 42:59

Flesh. That's a flesh. Flesh. When you wanna see somebody, I have a flesh. It's a flit. That's a flush. What I gonna do with the flush? A flesh. A flitz! That's a flitz. What are you doing? What do you got, sir?

SPEAKER_04 43:15

Yeah, Robert's uh, what do you call a fruits? All you got is a fish and fruits and a flitz and the fruits and the flitz and the fruits and the flitz and the fruits and the flits.

SPEAKER_19 43:22

Stop this! Where's the flesh?

SPEAKER_05 43:26

Look, when everything is a light and you want to make them a dark, what do you do? Yeah, you crazy and knowing around blackjack. That's my mistake, I guess. When everything is uh uh dark and you want to make them a light, yeah, that's the place.

SPEAKER_19 43:41

That's a place. That's a place.

SPEAKER_05 43:49

Hey, that's a good, all right. The storm put the lights out. Now nobody can see what we do, that's a fine man. Where's the flesh?

SPEAKER_19 43:57

Where's the flesh? I don't want to fresh. No proof. No proof. What's the matter for you?

SPEAKER_05 44:07

Before the people.

SPEAKER_22 44:13

Look at it. It's the university they went to.

SPEAKER_19 44:16

All right, all right. Never mind. Come on. We're waiting for it.

SPEAKER_13 44:20

No, that was a stage light. We picked up a stage light and was looking for the flashlight.

SPEAKER_19 44:31

Oh no. I know where you are. All right.

SPEAKER_17 44:41

Sounds like a mouse.

SPEAKER_02 44:44

Where are you? Put the lights out.

SPEAKER_04 44:52

You wouldn't get much enjoyment out of that. Well, I don't know what you are going to do, but I'm going to take a nap. Make it three times.

SPEAKER_02 45:14

Did you hear that? There's somebody over there. I think there's somebody over there.

SPEAKER_04 45:20

Don't be silly. Anybody over there? I don't see anybody. There you are. We'd see him, wouldn't I?

SPEAKER_13 45:32

The lights are out.

SPEAKER_04 45:34

Is it, Captain? What is it? You know what I think? I think you got roaches.

SPEAKER_17 45:40

Uh oh. Maybe they need a motel for that.

SPEAKER_04 45:45

No, I don't know.

SPEAKER_14 45:46

Very heavy roaches. Yeah, she's got roaches, all right.

SPEAKER_04 45:49

And the biggest one has got asthma. What are they doing with the big roaches?

SPEAKER_14 45:59

They're taking it to the banana plantation anyway. So let's go.

SPEAKER_19 46:03

Hey.

SPEAKER_14 46:04

Well, the pineapples to process.

SPEAKER_19 46:05

Alright, but we get to the picture. Oh, we made all the wood assembly. Come on, let's go. Get out of it.

SPEAKER_22 46:11

Okay, let's fold up that old baby. They made a lot of assembly.

unknown 46:14

Come on, come on.

SPEAKER_19 46:17

Oh, that's the bomb, man. Come on, let's go this way. I think it's a lot of ribbons.

SPEAKER_13 46:24

That makes no sense. Tomato.

SPEAKER_06 46:28

California.

SPEAKER_13 46:29

You notice it never like drizzles to movies? No, it never drizzles. It just downpours. They had technology. And the doors closed automatically.

SPEAKER_11 46:45

Uh-oh. I love this monologue. I love it. I love it so much.

SPEAKER_04 46:49

I'm going to tell you what that great, mysterious, wonderful continent known as Africa. Africa is God's country, and he can have it. Well, sir? We left New York drunk and early on the morning of February 2nd. After 15 days on the water and six on the boat, we find on the shores of Africa. We once proceeded 300 miles into the heart of the jungle where I shot a polar bear. This bear was six foot seven and is cracking bean on his shoes and just catch him just a moment.

SPEAKER_02 47:17

I almost thought the polar bear lifted the frozen knot.

SPEAKER_04 47:20

Oh, you did. Well, this bear was an evening and he couldn't stand a cold climate. He was a rich bear and he could afford to go away in the winter. You take care of your animals, and I'll take care of the animals.

SPEAKER_17 47:31

I guess the polar bears with climate churches.

SPEAKER_04 47:35

The first morning saw us up at six. Breakfast and back in bed at seven. This was our routine for the first three months. We finally got sold, we were back in bed at six days. One morning I was sitting in front of the cabin smoking some meat. Yes, that wasn't a cigar store in the neighborhood. As I say, I was sitting in front of the cabin and I banged six tiger. I begged them, I I beg them to go away. They were the most persistent tiger. The principal animals that are happening in the African jungle are moose and elks and nights of pitiful. Of course, you won't know what a moose is. That's the big game. That was the biggest game we had. As I say, you won't know what a moose is? A moose runs around to the floor and eats cheese and is chased by the cat. The elks, on the other hand, live up in the hill. And in the spring they come down for their annual convention. It is very interesting to watch them come to the waterhole. And you should see them run when they find out there's only a water hole. What they're looking for is alcohol. One morning I have an elephant minor chamber. Then we try to remove the tusk.

SPEAKER_16 48:43

Yeah.

SPEAKER_04 48:43

The tusks. That's not so easy to say. We try that sometimes. My name is Pauling. I've always wanted to meet you at the channel.

SPEAKER_14 48:52

As I say, we try to remove Josh.

SPEAKER_04 48:54

They were embedded in so finally that we couldn't bice them. Of course, an elephant, the Tuscaloosa. But uh that's entirely irrelevant of what I've been talking about. We took some pictures of the native girls, but they weren't developed. But we're going back again in a couple of weeks.

SPEAKER_01 49:12

Three cheers for Captain Spolding. Three cheers for Captain Spolding. Three cheers. No one else. Three chairs.

SPEAKER_17 49:20

I see what they did there. Three chairs.

SPEAKER_02 49:28

And now, friends, Signor Ville. We don't black just at the piano. Signor of Ville.

SPEAKER_04 49:36

Signor of Ali's place selection movies. Somewhere my love lies sleeping with a male chorus.

SPEAKER_14 50:32

If I'm doing correct, not bad math, Harpo was forty-two in this movie. Oh wow.

SPEAKER_22 50:39

Forty-two?

SPEAKER_14 50:40

Yeah, born eighteen eighty-eight.

SPEAKER_22 50:43

Yeah.

SPEAKER_19 50:51

I can't think of the finish.

SPEAKER_18 50:55

That's right, but I can't think of anything else.

SPEAKER_19 51:00

And all I think, I think I went past it. Well, if you come around again, come on. I once kept this up and see.

SPEAKER_04 51:08

Like a carousel. You wouldn't consider a hush money, would you? About time. Play the song about Montreal. Montreal. I'm a dreamer, Montreal.

SPEAKER_05 51:26

I don't know that. I tell you what I do. I play you one of my own compositions by Victoria.

SPEAKER_04 51:31

Make it short.

SPEAKER_13 52:24

I see. Yeah. This would be his thing. This was his. This was his. Yeah. He did something like this in every movie.

SPEAKER_17 52:32

Yeah. He is a very well well uh played pianist and composer. I mean, he yeah. Yeah. There were a couple of his movies that they actually he composed the music music for.

SPEAKER_22 52:44

So he does a little finger dancy thing. I love the I know. Yeah. Like that.

SPEAKER_17 53:04

Oh God.

SPEAKER_14 53:40

Wearing disconnected suspenders.

SPEAKER_04 53:53

The old blue one. What are you for? Let them alone, they may examinate each other. So they come the best thing for either of them. Once for old Purdue.

SPEAKER_13 54:05

And once for old Purdue. Yes.

SPEAKER_22 54:13

Deja vu all over again.

SPEAKER_19 54:17

I was afraid of it.

SPEAKER_04 54:19

Hey, I thought I had to finish. I wish you could.

SPEAKER_17 54:21

I think he forgot. Yours.

SPEAKER_04 54:23

Play the song about the Irish Carapatus. Irish Carapitus. My fate is in your hands.

SPEAKER_13 54:35

A joke that means nothing now. Yeah, right.

SPEAKER_17 54:41

Uh oh. I think he's horsing around.

SPEAKER_13 54:46

This is the suspenders aren't even connected. Yeah.

SPEAKER_16 54:55

Oh no. Okay.

SPEAKER_18 55:04

I've got everything else here. And uh, Mrs. Written Rotten. Uh, Mrs. Rittenhouse.

SPEAKER_20 55:09

Yes, written rotten. I have a little surprise for you.

SPEAKER_04 55:12

The man is here for the piano.

SPEAKER_16 55:13

Oh, Captain.

SPEAKER_04 55:14

No, really, what I meant to say was that uh when I departed from the natives in Africa, I was presented with a little gift. And this gift I'm going to give to you at a very low figure.

SPEAKER_02 55:23

Oh, how wonderful, Captain.

SPEAKER_04 55:24

Well, now don't be waiting to see.

SPEAKER_02 55:27

This is all hands.

SPEAKER_04 55:28

The whole thing was done with the white of an egg. Well, it's overweight, isn't it?

SPEAKER_21 55:34

What is it?

SPEAKER_04 55:34

What is it, you ask? Carlo. The hope chest for a guinea pig. What is it? This magnificent chest is a very big chest. No, this magnificent chest. I now take great pleasure in presenting to you with my compliments.

SPEAKER_02 55:46

Captain, this leaves me speechless.

SPEAKER_04 55:48

Well, see that you remain that way.

SPEAKER_22 55:50

And now, ladies and gentlemen.

SPEAKER_06 55:53

If we will all return to the library, Mrs. Lippenhouse has another, and perhaps a greater surprise for us. This way, Captain.

SPEAKER_13 56:01

Can't be very great. They put it in the newspaper at the beginning of the show. Oh. Right? Well, they haven't seen the newspaper.

SPEAKER_04 56:07

How do you pay out timey wine on the week? Or by the farm?

unknown 56:11

Or buy the five.

SPEAKER_16 56:13

Oh.

SPEAKER_11 56:15

Oh no.

SPEAKER_13 56:18

Oh, he replaced it. So he replaced the fake with another fake. Another fake. Yes.

SPEAKER_02 56:27

And now it's nice to be able to do it.

SPEAKER_20 56:35

No trains will be sold after the magazines leave the depot.

SPEAKER_02 56:47

I told you you were a great artist. Shall we spill the beans now?

SPEAKER_09 56:52

Let's wait a minute. Something might happen.

SPEAKER_02 56:54

I'm sure we'd all appreciate a few words from Mr. Chandler. Who will tell us something of the life and work of the artist Hogar.

SPEAKER_12 57:02

And keep it clean. Uh oh.

SPEAKER_02 57:04

Mr. Chandler.

SPEAKER_06 57:11

My friends? I'm quite sure that you're all familiar with Bogart. And this is perhaps his masterpiece. Isn't it? He has achieved a greatness in the handling of colour and life. Now you will see here that I this is not my picture. This is a rank imitation. What do you mean, that's a channel? Well, you have to see for yourself.

SPEAKER_12 57:32

Uh oh. Gasp. The horse is. All right.

SPEAKER_02 57:36

It is not the guard.

SPEAKER_06 57:38

It certainly isn't. There's a dog missing. There's a dog. I'll throw some light on this subject.

SPEAKER_16 57:48

I ate gracefully, apparently.

SPEAKER_14 57:52

Now I know how to spot a poaching fake. Well, the dog is not a good thing. Yes.

SPEAKER_22 57:59

It's just a poker table. It's not the dog. Oh no. Right now it's gone completely.

SPEAKER_20 58:05

The crooks, the crooks, they are escaping. Follow me, man.

SPEAKER_04 58:08

Never mind the men, just the women.

SPEAKER_18 58:09

Oh heaven.

SPEAKER_02 58:13

You went out of here, so I never thought anything so funny in all my life. That was great. And there goes a roll party. Good old time. Wasn't it funny? What is it? Why you're not afraid, are you, oh no, I'm not afraid.

SPEAKER_08 58:33

Oh, you know. Only you see Well, they were talking of having the police here. And I wouldn't want the police to suspect me.

SPEAKER_02 58:40

Why they wouldn't suspect me.

SPEAKER_08 58:42

Oh, yes, they would. See, well, last time they suspected me. I got four years.

SPEAKER_02 58:49

Give me the painting and I'll take care of it.

SPEAKER_08 58:51

Good.

SPEAKER_22 58:53

They're in cuts.

SPEAKER_13 58:56

I see. That is some architecture, man. Look at the sculpturing on that wall. Oh yeah. Or that column or whatever the hell it is. Why is it even there?

SPEAKER_22 59:07

Oh good heavens, that spiral on the door, where did it come from?

SPEAKER_02 59:10

I'd known that.

SPEAKER_22 59:11

I'm a guest the square spiral.

SPEAKER_17 59:14

Fiberglass.

SPEAKER_03 59:16

A professor?

SPEAKER_17 59:17

I don't think they had fiberglass back then. No.

SPEAKER_02 59:20

We've got to get that picture away from them.

SPEAKER_08 59:23

Might I uh suggest uh some of the case a few drops on a handkerchief it will help.

SPEAKER_02 59:34

You're sure to do this.

SPEAKER_08 59:36

I see uh care to try something?

SPEAKER_13 59:40

I I gave up the the shoe polish a long time ago, but thinking uh I gave up the form cleaner. Yeah. It's my big bottle of poppers.

unknown 59:52

What could have been?

SPEAKER_13 59:53

It's a good one. And they had a lot more sex back then because there was nothing else to do. Why are they still uh dying? A Jacob Flatter. Yeah, I didn't know they had Jacob Slatter. No, not a Jacobs letter.

SPEAKER_14 1:00:06

Um, yeah, the Vandagraft generator. There you go, Vandegraft generator.

SPEAKER_02 1:00:12

It's exciting. Just think. Whoever took it was right in the room with us.

SPEAKER_13 1:00:17

Letter base, by the way. Time for a song. Uh-oh.

SPEAKER_22 1:00:25

Or no singing.

SPEAKER_15 1:00:28

Oh yeah.

SPEAKER_22 1:00:30

Okay, now I want to do the breakdown. Listen to them alone. Grooving beats. You can play drugs dance too. Okay, just not even much more. Saber beats.

SPEAKER_15 1:00:51

I began to wonder.

SPEAKER_17 1:00:53

There's what you could do. You can play beat saver to this song, right?

SPEAKER_22 1:00:56

I I don't think I could beat expert level though. Um why am I so romantic?

SPEAKER_15 1:01:12

Why am I so? When your lips meet mine, that's certainly.

SPEAKER_13 1:01:23

When your lips meet mine, she's got a G.

SPEAKER_17 1:01:29

Ooh, she found her spot. I wonder if it was G.

SPEAKER_13 1:01:35

You don't know. She went past it to H. When I came when I came around again, she got off.

SPEAKER_22 1:01:54

I want her now to break into romance, um, like quite nerdy or something.

SPEAKER_21 1:02:02

When are my sweeper winning paper?

SPEAKER_22 1:02:03

No, maybe that's why.

SPEAKER_21 1:02:13

When your lips touch, touch my done something on steel.

SPEAKER_17 1:02:19

Although it's funny, their lips have not touched at all in the entire song.

SPEAKER_22 1:02:24

This is in the 20s. 30s. In the 20s is a whole whole different thing. Remember that's when the music was at worst.

SPEAKER_13 1:02:37

Now remember when they filmed this, they probably filmed it on a Friday and released it on a Monday.

SPEAKER_14 1:02:52

I mean, the only editing they really did was they're lift done to finally about time. Get some action.

SPEAKER_17 1:03:03

Oh. Behind the bushes on the bandag generator.

SPEAKER_14 1:03:06

The Gigana ball.

SPEAKER_17 1:03:07

That's hair raising. Oh, and here's Harpo's Harpo's harp. Oh, yes.

SPEAKER_14 1:03:13

My, what a big harp you have.

SPEAKER_17 1:03:17

That's what they indicated. The better to string you up.

SPEAKER_01 1:03:20

Oh.

SPEAKER_13 1:03:29

I mean, honestly, all of the harpo, all of the Marx brothers are very, very talented. Oh, yeah. So basically a harp is just a piano on its side.

SPEAKER_11 1:03:44

That's what I always thought.

SPEAKER_13 1:03:47

Yes.

SPEAKER_14 1:03:49

Or a harp's a chord on its side. True.

SPEAKER_22 1:04:02

I don't know why it it just the riveting nature of the song made me feel very evil for a moment there, but I'm I'm better now.

SPEAKER_17 1:04:20

They look so serious while they're strumming the harp.

SPEAKER_22 1:04:25

So this is Harpo's thing, and the other one has the piano and what does the other two have?

SPEAKER_13 1:04:34

Well, the singing you just saw and comedy.

SPEAKER_17 1:04:38

Yeah, yeah. Grou Groucho is more of the slapstick humory type of thing.

SPEAKER_13 1:04:43

Although he can play all these music ones. They were all trained to do all of it. Oh, all of them. Yeah. From a very, very early age. And the Marx family was what, seven or eight brothers and six or seven sisters, but not all of them went into show. Crazy big. Yeah, not all of them went into show business.

SPEAKER_17 1:05:03

Yeah. Because there was like uh Groucho, Chico, Gummo, Harpo, Zeppo, Gumbo Chicken, and Milton and Milton. And Milton. Yes.

SPEAKER_13 1:05:17

Milton was their manager. Yeah, yeah. Wow, he was smoking on that. Oh, wow. Those fingers were flying.

SPEAKER_22 1:05:33

Who needs Eddie Van Halen when you got that? I don't know. Can he do eruption? That's what I want to see. Marvel Marks do eruption on the request.

SPEAKER_13 1:05:53

One handed All right, listeners, listeners, any of you that play the The harp interrupted. It'll be our next musical guest.

SPEAKER_22 1:06:14

I would love to see that after that.

SPEAKER_14 1:06:19

Could you imagine putting a fuzz pedal on a harp? Oh. Ha. He put himself to sleepy. Oh, he's sleepy. Sleepy. Harpo goes night night.

SPEAKER_02 1:06:34

Oh, secret. I've been looking for you all morning.

SPEAKER_05 1:06:38

I was busy all morning.

SPEAKER_02 1:06:40

Senior Bell, you've got to put that painting back.

SPEAKER_05 1:06:42

Feinting. Feinting. What painting? What do you thought?

SPEAKER_02 1:06:44

The one you changed last night, you remember.

SPEAKER_05 1:06:47

Oh, you mean it's a pig?

SPEAKER_02 1:06:48

Yes.

SPEAKER_05 1:06:49

Hey, what's the model for you? First, you want them downstairs. Anyone want them all upstairs? Any one of them downstairs? Anyone. Come on, I'm making open money.

SPEAKER_02 1:06:54

Oh, I do thank you for what you've done, but you've got to get that painting back before the police get here.

SPEAKER_05 1:06:59

Police? Police? Come in. Yeah. Wait, I give it to you. You put it back. Come on.

SPEAKER_14 1:07:05

Ah, we have a plan. Look at the inlay work on that.

SPEAKER_22 1:07:10

What are you doing? It's just a troops. And what is on top of it? It looks like dinosaur rhinoceros. Birdies.

SPEAKER_05 1:07:21

I don't know if you invite the but he's here. Come on, are we finding it?

SPEAKER_22 1:07:24

I think it's a couple of colours. Yeah.

SPEAKER_02 1:07:27

Roosters, huh? Good morning, Mr. Democrat. And how is Captain's faulty this morning?

SPEAKER_04 1:07:31

Oh, he had a very bad night. He didn't sleep a week. He went on horseback riding in the middle of the night.

SPEAKER_02 1:07:36

I'm sorry. Good morning, Captain. Did you enjoy your ride?

SPEAKER_04 1:07:44

Huh?

SPEAKER_02 1:07:45

What in the world are you looking for?

SPEAKER_04 1:07:48

I lost my horse.

SPEAKER_02 1:07:49

Oh.

SPEAKER_04 1:07:50

Slipped right out from between me. I can't understand it. I had my feet in the syrups, too. I don't know. I don't know how he got away. I didn't care about that, but I lost a bit you loan me.

SPEAKER_02 1:07:59

Never mind. I'll get you another bit.

SPEAKER_04 1:08:01

Well, I'll be two bits I owe you then.

SPEAKER_02 1:08:03

Captain, I hope you weren't distressed by last minute's unfortunate cutter.

SPEAKER_04 1:08:07

You mean that dinner you said? No, the painting that was stolen. Was there a painting stolen? I haven't seen a paint in three weeks. Jam, as my secretary, why didn't you inform me there was a painting, Stoler? Why do you think I engaged you boss? Well, Captain, I didn't know it. Well, you should have asked me. I didn't know it. Well, I'm sorry. You're sorry. You're a contemptible cur. I repeat, sir, you're a contemptible cur.

SPEAKER_14 1:08:26

A curse.

SPEAKER_04 1:08:27

If I were a man, you'd resent that.

SPEAKER_14 1:08:28

Curses.

SPEAKER_04 1:08:29

Foil together. I can get along without you, you know. I got along without your father, didn't I? Yes and your grandfather. Yes and your uncle. Yes and your uncle. Yes, and my uncle. Captain! I didn't come here to be exonerated.

SPEAKER_16 1:08:40

Well, did you be exonerated?

SPEAKER_04 1:08:42

Oh, you do, eh? But I'd like to see you crawl out of a rubber piece.

SPEAKER_22 1:08:46

I have a shirt on. The police up here, madam.

SPEAKER_04 1:08:49

Oh, the police. Have the money. Oh, so that's your game. Shut me up. No, you can talk to my attorney. Jamison? Yes, sir. Take it under my lawyer.

SPEAKER_12 1:08:58

I'll show you a thing or two.

unknown 1:09:00

Oh.

SPEAKER_12 1:09:00

Oh, three. Show you a thing or three. Four?

SPEAKER_22 1:09:03

Or maybe four or six or seven.

SPEAKER_12 1:09:06

Sending for the police, eh?

SPEAKER_22 1:09:07

Yeah.

SPEAKER_12 1:09:08

Take another my lawyer. I am taking it. Well, read me what you have so far.

SPEAKER_22 1:09:12

Oh, I'm horrible.

SPEAKER_04 1:09:14

Honorable Charles H. uh hungadunga.

SPEAKER_22 1:09:16

Hungadunga.

SPEAKER_04 1:09:17

Here, hungadunga, hungadunga, hungadunga, hungadunga.

SPEAKER_17 1:09:22

And McCormick. That's very important.

unknown 1:09:24

Yes.

SPEAKER_04 1:09:24

How do you spell some cola? All right, make it a comma.

SPEAKER_17 1:09:29

How do you spell some columns? Charles H. Hunger.

SPEAKER_04 1:09:34

Gentlemen, question mark. Do you want that uh in the letter? Yeah.

SPEAKER_16 1:09:41

Put that in the number.

SPEAKER_07 1:09:45

In radio of the fifth inst, yours to hand, and bake to repets. That uh we have gone over the ground carefully, and we seem to believe, i.e., to wit, e.g., in room that uh despite all our cautionary measures which have been involved, uh we seem to believe that it is hardly necessary for us to proceed unless we uh receive an ipso facto that is not negligible at this moment.

SPEAKER_04 1:10:14

Quotes unquote, of course. Hoping this finds you, I beg to remain. Well, let him worry about that. Don't be so inquisitive, Jamison.

SPEAKER_07 1:10:26

Sneak.

SPEAKER_04 1:10:27

I say, hoping this finds you, I beg to remain as of June 9th, cordial yours regards. That's all, Jamison. I'll show you where I get off, selling for the police.

SPEAKER_12 1:10:37

Now read me started, Jamison.

SPEAKER_06 1:10:39

Honorable Charles H. Hungadonga. Hungadonga. Hungad. Hungadonga.

SPEAKER_04 1:10:45

That's it. You've left out a hungadonga. You left out the main one, too.

SPEAKER_22 1:10:55

It's the main one, it must be the hungry one.

SPEAKER_13 1:10:59

Oh no. All right, I'll leave it out. It's going out of there. Uh on the top there.

SPEAKER_04 1:11:05

Make it uh make it three wind feel white, but it's one home. They won't all be there when the letter arrives anyhow.

SPEAKER_17 1:11:10

No. Yeah.

SPEAKER_04 1:11:17

Put it on the pen ultimate, not on the depth. Maybe. Well, get a Greek and brush up on them. In ray, yours of the fifth pins.

SPEAKER_20 1:11:26

I see.

SPEAKER_04 1:11:27

Now, uh you said a lot of things here that I didn't think were important, so I just omitted them.

SPEAKER_17 1:11:33

Okay. Okay. There's a way to take dictation. With beatings.

SPEAKER_04 1:11:42

Oh, you've just omitted them, eh? You've just omitted the body of the letter, that's all. You've just left out the body of the letter, that's all. Yours not the reason why, Jamison. You've left out the body of the letter. All right, then you come the body of the body. Do you want the body in brackets? No, it'll never get there in brackets. Put it in a box. Put it in a box and mark it uh for gilly.

SPEAKER_17 1:12:07

For gilly. Gilly. That's very important.

SPEAKER_04 1:12:10

Market for Gilly. F-R-A-G.

SPEAKER_17 1:12:13

Fragile.

SPEAKER_04 1:12:14

Look at the gilly quote in the dictionary. Look under fragile. Look under the table if you don't find it there.

SPEAKER_11 1:12:20

All the finest things are.

SPEAKER_04 1:12:21

Popes on pulpes and quotes. That's three quotes? Yes, sir. Add another quote and make it a gallon. How much is it a gallon, Jamison? Regard. Regard. That's a fine letter, Jamison. That's an epic. That's there. Now I want you to make two carbon coffee and throw the original away. And when you get through it, I throw the carbon copies away. Just send a stamp. Anyway, that's all. You may go, Jamison.

SPEAKER_03 1:12:40

I may go to the Rittenhouse. Oh. I'm Inspector Hanniston from headquarters. The Popo.

SPEAKER_04 1:12:46

Let me introduce myself. I'm Captain Scotland of Spawning Yard. Now I'm Captain Spawn of Scotland Yard. Please don't make the same mistake again. I'm glad to know you, Captain. Well, I should think you would be. Now then, Inspector, I think between the two of us we can solve the mystery of the stolen painting, especially if you go home.

SPEAKER_02 1:13:00

Inspector, please don't be too hasty about making an arrest. I don't want my guests embarrassed.

SPEAKER_03 1:13:05

Don't worry. We won't arrest anybody. He's lucky if he can stay out of jail himself.

unknown 1:13:10

Mr.

SPEAKER_02 1:13:10

Jamison, would you mind taking the inspector and his men to the library and showing them the scene of the crime?

SPEAKER_09 1:13:15

Certainly, Mrs. Wittenham. Right this way, Inspector. Come on, boys. Wow, God.

SPEAKER_16 1:13:22

Well, there is one painting. It's all down.

SPEAKER_13 1:13:26

That's a whole force.

SPEAKER_16 1:13:28

I didn't know this.

SPEAKER_13 1:13:29

Those hoiti toies get really good.

SPEAKER_04 1:13:32

Right? I didn't know this movie was gruesome and bloody. Where were you on the night of June 5th, 1774? I'm afraid I don't know. You bet you don't know. Where was I? I don't know. Well, I don't know either. And if I didn't know, I wouldn't tell you. Put that in your pipe and smoking. Take a number from one to ten.

SPEAKER_02 1:13:48

All right.

SPEAKER_04 1:13:49

All right. What's the number?

SPEAKER_02 1:13:50

Seven.

SPEAKER_04 1:13:51

That's right. Seven is right. I could have done it with one hand if I wanted. This is no mystery. I can solve this in five minutes if I want to worry.

SPEAKER_02 1:13:58

Captain, I don't want you to worry. I don't want anything to interfere with your weekend.

SPEAKER_04 1:14:03

Nothing ever interferes with my weekend, and I'll thank you. Nothing you've placed from Rittenhouse.

SPEAKER_20 1:14:06

Where's my secretary, James? Oh, no. Where's my secretary?

SPEAKER_02 1:14:10

Captain, you misunderstood me.

SPEAKER_20 1:14:12

A more dacidly crack I've never heard.

SPEAKER_02 1:14:14

Oh, Captain.

SPEAKER_20 1:14:15

I wish I was back in the jungle where men are monkeys.

SPEAKER_02 1:14:17

Captain, I'm so sorry. Oh, Captain. Oh. He's done it now. Good morning. Perfectly charming party. I wouldn't have missed it for the world. It's just full of surprises.

SPEAKER_17 1:14:31

Around everyone.

SPEAKER_02 1:14:32

You're enjoying yourself.

SPEAKER_22 1:14:35

Are they rivals or something? I thought they were lovers, but maybe not.

SPEAKER_07 1:14:39

Good morning. Some breakfast?

SPEAKER_02 1:14:41

Breakfast, nothing.

SPEAKER_07 1:14:42

I still have my shirt on. I watched all night, but the professor did not sleep in his room. And we cooked very strange.

SPEAKER_02 1:14:50

Good heaven's eyes, but what will we do?

SPEAKER_07 1:14:52

Maybe later on I'll wear a hat. Until we see the professor. Oh, you have to have a hat.

SPEAKER_11 1:14:58

Oh my god. Oh, this embodied blanket. Oh. He's sleeping on the other one, too.

SPEAKER_22 1:15:16

Eepy. Nighty night. Quiet.

SPEAKER_17 1:15:21

Oh Nighty Night. Oh. Silly birds.

SPEAKER_07 1:15:29

You keep an eye on him till I get back with a buffle.

SPEAKER_15 1:15:32

Don't worry, you're not gonna put it in the world.

SPEAKER_22 1:15:33

But if it weren't for those dastardly kids or whatever, it goes.

SPEAKER_13 1:15:40

Right? I don't think you can actually treat a painting that way. Oh. No, no, like it'll like a paint.

SPEAKER_16 1:15:46

Yes, it'll crash.

SPEAKER_13 1:15:52

I like pointing at your shirt. See that you are wearing it. I'm touching a button.

SPEAKER_02 1:16:00

Oh hello. I've been looking all over for you. Um is the matter with this? What have you got there? The morning pencils? No, that isn't the one I want. Let me see one of the others. That still isn't the one I want.

SPEAKER_14 1:16:15

It's very fussy. Oh.

SPEAKER_02 1:16:22

Yeah, no.

SPEAKER_13 1:16:26

That's a very uh 1960s sweater. Ahead of its time. I know, right? Wow.

SPEAKER_11 1:16:31

Kinda, yeah.

SPEAKER_02 1:16:32

Don't you like me?

SPEAKER_13 1:16:33

Uh-huh.

SPEAKER_02 1:16:34

You don't.

SPEAKER_11 1:16:35

Time travel is real.

SPEAKER_02 1:16:37

I like little boys like you.

SPEAKER_11 1:16:39

Yes, we do a podcast about it every week.

SPEAKER_02 1:16:42

How old are you? Five years old. Oh, what is Lloyd Ryder?

SPEAKER_17 1:16:49

Uh oh.

SPEAKER_02 1:16:55

Oh, isn't that nice? I like that. Now all joking aside, isn't there someone you do like?

SPEAKER_17 1:17:04

No.

SPEAKER_02 1:17:08

Now think again. Isn't there someone you really and truly love? Isn't there?

SPEAKER_11 1:17:14

Yes.

SPEAKER_02 1:17:16

Tell me who.

SPEAKER_11 1:17:21

His horse, of course.

SPEAKER_02 1:17:23

Why that's a horse. You love a horse.

SPEAKER_22 1:17:28

Oh the shirt guy chloroform. Come on, I gotta go to the room.

SPEAKER_17 1:17:42

He tried to put his legs up. I did it.

SPEAKER_22 1:17:50

That's pretty good. Tolerance. I'm still waiting for Bambi to show up.

SPEAKER_17 1:18:01

Bambi comes in like another ten years.

SPEAKER_10 1:18:21

Well, I'd be looking all over for you. I just found a painting out on the terrace.

SPEAKER_02 1:18:24

Was it the Bogard?

SPEAKER_10 1:18:25

No.

SPEAKER_02 1:18:26

Oh, yours. Shh, quiet.

SPEAKER_14 1:18:28

Uh oh. We're hunting Webbits.

SPEAKER_02 1:18:30

Well, if it's not yours and it's not the Bogard, whose is it? Where did it come from?

SPEAKER_09 1:18:34

Well, don't you see? Someone else came along and substituted it for mine, thinking they were getting away with the original Bogard.

SPEAKER_02 1:18:40

Somebody swiped my scheme, eh?

SPEAKER_22 1:18:42

He's a Jackie Chan. Look at that.

SPEAKER_02 1:18:44

And Channel never saw your page.

SPEAKER_22 1:18:45

I totally saw that in Jackie's. No lines either.

SPEAKER_02 1:18:51

Where is this teacher?

SPEAKER_22 1:18:52

It's up in my room.

SPEAKER_02 1:18:52

Well, you go get it, and I'll get Captain Spawn.

SPEAKER_11 1:18:58

No, he's got a wicked bottom. Oh, we can. Oh.

SPEAKER_16 1:19:03

Hmm.

SPEAKER_22 1:19:04

Hmm. How dapper of him. Maybe I'll find him later.

SPEAKER_04 1:19:11

Well, that's very interesting.

SPEAKER_18 1:19:12

What's the alien?

SPEAKER_04 1:19:18

Now don't worry. Let me work in this case for 24 hours and then we call in somebody else. You think it's a mystery now? Well you see it tomorrow. Remember the Charlie Ross disappearance? I worked in that case for 24 hours and they never did find him. They couldn't find me for five years. That's me, Captain Yard of Scotland Sporting. I always get my women or painting. Arabella! Arabella, can you imagine what's happened? You know that painting I found?

SPEAKER_16 1:19:37

Yes.

SPEAKER_04 1:19:38

Well, it's been stolen from my room.

SPEAKER_16 1:19:39

John!

SPEAKER_04 1:19:40

There you are. I haven't been on the case five minutes, and it's another painting gone. I bet it's not even five minutes. I bet it's not over three. Oh no. Now they've got my watch. This is going too far. It wasn't going and now it's gone. That's a door to my. I used the key.

SPEAKER_02 1:19:53

Well, how could they get in? Who could it have been?

SPEAKER_04 1:19:55

Wait a minute. I think I've got a clue. No, it's a hare. A red hair. Oh.

SPEAKER_02 1:19:59

The professor? Oh no, no.

SPEAKER_04 1:20:02

It's the red hairy. Well, he's been picked out this month by the crook of the Mun Club. Anyhow, we'll investigate it. Uh-oh. Tuxie? You know, Dr. Hennessy, don't you? Inspector. Inspector yourself. Now listen, you know that little red-headed fella, the professor? Gang of flags?

SPEAKER_03 1:20:19

He's got a curly tongue. Come on, boys. Flagpole sitters.

SPEAKER_20 1:20:28

Hey, what the fuck are you doing?

SPEAKER_04 1:20:34

Those poor babies. This is it. This is it, but which one is it?

SPEAKER_08 1:20:38

The one that was just taken from my room.

SPEAKER_04 1:20:40

Oh, we've got that back. Maybe I got my watch back. Now the father's gone. Well, I I still got the pocket. For now. Anything I retain now is velvet. Except the coat that prints out. Well, all the jokes can't be good.

SPEAKER_08 1:20:55

If we could find the fellow that painted this picture, well, we'd have a pretty good clue. What do you say? I said if we could find the fellow that painted this picture, we'd have a pretty good clue. We just said that.

SPEAKER_04 1:21:05

What a dull conversationalist you turn out to be. Let me see that a minute, will you? Say this assigned Bogard. There's the criminal Bogard.

SPEAKER_16 1:21:14

No, Bogard!

SPEAKER_04 1:21:16

No, no, a murder. Now we've got something. What do you got, Kat? I got Jackson Aces. What do you got? That's good. I was bluffing. Look at this, Rebelli. Isn't there something that strikes you very funny about this picture? Oh, come, come. It isn't as funny as all that. Did you ever see a tree like that? Tree? That's a spinach. That can't be spinach.

SPEAKER_05 1:21:38

Well, it could be spinach. Look all the sand laying around there.

SPEAKER_04 1:21:40

You mean it's an old spinach lesson? No, it's anything but that. No, Cap, that's all right. It's my mistake. You know what that is? That's a coleslaw. Coleslaw? Yeah, it's a coleslaw. Did you ever see a coleslaw like that? I don't want any of lip note. Did you ever see anything like that? Did you ever see anything like that? You know what this is? This is a left-handed painting. Look, there's a signature. That's right. It's in the right-hand corner. That's right. This is either a left-handed painting or a vegetable dinner. Now, if we can find the left-handed twist in the painted this, we'll have the trial of Mary Dugan with sound.

SPEAKER_19 1:22:10

Well, I saw that.

SPEAKER_04 1:22:11

Goodbye. Now, uh, you wait here. I'm gonna need you. Now look, we mustn't lose this. This is evidence. Now take it to your room and leave the door open for time. What if you guys not a word about this to anybody, not even to me. Renati, we have got to find the left-handed painting. Yes, you look down. Now, in a case like this, the first thing to do is to find the motive. You gotta get away. Now, what could have been the motive of the guys that swipe the bogard?

SPEAKER_16 1:22:35

I got it.

SPEAKER_04 1:22:36

Ah, good one. Would you mind going out and crossing the boulevard when the lights are against you?

SPEAKER_05 1:22:41

See, Cap, sit down. You understand I got an idea how to find this painting. In a case like this, that's so mysterious, you gotta get it to clues. You gotta use it to the Sherlock Holmes amendment. Now you go about them like this. You say to yourself, what happened? And the answer comes back, something was stolen. Then you say to yourself, what was stolen? And the answer come back, inconceivable.

SPEAKER_12 1:23:05

What are you, a ventriloquist?

SPEAKER_05 1:23:08

Now you say to yourself, where was this painting stolen? And the answer comes back, in this house. Now so far I'm right, huh?

SPEAKER_12 1:23:16

Well, it's pretty hard to be wrong if you keep answering yourself all the time. That's true.

SPEAKER_05 1:23:20

Now you go a little further and you say to yourself, who stole the painting? This is a very, very important question, Captain. You get to the answer, you got to the solution to the whole thing.

SPEAKER_12 1:23:29

Especially if you find the picture.

SPEAKER_05 1:23:31

Now you take all of the clues, you put them together. What do you got?

SPEAKER_14 1:23:35

Red footing. Now, just hungry now.

SPEAKER_05 1:23:37

Something was stolen. Stolenwhere into this house. Stolen by who? Somebody in the house. Now to find the painting, all they gotta do is to go to everybody in the house and ask them if they took it.

SPEAKER_04 1:23:47

You know I could rent you out as a decoy for duck hunters?

unknown 1:23:50

What?

SPEAKER_04 1:23:50

You say you're gonna go to everybody in the house and ask them if they took the painting. Suppose nobody in the house took the painting. Go to the house next door. That's great. Suppose there is only a house next door. Well, then, of course, we gotta build one. Well, now you're talking.

SPEAKER_05 1:24:05

What kind of a house do you think we ought to put up, huh? Yeah, well, I tell you, Cap. You see, my idea of a house is something nice and a small and comfortable.

SPEAKER_04 1:24:12

That's the way I feel about it. I don't want anything elaborate, just a little place that I can call home. Otherwise, I won't be there for dinner. I see. You just want a telephone booth. No, in that case, I'd get in touch with Chick Sales.

SPEAKER_05 1:24:24

Now, what do you say? Uh, what do you say, Cap, we build right about here?

SPEAKER_04 1:24:27

Here? Yeah, right about here. Oh, uh, I'd like something over here if I could get it. I don't like Junior crossing the tracks on his way to reform school. I don't like junior at all, as a matter of fact. All right, all right.

SPEAKER_05 1:24:38

We got something over there, and believe me, that's a convenient. Oh, that's a very convenient. Well, look, all you gotta do is open the door, step outside, and there you are.

SPEAKER_04 1:24:47

There you are. Yeah. That's I'll be right back. There you are, where? Outside.

SPEAKER_14 1:24:51

True.

SPEAKER_04 1:24:51

Well, suppose you want to get back in again. You had no right to go out. Well, don't do anything until I hear from you, will you? Say, maybe that's the painting down in the cellar. That's no cellar. That's the roof. That's the roof? Down there? Yeah, you see, we keep it the roof from the basement. So when the rain falls, the chimney don't get it. That's uh I'm going out and get x-rayed. I'll be back in a little while. I may be wonderful, but I think you're wrong, Rebelli. Yeah, wait, don't get them excited. Come here. Now look.

SPEAKER_05 1:25:17

Here's the rooms. Those are the rooms. Yeah, right there's the rooms. This is your room, this is my room, and this is the maid's room. Oh, I'd have to go through your room? Ah, that's all right. I won't be in it.

SPEAKER_04 1:25:32

Say, Rebelli, you uh you couldn't put the maid in your room, huh? What makes you think I couldn't? Well, there's going to be a lot of traffic in there, I can see that.

SPEAKER_05 1:25:41

Well, what do you say? You're ready to sign the lease?

SPEAKER_04 1:25:45

Well, it's a little premature. I like to discuss it with my husband. Could you come back this evening when he's over here?

SPEAKER_05 1:25:50

It is pride, broken.

SPEAKER_04 1:25:51

Well, I've got a good one as because you are.

SPEAKER_05 1:25:52

All right, get me one.

SPEAKER_04 1:25:54

Don't get vulgar, Rebelli. Rebelli? How about the painting? Oh, we take care of that all right.

SPEAKER_05 1:25:59

Now I tell you where my idea is. I think the kitchen should be white, outside the green, inside of Sarissa, with a. All right, what do you think I talk?

SPEAKER_04 1:26:08

That's a painting, the kitchen white outside the green, inside of Ceresa. The painting, the painting that was stolen. Stolen? Don't you remember Mrs. Rittenhouse lost a valuable Bogart oil painting worth $100,000? Don't you remember that? Wow. No, I'm a stranger around here. I don't remember that. Well, what do you think I am? One of the early settlers? Ravelli, don't you remember Mrs. Bogart lost a valuable house oil painting worth $100,000? No, I've seen you someplace before.

SPEAKER_08 1:26:36

Well, where I was, but I'll stay out of there in the future.

SPEAKER_05 1:26:39

Hey, Cap! They come to me like a flash. This painting wasn't stolen. Ha! You know what happened? This painting cap is a disappearance. And yes, it disappeared. And you know what makes it disappear? You'll never guess, Cap. What do you think makes this training disappear, huh? Martz. Morts. Mort either. Left-handed moss. Left-handed.

SPEAKER_14 1:26:58

Yes. I would do it.

SPEAKER_20 1:27:01

Go away. Go away. I'll be all right in a minute. Left-handed Mortz ate the painting, eh?

SPEAKER_04 1:27:06

Yeah, it's my own solution. I wish you were in it.

SPEAKER_20 1:27:09

Left-handed Mortz ate the painting.

SPEAKER_16 1:27:12

You know, I thought I'd have a parachute if I thought it wouldn't open. Wow.

SPEAKER_19 1:27:16

Hey, I got parachutes.

SPEAKER_04 1:27:21

Come on, let's get on and get the reward. We solved it. You solved it. The creditor's all yours. The painting was eaten by a left-handed mortgage. Hey, you know, we did a good day's boy. How do you feel, Tired? Maybe you ought to lie down for a couple of years, huh? Why don't you just lie down to rig a motor says here? Yeah, it's a look, Rebelli. I'll show you how we get the painting. Yeah. We'll go to court and we'll get out of rid of habeas corpus. You're going to get rid of what? Oh, I should never have started that way. I can see that. I say, I say we'll go to court and we'll get out of rid of habeas corpus. Yeah, it's a corpus. It's a corpus. Didn't you ever see a habeas corpus? No, but I see habeas Irish rose.

SPEAKER_13 1:28:00

Borgorly. They're always running around going to the pool.

SPEAKER_02 1:28:04

Why don't you go down to the lake or whatever it is? I'm sure you'd feel better.

SPEAKER_06 1:28:07

If I had my Bogor, I'm sure I would feel better.

SPEAKER_02 1:28:10

Oh, but we're doing everything we can. Mrs.

SPEAKER_06 1:28:13

Rittenhouse, Mrs. Rittenhouse, I have it.

SPEAKER_02 1:28:15

The Bogot! Wonderful!

SPEAKER_06 1:28:16

My Bogot! Wait! This is not my Bogot, this is a fancy. Why in Mr. Candlestick, madam?

SPEAKER_14 1:28:25

With the candlestick.

SPEAKER_06 1:28:26

Something is certain. Yes. The man who made that pull the bogarth. Fine, Mr. Popper. Not in front of you.

SPEAKER_03 1:28:32

Secondly, madam. Wait a minute. My men will bring him in. He only brought uh one fourth of the meat with him.

SPEAKER_17 1:28:40

Maybe they got lost in the room.

SPEAKER_11 1:28:41

They're still in the room out with the girls in the pool.

SPEAKER_14 1:28:43

Oh, they're up in that room. Let's put the shoe polish. Man, he must do that shit a lot. Do you like my new dress?

unknown 1:29:07

Mr.

SPEAKER_02 1:29:07

Parker, something very mysterious hasn't been. And I'm afraid you're the only one who can explain.

SPEAKER_10 1:29:12

I'd be only too glad to if I can.

SPEAKER_03 1:29:14

Nothing mysterious about it. We found this in your room. Now what have you done in the original Boveguard? Come clean. Come on out to this.

SPEAKER_02 1:29:20

Really, I think it would be worse.

SPEAKER_03 1:29:21

Well, I have nothing to say. Except that I don't know where the Boveguard is. Come on, you've got a compensation.

SPEAKER_02 1:29:28

You can't take him in a bit.

SPEAKER_22 1:29:56

Oh cross dressing, yeah?

SPEAKER_17 1:29:59

He's got it upside down.

SPEAKER_04 1:30:01

He's either got that suit on upside down or there isn't. I don't know what.

SPEAKER_02 1:30:07

Oh, Captain, what shall I do? They're going to arrest John.

SPEAKER_04 1:30:11

Who's going to arrest John? Oh, you are, eh? Well, let me tell you something. The first thing they teach you with Scott and Yarn is never to arrest an innocent man. But he's not innocent.

SPEAKER_03 1:30:18

I don't have to arrest him just to save. By all means, don't let me know.

SPEAKER_02 1:30:23

You can't arrest him. I told him.

SPEAKER_03 1:30:25

Don't let him draw officer. I did it. I did it.

SPEAKER_04 1:30:29

I did it with my little hat.

SPEAKER_05 1:30:30

He's a crazy crazy. I caught a fresh idea. Maybe nobody told the fancy. Maybe there wasn't no fancy.

SPEAKER_04 1:30:36

That's right. Maybe there was no painting. I saw it.

SPEAKER_03 1:30:45

You took the picture?

SPEAKER_06 1:30:53

That is my book. No, that isn't your bugger. Don't be ridiculous. I think a hundred thousand dollars for the training. I know what I want. Look at the signature.

SPEAKER_17 1:31:08

Oh god, here we go.

SPEAKER_06 1:31:13

That is my book! That is the bull guard, I tell you. There it is. Ah, but that one. That is the color. The death. The soul of the bug. Oh no, but you start painting like that. You mean to tell me that you painted that? Yes, sir. Why, young man, you're a genius! You're a genius. I commission you painting portraits of me immediately. Well, you better make waiting for tomorrow.

SPEAKER_01 1:31:37

I'm gonna be busy all day.

SPEAKER_03 1:31:41

You better come with me, young fellow. I'm taking away off the same. I don't know what I mean. You're running around with the wrong people. I can have the mic. Waiting to hear yourself on the air. God knows it. And I can see my light burning.

SPEAKER_04 1:32:27

Burning in the window.

SPEAKER_14 1:32:34

It is a big code. It is?

SPEAKER_17 1:32:37

Oh my god.

SPEAKER_22 1:32:42

Right?

SPEAKER_17 1:32:42

Right.

SPEAKER_22 1:32:45

Oh you I can't understand why delaying that code.

SPEAKER_03 1:32:53

Oh well, you certainly surprised me. Me too. I thought he had more than that. Oh, he was giving you an advice.

SPEAKER_01 1:33:15

Hey, what's the idea?

SPEAKER_18 1:33:20

Oh no, no, not to anybody. Oh, to think that I'm gonna go.

SPEAKER_11 1:33:30

That leg that's hard.

SPEAKER_17 1:33:36

Oh god, where are you? Oh dang. Now everybody is out.

SPEAKER_14 1:33:43

He's a serial etherite.

SPEAKER_13 1:33:45

Oh, but he's taking her. She fell on a pillow, that was nice.

SPEAKER_14 1:33:50

Ah, okay.

SPEAKER_11 1:34:06

And it was all a dream.

SPEAKER_17 1:34:07

Yes.

SPEAKER_11 1:34:09

Oh wow.

SPEAKER_17 1:34:10

Well he wore exciting. And we survived.

SPEAKER_22 1:34:15

But he wore his we never saw him wear his sequel to God's hat. With the animal crackers inside. That's the sequel. The hat or no.

SPEAKER_11 1:34:31

He was a butlers. It was a butler. Butlers don't wear hats. They're double.

SPEAKER_17 1:34:37

You know, they didn't even serve any 2-5 days, so the animal crackers could not be in the street. That's true.

SPEAKER_13 1:34:41

That's very true. Very true.

SPEAKER_17 1:34:44

Next episode, Shirley Temple.

SPEAKER_13 1:34:46

No, no. At the end of season seven, we'll do another movie out of that.

SPEAKER_16 1:34:52

Yay.

SPEAKER_13 1:34:53

Alright, listeners. We know you have a choice of podcasts and we love that you choose to listen to ours. Remember, you can support the show on Fuzzrout or through Patreon for a still list $3 a month. If you become a supporter on Fuzz Scrout for $5 a month or more, you will receive early access to the podcast release, which you can listen to on Fuzz Prout. Typically, this would be about three days or sooner before release. Like this one that's gonna go out very soon. Every little bit keep the likes on, or if you listen on YouTube, why not hit that subscribe button? You can send us an email at fairly forcasting. Oh wait a minute, I got something special for this. You can send us an email at fairlyfurcasting at gmail.com.

SPEAKER_20 1:35:34

Oh yeah!

SPEAKER_13 1:35:35

Or finally you can send us a fan mail on Bud Sprout where you can send a text mess a text message or a voicemail. We can send a text message too, but I wouldn't get it. We promise to respond next. And why not join our BFFT listener telegram chat, be in the know and chat with the staff and other listeners? We hope that you tuned in to watch and enjoyed this little experiment. Thanks to all the staff at Intro Nerd Podcast Network and to all the furries out there. We want you to move our fluff, everyone, every fur, stay furry, and um next week we will be back with season seven, episode one. Say goodbye, everybody! Bye bye, everybody everybody everybody fluff.

SPEAKER_00 1:36:31

Barely Furcasting is an injured nerve studio production, and it's found on all major podcast platforms. The furcast is produced, recorded, and directed by Barely Normal, aka Mike Beegan, and is edited by Barely and Associate Producer Rain Raccoon. Opening and closing music, as well as some interstitial music, was created for injured nerves productions for the use on the podcast by Reg Day with Damian Tanaki. Other interstitial and background music is from the YouTube free use library and epidemic sound. If you would like to send us a message, you can do so via email at barelyfurcasting at gmail.com or on our telegram chat at the FFT chat, on Twitter, on our Facebook page, or on the barelyforecasting.com webpage. You can help support the show through donations at Buscrout or through Patreon at patreon.com forward slash barely forecasting. Thanks for listening. We hope you return to listen again. Moo Bark Fluff Everyone.