Indie Artist Music Hustle

Throwback: Building A Music Hub In Pine Bluff

• Host and Creator: Blonde Intelligence (Ms. Roni) • Season 4 • Episode 72

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Ever wonder what really changes when a producer moves from a living room setup to a studio with a door, a sign, and a tax ID? We sit down with Kodi “Phunkiefoot” Owens to unpack the leap to Studio 22 and why that one decision reshapes how clients show up, how money flows, and how a whole city can take itself more seriously as a music market. It’s a grounded blueprint for indie artists and producers who want more than streams—they want structure, ownership, and a path that pays.

Kodi takes us through his journey from cassette tapes and a budget keyboard to running sessions that keep teens off the streets and point them toward records they actually own. We get real about why Arkansas often gets overlooked in hip hop: too many songs riding unlicensed beats and too little paperwork for labels to engage. The fix isn’t glamorous, but it’s powerful—original production, clean rights, consistent promotion, and a studio that people can actually find on a map. COVID-19 unexpectedly amplified that mission, bringing more eyes to social media and motivating artists to release, while Kodi doubled down on the back-end steps that turn views into revenue.

We also spotlight Pine Bluff’s musical backbone—from school bands to UAPB’s national showcases—and the community energy behind a Black Lives Matter project featuring local names, live sax, and messages aimed at the youth. Along the way, Kodi shares current collaborations, upcoming releases, and the mentors and peers pushing him to experiment and expand. If you’re building an indie career, this conversation gives you practical steps and a mindset shift: treat your art like a business, protect your rights, and make your city part of your strategy.

Subscribe for more stories that blend creativity with real-world tactics, share this with an artist who needs the push, and leave a review to help more indie creators find us.

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SPEAKER_04:

Learn about the indie artist from the indie artist.

SPEAKER_03:

I'm Janik. I'm an artist.

SPEAKER_04:

My name is Lauren, as you already said. I am a singer-songwriter.

SPEAKER_02:

So I'm all femmes. I originally come from the Caribbean statements in the Grandines.

SPEAKER_00:

My name is Brian Duster. I'm an East Coast Canadian rocker.

SPEAKER_04:

And then I found myself in Las Vegas, where I'm at currently, dancing for Circuit Soleil with my own solo. So I also learned from music and professionals.

SPEAKER_02:

I'm a music producer. I've been producing professionally for about 14 years. I have uh worked with a couple people in the industry, uh, Reddy nominated Trev Rich, teacher from 702.

SPEAKER_00:

After I got my deal with Universal Music, after the Alisha Keys and Gunner Record, and many other that I've done, and then Alisha Keys was the number one adult RB song of the year.

SPEAKER_04:

I answered the question.

SPEAKER_00:

That's a great question.

SPEAKER_04:

Yeah, that's a good question.

SPEAKER_00:

Oh uh that it's a good question. Wow. I love all these questions. These are great. Like most of the questions that I get are like, you know, tell me about Justin Bieber.

SPEAKER_04:

Indie Artist Music Time is for the indie artists, their fans, industry professionals, and the music lover. Subscribe on YouTube, Facebook, or the podcast on Apple, Spotify, andor, or Blonde Intelligence Facebook page. Don't forget to add me to your playlist.

SPEAKER_02:

Cool.

SPEAKER_04:

Hello, everyone. Welcome to this week's rendition of Blonde Intelligence, where I always seek to give you exquisite cranial repertoire. This week we have a special guest, Mr. Cody Funky Foot Owens, the owner of Studio 22 and Funky Foot Productions. Tell everyone hello. Hey, what's happening, y'all? Hi. So tell me a little bit about your background.

SPEAKER_03:

Well, I've been, you know, I I came with an interest in music from pots and pans, you know, watching BT bands way back, you know what I'm saying, when I was young. And, you know, I did get in band, you know, junior high through high school. And but the interest is like I didn't know that I was gonna be producing. I just had that love for music. And it transferred over once I, we, you know, we we were uh me and my brother used to rap on cassette tapes, you know what I'm saying? And I would make beats with a Locasio keyboard, you know what I'm saying? Like, and and and you know, actually I didn't know how to make beats. But then once I learned, I was like, oh, that's what you got to do. You know, it went from there, you know. It was like it was just a you know a run-on with it, you know what I'm saying? With recording and doing it. Really, it was it was the thing about us. We were recording, we was doing stuff on instrumentals first, but then we sent something to Master P them, and they was like, Y'all gotta have your own beats, and everything came from there, you know what I'm saying?

SPEAKER_04:

So, what interest instrument did you play since you told me that you were in a band?

SPEAKER_03:

French horn. Yeah, so I played a French home, but I want to play drums though.

SPEAKER_04:

You wanted to play drums, so how do you play drums?

SPEAKER_03:

I mean, you know, I play them with the NPC and on the beats, you know what I'm saying? So yeah, I still got the drums, you know. I made it to the drums, but just not on the field.

SPEAKER_04:

Okay. So tell me this. I know that you are a new entrepreneur, although you've been in the gang for a long time. What made you make the transition from having a home studio to having a professional studio?

SPEAKER_03:

Well, we uh I want to have I want to get it all the way business, you know what I'm saying? And I wanted to be on the map official so we can do work with other artists from other places, you know what I'm saying? And for Pine Bluff to have a central station, you know what I'm saying? Basically, for everybody to come, you know what I'm saying? It's it's it's it's starting right now. We still in the beginning. It's it's just me over here right now. But I have uh a gang of artists, you know, that deal with me through over here, and we're gonna have the producers too. So, you know, the goal is to have this one area, the one stop, the one-stop shop for you to if you want to deal with artists, you're coming over here, you know what I'm saying? You know, whether it be in this studio or another studio. Right now, I got one studio, but I'm actually in the second room. So we you know, we're gonna have two studios, you know what I'm saying?

SPEAKER_04:

Okay. So tell me how did you come up with the name for the studio? Because I have always known you as funky foot productions. So tell me the difference between Studio 22 and Funky Foot Productions.

SPEAKER_03:

Well, Funky Foot works at Studio 22, and uh Studio 22 came from the suite number being 22. So I just rode with, you know, the suite, the name of the suite, that way it'll be easy for them to find. It's Studio 22, number 22, you know what I'm saying? Yeah, it just helped on location.

SPEAKER_04:

Yeah, it's okay. So tell me what do you hope to accomplish? I mean, are you looking just to work with independent artists? Are you looking to be a multi-platinum producer? Are you looking to be Grammy Award winning? What are you doing? What goals do you have and what are you doing to reach those goals?

SPEAKER_03:

Yeah, oh I definitely want to get a you know, flag Grammy, you know, you know, trying to work for all of it, you know what I'm saying? And you know, the recognition, you know, and everything, credentials, but I still, you know, want to work work with the locals, you know what I'm saying? Talk to, you know, reach the youth, you know what I'm saying, like keep them out the streets, you know what I'm saying? Because the studio does keep people out the streets and it helps curb violence a lot, you know what I'm saying? Especially that out having that outlet to do music. So, and at the same time, a lot of talent is right there with the music. So, you know what I'm saying? It's a two-sided thing. It give them, you know, once they see, once they see they can make some money off of, because that's what I want to get the market. A market going to where people paying for, you know, people for versus, you know, whether it's fifty dollars or a hundred dollars, just you paying for, you know, people being able to actually eat off of what you do, you know what I'm saying, and beats everything, just you know, the whole market around here, you know, starting pound bluff, but you know, just going to look from Little Rock to Pine Bluff to whole nine, you know, just you know, in Arkansas period, us having a market to where we have our own place where we can make money, even though we still will have to go into other markets to make bigger money or more serious money. But you will be able to eat off of what you're doing, you know what I'm saying? And people so people can take it a little more serious. That's the thing why people don't take it seriously because they still have to have a job or whatever to do.

SPEAKER_04:

Well, it sounds like what you're saying to me is you just got to the point where if you're gonna do this, you have to be able to capitalize off of it and you want a professional stance on it.

SPEAKER_03:

Yes, yeah, yeah, all the way.

SPEAKER_04:

Okay, so I know you told me about your team. Tell me who your production team consists of.

SPEAKER_03:

Uh, well, the production team right now is is me, and then I do have like an assistant, uh, Tree's beats, you know what I'm saying? And uh, and I work with Soldier Pine production, you know what I'm saying? He which he just left, he but he's uh he's an hour right now, you know what I'm saying? And I'm and I'm close, like Game of Booming and um and Big J, they're like just a call away, you know what I'm saying? So we we even though we a lot of people might not know, but we all know each other and we you know we we do talk. We might not talk every day, you know what I'm saying? But you know, we can call each other if we need something.

SPEAKER_04:

That's how it is in the business. You can't talk every day because sometimes you get busy on other projects and everything. And I know um being in the studio, you might have to be in the studio 12, 13, 14 hours. And people think you're acting funny because you're not answering the phone when you're actually just in the stage of trying to perfect your craft.

SPEAKER_03:

Yeah, yeah, yeah. Staying busy, you know what I'm saying? That's one thing about it. Do stay busy. And it's a lot of artists that's actually working here, you know what I'm saying?

SPEAKER_04:

Mm-hmm. So tell me, why do you think that hip hop really hasn't recognized Arkansas the way they should?

SPEAKER_03:

Well, on a all the way professional stance, it's it's because we have to have the projects that's official as far as all the way, you know, from top to bottom, not just the song itself, but you have to own the music, you know what I'm saying? So it's been a big wave of YouTube music going, and which is nothing wrong with it, you know what I'm saying, because there's some marketing schemes behind it, but that keeps the recognition from being all the way to the top because they can't do nothing with it. Absolutely, you know, the big businesses can't do business with it because they, you know, without ownership, it's not really yours. So that's the push that we're on.

SPEAKER_04:

Tell me this. I know a lot of times your social media following is the major thing when dealing with major rental labels. How important do you feel social media is to an actual producer?

SPEAKER_03:

Oh, social media now is it's the way of life, you know what I'm saying? I even had to adjust a little bit. I still haven't made the full jump, you know what I'm saying? Because I've I've come I came from being exclusive to where when your song comes out, it's your song, then the beat comes out, you know what I'm saying? So that that makes it more exclusive for your song. And when people hear that beat, they're gonna know it as your song.

SPEAKER_04:

But so tell me this: how long did it take you from deciding to getting a business plan together to actually getting your suite for your studio and getting all the equipment that you want and everything from the moment that you decided I have to take this to another level up into now? How long did that take you? How much sweat equity did you put in? How much time did you spend to put toward I have to be in success?

SPEAKER_03:

But I'd say it took years, you know. This is years of progress. It's over 20 years exactly, right on 20 years right now. But I say a hard, these last three years, and then after my mom passed, that was the moment that said, you know what, you know, life is a you know, a little short, you know what I'm saying? You gotta go ahead and we're gonna go for it. We gotta mash the gas and go and shoot for the goal of high, you know what I'm saying? And we gotta be official with it at the same time because that's our thing. We can be doing it all my life, and you know, really be doing this and doing that, you can make a lot of money actually. But without being official, then you know, to be on the map, like you know, you look it up on Google, it's on the map, you know what I'm saying? So we want to be official business, paying taxes, you know what I'm saying, to be able to get some of the benefits of doing, you know what I'm saying? Because some of the benefits you can't get without being official having the tax ID. You know, that's just one thing about it. And you know, and like I say, that central location is big and it's you know, getting away from the house. It it took a little bit of my power, I can say, because doing it at the house, it was comfortable, it was everything was good. But I'm glad I made that decision to go ahead and step out the house to get a more professional environment. So when people come in, they treat it as a professional environment. When you into the studio, you have that real studio feeling because you are in the studio, not in the house.

SPEAKER_04:

So tell me this with you being a new, I'm not gonna say new, I'm gonna say a transitioning entrepreneur. How has COVID-19 affected your business?

SPEAKER_03:

It for the first part, it actually didn't, I had to until they made a till they made a uh till they had the curfew around here, where it kind of curved the business a little bit, you know what I'm saying. But it actually, I was surprised that the COVID, I you know, really didn't do anything to it, you know what I'm saying? Like it didn't affect it that much. You know, maybe when it first started, it may have halted things a little bit, but after that, it picked up, you know what I'm saying, because people don't have anything to do. You know what I'm saying?

SPEAKER_04:

So that's what I was gonna add to you. So you didn't with COVID, I was saying with having a studio, it was only the the restrictions were 10 or less people, you know, five or less people, however they wanted to do it. And I just from what I could see, and because I work as a tastemaker too, reviewing music, and it seemed like when COVID hit, that more reviews came in, that more music was being produced, that more people was coming out with releases. I mean, it was like everybody was on the same mindset of if I'm gonna do music, I got to get something done now. So do you think that when I say how did it affect your business, not necessarily how did it affect the money. I mean, how did it affect your motivation?

SPEAKER_03:

Oh, it it it actually generated more motivation because if there's no better time to do it, it's now because you have an audience actually on the social media, on the platforms watching it versus the only time they were watching it was when they were leaving work. So now when people forced, you know, in a such way to be at home and they're on their phones or on the computers or on whatever big device they got, they are all there to watch. And now all you gotta do is provide them some some kind of content, and you know, you can get those views. It's a little bit easy to get out. I got to say, it's this is the time to be a musician, you know what I'm saying? But you do have to take it seriously, you know what I'm saying? That's the thing about it, and and navigate your way to the right thing to get the money out of it because it's the views are there, you know what I'm saying. But you gotta do the right, the right paperwork and the right background uh to get to capitalize full.

SPEAKER_04:

Okay, so tell me this. Did you see a spike with the the clients that you work with in songs about the Black Lives Matter movement, police brutality, um, injustices, all those things like that. Did you see uh increase with the people that you work with in those types of compositions?

SPEAKER_03:

Well, we we actually after the black after the um when that whole thing happened here in the city, a lot of a couple artists, you know, a nice man of artists, we gathered we right now, we're in the process right now of finishing up an album that we're doing for the Black Lives Matter movement, you know what I'm saying? We uh we got some good content for it, you know what I'm saying? So I own it. Uh you got uh uh Grip De Nero. Why don't you gonna forget somebody? Why she's gonna forget somebody. If I forget somebody, because I might not know their name all the way, but but I I got we were recording them, I got their name. So you got Oberfemme, and then you got today, today, uh DT, Jess Rome, Black Trump, of course me. Uh it's a it's a guy named Cedric Adams. You know, it's it's a lot of talent, uh Mellow D, you know what I'm saying? Like it's it's a lot of Pine Bluff, and uh, and uh we got Damien, Damien Dimension. He actually played some live sacks on on uh track, you know what I'm saying, that we worked on. And so it it's it's a host of artists on it, all Pine Bluff, you know what I'm saying? And the thing we're doing now is getting on the closing end. We still, I say midway, you know what I'm saying, because the summer kind of affected affected a little bit. People had to take a couple trips or whatever. But it's gonna be worth the wait, you know what I'm saying? It's gonna be worth the wait. And it's and it's and it's really a black lives movement thing. But as far as in the city, it it you know, people were still getting killed, you know what I'm saying? Like, you know, it was still black on black crime going on every week right now, you know what I'm saying? So that's the work that we're trying to do, is to make get the change into the our community because the youth, they still on the same thing right now. I'm not gonna lie, like when I I see it's they haven't done anything on their part, but because it's not about them hearing the Black Lives Movement, it's about what's going on in life right now. And life is still the same thing, you know what I'm saying?

SPEAKER_04:

Well, I are you originally from Pine Bluff? Yes, yeah, I'm born and raised. Okay, well, I'm not originally from Pine Bluff, but when I chose to move to Pine Bluff, I actually chose to move to Pine Bluff because it was predominantly black, and I felt like it would be a good place to raise son because I didn't have to worry about police brutality. So I lived in Pine Bluff for several years, and bad rep, but Pine Bluff is actually really perfect. So, what do you think about all the good things that Pine Bluff has done that they don't get recognition for? Because if you're from Pine Bluff and you were in the band, what band were you in?

SPEAKER_03:

I was a Pine Bluff Pie band of Jack Roby, but definitely okay.

SPEAKER_04:

And Jack Roby is known for what?

SPEAKER_03:

For dancing and you know, a putting on the show. Mr. Manny had us a back in the day. We it was a lot of people in band, and you know what I'm saying? We we that that musicianship actually transferred around. Like a lot of the people from that era still doing music. Now those were the birth of a lot of musicians, you know what I'm saying? So band does carry on into the music industry, you know what I'm saying? But and but that that was a big motivation, and that was a big part of the musicianship. Is is is coming to the world.

SPEAKER_04:

Pine Bluff is not really known for music, but it is known for music. I mean, if you look at the historical concepts, uh being in the Delta and uh the Juneteenths and the everything, it's like Pine Bluff is really like the music hub for Arkansas. And it's not getting the recognition that it needs. So I think that you're doing a great thing by having something legitimate for the actual talent, especially in this area, because we have in Pine Bluff, the, like I said, Jack Roby. You have uh the UAPB M4 Martin band. I mean, who the hell else get down like that?

SPEAKER_03:

Yeah, yeah. And in UAPB, you know, they was in the president, you know, an Obama parade, you know, they did the thing, you know. And you know, back when I was in there, we was the top of the school.

SPEAKER_04:

It's actually talent, real talent.

SPEAKER_03:

Yeah, yeah, it is. You know, you gotta think now. Smokey knowing also from Pine Bluff, you know what I'm saying? And you know what he did over in gospel, you know what I'm saying? So, but knowing Smokey, you know, not knowing, you know, that he was gonna be in the music industry, but just knowing Smokey back then, how he used to play at the church. I mean, it when he got in the music industry, I mean, it was uh almost like a no-duh type of thing that he was, you know. I I just you know, you wouldn't think it though. You would think that everybody let something else slip. So uh you were a m musician at church? I um I wasn't a musician like playing like the because I still can't play the piano keyboard like that. Uh but I can, you know, I just know music. And I I I did the drums. What I did in my church is I played the drums on my MPC. I used to have an MPC and on my keyboard. I played the drums on there for the choir. So yeah, I did, you know, you know, being being in the South, um, especially my age, grandma ain't letting you stay at the house, you know what I'm saying? So you was you was going to church, you know what I'm saying? Or you weren't going to be.

SPEAKER_04:

You don't get over there and beat them drums, boy.

SPEAKER_03:

Hey, you better you better get out there, bed or y'all ain't going nowhere, man.

SPEAKER_04:

You better get over there and beat them drums.

SPEAKER_03:

That's what they say, beat them drums. Yeah, or hey, or next week you can't go tomorrow because y'all ain't going to church, man.

SPEAKER_04:

Yeah, yeah, yeah. And what else they do? Go out and stay out all night long. Sunday morning, you be enough going to church. So if there was, I know a lot of people are asked in an interview, if there was any artist dead or alive, you can work with. I'm not gonna ask you that. If there was any female artist that you can work with, whether you, and I'm gonna, I'm not, and I'm gonna say not, I'm gonna say any female artist from the love and hip hop franchise, which artists do you think that you can mess well with and make a star?

SPEAKER_03:

Well, it's like uh I ain't gonna lie to you. I don't watch a lot of TV because I be in the studio that much. I ain't gonna lie to them, you know, but I don't watch a lot of TV.

SPEAKER_04:

Okay, but you but you have a concept of who on what now. Come on now.

SPEAKER_03:

Yeah, I mean, you know, uh I can just say any one of them that's doing because I I seen Cardi B, you know, which I I don't I you know, I came from when before she was a musician, that's when I was, you know, kind of in, you know, when I was seeing at least some episodes. And it was like, if she I was just like if she be rapping, she probably be some phone, but you know, she rapping and look at her, you know what I'm saying? So it's you know, I don't know exactly who on there right now. It don't have to be it don't have to be right now, it's anytime. Oh, I I mean, like now, Candy, you know what I'm saying, like even though she does her thing, but any, it's like I want to work with everybody.

SPEAKER_04:

So it's like you didn't just put that woman in a whole nother show.

SPEAKER_03:

Oh, hey, see well, see what I'm saying? Hey, that's why I say like hey, I I ain't gonna lie, man. I'm probably one person that the most screen that I watch is the music screen, you know what I'm saying, on my computer. I've I really literally be in front of that all the time. Like I haven't watched TV in years, you know what I'm saying? Probably since I say 2015, maybe. Well, how you know what's going on? Uh YouTube. And I and I get news. Yeah, yeah, I'm an avid new YouTube watcher because I uh I I watch a lot of, you know, I like to get informed on things, you know what I'm saying? And I'm always looking up tutorial type thing, you know what I'm saying? I'm trying to learn all the time because that's you know, that's the way right now, that's the way of the world. You know what I'm saying? The way the world is, we got everything at our fingertips, and we they showing you how to do it right there.

SPEAKER_04:

So tell me this before COVID, what are some of the music conferences and events that you have attended and which ones that you felt was the most beneficial?

SPEAKER_03:

Well, uh back in 2008, I went to the Source Awards. I mean, not the Source Women. It it was in Houston. I think it was the Source Award. But uh the the whatever awards that was down, I'm I'm I don't want to be wrong by saying it's a source, but it seemed like it was the source awards. And and that to me, that was a big experience, you know what I'm saying? Because we got to meet a lot of different artists, Bush Week Meal, Wrestling Love, and uh short it, shorty, uh, shorty low, you know what I'm saying? Wrestling Love, you know what I'm saying? It was it was a lot of, you know what I'm saying. We met a lot of artists in their hotel, you know what I'm saying, being up there. Want to say we was on the floor with two shorts, it seemed like, but I don't think we got to meet him. We just seen a lot of girls, you know what I'm saying? It was, you know, they was there, you know what I'm saying? It was a lot of people there. And uh DJ Drama, I I met him outside, and you know, it's just a lot of different, it was it was a lot of different artists, but at this point in time, this was before everybody was super, super famous. So they they were famous, but you know, it was you know, that was probably right at the beginning of a big rise for a lot of them, and we actually met a lot of them right there, you know what I'm saying? So that was to me, that was a fun experience seeing all the module riders and for our you know, foreigners all outside, you know what I'm saying? Like that was a nice experience.

SPEAKER_04:

Okay, well, tell me this. What do we have to look forward to immediately from Punk Flip?

SPEAKER_03:

Right now, uh other than the project that we're working on, change the narrative with the time blood various artists. I work with Jess Rome. And and just Rome has, you know, right now he has a song, no tent. I have a couple features with different artists out right now with uh Prophet X. And um but other than that, we you know he got a lot of upcoming music, you know what I'm saying? An album that's coming that's gonna really make a lot of noise, you know what I'm saying? And the thing is, on making noise, it's promotion. So, you know what I'm saying? That's that's the thing about it taking the taking the F you know the initiative to promote and you know going to different avenues and promoting on a bigger scale, you know what I'm saying? So that's what's going on. And we got a lot of work, you know what I'm saying. Black trunk, he got some work, you know what I'm saying. It's a lot of artists got work quiz. He got some work that's coming that's that's really gonna change it, you know, probably open some ears because you know he this time he's talking to the youth, you know what I'm saying? He got some good uplifting music, you know what I'm saying, or at least wisening up, you know what I'm saying? Some wisening up youth. Oh yeah, I I got one other person to mention, and you know, which is kind of big too. Uh Trail G, who works for Empire Records, you know what I'm saying? He he he has an upcoming project about to release pretty soon that you know that is gonna catch ears, and we're doing some work with him too, you know what I'm saying. He also he's a producer and he's from Piper Blood, you know what I'm saying? Okay, so that's just a big thing that I had to have to say that even though he's not right here, I talk to him you know almost every day, you know what I'm saying? So, you know, and and and he's been what's been keeping me, you know, on on the go and you know what I'm saying, like testing me out, making me, you know, try different things, you know what I'm saying? So I just had to say that because that's a big influence, you know what I'm saying.

SPEAKER_04:

All right. Okay. Is there anything else you want to add?

SPEAKER_03:

Well, let me see. No, but but yeah, but other than that, right now, that as I can think of, you know what I'm saying? That's about the biggest thing that that that actually that I'm doing, that even though, you know, it's no, it's not my project or anything like that, but that's something that I'm involved on. I'm doing some of the music on his project. So whenever it does come out, that'll be something that you know the name of the project? No, I don't know the name of it yet. You know what I'm saying? Not the name of it yet, but you know the name of the project. Whenever it comes, it will be big.

SPEAKER_04:

Okay, you don't you don't know a release date?

SPEAKER_03:

No, no, I don't know, because it's still we still working on it. You know what I'm saying? We're still working on releases, you know, trying to get he's trying to get a couple more features, you know what I'm saying, with a couple more artists from here. You know what I'm saying? So and that's the thing about it, you know. That that's something that a lot of people in Arkansas really don't know that we have a major artist on the label out, on a major label right now, you know what I'm saying? But and he produces, but you know, is you know, it's kind of one of those hidden hidden jewels.

SPEAKER_04:

So tell everybody where if they need to contact you for studio time, where they need to find you at where they can find you on social media, how they can hit you up, plug yourself.

SPEAKER_03:

All right. Um on social media, it's it's on Facebook is Cody Funky Foot Owens and I spell it wrong. Yeah, I know yeah, I got it. P H U N K E E P H O O T.

unknown:

And

SPEAKER_03:

uh on on gmail i like i i do a lot through gmail on some of the on instagram it's the same thing but uh it's like harder to receive you know i don't probably don't check it as much but you can hit me on gmail with funky foot at gmail or foot funky at gmail spell the same way funky p h u n k e and p h o t you know you can swap it around you're still gonna get to me foot funky or funky foot at gmail that's the best way to reach and i can get back with you because that's gonna definitely show up on my screen and i will be able to contact you back okay is there anything else that you want everybody to know about mr funky foot oh you can catch it at studio 22 which is 1210 south cherry uh cherry street and pine bluff suite 22 but it's actually on linden street side the address is just on on cherry street so that confused that confuse a lot of people when i send them the address i always make sure that i tell them on lending street side because they you'll never find it on on on cherry street side it's not a 22 over there you know so that but that's where you can come find me and when you come we ready to work you know all right well y'all heard it here he got a couple new projects coming up if you need to work he ready to work and this will conclude this episode of blonde intelligence hey girl let me tell you about this podcast girl everybody has a podcast these days but this one interviews new and interesting indie artists it's called indie artists music hostel with blonde intelligence really where can I find it it's on all podcasting platforms streams lives on social media and on rpadio.com what you say it was called again it's called indie artists music hostel with blonde intelligence girl I'm gonna have to check that out give it a check girl