Claudia talks to Jeremy Gordon about the concept “Republic of Noise”. They discuss the relationship between noise and politics and think through how noise might be used as a tool that enables listening and democracy. They “riff” with each other trying to think through the tensions between noise and harmony as well as whose sounds are considered pleasant or not and how that shapes how one belongs to place.
Date Recorded: 9 February 2022
Jeremy Gordon is an Assistant Professor of Communication Studies at Gonzaga University who studies and teaches where environmental communication, environmental studies, and critical animal studies get entangled. He is obsessed with questions of how ecological relations are “rhetorically” animated – by human and more-than-human messmates. Specifically, how urban ecologies and feral spaces are, and should be, shaped by everyday creaturely encounters. Jeremy has co-edited a special volume on “animal rhetoric” for Rhetoric Society Quarterly, and is currently enchanted by, and kinning with, the feral chickens of Tampa, Florida’s Ybor City. Those chickens have scratched and strutted their way into The Journal of Urban Affairs and Dr. Laura Reese’s edited book on Animals in the City. Find out more about Jeremy on his University website.
A fowl politics of urban dwelling. Or, Ybor City’s republic of noise; Of fowl feet, beaks, and streets: eyes on the ground in Ybor City by Jeremy G. Gordon; Ybor Chicken Society ; The Sonic Color Line: Race and the Cultural Politics of Listening by Jennifer Lynn Stoever; Practices of Space andA.P.P.L.E
The Animal Turn is hosted and produced by Claudia Towne Hirtenfelder. The podcast is part of iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and Instagram. You can find all seasons, episodes, reading lists and bonus content on our website.