SPEAKER_00 0:00

Hello, I am Joshua P. Warren, and this is Joshua P. Warren Daily. And I am back here in Las Vegas. I've gotten uh rested up quite a bit, and so I'm ready to tell you more about this epic and I truly believe historic trip that I just took to Milwaukee, Wisconsin to enjoy this gathering I produced of what I believe are the most brilliant minds in the world in the field of radionics, psionics, psychotronics, wishing machines. We're talking about a small, intimate but intense gathering. And I was a little bit vague about exactly where we were going to do this just to make sure that everybody's security was respected. But uh we did it in West Allis, which is an area there of Milwaukee, Wisconsin. And uh I heard some of the locals say a lot of people call it uh West Allis or Stallis, whatever. And so uh nice little neighborhood, and that's where Charles Casimano lives, and then of course Vrillok lives not far from there. And so so since these two guys are living in close proximity, it made sense for Dr. Mulder and myself to go to them, even though we came from opposite sides of the country. I came in from Nevada, and then uh Mulder came in from South Carolina. And as you know, uh despite the blizzard that struck the southeast, uh we were able to get there. Uh everybody got there safely, had a wonderful time, and went back without any problems, and that was something that was uh programmed radionically. We wanted to make sure that everybody got there in good shape. But let me tell you something real quick about my trip to Milwaukee that I think really shows you the tone of this whole thing, how it kind of got started off on the right foot. So I was surprised to find that there was no direct flight between like a like a non-stop flight between Las Vegas and Milwaukee. They all went through Minneapolis. And I, you know, I always do whatever I can to do just one non-stop flight because I hate connections. And then I also always try my best to get a seat in first class. And uh if I can't get one because they're already sold out or whatever, well then uh I certainly want an aisle seat because you know I'm I'm not a small guy. I mean, I'm six foot two, I like to spread out, I'm a little claustrophobic, and you know, being on the aisle at least it gives you the ability to spread out a little bit more, stretch your legs a little more often, so that's important to me. So that said, to get to Milwaukee, I was gonna have to take two flights. One from Vegas to Minneapolis, which lasts over three hours. That's the long stretch of the long leg of the flight, and then one from Minneapolis to Milwaukee, which lasts about 45 minutes. And then the same exact thing, of course, on the way out. So we're talking about a total of four flights. So I reserved my plane ticket on Delta, and then um I uh I got onto the Delta website and I started making my seat selections, but I had a lot of stuff going on. I was in a hurry, I was distracted by two or three things, and somehow I missed uh selecting my seat for my first flight out from Las Vegas to Minneapolis. I don't know how that happened, but I was kind of horrified to see the day before my flight that I was gonna be stuck in a middle seat in coach, which to me is a worst-case scenario. Um and so uh right off the bat, I was like, oh my god, I gotta change this. You know, I didn't care. I mean, I was gonna upgrade to first class or at least get an aisle, and it wouldn't let me do it. It wouldn't let me change my seat. And so I called Delta and said, uh, you know, here's my situation. I don't care, I'll I don't care how much it costs, you know, I'll I'll do I'll pay whatever I have to pay, or you know, I just I at least want an aisle seat, but I'd rather be in first class or comfort plus or what and they're like, Oh, I'm sorry, sir, this flight is, you know, it's already booked and there's nothing we can do for you, you know. Maybe maybe check with the the ticket agent when you get to the airport. So I'm like, okay, great. So I guess uh now I'm just gonna have to have a really positive attitude and um and try to manifest this somehow. So when I got to the airport, the first thing I did, of course, and I got there very early, and I went right up to the ticket agent at the counter at Delta, and I said, same thing. Is there anything I can do? I'll pay whatever I have to pay. I'll I just want to, you know, at least be in an aisle seat, and uh hopefully I can get, you know, I mean, I said, I don't care, I just I can't be in this seat. And she goes, I'm sorry, sir, there's just no way, you know. Um the the flight is overbooked and everything's locked into place. And she says, I tell you what, what why don't you ask the agent at the gate before you get on the plane, and maybe something will change at the last minute. I say, okay, so this is not looking good. So anyway, I get to the gate. This is the this is pretty much the last hurrah for this, you know, before I'm gonna get on the airplane. As soon as the gate agent came out and at the counter, I was the first guy up there. Very nice lady. I s I told her the same thing. Uh, here I, you know, is that I'll do anything I have to. I just really want to. I mean, that my main thing is I want to get an aisle seat. And uh she goes, there's no, I'm sorry, you know, there's just no way it can't be done. And I said, Well, uh, okay. Um, so I was like, well, you know, you've you got my name, so if if anything changes, somebody doesn't show up or whatever, you know, I just please let me know. And she says, Okay, I'll let you know. And I'm like, Well, I guess that's the end of that. And so I I sat down in the seat. Here I am by myself, and I kind of resigned myself to the fact that okay, over over the next three three hours here, I'm gonna have to just be squeezed into this little claustrophobic phobic position between these, you know, two two strangers on a plane. And plus I'm carrying around oh, easily fifty pounds worth of bags and stuff, because I did not want to entrust them to the airport. Um if I can do uh carry on, I will do it if I can handle it, because i if you know you give them a bag to check and they lose it for a day, well then that's gonna screw you up when you're doing something like a production, you know, and my goal was to go up there and film this thing. So I had all kinds of equipment and I couldn't take that chance, so I just try to carry everything with me. So anyway, here I am sitting there with my two big bags, thinking, uh, this is gonna suck. And then oh yeah, oh yeah, something occurred to me. Something I'd forgotten about. Rillok sent me a couple of attachments and he said, Hey, I never travel without printing these out and putting them in my pocket. These will get you through a tight space if you're in a pinch. And sure enough, when he sent me these two their their symbols, one of them is it looks like one of the the lesser keys of Solomon, and the other one is a runic symbol, and I had printed them out right when he sent them to me, and cut them out with scissors and put them in my wallet. And I, like I said, completely forgotten about the fact that they were there, and then all of a sudden I remembered it. So I took out my wallet, I removed these two they're basically sigils is what you would call them, you know, I'm a big sigil guy. And I put I I I sat at there first off and I looked at both of them and I I thought about what I wanted, and I projected my desire onto them, just like my brain was some kind of a light source, and my eyes are the lenses projecting this, you know, scene in which I get what I want onto them, and then I took these two pieces of paper and I put them in my shirt pocket, my left shirt pocket, sort of facing outward. So anyway, they're ready to board, and so um they call my zone, I get up, I walk over, I hand the lady my uh ticket, she scans it, says, Have a nice flight. Alright. Alright, so that's it. Oh well, I guess it didn't nothing happen, didn't work, so I walk past her and I I start stepping onto the little ramp that takes you down to the airplane, and then I hear, Sir Sir and I turn around and she goes, Here, this just printed out for you. She had a little machine in front of her and it printed out a piece of paper and she says, Yeah, you your seat's been reassigned. She hands me the piece of paper. Guess what, my friend? Hells yeah, it is an aisle seat. Now what are the chances that I would go through that whole process and at the last possible moment, but right after I took out these things that Vrelloch sent to me, I was able to make it onto the plane. Turns out it was not only an aisle seat, but it was like a really good aisle seat that had even more leg room than usual due to the design of the plane, and I had a wonderful first leg of my flight. Now, I don't believe that is coincidence at at all, whatsoever. And and by the way, please don't email me and ask me for those symbols and those sigils. If you're interested in that, contact Vrillok. I don't know what his policy is. You might just have to join his club to get access to stuff like that. I don't know. Uh you know, his website is vrillo.com, V-R-I-L-O-C-K, Vrilock.com. So anyway, that was a good start to the trip. So, and then of course I told you in one of my previous podcasts, I ended up getting in pretty late, and I'd mentioned that when Mulder picked me up, we went to a um a bar. I didn't want to give the name of it while I was in town, but it's called the Camp Bar, and it's really great because it has this kind of um Northern Territory hunting lodge motif. And I love that. And they serve food till two in the morning. I told you that I've had the best chicken wings. I would you know what? I'm gonna go on the record and say the best chicken wings. No, no, no, no. Not chicken wings. The best chicken tenders, the best chicken tenders I've ever had in my life came from the camp bar in Milwaukee, Wisconsin. And you can buy 'em up till two in the morning. They don't deep fry them. They are they pride themselves on the fact that they have an oven that's similar to like a big air fryer. That's how the bartender explained it to me. So you can gobble these things down, and I'm not kidding you, I think I ate twenty-five of them over two different uh occasions. Uh uh, in fact, I'm certain I ate twenty-five of them. Um and they're this is as healthy as you're gonna get when it comes to a chicken tender. Because and they're like I say, they're just delicious, they're succulent, they're tasty. With if you're in Milwaukee, go to the the camp bar there and uh and have some chicken tenders. And that's also where Dr. Mulder got his pizza that he said was phenomenal, and I think he pretty much ate this giant pizza. Uh and so, you know, we were joking about how you know how much he hated it. Uh there was only cardboard was left when he was done with it. But anyway, um that said, uh here's something else kind of just kind of odd that you know might you might find interesting as a sort of slice-of-life uh detail. When we were sitting at that bar the first night and there weren't many people in there at all, um I looked up and I saw a sign that said pull tabs one dollar. And pull as in P-U-L-L. Like you're pulling something. Pull tabs one dollar. And being at a bar, I th I said to the bartender, uh, is this like a pull tab beer? You're you know what and she goes, Oh no, no, no. She says, This is um this is like a gambling game that we have here in in Wisconsin. I said, Oh really? She goes, Yeah. Yeah, she says it's kind of like scratch-offs. Except instead of sc you know scratching the card, um it's got a little tab that you pill up, and it's got like five tabs on every card or something like that. And uh if you pull one up and you win, well, you can win anywhere from a couple of dollars up to uh maybe two hundred and fifty dollars. I said, let me see one of these things. So she she brings out a fish bowl full of these pool tabs. And uh I you know I just love stuff like that. You know me. I you know, I I enjoy little gambling games, and so I gave her a $20 bill. I got a bunch of these things, and I gave Brad a half of them, and I got half of them, and we're sitting there pulling. It's just one of these like quirky little fun things that you discover in a bar. I actually took one of them and put it in my uh my wallet uh as a souvenir. And yes, I won some money, um, but uh it was it to me, it was it was more just you know about having like this fun little interesting thing. She said that they're kind of like crack is what how she described it, like people get them and they just they get addicted to the fun, you know, of pulling these little tabs. So, anyhow, look, I told you what happened at that bar, and then we went we went to our hotel room. The next day I got up, I secured a shooting location for us at a hotel there, and once I had the shooting location secured, then uh I got together with uh with Dr. Mulder, who he is an associate producer on this project, uh, and so he was also my chauffeur. We recorded the podcast uh talking about our our previous night, and then he goes, Okay, boss, what do you want to do next? I said, Well, let's go to uh downtown West Allis here, and I want to be shooting some footage showing people sort of what the setting is here, what the landscape is like, what the you know so we start driving around, and uh I'm filming this and that around the downtown area, things that I may or may not use. I mean, I I still have to figure out how to put all this together. And we're driving through all these charming little neighborhoods, and I mean, and downtown Westallis is I mean, it's it's nice, it really is. It's like it's kind of like an old-fashioned, it almost has a Mayberry kind of feel to it, you know. And um, so we start driving through little neighborhoods, and they're all really clean and neat and nice, and everybody's got Christmas decorations up. And as we're driving along, I look over and I see uh that we're right at 57th Street, and I was like, oh, eight, 57th Street, and Brad goes, yeah, I said, hey, that's where uh that's where Jeffrey Dahmer lived for like six years. Because, you know, I've been started reading this Jeffrey Dahmer shit. I said, that's where Jeffrey Dahmer lived for like six years in his grandma's house, and uh unbeknownst to his grandma, this was one of his uh primo times where he was going out to bars, picking up guys, bringing them back there, uh torturing them, killing them, and eating them, and then keeping parts of their bodies there, you know. He would keep their uh well their their penises and their heads and so you know, we start joking about having a peck of pickled peckers and things like that that this fellow, I'm sure it must have had on a shelf somewhere down there, two or three probably. So we're like, okay, well that house is still standing, let's go take a look at it. Um and which is weird because usually when a famous serial killer is associated with a place like that, it gets torn down. But no, this place is still standing. I'm not going to give you the address, but I knew it. I mean and so anyway, we we drive up to this house, and let me tell you, it is just like it's like the cutest little house. It's it's it's it's looks like a duplex. It's two story, very neat, very clean. Uh the whole area is, and it really does. It just looks like a house that your sweet old grandma would live in. And i you could you could stroll down that sidewalk in that neighborhood, and it would never, ever, ever in a million years occur to you that there was anything, anything about that house that that stands out in some way. Uh if i you know, i it it's just it was almost kind of eerie because it looked so pleasant and to stand there and look at the fact that, you know, within these walls, within these walls, he did those those things. So, you know, we got out and nobody was around, so it wasn't like we were being rude or obtrusive or you know, annoying or anything like that, and we got out and we took pictures uh of the house, of course. Um So anyway, we get back in the car, we drive around some more, I shoot some more footage, and I pretty much have all the footage I need at that point. And so uh Brad says, Well, what do you want to do next? Because we still had some time to kill before we were gonna get together at 5 PM and meet for the first time, Charles Casamano, Uncle Chucky, and his wife Donna, and uh Vriloch at a nice restaurant. So I said, Well, we got some time to kill. Uh, you know, I'm a big history guy, and there is this famous hotel there in Milwaukee that wasn't too far away, called the Ambassador Hotel, which is a primo example inside of 1920s Art Deco, which is just uh fantastic. It's beautiful. I, you know, I'm uh being uh born and raised in Asheville, North Carolina, I'm very familiar with the Art Deco and uh arts and crafts type periods, and um so I was intrigued with the idea of going to the Ambassador uh but not only because of that, because well Yeah, and yeah, there's a Jeffrey Dahmer story here. Uh this is one of those places where Jeffrey Dahmer got a room there at the Ambassador Hotel, and then he uh he went to a bar, picked up a fella, took him to his room, uh, killed the guy. Uh and Dahmer says he was so drunk that night that he didn't remember doing anything, but he when he woke up the next day, this guy is lying there in the bed dead, he's all black and blue, his ribs and his chest and everything are all crushed in, and Dahmer's like, Oh holy crap, I got this dead guy in my room, what am I gonna do? And so he uh he runs out and he goes to uh some kind of antique store there in town and buys the biggest suitcase he can find. And then he comes back to his room, stuffs this guy, stuffs this dead guy into the suitcase, and then calmly drags this suitcase down and checks out of his room. Can you believe that? You imagine the the the the the front desk person would have never ever in a million years considered that this guy who's checking out right now has a big suitcase with a dead man squished inside of it. And then of course he took that thing back to uh whatever house he was in, might have been his grandma's house, I don't know, what wherever he was staying, and then he cut it up and he had fun with it. You know, that's what he always did. So I said, hey, this would be another one of those places. It's a an interesting historic site, it's beautiful, and hey, we get to go there and check out this place where like, you know, Jeffrey Dahmer killed this guy and put him in a suitcase. Probably there's some paranormal stuff here, you know, some so anyway, we decided to go over to the Ambassador Hotel where they have this really nice bar called Jin Ricky's or something like that. I think that's what it's called. And so uh but I told Brad, I said, Look, we can't just walk in there and start talking about Jeffrey Dahmer because that's a very sensitive subject around Milwaukee. Uncle Chucky actually sent me an email and said, Hey, just you know, here's some PR advice. He says, Milwaukee's not like Chicago where they celebrate their murderers. He says, Around here, uh Dahmer's An embarrassment. And so I acknowledge that. I understand that. But hey, it is what it is. History is history. And you know, people say, well, why does this interest you? I say, Well, it's because it's weird as hell. I mean, it's just something weird. It's i and and I guarantee you, if uh there were other people of uh historic notability in the area, you know, that rose to that level of interest, and you know, I would have been happy to go check them out as well. But uh unfortunately, you know, there is such a thing as famous and infamous, and infamous is uh in this case about an understatement when it comes to uh to this subject. So I said to Brad, look, we're gonna go into this Ambassador Hotel. It's gonna be a fantastic experience because it'll be beautiful in there. It'll be enjoying a piece of history and this wonderful art deco. We're gonna go to the bar and we'll have some drinks, and uh, you know, if we get an opportunity, then I'll ask about the Dahmer thing. But otherwise, don't bring it up, and you know, we'll just have a a drink and see what the vibe's like here. So we go to this hotel, and and from the outside, it does not look like what you would think of as a prime example of Art Deco. It it kind of looks like a big brick rectangular factory or something from the outside. But you walk in, it's beautiful. It's absolutely beautiful. Everything, I mean, we were wandering around as much as we could, and it was just it was sublime. It really was um a fantastic building. So we sauntered down into the bar area, and this is probably you know, this is uh mid-afternoon, I guess you'd say. So it's slow. There's only a handful of people, there's a couple ladies eating in the corner. Occasionally somebody will come to the bar, whatever. So anyway, we sit down at the bar, and the bartender is this older gentleman with uh an impressive mustache, and he's r immediately very nice, very personable, and I tell very quickly that this guy is basically an amateur historian. And he's very proud of the area, and he likes to talk about the history of the area, and so I right off the bat had a good feeling that I'd met somebody that I could could talk to about, you know, anything I wanted to know regarding the culture. So we sat there for a good long time having um some local beers and stuff like that, because you know, beer dominates the Milwaukee area, beer and cheese, they're known for that. You know, they say the water's fantastic coming right there from the Great Lakes and uh Lake Michigan. So anyway, I'm figuring out when uh I would have an appropriate uh appropriate opening to bring up this issue. And so uh and this uh bartender, he like I said, he's happy to talk to us and tell us all kinds of things about his life and and the area. And uh he I told him that I produced television content, and I told him, you know, that I produced some stuff for the History Channel. And so he said, Oh, you know, I love watching the History Channel. And I said, Well, last year I was one of the producers on a TV series called American Ripper, and it was about Jack the Ripper. Did you see that? And he says, Yeah, I sure did. That was really good. I said, Oh great. I said, Well, I read that uh here we go, here we go. Let's see what I said I read that Jeffrey Dahmer killed a guy in this hotel. And he pauses for a second and he goes, Well, since you brought it up and then he starts telling me about it. And uh sure enough, you know, he verifies what I'd read. Um he said, you know, that was the the the building is is very different in many ways because it's been dramatically renovated since then, that he he claimed that they don't even know which room that it happened in. I find that hard to believe, but okay. Uh and then one thing that I found particularly interesting, he said, here as a bartender, and this fella uh said throughout his life, you know, he'd been working in in food and beverage and restaurants and all that uh in in many different scenarios, and so now he says, here as a bartender, he said, There have been numerous occasions over the years when people will come to the bar and they will tell him they have seen a ghost. And he said that it's always uh one of two ghosts. And he said, I don't bring this up, I don't volunteer any information. He said, These are people who just come to me, and he says half the time they don't know anything about the history of this place, and so he finds that really compelling. He says they either see the ghost of Dahmer's victim or the ghost of a woman who committed suicide, and he said it's always on one of two floors, that there are two floors that are the haunted floors, apparently. And because this is a big, big, tall building. I don't even know how many floors there are, but he said he finds it uh interesting that it's always the same two floors over and over and over. And I said, Well, what are those floors? And he goes, I'm not gonna tell you. So um I guess if one wanted to know, you'd have to do a a bit dip uh uh a big uh a bit of uh digging deeper on that subject. But you know, I I thought it was pretty amazing that I could have uh a situation where I'm sitting in the building where this occurred and talking to a historian, and he's he's verifying, you know, that yeah, this is what what happened here historically, and now here is what people are saying they're seeing here of a ghostly um aspect. So we really enjoyed talking to him. It was just a great experience. And um at some point or another we were talking about things to do in the area, and he said, uh, oh yeah, there's a big casino nearby, and he said, I said, Well, where is it? And he turned to the window, he said, You see that big white building over there? And I said, Yeah, because that's the casino. So um so we settled our tabs, and Brad and I went over to the casino, and I said, Well, let's just spend 15 minutes here because I'd like to see what it's like and compare it to some of these places in Vegas. And uh so we literally spent 15 minutes in this building. We walked in and uh it was a big, big place, really nice. Um it looked like there was a lot to do there, and uh so I was there for 15 minutes and uh I gambled forty dollars and I walked out the door with eighty-one doll. So I more than doubled my money in fifteen minutes, and so uh once again Brad was like, Ah, I don't know how you do that. I said, Well, I uh I'm I'm a lucky guy, I'm a lucky guy. So anyway, that gives you a sense of sort of like how we're getting out and having fun and enjoying the community, and and again, for those of you if you're listening to me right now and you live in the Milwaukee area, I'm sorry if you're offended by the fact that I might bring up the Jeffrey Dahmert thing, but that's how it is. And that's how it's gonna be. Alright, so now it's getting dark, and it's time for us to meet up. Now, the plan was uh okay, well I I had a reservation at a nice restaurant in the area there that was suggested to me by Uncle Chucky, and so Brad was going to drive over to pick up Uncle Chucky and his wife Donna. And then Vrillok was just gonna meet us there. And there really wasn't a lot of room in Brad's Jeep because he had it packed with all kinds of survival gear, like he's going off to hike the Himalayas or something. And so while he was gone, um I just hung out there at the restaurant. They actually have a nice little bar next door, and so anyway, we're supposed to get together with everybody at five. So five o'clock rolls around, and uh Brad still isn't back with Charles and Donna, and I I noticed that you know, well, we're past five, so I decided to um we'll go on over and have a seat at the table, and I walk over and I see there's a man already seated at the table, and I know this has got to be Vriloch. Now you know Vriloch is um he is so I think in part mysterious and popular because he wears this very strange and often uh I mean I'm a lot of people often call it an intimidating mask. And if you don't understand who Vriloch is and why he does this, well then you can go back and listen to one of my previous podcasts that I did that was completely devoted to Vriloch. So I had no clue, no clue what Vriloch would look like in person. So I walk up to the table, and he stands up, and sure enough, he he's not wearing the mask, okay? Here is Tom Vrillok, unmasked. Now I know right now you want me to tell you what Tom Vriloch looks like. So here is what I will tell you. If you were sitting at a restaurant and Tom Vriloch was at the table next to you, he would not stand out in any particular way. He could blend right in with the crowd, and that's all I'm gonna tell you about what Tom Vriloch looks like. But he is a warm, friendly figure, he is a great presence, we embraced he was kind enough that he brought gifts for everyone, including a book about psionic robots, which is a fascinating subject that I'll probably devote a whole podcast to some other time. It's very similar to dealing with minions. And so I sat there and chatted with Riloch for a bit, and then uh the door opens, and here is Charles Casamano, the man whose books that I started reading when I was a teenager. There he is in the flesh, along with his wife Donna, being ushered in by doctor Mulder, and uh same thing. Warm greeting. We sat down at the table and we started talking and of course ordering our food and beverages, and I swear it just seemed like an old family that's been together forever. And I think that's because that again, you know, we've been all corresponding with each other for years, and in some cases many, many years. Like I say, you know, I started reading Charles Casamano's stuff when I was uh I think sixteen years old. So it it wasn't surprising that it really did feel like a big family, you know. We all just sort of clicked right off the bat, had a wonderful meal, had great conversations. I even shot some footage of us uh breaking bread together and all that, and then uh even though I I did not show Relock's face or Dr. Mulder's for that matter, and so anyway, when we were finally done with uh with dinner, we went over to the hotel where we had the everything arranged to shoot, and then we filmed and I did all kinds of creative shots, I interviewed each person individually, and then we all sat down at a round table, and I filmed us having this round table discussion where we dug into, as I said in my last podcast, a lot of fascinating stuff. Um what is the most powerful radionic tool out there? Can and should it be brought to the general public? If so, in what way? Um what are the boundaries of doing all this stuff ethically, morally, commercially? Um I mean, it was it was a meeting of the minds that uh I mean, if if you could have been a fly on the wall there seeing a group of the top radionics, psionics, wishing machine practitioners in the world talking about you know having a very clear, intelligent, articulate conversation about how to use what we have here to change the world in a positive way. I mean, it it would have been a highlight of your life. But like I say, have no fear, I filmed it so that you will have the next best thing. And so we actually did not wrap up until almost four o'clock in the morning, if you can believe that. Uh and even then I didn't get everything filmed that I wanted to. So I was uh but I had another day, so I knew that the next day we were gonna shoot even more. The next day, I was so tired that I slept till over two or past two o'clock in the afternoon the next day. And then when I got up, I started, you know, we went went right back to it, started filming again. And then finally, you know, uh I'd filmed about as much as I could. Later that afternoon, I uh had the great privilege of being able to meet uh Vriloch's lovely wife, Kay, who is an extremely talented artist, uh very creative person, and talk about you know some possible projects working with him. And so um everything everything worked just as it was planned. And I'll just toss this in here as, I don't know, maybe some kind of quirky thing that you may or may not find intriguing. So late on my last night, like one o'clock in the morning, I realized like uh I don't have really any decent food in my refrigerator here in my uh hotel room, and so I knew the next day I wanted to be able to get up and you know just eat whatever I wanted, and at whatever time I got up, and then uh head to the airport, and so I figured, well, you know, I'm not that far from that uh camp bar. So I got an Uber to take me to the camp bar again. So I walked into the camp bar, and this time the bar is packed out. There's like a hundred and fifty guys in here, and they are all shit faced. I mean, I'm squeezing through this crowd of people, miraculously found one seat open at the bar. The bartender comes over and I said, Uh I can't believe you know while I was here a couple nights ago, there was like three or four people here tonight. I can't hardly walk here. Who are all these guys? And she says, They're all cops. She said they had a uh an event nearby and they all came here to party afterwards, so you better behave yourself. And I said, No worries there. So I give her my order. I'm sitting here looking around at this room full of policemen who are all getting fucked up. And I mean, like they're having shots. And so I thought, man, uh they they must know how to identify an intoxicated person very easily from experience. And uh I don't know if the the everybody was packing or not, but I uh you know I had this little vision, like, what if I was some guy who was wanted and I stumbled into this bar tonight to get a drink? How funny and ironic would that be? You know, I'm I'm John Dillinger sitting here ordering my chicken tenders and a glass of wine with 150 cops, you know, all squeezed in around here. I wonder if how good they would be at recognizing that I'm America's most wanted just silly, but you know, that's the kind of stuff you think about. So anyway, I got my food, came back, and uh the next day I I had a very, very smooth flight back home. And now I'm in this position where I have a ton of footage to watch. And this is complex stuff. I mean, we're talking about footage that uh is covering these intricate conversations regarding uh philosophy, theosophy, science, psychology, um, I mean, all this stuff that I have to sit down and and comb through with a fine tooth comb and sort of figure out uh how to handle it, how do I deal with this, how do I cut this together in the best way? And I have a vision for what this should be. I actually plan on it being a number of video releases. Like we'll have one which is kind of our I don't want to call it a feature, but it's our featured presentation. It could be, I don't know, I'm thinking 10 or 15 minutes long, but it's like the the flashy one where we're all together, you know, and you're seeing a sort of all together. And then from there I'm thinking I'm I'm gonna take each one of the interviews and release them separately as their own thing, and then maybe even do a whole separate release for our group conversation to some extent as as one thing. So um I I again I have a lot of potential with with what I filmed here, but the s the first step is to watch it all and to and to take copious notes in many notebooks on paper so I know what I have to deal with and then go through the technical process of cutting it together. So I don't know when this is going to be ready, but when it is ready, it's going to be good, and it's something you have to look forward to. I promise you that. So I think that's all I can really capture for you at this particular point, and I want you to know that um I feel just sort of elated and uh just excited and relieved and inspired to have been able to document so much and achieve so much, and plus right now, I've got a list in front of me of all the major projects that I'm working on. I'm working on 14 major projects right now. So I know it's the holidays when most people are trying not to work, but I actually am taking advantage of that so that I can work more on projects that I want to do, since I know when things kick back in after the first of the year, I'm gonna be even busier traveling. I've got invitations to do TV shoots and all kinds of stuff and live events, and I'm not even including that in these 14 projects. Uh, one of those projects is, of course, going to be the experiment that I want you to be involved with regarding the roulette wheel to see if it is feasible that we could eventually make $10 million on a roulette wheel that we distribute among the people who worked on the experiment. So I will keep you updated on that. The number one thing that you need to do, and let me, if you have not done this, let me hammer this home as hard as I can. You need to go sign up for my free e-newsletter. It's free and it's spam free. If you go to joshua pwarren.com, there's no period after the P, go there, right there at the top of my website, not the very top, but you know, near the top section, you'll see a place where you put in your what your uh email address, you hit the submit button, and then you're subscribed. It takes two seconds, you'll get an email automatically from me that gives you a digital free good luck charm. And then you will be getting this important news first. You will literally be the first person on the planet to get it straight from my fingers, because that's how how I write these things. I sit down, I write them organically, I hit the button, and boom, it goes out to thousands and thousands of people. So go to joshua pwarren.com, no period after the pee, sign up for my free e newsletter, and of course, while you're there, you'll see a link to this podcast, Joshua P. Warren Daily. Always short, always free, independent, uncensored. If you click the link to this podcast, you can subscribe through various means, or just follow me on Twitter at Joshua P. Warren, at Joshua P. Warren, and I will tweet when a new one is available. So there's a lot going on, it's overwhelming, it's exciting as hell. I have so much to tell you about in my next podcast, but I believe that's gonna do it for this one. So that said, as usual, thank you for listening, thank you for your interest and support, thank you for staying curious, and I will talk to you again soon.