Lisa is hosting solo today and is joined by Howard French to talk about his latest book, Born in Blackness: Africa, Africans, and the Making of the Modern World, 1471 to the Second World War. Howard French is a professor at the Columbia University Graduate School of Journalism. Prior to joining the Columbia faculty, in 2008, he was a reporter and senior writer for The New York Times, where he worked as a foreign correspondent for more than two decades. During this time, French served as the paper's bureau chief in Shanghai, Tokyo, Abidjan and Miami (covering Central America and the Caribbean).
French's documentary photography has featured in solo and group exhibitions on four continents, and collected by the Mildred Lane Kemper Museum in St. Louis.
For more information about his work, please visit his website: howardwfrench.com or follow him on twitter: @hofrench.
Book Description:
Revealing the central yet intentionally obliterated role of Africa in the creation of modernity, Born in Blackness vitally reframes our understanding of world history.
Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity?
In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not―as we are so often told, even today―Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa.
Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history.
While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories―siloed and piecemeal―were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day.