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To learn more, please visit Father Harmon's site.

Show notes:

1:15 Harmon’s background and work as priest since 2008

2:10 teaching fine arts and being a pastoral resource at Loyola University

3:00 his work in the arts

8:20 history of art in Jesuit community 

12:00 Daniel Segers, Jesuit Priest and artist 

12:30  Harmon’s process as a painter in light of being a ‘work of service’

16:00 Harmon’s painting from pilgrimage through Spain

17:30 students’ responses

19:15 his attendance at New York Academy of Art  

23:30 Jerry Alonzo: how to communicate through your art

26:45 Pope Benedict XVI’s Encyclical Letter Caritas in Veritate 

28:20 definition of ‘sacred art’

30:30 seeking social justice through art

32:00 his work in Brownsville, TX connected to his art

33:00 his series of Catholic objects

35:30 his balance of time

37:25 Alan Robertshaw’s comments about all art being sacred

42:10 Tolkien and Flannery O’Connor on religious imagination

44:00 incorporating Catholic objects into his work

46:50 Emily Gould - spiritual impact of artwork/architecture/nature

49:15 Jarnick Vitters - importance of the physical objects to Harmon’s faith

51:00 Alan Robertshaw - subjective importance of objects

53:30 Yelena Khajekian - art as a sacred endeavor

54:40 Nnebundo Obi - interest in hearing about priest’s pursuit of other vocations 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

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To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

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© Stephanie Drawdy [2025]

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Show notes:

3:00 David Newhoff - question of authorship

7:15 Peter Wasilko

9:00 Andres Guadamuz - blog post on AI copyright authorship

10:30 China’s focus on “intellectual achievement” 

12:20 Section 9(3) of its Copyright, Designs and Patents Act 1988 

13:00 Emily Gould - whether copyright is fit for purpose 

13:30 UK joint evidence session on the future of AI and copyright law 

17:15 Newhoff - use of an artist’s style 

18:40 Wasilko - an artist’s training of a model with its own work

20:15 artist's post-stroke gen-AI recording from model training on his work

21:00 Salles Bruins' question on definition of intellect 

25:40 - Ankit Sahni -  China’s protection

28:30 Sahni - India’s position on creativity falls in the middle 

29:00 Ankit Sahni - RAGHAV output “Suryast” 

33:45 Ankit Sahni - protection of AI-assisted works by China’s courts 

35:00 Wasilko - hypothetical of photographing sunsets on VR headsets

36:50 Ankit Sahni - USCO’s case by case basis

37:50 Newhoff - what is actually protectable against infringement

39:30 Sarony decision: looking at human choices used to create photos

41:00 Newhoff - ‘authorship by adoption’ is a “bridge too far”

42:15 Salles Bruins - question about training in Wasilko’s hypothetical

43:10 Wasilko - “bridge too far”-requiring license to “learn” from works

48:00 Stanford’s CodeX Group - talk on product JudgeAI 

50:30 Andres - human creativity exists irrespective of copyright 

52:00 Salles Bruins - copyright is a tool to enable artists to profit 

53:30 Kritika Sahni - defining intellect dependent on AI context 

54:50 Ankit Sahni - sui generis system of registration 

58:45 Gould - applying a right like copyright to output  "tough" to get right

1:02:00 Guadamuz - Ukraine’s sui generis right for AI works 

1:03:45 Jason Jean - defining intellect 

1:08:50 Newhoff - unconvinced that it’s a “sui generis question”

1:09:30 Wasilko - whether inputting human work makes model “assistive”

1:13:00 question of global copyright approach

1:17:15 what is the end game?

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

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To hear more episodes, please visit Warfare of Art and Law podcast's website.

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To learn more, please visit Anja Neubauer's site.

Show Notes:

1:30 background in the law and tech 

4:45 overview of global framework “AI and Authorship Redefined: Towards a Global Copyright Framework for Commerce and Human Originality - Exploring Ownership, Infringement, Moral Rights, and Human Originality”

12:35 question of authorship

19:35 moral rights

26:30 viability of global copyright 

28:20 issues of injustice raised by AI

34:30 German study about developers’ infringement

38:00 public’s choice to lock up data 

39:00 The Congress 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

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© Stephanie Drawdy [2025]

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To learn more, please visit Amineddoleh & Associates LLC and view Leila Amineddoleh performing Chopin Polonaise, Op. 26, No. 1 and Liszt Liebestraum No. 3.

Show Notes:

1:00 Amineddoleh’s background and work in music and law

4:00 Patty Gerstenblith 

7:00 building Amineddoleh & Assoc.

8:45 Amineddoleh's work with Greece 

10:00 perspective as musician aids in work as attorney to other artists 

11:00 Amineddoleh's experience with plagiarism 

14:20 Amineddoleh’s practice

15:45 Foreign Sovereign Immunities Act

19:50 artists’ perspectives in hiring an attorney 

22:50 Jerry Alonzo: what brings artists to seek out Amineddoleh

26:00 return of golden coffin of Nedjemankh 

31:45 use of AI 

36:30 AI-assisted Beatles song 

37:45 analogy of photography to AI outputs

38:20 Japanese photographer Hiroshi Sugimoto 

39:45 suit over copyright of monkey selfie 

41:45 Thaler v. USCO 

44:30 Rupali Gujral: negotiating on a client’s behalf

48:30 Stefania Salles Bruins: history of art collecting

52:30 Bruins: Amineddoleh's balancing of legal and musical practices

54:00 Amineddoleh’s perspective on sharing her music and performing

56:30 Liszt’s Hungarian Rhapsody No. 2  played by Bugs Bunny 

57:20 Amineddoleh’s performance of Chopin Polonaise, Op. 26, No. 1 and Liszt Liebestraum No. 3 

59:00 under-appreciated composer Brahms 

1:01:20 injustices in art law

1:04:30 Amineddoleh’s definition of justice - access

1:06:00 John Cage’s 4’33” 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

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To learn more, please visit Frances Liddell's site.

Show Notes:
0:00 Frances Liddell on justice and technology
1:30 Liddell’s background
2:50 CryptoKitties
3:50 NFTs
5:20 ORAgen
& DECaDE research centre
7:20 C2PA
8:15 tokenized rights
9:45 ORA use cases
10:30 themes from ORA interviews
12:15 YouTube as a supportive platform v. TikTok
13:00 smart contracts and licensing
15:00 perspectives on attribution
16:30 Emily Gould question on attribution
24:50 animation sector with stronger preference for attribution not open source
26:45 interviews revealed uncertainty on data scraping
29:50 lack of awareness about the environmental impact of blockchain
31:50 repatriation and blockchain and her work as associate research fellow with
Art & Antiquities Blockchain Consortium
34:50 Balot NFT - Balot sculpture in Virginia Museum of Fine Arts 
37:30 ORA project status
38:15 ORAgen Fables
39:00 recommendations for creatives: to review C2PA & Content Credentials
41:00 Gould: responses during interviews about copyright concerns 
45:30 location of individuals interviewed
47:20 impact of tech on issues of injustice - benefits/concerns surrounding decentralization 
50:40 current work with ORA
51:30 Oluwatobi Aluko

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To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

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Show Notes:
1:00 Anki Sanhi
1:45 Sahni’s background and work
5:00 Eric Raymond’s The Cathedral and the Bazaar - essay on open source development
6:40 association with the arts
7:45 trademark enforcement work
10:00 infringement case between client working in fashion space sued by global brand
12:30 origin of the Raghav project
16:45 process to use Raghav
18:30 Van Gogh’s Starry Night
21:00 Raghav = Robust Artificially Intelligent Graphics and Arts Visualizer
21:45 Indian copyright application for “Suryast”
25:40 Section 2(d) of Indian Copyright Act, definition of author
34:30 Canadian copyright application for “Suryast”
35:35 Notice of Application filed in Canadian Federal Court by Samuelson-Glushko Canadian Internet Policy and Public Interest Clinic (CIPPIC)  against Sahni over “Suryast”
37:10 US copyright application for “Suryast”
37:35 Sahni’s US Counsel, Alex Garens, Esq. with Day Pitney
38:00 USCO decision on “Suryast”
43:30 India’s definition of ‘author’ - no qualifications
46:50 Parliamentary Standing Committee recommended creation of new right for AI works per Sahni’s recommendation
47:05 February 2024 -  Union Minister of State Commerce in India’s Parliament submitted that there is no need for creation of a new right and current legislation offers sufficient protection
48:45 ambiguity in Canada law on AI
49:40 USCO’s Request for Comments
52:00 Sahni’s position of need for amendment of US law to address AI
53:50 Optimus
54:50 Definition of justice
56:30 global harmonized principles on AI
57:30 injustice of humans unknowingly competing against AI due to historic suppression of AI use
59:00 Sahni’s intent to contribute to the change in law to address AI
1:00:00 consultation with Ryan Abbott, Esq.
1:00:50 Future projects 
1:02:20 shaping issues where art and law intersect
1:03:30 cultural impact of the debate over human authorship, AI and art
1:04:30 comparison of photography to AI

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

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© Stephanie Drawdy [2025]

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Cover Image: Artist's MFA Studio - Tribeca Ball.
To learn more, please visit Stefania Salles Bruins' site.

Show Notes:
1:15 art school’s training to visually think
2:00 Bruins’ work as attorney
2:30 overview of grad program at New York Academy of Art
5:00 medium: use of linseed oil and paint without medium
5:30 tools: importance of brushes
6:15 support: Bruins’ preference for aluminum
7:15 Vincent Desiderio’s Cockaigne
8:00 Lesson 1 Perspective
8:45 Point of View
9:30 Lesson 2 Light
10:50 Lesson 2.5 Shadow
11:30 Rembrandt’s The Nightwatch
12:00 Lesson 3 Value
12:55 Lesson 4 Temperature
13:05 Courbet’s The Madman or The Desperate Man
13:50 Steven Assael - king of temperature shifts
14:20 Lesson 5 Depth
15:00 Value is King, Temperature is Queen and Color is a Fool
15:30 Lesson 6 Lines
15:40 shapes within da Vinci’s Mona Lisa
17:00 Adam Miller - narrative large oil paintings
17:20 Carl Dobsky
17:30 NYAA Big Stories exhibit artist talk
18:00 transitions within grad school and post-grad
19:40 learning to be your own voice of reason - parallel with work as general counsel
20:55 Old Masters Rembrandt and Vermeer
21:55 Alan Robertshaw: Vermeer’s use of optics
23:00 SSB: application of illusions in cinema and inspiration from movies more than paintings
24:00 Kubrick's Barry Lyndon
24:50 use of grids and projectors
27:15 use of technical and human assistants
28:45 critiques
30:00 art historical references to read the work
31:20 Nnebundo Obi: time commitments within art grad school
32:50 Escoda brushes
33:00 use of aluminum
34:45 advice for individuals who want to begin painting
35:30 always clean your brushes!

see also:

JP Roy's IG post re light

checkerboard illusion

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]

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To learn more, please visit the World Culture Project and read about D. Paul Schafer's most recent book, The Great Cultural Awakening

Show Notes:

0:00 Schafer quotes Gurte: “live in the whole , the good and the beautiful”

2:15 background 

7:50 Ontario Arts Council

8:15 Arts Administration and Cultural Policy graduate program at York University

8:45 freelancer-UNESCO, Canadian Dep’t of External Affairs

9:25 publications predicated on argument that it’s time to shift from Economic Age to Cultural Age

9:50 creation of the World Culture Project

16:40 Culture: Beacon of the Future (1998)

18:10 AI impact

18:45 Geoffrey Hinton’s concerns over AI

20:50 Revolution or Renaissance: Making the Transition from an Economic Age to a Cultural Age (2008) 

24:25 The World as Culture: Cultivation of the Soul to the Cosmic Whole (2022)

30:05 The Great Cultural Awakening: Key to an Equitable, Sustainable and Harmonious Age (2024)

42:30 future leaders should have backgrounds in the arts and culture sector

46:50 Feedback received about The Great Cultural Awakening

48:00 excerpt from The Great Cultural Awakening’s chapter titled Tale of Two Ages that references Charles Dickens’ Tale of Two Cities

53:00 the power of art to address social injustice

1:00:00 definition of justice

1:02:20 Cultural Historian Johan Huizinga, author of The Waning of the Middle Ages

1:04:20 legacy 

1:06:40 future projects

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

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© Stephanie Drawdy [2025]

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Show notes:

1:20 background and work in IP law and technology

2:20 blog article, “What can internet history teach us?”

3:25 IP issues emerging in the age of AI

5:10 inevitability of AI

6:40 global regulation of AI

8:25 Emily Gould - which body would handle global regulation of AI

11:00 Council of Europe’s adoption of first AI international treaty 

11:50 Gould - UK proposal to expand text and data mining exception to cover commercial uses 

14:55 transparency issues 

18:40 Gould - response - need for legislation

20:20 authorship question 

21:40 THJ Systems v. Sheridan (THJ Systems Ltd. v. Sheridan [2023] EWCA Civ 1354, [2024] E.C.D.R. 4, CA, 20 November 2023) is of great interest because it confirms the test for originality in copyright law in the UK after Brexit.

22:55 Li v. Liu, Case Number: (2023) Jing 0491 Min Chu No. 11279, Beijing Internet Court, 27 November 2023

25:00 NFTs

25:30 Thaler v. Perlmutter and USCO, USCA Case #23-5233 

 29:30 continued utility of copyright 

32:40 AI copyright suits in the US

36:30 cultural impact of AI models’ accelerated training capabilities 

38:20 view of whether there is a future for careers in art

42:50 tools like spawning.ai for artists’ protections 

43:00 opt ins versus opt outs

43:50 technological protections like Glaze and Nightshade 

45:15 difficulty of implementing opt ins 

47:45 injustices in the AI age and definition of justice

50:33 mark that Andres hopes to make with his work

53:40 Stefania Salles-Bruins - IP protection for AI software and outputs

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

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© Stephanie Drawdy [2025]

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To learn more about Tetiana Cheprasova, please visit her page at Agency of Artists in Exile.

Special thanks to Valentina Kostornichenko for acting as interpreter in this episode.

Show Notes:

0:00 Tetiana Cheprasova's view of the war in Ukraine & interpreter Valentina Kostornichenko

1:30 Cheprasova's background and work in painting, photography, sculptures and graphic design 

4:50 Giovanni Ercolani’s book The Maidan Museum Preserving the Spirit of Maidan. Art, Identity and the Revolution of Dignity that features Cheprasova’s paintings inspired by Caravaggio

8:00 from Cheprasova's Depassement portfolio - paintings of hands, including wounded hands signifying stigmata 

10:30 Mariupol woman who inspired Cheprasova

20:40 ‘Stop Emotions’ series of 9 paintings

25:00 Cityscapes of Mariupol

29:30 sculpture that’s part of new work to depict destruction in Ukraine

34:00 Parisian architecture

35:00 consequences of war 

38:00 power of art to address social injustices and the impact of war

41:00 Cheprasova's view of justice 

45:40 Cheprasova’s work as art therapist

49:20 Cheprasova’s hope for viewers of her work

53:00 Giovanni Ercolani’s questions to Cheprasova 

56:00 if only one person is impacted by your work, it’s worth doing 

56:50 Artists as witnesses of their time

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

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© Stephanie Drawdy [2025]

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To learn more, please visit Angie Elita Newell's site for All I See Is Violence.

Show Notes:

1:20 Newel’s background 

4:00 impetus to address historic inaccuracies

4:50 women warriors

5:30 research process

7:20 perspectives decided on for All I See Is Violence

8:45 interconnectedness of all 

10:15 timelines within All I See Is Violence

11:50 reading from All I See Is Violence

16:50 archival research

18:45 surreal stories from elders

20:40 feedback

21:40 Custer

22:40 power of art to address social issues

23:00 Picasso’s Guernica

25:00 reparations

25:50 the Very Little Truth and No Reconciliation Committee 

27:00 reservations / prison camps

28:30 publishing process and manipulation of the truth by the big 5 publishers

32:30 Indigenous Poet Joy Harjo

33:30 American Indian movement in the 1970s

35:50 concept of justice related to awareness

38:40 next book tells story of Apache leader Geronimo and female warrior Lozen

43:50 research on Lozen

45:00 Mexican slave trade of indigenous people 

45:45 questions from Anjali Rao

47:00 to build dual timelines, Newell asks questions about what’s the point and building on that overarching point

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

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© Stephanie Drawdy [2025]

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Cover Photo by Nils Paellmann

0:00 Restitution Study Group (RSG) Executive Director Deadria Farmer-Paellmann 

1:30 overview of suit and issues raised 

4:30 Prof. Tobias Skowronek’s findings on the metals contained in the manillas

7:00 Dismissal of suit against Smithsonian based on mootness

7:55 court order that Plaintiffs conceded points and waived arguments 

8:45 ruling in OK reparations case for the 1921 Tulsa Race Massacre

10:30 Nigerian declaration by outgoing President Buhari 

12:00 critical argument that transfer was ultra vires  

13:00 Administrative Procedure Act - failure to hold public hearing on ‘ethical transfers’ creates First Amendment issue 

15:00 opinion on Nigeria’s position 

17:00 DNA research as to descendants from Esan People from Benin Kingdom

19:00 Benin Kingdom’s enslavement of their females

20:15 Manchester Museum’s 2023 repatriation to Australia’s Aboriginal Anindilyakwa community of Groote Eylandt

21:00 change in narratives offered by Frankfurt’s Museum of World Cultures and Berlin’s Humboldt Museum 
22:45 ancestral dedications at institutions holding Benin Bronzes

23:30 Benin Kingdom Museum in Harlem, NY 

25:15 underreporting on lawsuit 

26:00 shock about value of Benin Bronzes - a classic Wakanda story at end of first Black Panther film

28:20 potential for justice in US lower federal courts and in SCOTUS

31:00 narrative attached to the Benin Bronzes

33:30 Illinois State Rep. Carol Ammons - Joint chairwoman of Illinois Legislative Black Caucus meeting with Chicago's Field Museum

34:30 NY Legislator involved in work of RSG

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

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© Stephanie Drawdy [2025]

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To learn more, please visit Fast Familiar's site.

Show Notes:

0:00 Briscoe discussing justice

1:20 Briscoe’s background in theatre and co-founding Fast Familiar

3:15 2015 project ‘Invisible Treasure’ about systems of power

4:40 2018 began work with computational artist Joe McAlister

5:20 technological solutions for use in projects 

6:30 The Justice Syndicate 

8:40 The Acquisitions Panel

9:40 collaborations 

10:25 The Evidence Chamber - forensic science work with University of Dundee 

13:00 use of comic strip with forensic information in The Evidence Chamber

15:40 Curse of the Burial Daggers 

18:00 Smoking Gun - collaboration with Data Stories 

23:00 outcomes in jury shows and influence of current events

25:25 machine learning with data gathered through projects

26:45 process 

28:40 Future for Fast Familiar

30:30 justice defined

32:20 feedback

35:35 arts to address social issues

38:20 2024 projects

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

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© Stephanie Drawdy [2025]

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To learn more, please visit Laura Morelli's site.

Show Notes:

0:00 Laura Morelli  discussing the WWII era art looting

1:15 genesis of writing about the looting of Florentine art collections in The Last Masterpiece 

2:45 German Jewish artist Rudolph Levy as guest of German Art History Institute 

4:30 Stolperstein for Levy

5:00 perspectives in WWII Italy: museum officials, German expatriates and Allies

8:30 German Eva Brunner and American Josephine Evans - characters in The Last Masterpiece 

9:30 decisions on where to begin and end The Last Masterpiece

13:30 decision to use fictional characters versus historical figures in book

14:40 German Art History Institute Director Prof. Friedrich Kriegbaum

16:00 Kriegbaum’s participation in Hitler’s 1938 tour of Florence

18:25 Brunner’s back story

20:10 German photographer Hilde Lotz-Bauer who worked for Prof. Kriegbaum photographing Allied damage to historical monuments in Florence 

24:15 Evans based on Women’s Army Corp (WACs)

28:25 women who worked with and supported the Monuments Men

29:00 justice in terms of the individual actions and decisions that enabled the survival of art looted during WWII

31:30 books by Robert Edsel and Ilaria Dagnini Brey

32:15 survival bias 

33:30 van Dyck painting

33:40 Uffizi Director Eike Schmidt’s work for Germany to return looted Dutch painting

35:00 impact of propaganda during WWII

38:10 Michelangelo’s Secret Room with 16th C drawings 

42:20 2024 release of book related to hiding places in Tuscan countryside in 1943-44

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]

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To learn more, please visit Barbara Hinske's website.

Cover photo of Barbara Hinske, 2020 Jean Laninga Creative.

Show Notes:

0:00 Guiding Emily Series to effect change for good in the sighted community

1:15 background in engineering and the law

2:00 whodunit books by Barbara’s father

2:25 double vision by auto accident led to Rosemont series

3:55 her approach to writing while still working as an attorney

7:00 work with a writing coach

8:15 writing coach Linden Gross

8:45 Author Conference on Clubhouse

10:30 Rosemont Series 

13:50 Guiding Emily Series

14:45 Guiding Emily movie on Hallmark in April 2024

15:00 genesis of Guiding Emily at Foundation for Blind Children

22:50 discrimination against the visually impaired community

24:45 unemployment rate of the visually impaired community

26:00 panel to address employability of individuals from visually impaired community

30:05 viewers@hallmarkmedia.com

35:20 exclusion of unsighted parents

37:30 guide dog graduation ceremony

40:20 Guiding Emily presentation

41:40 power of art to shift and address social issues

42:00 The Christmas Club

44:00 pregnant unsighted individual’s experience

45:30 Canadian child at Foundation for Blind Children

46:55 definition of justice

49:15 The Write Approach podcast

51:20 Hinske’s strong older female protagonists 

53:50 Final Circuit 

57:30 self-published in e-book and print; traditionally published in audio

58:00 Hinske’s legacy to uplift, encourage and empower

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

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© Stephanie Drawdy [2025]

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Featuring excerpts from Episode 108, an interview with Dr. Ashfaq Ishaq, and Episode 105, an interview with Milena Chorna, with musical composition by Toulme, Copyright 2024.

Many thanks to M.C. Sungaila who sparked the idea for "Manifestation of Freedom". 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]

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Show Notes:
0:00 M.C. Sungaila discussing history / preservation of space exploration
1:50 Sungaila’s Portia Project Podcast interview with Space Law Expert Michelle Hanlon
2:45 Sungaila’s experience with University of Mississippi School of Law’s Air and Space Program
5:30 unclear language related to space law
8:00 mining on the moon
9:40 lessons from Holocaust-era restitution cases like Cassirer v. Thyssen-Bornemisza Collection Foundation
12:30 For All Moonkind
13:30 International Symposium on Cultural Heritage in War and Peace: Tangible and Intangible Cultural Heritage through Past, Present and Future
16:45 Sungaila’s proposed framework to create space cultural heritage commission
22:45 The Artemis Accords
24:50 Italian Opera added to UNESCO intangible cultural heritage list
25:15 treaty requiring registration of space objects
25:35 For All Moonkind’s moon registry
26:10 One Small Step To Protect Human Heritage in Space Act
27:40 Sungaila’s projection
29:30 Dubai space court
31:25 urgency of space cultural heritage preservation
32:40 definition of justice
35:40 9th Cir's 9 Jan 2024 opinion in Cassirer and the question of ethics and law
39:45 Mismatch between domestic law and international obligations
42:10 Institute on Space Law and Ethics
44:00 issues related to satellites, drones, air taxis

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]

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Cover image by Nosrat Tarighi of Sanjay Sethi at an AFI event entitled Revolutions and Movements

To learn more, please visit the sites for Artistic Freedom Initiative and Sethi & Mazaheri, LLC.

Show Notes:

2:00 overview of Sethi’s background and work as Founding Partner of Sethi & Mazaheri, LLC and Co-Executive Director of Artistic Freedom Initiative (AFI)
3:45 genesis and mission of AFI
5:00 AFI’s services
8:00 AFI’s residency program
9:00 AFI’s Artists for Social Change
9:45 challenges to helping artists
13:00 AFI’s creation of a sponsorship model
13:30 AFI’s program in Germany
15:00 determination of artists in imminent danger
16:20 assistance for female artists
18:20 university placements for female artists
18:40 the New School’s fellowships for Afghan artists at risk
19:00 Germany’s program for artists at risk
21:00 Journals of Exile at the Berliner Ensemble
22:10 programs through AFI’s Artists For Social Change
23:45 Brazilian Singer Songwriter Bia Ferreira
25:20 AFI’s Afghan Artists Protection Project & Iranian Artists Support Project
27:00 challenges of single intent visas like student visas and O-1 visas
28:30 denial of entry based on immigration intent for Afghan versus Iranian artists 
30:00 applications from Myanmar, Egypt, Nicaragua, India and particular Kashmir
31:00 impact of prior and upcoming elections 
31:30 Poland shifted back to center left with loss of Law and Justice (PiS) party
31:50 Slovakia’s election of Fico w/ agenda similar to Hungary’s Orbán
32:00 Slovenia’s election of liberal Robert Golob
32:10 Brazil’s election of leftist former president, defeating Pres. Jair Bolsonaro
32:15 Indian PM Narendra Modi’s Hindu Nationalist Party projected to win 
32:30 elections in Italy and the Netherlands
32:45 new and different threats to cultural sectors globally
33:00 AfI’s Artistic Freedom Monitor - initial reports on Poland and Hungary
36:00 regimes replaced museum/cultural institute heads w/ right wing politicians
36:00 Curation of shows under those regimes would conform to nationalist ideals
37:25  defunding anti-regime institutions or anti-Catholic in Poland 
37:50 intimidation of non-conforming artists
38:10 Poland’s use of blasphemy law to criminally charge non-conforming artists
38:00 chilling effect of such subversive mechanisms 
39:15 AFI’s position that arts decisions should be merits-based and non-ideological   
39:30 response to Artistic Freedom Monitor’s reports
40:00 erroneous belief that arts are inconsequential in public & political dialogue 
41:35 elevation of AFI’s advocacy efforts to an international forum 
44:00 collaboration to lobby for artistic and creative freedom
45:00 impact of artificial intelligence 
47:50 legacy of his work
49:50 his notion of justice 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]

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Show Notes:
2:00 Dr. Joanna Sliwa’s background
4:20 Dr. Elizabeth White’s background 
5:20 Majdanek concentration camp
8:00 1989 - White received the manuscript of Dr. Janina Mehlberg’s unpublished memoir from Dr. Arthur Funk
10:30 Dr. Janina Mehlberg’s humanitarian work in Polish concentration camp during WWII
12:20 Mehlberg’s alias as Countess Suchodolska
13:30 2018 - Dr. Joanna Sliwa began work with Dr. White to research Mehlberg's memoir
15:00 reading from The Counterfeit Countess
20:00 balance of co-authoring The Counterfeit Countess
22:20 research process
24:00 surprises from the research 
27:45 Countess Karolina Lanckorońska
30:30 Saturnina Malm
33:30 Dr. Stefania Perzanowska 
35:00 view of women’s roles during war and instances of persecution 
38:00 empathic approach of Mehlberg as a model for today
42:00 propoganda
46:00 individual ways to address hate
49:00 justice
51:45 legacy
54:30 Sliwa’s focus on marginalized groups, including future volume on experiences of older jews before, during and after the Holocaust  

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]

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Show Notes:

1:00 overview of thesis topic
3:00 2018 music video at the Louvre by Beyoncé and Jay Z 
3:55 Advertising campaign by Louis Vuitton that featured Joan Mitchell paintings
6:00 2020 Uffizi promotional campaign to promote Botticelli exhibition
7:25 Uffizi’s TikTok account posting with Dua Lipa 
8:10 criticism of Uffizi campaigns
9:20 Approaches by EU and UK
11:20 Influencer marketing
14:35 EU Directive
30:10 Italian approach 
33:00 liability under Italian case law and consumer code
35:30 historical events that caused Gallo’s choice on research and thesis
37:00 Emily Gould
38:20 Alan Robertshaw 
43:15 risks and contractual issue with fees
46:20 Gould
47:45 Gallo on InstaGram disclosure 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]

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To learn more, please have a look at Dr. Ercolani's book, The Maidan Museum: Preserving the Spirit of Maidan.
Show Notes:
1:00 Ercolani’s background
3:50 Ercolani’s focus of Ukraine
6:40 research and writing The Maidan Museum: Preserving the Spirit of Maidan
11:40 new Maidan language created that includes symbols
14:45 portraits by Marina Sochenko
16:50 Yulia Ovcharenko
17:45 Tatyana Cheprasova
18:20 Cheprasova’s use of Caravaggio 
19:00 Oleksandr Ivanovych Melnyk’s “I Can See Your Deeds”
19:45 Melnyk’s “I Can See Your Deeds”
20:25 French anthropologist Marc Augé - ‘anthropology of encounter’
21:15 Marina Sochenko’s art as documentation
21:55 Artistic Hundreds group
22:15 Artist Ivan Semesyuk with Artistic Hundreds
26:15 Kandinsky quote that artists are receivers and beneficiaries
28:15 Maidan art and a new world order
33:45 NATO
36:45 Maidan revolution and the current war
41:00 memory of identify and identity war
42:05 author Andrey Kurkov’s move to Ukraine to have the identity of Ukrainians
43:25 significant of preserving art and cultural heritage in times of conflict
47:00 his legacy 
49:50 his definition of justice
51:15 the constitution of Melfi by Emperor Frederick II
53:15 link between Russian-Ukraine War and Maidan Revolution
58:45 next projects focused on conflict in society
1:00:30 anthropological identity work tied to art and cultural heritage
1:02:30 artist seen as enemy

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]

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Featuring excerpts from Episode 121, an interview with Dr. Samson Munn and musical composition by Toulme, Copyright 2023.

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]

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Cover Photo of David Newhoff by Sean Mekas

To learn more, please visit Mr. Newhoff's site as well as his blog, The Illusion of More.

Show Notes:

1:45 Newhoff’s background 

4:15 impetus to write Who Invented Oscar Wilde?: The Photograph at the Center of Modern American Copyright? 

6:15 SCOTUS’s Warhol decision

10:00 Sarony’s input compared with and AI users’ input

14:00 Newhoff’s comments to USCO’s NOI and Request for Comments

17:20 compulsory licensing scheme

18:50 RightsClick

25:45 USCO’s focus on how a work was created (by AI or human) versus leaving that to courts

25:55 feedback on his comments to USCO

32:00 AI copyright lawsuits in the US

36:25 liability for AI training data

40:45 Emily Gould: whether training involves making copies, EU exception for copies

43:00 whether US copyright is still fit for purpose in light of issues raised by AI

44:20 work “in the style of” 

48:40 Deborah Roberts vs Lynthia Edwards - suit over collage works

52:30 Alan Robertshaw: threshold of infringing work versus transformative work

54:50 why use AI to create artwork

56:45 NFT hype

57:35 the legacy Newhoff hopes to be creating 

58:50 Newhoff’s view of justice 

1:01:00 status of Allen v. Cooper and Allen’s pending constitutional takings claim

1:04:00 camouflage patents

1:05:20 change from allowing IP claims against states to decision that Congress does not have that authority and 11th Amendment’s restriction of individuals bringing suit against states controlled 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]

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Cover Image:  Self-Portrait, oil on canvas by Jacob Mącznik.

To learn more, please visit the website for Jacob Mącznik, the Lost Art Database page for Mącznik's Still Life with Fish,  The Austrian Encounter and the trailer to The Ghosts of the Third Reich.

Show Notes:

0:00 Dr. Samson Munn discussing Van Ham art auctionhouse

1:45 Munn’s background

2:50 history of Holocaust-related dialogue with Dan Bar-On

4:00 Children of the Third Reich

4:20 Austrian dialogue group 

4:35 Ghosts of the Third Reich

6:00 second group, The Encounter 

7:45 Dan Bar-On’s book Fear and Hope

12:00 examples from dialogue groups

17:15 Munn’s initial motivation to start dialogue group - emotional responsibility 

24:40 Munn’s dialogue work in Northern Ireland

27:25 dialogue work with descendants of displaced indigenous peoples

28:50 preparation for dialogue group facilitators 

32:20 screening individuals for dialogue groups

33:45 Israeli, Polish and German citizenship

44:30 Jacob Mącznik’s work 

1:00:00 Van Ham auctionhouse

1:06:00 Parisian archive research

1:11:00 Munn’s research of other artists from the Paris School

1:12:30 female artists from the Paris School

1:14:30 Mącznik catalogue raisonne

1:17:00 legacy that Munn is working to create

1:19:30 justice

1:22:30 Israeli PM Netanyahu

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]

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Show Notes:

0:00 Yelena Khajekian

1:30 Warhol v Goldsmith decision by SCOTUS 

3:00 USCO NOI’s Question 8

4:00 Google LLC v. Oracle America, Inc., 593 U.S. ___ (2021)

4:20 liability question

4:45 Emily Gould - fair use

6:30 Alan Robertshaw - Warhol court’s focus on use of the work

7:50 Khajekian - artists’ perspective on Warhol decision

9:00 Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569 (1994)

10:20 confusion of fair use analysis and court’s aesthetic analysis

12:00 USCO NOI’s Question about fair use 

13:00 Robertshaw - UK’s fair dealing analysis

15:50 Gould - big players like Getty 

17:45 text and data mining exception

20:10 Drawdy - private contracting as a solution

21:00 Robertshaw - Getty

22:15 Khajekian - conceptual art

25:55 Warhol’s 2 Cir decision 

26:50 Gould & Khajekian - Richard Prince decision held not fair use

27:20 Khajekian - equity issue

28:40 Gould - UK courts’ emphasis on purpose, e.g., Stormtrooper helmet case 

30:30 Drawdy - amount and substantiality of use

31:10 Gould - Australian case about Men at Work’s use of folk song Kookaburra in its pop song Down Under

32:20 Robershaw - dispute over Vanilla Ice’s Ice Ice Baby

33:00 Ed Sheeran  

34:15 Getty case pending in UK

35:00 Khajekian - international versus US issues 

37:30 Robershaw - test that contemplates level of effort or end result regarding AI output

40:30 Gould - risks involved with AI

40:50 EU’s application-based approach 

41:10 AI for medical applications

41:55 detecting forgeries will still require humans, e.g., conflicting AI results regarding Raphael

42:50  implicit bias in AI

43:15 dogs detecting forgeries 

43:40 chickens detecting shapes

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

Music by Toulme.

To hear more episodes, please visit Warfare of Art and Law podcast's website.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2025]