Open-Door Playhouse
Open-Door Playhouse is a monthly podcast harking back to live radio theater broadcasts. Created to introduce New Plays, New Writers, and… a wealth of unknown talent. Giving them the opportunity to have their works created in sound studios as opposed to live stage productions and presented on the Podcast as “Radio Productions.” Play submissions will be solicited online, outreach centers and word of mouth. Broadcasts will be once a month (to start) and grow as demand requires. Long term goal is to reach out to undeserved writing communities: prisons, school and community groups to provide an avenue to have their voices heard, via plays, short stories or poetry, and to establish Podcast as its own 501c3 organization.To submit your play contact:open-doorplayhouse@gmail.com
Open-Door Playhouse
THEATER 193: Holy Hell
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A man and woman separately relate the story of the tragedy that brought them together and the love that redeemed them both.
Gary B. Lamb directs a cast that includes himself as The Man and Elaine Mello as The Woman.
Barbara Lindsay is the playwright. Her plays and monologues have received over 400 national and international productions. Among her previous plays are FREE, Snow White Who?, Sex in The Middle Ages, Creamy Dreamy Boyfriend, Want, The Walkers, and so many more. She is currently based in Seattle.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...
Hello and welcome to Open Door Playhouse, a theater podcast that celebrates live theater on the podcast stage. I'm Hesel Avalar. At Opendoor Playhouse, we strive to bring our listeners thoughtful and surprising 10-minute shorts and one act place that showcase insightful and new perspectives of the world we share with others. Open Door Playhouse is a 501c3 theater organization. Support for Open Door Playhouse comes from listeners like you. Your tax-deductible donations help keep our place on the podcast stage. Now playing in Theater 193, Holy Hell, written by Barbara Lindsay, directed by Gary B. Lamb, starring Elaine Mello as the woman and Gary Lamb as the man.
SPEAKER_04You never look back. No matter what. You grab the purse off some old lady's shoulder, you don't look back to see, did she have a heart attack or something, fall down, break a hip? No, you run. Take the money, toss the purse, run some more. You jump a guy, smash his face in for no reason, you don't step back and think, now did I maybe go too far, like maybe this guy has a family to support. No, you kick him when he's down and then you run. But you definitely do not look back. You know, I was a kid once. Probably okay, but who remembers? Some people grow up to be carpenters. I grew up to be an asshole, a petty asshole, always running like maybe I got a future to get to, which I didn't.
SPEAKER_02When you try your best but you don't succeed when you get what you want but not what you need. When you feel so tired but you can't sleep stuck in I can remember my life before, although I don't think about it much.
SPEAKER_00One moment it was just life. Not very special, but good and expected. And then suddenly one day, everything disintegrated. There were police and the money was gone, my husband was gone, and nothing was left but disgrace and confusion. My father died soon after that, and there didn't seem to be anything to keep me there anymore. So I got a job in California. I do remember I remember clearly putting Toddy and Lisha into the car and starting toward our new life. I was excited at first, but it was a long drive. It seemed to go on forever. Maybe it was too long to take with two small children. I don't know. I don't remember the accident at all. No one knows what happened. Only that I drove off the road. I may have I might have fallen asleep.
SPEAKER_04So this one day, I'm driving along, tossing some back, Jimi Hendrix turned up loud, and I pitch a bottle half full out the window, really let it fly. And the thing you have to understand is I meant no harm to nobody. This one time I swear to God, I did not mean to fuck anybody up. Just tossing a bottle out the window, littering at worst. But it must have hit this car I didn't see was there because suddenly, behind me, I hear tires skidding and a crashing sound, this car going out of control and flipping over. I can't tell you, I cannot tell you why. But I did it. I did that one thing. I should have been disappearing like a puff of smoke, but I don't know. I I guess it caught me by surprise or something. It's crazy. A mystery to this day. Why I would have done it. But I did. I looked back.
SPEAKER_00The first thing I remember is opening my eyes in the hospital. The room was very quiet, almost dark. Somebody was there next to the bed. A man I didn't know. He was holding my hand. Or I was holding his. I couldn't talk for a while, couldn't stay awake. The nurses and doctors came and went, but he always seemed to be there. I heard someone say that he had been the one to find us after the accident. And when I was able to ask about Toddy and Lisha, he was the one who told me they were dead. I can't imagine how he had the courage to tell me. And then to stay with me as I fell apart. My children. My children were gone. I had killed them. I believe I had to be strapped down for a long time. And all I wanted was to slip away. I couldn't stand the thought that I might have to look anyone in the face ever. But still. He held on. He kept pulling me back to the surface for air. And then when I looked at him, his face was so sad, as though he could feel everything I was feeling, and understood. And forgave me. How could anybody be that strong?
SPEAKER_04I run back to look at the car. It was smashed pretty good, and the driver and these two little Okay, so I couldn't see much. One of them one of them had red shoes. I couldn't tell if it was a boy or a girl, but holy mother, I wanted out of there. I was this close to skipping. Only then the driver, this lady, opened her eyes. I don't know if she saw me, but she looked right at me. So anyway, I start flagging people down, got a guy with a cell phone, cops show up, ambulances, you know, the whole scene. And I'm practically standing there with my hands out, waiting to be cuffed. But everyone's all over these hurt people, and when the cops ask me what happened, I say I don't know, and they believe me. I had to have stunk of beer, but they treat me like some kind of hero just because I flag somebody down. If they'd have chased me, I'd have run, but nobody chases, so I stand there like a fucking moron until they go to the hospital. That's when I could have run. Nobody thought I was involved. But I knew. I'd seen what I'd done, you see. So I went to the hospital too. I think maybe I'm praying to get nabbed or something because the sight of those two kids on the stretchers. I think I want to pay. Some things you just shouldn't get away with. If I'd have left, I'd have had to drive off a bridge.
SPEAKER_00When I was released from the hospital, I couldn't even think about where I would go. There was nothing for me. Everything I had ever cared about was gone. He had walked me outside and he led me to the parking lot and opened his car door. Just like that. As natural as air. You can't imagine. Without thinking, I put my hand on his cheek and I kissed him. And right there, right in the parking lot, he sat on the ground and cried, just like a little boy. I think he is someone who had not felt loved before. It made me so happy. I'd been burdened with thinking that I had nothing to give him in return, and now I knew I could love him. And so I did. And so I do. I will love him for the rest of my life, no matter what.
SPEAKER_04I sat there in the lady's hospital room, waiting every second for the cops to come in. And when she comes to and she asks what happened to her kids, then I knew. No, I'm not going to jail. I get to do this instead. I get to look into this mother's eyes and tell her straight out that her kids are dead and I did it. So I tell her. They're dead, I say. And she puts her arms around my neck and holds on to me like I'm some kind of comfort or something. I mean, what the hell is this? I'm an asshole. I tell her, I killed your kids, I almost killed you, you'll never have kids again, and it's my fault. What the hell you doing? But I guess I didn't say it so she could hear. I shoulda. I know I shoulda. I wish I could. We've been together now ever since.
SPEAKER_00There has never been a gentler man. Never. Not once has he spoken a single harsh word to me. Not when the troubles of the world seem to rest on his shoulders, not when he's working day and night to pay the medical bills and make a home for us. Not when I push him away because I'm too ashamed to let him look at me. I think he's my guardian angel. Isn't that funny? It's it's a silly idea, I know, and I feel foolish saying it. But so much bad happened. I find myself believing that God sent him to protect me. How else can I understand this? He's like all the goodness in the world wrapped up as a gift, and somehow, even though I don't deserve it, my name is on the tag and the gift is mine.
SPEAKER_04Every morning I wake up before her and watch her sleep, thinking today is the day she's going to remember. Today is the day she'll look at me and know what I did. And every day she wakes up and smiles at me and puts her hand on my face. And I let her because this is worse than anything. Seeing her every day, knowing what I know, and her not having a clue and treating me like I've got a decent bone in my body. Now this is something all the cops and courts and jails in the world got no equal of. I have to tell her. I know I have to tell her. I love her so much. I mean, look at her.
SPEAKER_00Look at him.
SPEAKER_04It's almost more than I can bear.
SPEAKER_00It's almost more than I can bear.
SPEAKER_03If you are interested in submitting a play for production, you can find that information on our website, www.opendoorplayhouse.org. Please share this podcast with friends and do not forget to subscribe so you'll be notified when our next production goes live on the podcast.