Thinkery & Verse present

S03 E01: Introducing 'Ghost Hunt' -- A visit to Lake Hopatcong

January 03, 2022 Thinkery & Verse Season 3 Episode 1
S03 E01: Introducing 'Ghost Hunt' -- A visit to Lake Hopatcong
Thinkery & Verse present
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Thinkery & Verse present
S03 E01: Introducing 'Ghost Hunt' -- A visit to Lake Hopatcong
Jan 03, 2022 Season 3 Episode 1
Thinkery & Verse

Welcome back to another season of That’s How the Story Goes, this time: Ghost Hunt edition. I’m your host, Erin Bogert, and in this ten episode series, I will be bringing you short radio plays through which the events of the Hall-Mills murders of 1922 will be brought back to life, so to speak.

Now, if you’re new here, don’t worry, because before we really begin, I want to spend just a little bit of time going back to the beginning. So let’s start with the Hall-Mills murders.

In the early 1920s, in New Brunswick, NJ, Reverend Edward Hall and choir singer Eleanor Mills were having an extra-marital affair. Police would later discover that there were few members of their church--the church of Saint John the Evangelist--who were not aware of the torrid romance occuring in the tiny Episcopal parish. In September of 1922, the priest and choir singer were murdered in a ruthless double homicide that was never solved. Obviously, their respective spouses became the prime suspects. Edward had been married to the fabulously wealthy Frances Stevens Hall, while Eleanor had married Edward Hall’s sexton (a sort of grounds-keeper for the church), a lanky, somewhat dim fellow named James Mills. The police quickly ruled James Mills out as a suspect--he had a locktight alibi. Frances Stevens Hall, however would eventually be put on trial for murder, along with her brothers, by a special prosecutor. But the star witness--a woman the press referred to as ‘‘the pig lady,’ failed to persuade the jury. And the case remains open to this day with little hope of ever being solved. 

A few years ago, this compelling true crime story caught the eye of local theater group Thinkery & Verse, when artists  JM Meyer and Karen Alvarado had their son baptized at the church of St. John the Evangelist. Yes, the very church where Edward Hall and Eleanor Mills worked and worshipped when they were alive. And when theater makers are presented with an interesting story? Well, they tell it.

It started with Thou Shalt Not, an immersive, site-specific play that reimagined the events of the Hall-Mills murders in theater-form. (This was my first involvement with the story too, when I was cast as one of the ensemble members of the show, primarily playing Pearl Bahmer, who’ll meet in this iteration of the project, too.)

In this first episode, we will be traveling to Lake Hopatcong, the last known location where Edward Hall, Eleanor Mills, and Frances Stevens Hall were seen alive together. Along with Sunday school teacher Minnie Clark they had all traveled together to this lake on September 13th, 1922, the day before Edward Hall and Eleanor Mills became the two victims in the Hall-Mills double homicide. The ostensive reason for the trip was to reward Eleanor Mills and Minnie Clarke with a day-trip for their hard work of holding together the parish while the wealthy Edward and Frances Hall had vacationed in Maine for the entire month of August.  At the lake, the (supposedly) secret lovers intended to enjoy a day trip on what turned out to be their last full day alive. Wonder what was said and unsaid? Well, keep listening to hear whispers of these voices from the past.

This episode was brought to you by the New Brunswick Historical Society, Thinkery & Verse, and Butch Mermaid Productions. Grant funding has been provided by the Middlesex County board of chosen freeholders through a grant award from the Middlesex Cultural and Arts Trust Fund. Our theme music this season comes from Blimp66 of Freesound.org. Today’s radio play was edited by Kendall Perry, written by Johnny Meyer, and directed by Kaitlin Ormerod Hutson and Karen Alvarado. Our featured voice talent include Rebecca Servon, Kaitlin Ormerod Hutson, Ania Upstill, Joey Sponseller, and Karen Alvarado.

Show Notes Transcript

Welcome back to another season of That’s How the Story Goes, this time: Ghost Hunt edition. I’m your host, Erin Bogert, and in this ten episode series, I will be bringing you short radio plays through which the events of the Hall-Mills murders of 1922 will be brought back to life, so to speak.

Now, if you’re new here, don’t worry, because before we really begin, I want to spend just a little bit of time going back to the beginning. So let’s start with the Hall-Mills murders.

In the early 1920s, in New Brunswick, NJ, Reverend Edward Hall and choir singer Eleanor Mills were having an extra-marital affair. Police would later discover that there were few members of their church--the church of Saint John the Evangelist--who were not aware of the torrid romance occuring in the tiny Episcopal parish. In September of 1922, the priest and choir singer were murdered in a ruthless double homicide that was never solved. Obviously, their respective spouses became the prime suspects. Edward had been married to the fabulously wealthy Frances Stevens Hall, while Eleanor had married Edward Hall’s sexton (a sort of grounds-keeper for the church), a lanky, somewhat dim fellow named James Mills. The police quickly ruled James Mills out as a suspect--he had a locktight alibi. Frances Stevens Hall, however would eventually be put on trial for murder, along with her brothers, by a special prosecutor. But the star witness--a woman the press referred to as ‘‘the pig lady,’ failed to persuade the jury. And the case remains open to this day with little hope of ever being solved. 

A few years ago, this compelling true crime story caught the eye of local theater group Thinkery & Verse, when artists  JM Meyer and Karen Alvarado had their son baptized at the church of St. John the Evangelist. Yes, the very church where Edward Hall and Eleanor Mills worked and worshipped when they were alive. And when theater makers are presented with an interesting story? Well, they tell it.

It started with Thou Shalt Not, an immersive, site-specific play that reimagined the events of the Hall-Mills murders in theater-form. (This was my first involvement with the story too, when I was cast as one of the ensemble members of the show, primarily playing Pearl Bahmer, who’ll meet in this iteration of the project, too.)

In this first episode, we will be traveling to Lake Hopatcong, the last known location where Edward Hall, Eleanor Mills, and Frances Stevens Hall were seen alive together. Along with Sunday school teacher Minnie Clark they had all traveled together to this lake on September 13th, 1922, the day before Edward Hall and Eleanor Mills became the two victims in the Hall-Mills double homicide. The ostensive reason for the trip was to reward Eleanor Mills and Minnie Clarke with a day-trip for their hard work of holding together the parish while the wealthy Edward and Frances Hall had vacationed in Maine for the entire month of August.  At the lake, the (supposedly) secret lovers intended to enjoy a day trip on what turned out to be their last full day alive. Wonder what was said and unsaid? Well, keep listening to hear whispers of these voices from the past.

This episode was brought to you by the New Brunswick Historical Society, Thinkery & Verse, and Butch Mermaid Productions. Grant funding has been provided by the Middlesex County board of chosen freeholders through a grant award from the Middlesex Cultural and Arts Trust Fund. Our theme music this season comes from Blimp66 of Freesound.org. Today’s radio play was edited by Kendall Perry, written by Johnny Meyer, and directed by Kaitlin Ormerod Hutson and Karen Alvarado. Our featured voice talent include Rebecca Servon, Kaitlin Ormerod Hutson, Ania Upstill, Joey Sponseller, and Karen Alvarado.

Episode 1 - The Day Before

Intro - Hi and welcome back to another season of That’s How the Story Goes, this time: Ghost Hunt edition. I’m your host, Erin Bogert, and in this ten episode series, I will be bringing you short radio plays through which the events of the Hall-Mills murders of 1922 will be brought back to life, so to speak.

Now, if you’re new here, don’t worry, because before we really begin, I want to spend just a little bit of time going back to the beginning. So let’s start with the Hall-Mills murders.

In the early 1920s, in New Brunswick, NJ, Reverend Edward Hall and choir singer Eleanor Mills were having an extra-marital affair. Police would later discover that there were few members of their church--the church of Saint John the Evangelist--who were not aware of the torrid romance occuring in the tiny Episcopal parish. In September of 1922, the priest and choir singer were murdered in a ruthless double homicide that was never solved. Obviously, their respective spouses became the prime suspects. Edward had been married to the fabulously wealthy Frances Stevens Hall, while Eleanor had married Edward Hall’s sexton (a sort of grounds-keeper for the church), a lanky, somewhat dim fellow named James Mills. The police quickly ruled James Mills out as a suspect--he had a locktight alibi. Frances Stevens Hall, however would eventually be put on trial for murder, along with her brothers, by a special prosecutor. But the star witness--a woman the press referred to as ‘‘the pig lady,’ failed to persuade the jury. And the case remains open to this day with little hope of ever being solved. 

A few years ago, this compelling true crime story caught the eye of local theater group Thinkery & Verse, when artists  JM Meyer and Karen Alvarado had their son baptized at the church of St. John the Evangelist. Yes, the very church where Edward Hall and Eleanor Mills worked and worshipped when they were alive. And when theater makers are presented with an interesting story? Well, they tell it.

It started with Thou Shalt Not, an immersive, site-specific play that reimagined the events of the Hall-Mills murders in theater-form. This was my first involvement with the story too, when I was cast as one of the ensemble members of the show, primarily playing Pearl Bahmer, who’ll meet in this iteration of the project, too.

The show ran in 2019 and was supposed to have a second run in 2020 — but when COVID hit and theaters were forced to close their doors, we had to find new ways to continue our artistic endeavors… and found ourselves seeking new ways to tell this story, that we just weren’t (and aren’t) done telling. And so, the That’s How the Story Goes podcast was born (Season 1 of this podcast, if you will), where we did a deep dive into the facts and history of the Hall-Mills murder case, while also exploring our personal relationships to the case. You know, we had actors talking about how they prepared for their roles, community members talking about what it is like to be a part of the church today. You get the idea.

Simultaneously, we created our first ever Geocaching project, Ghost Hunt, another exploration of theater in a time without gathering. And another way to tell this story. If you’ve never been, Geocaching is kind of like Easter egg hunting… creators hide something that others then seek to find. For us, this meant hiding artifacts that contained QR codes which would bring finders to radio plays about the Hall-Mills murders. And this too was a site-specific project, as all the caches were placed at locations important to the Hall-Mills story. Some of these radio plays contained scenes right out of the original show, and some were new… because the more we learn about this case, the more questions we have… the more characters we meet… the more stories we find that we feel need to be told.

And so, a few months later, in collaboration with the New Brunswick Historical Society, a second season of Ghost Hunt was created. And with it, a second season of our podcast, which is what you’re listening to right now: the Ghost Hunt season of the That’s How the Story Goes Podcast. In each episode this season, I will be bringing some of the radio plays from our Geocaching project into podcast form. These episodes will be short, intimate, just me, your host, and you, the listener, diving in to the radio plays and seeing what that brings us. And, I should mention, that this isn’t the project’s final form either. Thou Shalt Not, will be back, on stage, in September of 2022… the 100 year anniversary of the murders. So I hope you’ll join me for that, too.

Alright, with all of that said, let’s get started, shall we?

In this first episode, we will be traveling to Lake Hopatcong, the last known location where Edward Hall, Eleanor Mills, and Frances Stevens Hall were seen alive together. Along with Sunday school teacher Minnie Clark they had all traveled together to this lake on September 13th, 1922, the day before Edward Hall and Eleanor Mills became the two victims in the Hall-Mills double homicide. The ostensive reason for the trip was to reward Eleanor Mills and Minnie Clarke with a day-trip for their hard work of holding together the parish while the wealthy Edward and Frances Hall had vacationed in Maine for the entire month of August.  At the lake, the (supposedly) secret lovers intended to enjoy a day trip on what turned out to be their last full day alive. Wonder what was said and unsaid? Well, keep listening to hear whispers of these voices from the past.

-----------------------------
EDWARD HALL and FRANCES HALL

Two weeks after Labor Day, the Halls return from vacation.

 

CHARLOTTE

It’s the morning of September 13th. 

 

EDWARD

Edward Hall has another good idea. Frances, now that we’re back from Maine, why don’t I drive you and Mrs. Mills, your friend—

 

FRANCES

My friend?

 

EDWARD 

Well, you paid for Mrs. Mills’ surgery, didn’t you? And you did that for Mrs. Mills because she is your friend. Isn’t that true, Frances?

 

FRANCES

I felt sorry for her. To describe her, I don’t think I would use the term ‘friend’.

 

EDWARD 

A friend to the church. Why don’t I take you, and Mrs. Mills, and Minnie Clarke, for a drive up to Lake Hopatcong? I think it will be pleasant.

 

ENSEMBLE
 They went up to the lake. It was not pleasant.

 

SCENE         Things We’re Not Saying at Lake Hopatcong

 

ELEANOR

Look, a feather—it’s beautiful—an eagle feather.

 

EDWARD

What a marvel—

 

FRANCES

A bald eagle. What a treasure. 

 

ALL

Up at the Lake, there are things that we’re not saying. 

 

EDWARD

What a marvel. He does not say, ‘It is like you.’

 

ELEANOR 

Eleanor does not kiss him, she does not touch him.

 

FRANCES
 Frances touches no one. 

 

ELEANOR

To look at him, she can barely breathe. Eleanor has questions she doesn’t ask. 

 

EDWARD

Edward does not walk aside with Eleanor. 

 

ELEANOR

Eleanor does not walk aside with Edward. 

 

FRANCES

They are nervous. Frances does not often see Edward nervous. He was relaxed in Maine, to the north, in the cool weather, he relaxed and New Jersey did not exist.

 

ELEANOR

Eleanor has questions she doesn’t ask. 

 

EDWARD

Edward has no answers. 

(Actor improvises answers Eleanor’s questions.)

 

ELEANOR

Did you need me? Did you want me to be with you? Did you miss me? Did you want to write to me? Would you leave her? Would you ask me to leave with you? Have you saved any money?[1] Do you have a place on a map? Would we leave the country? Do I embarrass you? Would you miss her? Would you miss her money? Would I miss Charlotte? Would I miss New Brunswick? 

 

MINNIE CLARKE

Minnie Clarke has a question.                                                           

 

EDWARD                                                                            

Edward Hall rather forgot that Minnie Clarke was here.

 

FRANCES

Frances has been speaking to Minnie Clarke, describing the peculiarly pleasurable attributes of a trip to Maine. The impenetrable forest. The primeval forest. The ocean ravaging the shore. The loneliness. It was a splendid time. 

 

MINNIE CLARKE

Minnie Clarke has a question. Why was I invited on this trip!? 

 

FRANCES
 It was a splendid time.

 

EDWARD

Going down the shore. I feel like Lazarus. Alive again. 

 

FRANCES

We never had to leave Maine. 

 

EDWARD

I feel alive again.

 

MINNIE CLARKE

I mean, Minnie Clarke teaches Sunday school. 

 

FRANCES 

We never had to leave Maine, Edward.

 

MINNIE CLARKE

I mean, what is going on here? What is this happenstance? Why I am I here?

 

FRANCES

Last week, in Maine. But here. In New Jersey. 

 

EDWARD 

The veil cannot be lifted. 

 

MINNIE CLARKE

I don’t want to be here anymore. 

 

ELEANOR

Minnie Clark doesn't want to be here anymore.

 

FRANCES and ELEANOR

You don’t know how they look at me.

 

EDWARD

The pursuit of happiness can’t be a sin.

 

FRANCES

Thou shalt not. 

 

EDWARD

Infidelity is a sin.

 

ELEANOR

Divorce can’t be a sin.

 

FRANCES

Edward!

 

EDWARD

Willie Stevens. Minnie Clarke. Frances Voorhees. Ralph Gorsline. Catherine Rastall. Agnes Storer. Jim Ward. Martha Godfrey. Michelle Bacorn. Victor Beckley. Charlotte Hayden. Margaret Koleser. Paul Stout. Susuan Morano. John Meyer. Karen Alvarado. Kaitlin Ormerod. James Mills. Frances Hall. 

 

ELEANOR 

(Says ‘They don’t matter’ or ‘we can’t’ to each name.)

 

EDWARD

Time to shove off already, is it?

 

FRANCES

If we want to get back to New Brunswick before dark.

 

EDWARD 

We’ll get away in a jiffy. Just finishing a few thoughts.

 

ELEANOR

Finishing a few thoughts.

 

MINNIE CLARKE

Finish. 

 

FRANCES

Finish. 

 

CHARLOTTE

It was September 13th. They’d gone up to the lake. 

 

ALL

It was not pleasant.



[1] Hall dies with $20,000 in Liberty Bonds tucked into a safety deposit box. But safety deposit boxes are common way of preserving bonds. 

----------------------
Outro - Thank you for listening to this Ghost Hunt Episode. If you want to experience this radio play again, or others like it, might I suggest downloading the Geocache app where you can do some real life Ghost Hunting by traveling to the locations mentioned (in this case, Lake Hopatcong) and searching for our caches. You can also purchase tickets to Thou Shalt Not 2022, our real-life play that is coming back to the stage for the centennial of the murders in September 2022, available through our website at thinkeryandverse.org. This episode was brought to you by the New Brunswick Historical Society, Thinkery & Verse, and Butch Mermaid Productions. Grant funding has been provided by the Middlesex County board of chosen freeholders through a grant award from the Middlesex Cultural and Arts Trust Fund. Our theme music this season comes from Blimp66 of Freesound.org. Today’s radio play was edited by Kendall Perry, written by Johnny Meyer, and directed by Kaitlin Ormerod Hutson and Karen Alvarado. Our featured voice talent include Rebecca Servon, Kaitlin Ormerod Hutson, Ania Upstill, Joey Sponseller, and Karen Alvarado.  Thank you again for joining me, I’m your host and engineer, Erin Bogert. See you in the next one.