Master the 40: The Stories of F. Scott Fitzgerald
In 1929 F. Scott Fitzgerald wrote Ernest Hemingway that because his short stories now earned $4000 a pop he was "an old whore" who had "mastered the 40 positions" when "in her youth one was enough." But were the upwards of 180 stories he cranked out when not writing The Great Gatsby really the work of a literary prostitute selling out his talent for a fast buck? Kirk Curnutt and Robert Trogdon don't think so. Each episode they draw a random title from a hat and explore its place in Fitzgerald's career, in the magazines such as the Saturday Evening Post or Esquire where it may have appeared, and in the overall development of the American short story. Along the way, they talk literary politics, history, and gossip from the 1920s and 1930s, rediscovering the lively personalities and rivalries that tried to define the porous boundaries between commercial and artistic fiction, between the popular and the avant-garde, between the forgotten and the canonized.
Master the 40: The Stories of F. Scott Fitzgerald
"The Long Way Out"
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Published in Esquire in September 1937, "The Long Way Out" could possibly be the best F. Scott Fitzgerald short story nobody has ever paid attention to---not even seasoned scholars. Set in a sanitarium, the plot involves a traumatized woman who every day gets ready for a visit from her husband, who never arrives because, as the hospital staff has decided they won't tell her, he has died in a car wreck. Clearly based on Zelda's long and torturous institutionalization for schizophrenia, this story is indicative of the late style the writer developed to meet the grittier, more condensed demands of Esquire, the new men's magazine that paid him a paltry $250 per vignette but kept his name in print. Even though Robert and Kirk didn't recognize the story when they drew it from the slush pile, "The Long Way Out" has quickly become one of their favorite Fitzgerald stories.