Review: Oracle of the Dragonfae

This review goes into the first oracle deck I ever purchased, the Oracle of the Dragonfae. Depicting different mythical and magickal beings across cultures and mythologies, this deck has 43 beautifully illustrated cards with messages of wisdom, healing, and protection. If you like dragons, the fae, and goddesses, this oracle deck may be great for you.

In this episode, I share what I love and hate about this deck, including ways to work with this deck to help build and foster intuitive connections, especially with a hard-to-read guidebook.

Ratings:

• Card image/artistry: 4 out of 5 
• Guidebook:1.5 out of 5
• Card Stock and handling: 4 out of 5
• Packaging: 3 out of 5
• User friendly/beginner: 2 out 5
• Availability: 4 out of 5

Links:

My Links

Blog Post

Blue Angel Publishing

Amazon

Melusine article

Lady Grain article

Background soundtrack is Sleeping Dragon by Ecobel

Chapters

• 0:00 Introduction and Podcast Welcome
• 4:02 Origin Story of First Oracle Deck
• 6:23 Deck Breakdown and Blog Details
• 10:40 History and Creation of Dragon Fey
• 17:27 Card Analysis and Mythical Beings
• 20:55 Guidebook Analysis and Critique
• 25:06 Physical Attributes and Packaging
• 32:01 Final Rating and Recommendation

Transcript

Speaker 1: 0:46

Hello there, my wolflings, and thank you for tuning in to this episode from the Wolf Child Magic podcast, wherever you are at, of course, and, as always, I hope you are well. In today's episode, I am going to be doing a deck review. I thought it was high time I go back and talk about some of the decks that I have in my collection, let you know my thoughts on them, how much I work with them, and if I think you need to have this. If you read Oracle Cards, is this a deck that you need in your collection? We're going to get into all of that today. Now, before we do, though, if you love this episode, any episode from the Wolf Child Magic Podcast please consider leaving a review rating this podcast. That is the best way for this podcast to grow, because it tells other listeners, potential listeners hey, I really like this, you will too. It helps so much, thank you. I also just want to highlight that we just had the July full moon ritual last night, and, guys, I am buzzing. I am just so grateful to be able to not only host and facilitate this, but to just be in these spaces with these amazing people and to share in this with the other amazing people who couldn't make it. You know it just. It lights me up, it moves me, it gives me a sense of drive, it recalls me back to my magic in a time where it could be so easy to lose. So if you are looking for any sort of connection of kinship, of camaraderie, support in your magic, click the link in the show notes, head on over to Patreon and see if the wolf pack at the Alphas tier is right for you. We would love to have you. So in today's episode we are going to start reviewing my Oracle decks and of course, we have to take it back to the beginning with the very first Oracle deck I ever purchased which, as you can tell by the title, is the Oracle of the Dragon Fey. I still remember purchasing this deck.

Speaker 1: 2:40

I was in the store Goddess Isis, which is a very well-known metaphysical store in Denver. It's right on Broadway, which is a very old, iconic kind of historic street in Denver. There's so many shops, so many great restaurants, and we were in this store, grizzly and I, and I was looking for some things to purchase, but I knew I wanted to get an Oracle deck because I had had my Tarot decks. At this point, no, oracle. And they have so many decks in this store. The amount of decks is just insane. It's like a whole wall that, like, runs almost the length of the store, so it's almost overwhelming to find a deck that you like, that works for you. You know, there's just so many options and I finally saw this deck and, as you will see from the blog post which is, of course, link and we'll go into the pictures and everything the cover of this deck was stunning because it has this girl with, you know, her hands kind of covering her chest, cuz she's naked and she's got this very, almost like elf, like diadem on her and she's holding this little baby dragon and there's like the stone carving of a dragon behind her and the butterflies, and I was like I have to have this deck. This is the one, and I'm so glad that this was the first deck that I purchased because it is one that I still love to use today.

Speaker 1: 4:05

So in this review, what I'm going to be looking at is basically a breakdown of the deck itself. We're going to talk about some of the different cards from this deck. I obviously could not do all of them, but I'm gonna highlight the ones that are in the blog post, with the pictures, so that you get a little bit of a sense of what this deck speaks to, with some chosen individual cards. I'm gonna talk about the history of this deck, kind of when it was created and such. We're going to talk about the guidebook. We are going to talk about, um, you know, card size, the box, the packaging. That's very important, I think, because you can have the most beautiful deck but if it comes in really shitty packaging it's just not really gonna land. And then I'm gonna end with some things I really love about this deck, things I don't really love about this deck, and give you my opinion on if this is a deck you need or if this is one you can skip on. So the link for the blog is in the show notes and in the blog there are some additional links to where you can purchase this deck, to where you can read some of these articles we're going to talk about. I try really hard to make sure that my blog posts are incredibly informative and have a little bit of a digital paper trail so that you don't have to like go and try to find this yourself. I know I really appreciate it when blogs do that. So click that link and it'll kind of take you to every place that I'm touching on today, starting off with some of our general information around this deck.

Speaker 1: 5:39

It was first created in 2008 by Lucy Cavendish. Lucy Cavendish is a well-known writer and white witch coming from Australia. Now this deck was first published in 2008 with Blue Angel Publishing, which is again a well-known publishing company, also out of Australia. They publish tarot, they publish oracle, they publish books. There's a lot that they have to offer. They've been around for a long time and I would say they are almost strictly metaphysical. I've never seen anything out of them that was like kind of like US Games, where they also publish like board games and stuff. I've only ever really seen like tarotacle and books from blue angel publishing. But they've been around forever and they're incredibly well known and reputable and if you even go to their website, it says that they are actually not even taking submissions just because they have a full publishing schedule. So that just kind of goes to show you that this is a place where you can trust that the decks that are being created are going to be well-made decks.

Speaker 1: 6:37

So on the back of the box it reads In the not-so-far-away past, we were gods and goddesses. We dwelt in dimensional lands Eden, avalon, ys, atlantis and Mu. We were fully alive and fully magical. We worked, loved and lived with all the elemental beings, but as time wore on, we were torn away from our strongest, most protective kin, the Dragonfey. This deck is a dimensional portal to allow them to return to our realm and deliver their powerful messages of love, healing and protection for a new generation of magical beings.

Speaker 1: 7:14

Within the pages and on each of these magical cards, you will be introduced to and given messages and wisdom from the boundless world of the Dragon Fey, a world which is now ready to be seen by your eyes and experienced by your heart. When we connect with the Dragon Fey, we connect with the dragon fey. We connect with the lost parts of ourselves, allowing us to fully explore the gift of life on this beautiful planet. They help us to access knowledge from deep within and reconnect us with the knowingness that we are all one. So this deck has 43 cards and each one references a dragon fey being with a core message beneath the name. The dragon fey in this deck span across different mythologies, cultures, time and story. This makes sense, given that one of the key themes behind the creation and narration of this deck is a return to ancestral ways of being, where we were wholly connected to the magical allies of the world and the world herself. In bringing the Dragon Fey from different cultures, myths and places, it is merging these beings from all places with you into the here and now, which I personally really like.

Speaker 1: 8:23

Like the Astara Tarot deck, which I do also have a review on that that you can go and check out, this deck is a collaboration of artists each contributing pieces of art to make the whole of the deck, and also like the Ostara Tarot, I really enjoy the varying artwork. Sometimes I find that when we have one artist creating a whole deck, it's usually like so in sync and beautiful, but sometimes I like that we get some variety because it allows us to connect to not only the cards in different ways, because the cards are different, but the deck in different ways, because we have different artists giving us their art. There is a symmetry in the differing of cards that makes each one stand alone but also connective to the whole of the deck. And speaking of variances within this deck, one thing I love about this deck is the Dragon Fey that are chosen I love the Dragon Fey that were chosen because, as we will see when we get into some of the cards, so you can see and get a glimpse as to what some of these cards are. I just love that we have some that are very based on Avalon. We have some that are very based on, you know, mythology and ancient literature. I love that we have some from different cultures and languages and history. It just reminds me that the fantasy world, that the world of dragons and the fae is truly encompassing, is truly this archetypal connection that we have to the mystery of this world, and I just love it so much for that reason. So let's just start with card one. Let's just start there and we have Melusine just looking absolutely stunning and fabulous and sensual and sexy. I love this image so much.

Speaker 1: 10:06

Melusine is found in the lore of Europe with an attachment to mermaids and serpents. Famous stories were written about her in the 14th century and, like myths do, hers have crossed the boundaries of culture and time. Unfortunately, today she is most well known as the icon and the logo on the Starbucks cups, and I hate that. This is where she is most well known because her stories are beautiful. It is also said that she is an inspiration for the Little Mermaid, and I do have an article here. But it says in this article Melusine is a legendary figure from European folklore, depicted as a mermaid, sometimes with two tails, as a serpent from the waist down, or as a dragon. It goes on to say. Her tale is best known from the work of the 14th century French writer, jean d'Arras, who wrote his Roman de Melusine at the request of Jean-Duc de Berry Okay, I butchered that to high hell, but you get it and it presents her in a sympathetic light In the legend and Daerys' work.

Speaker 1: 11:07

Melusine was cursed by her mother to become half-serpent every Saturday until she married a man who would respect her privacy on Saturdays and not look upon her or accept her as she was. She marries the nobleman Raimundin, promising to make him wealthy and famous, on the condition that he would leave her alone every Saturday. Raymondin keeps his promise and Melusine does the same, until he is persuaded by family to spy on her one Saturday in her bath, when he breaks his vow to her. She leaves him returning only to visit her children or fulfill the obligations of the curse to warn of death or announce a change in the fortunes. The tale of Melusine is similar to those of the Swan, maiden and Valkyrie from Germanic and Norse mythology, in which a mortal man marries a supernatural woman who either simply expects him to respect her privacy as they should and personal rights, or makes that a condition of their union, who is then betrayed by her husband, leaves him and forces him to embark on a quest to win her back. In the Melusine legend, however, the male characters who portray their promise do nothing to win their wives back because they understand there is nothing to be done.

Speaker 1: 12:21

Slay queen, and from Melusine's story we can see the connection to the message below her name, which is love who you are. You know she's this beautiful woman, but she's also a serpent or a dragon and she has two tails. But love who you are. I find the messages below the name of the card to be incredibly helpful, and we'll talk about that a little bit more when we get to the guidebook. In card number two you have the Lady Grain with the message of open your heart. The Lady Grain is sister to the moon goddess Anya, who is also in this deck and is her counterpart as a solar sun goddess who rules over the sun, fire, herbs and knowledge. From an article that I found on her, it says that she is part of the triple goddess formed by herself and her two sisters, fena and Anya. Both Grain and Anya were seen by locals as beautiful golden-haired goddesses who visited their fields and hilltops to protect and nurture the land, people and animals.

Speaker 1: 13:21

And then we have at number four, we have the supernatural entity of Apollo, found in Buddhist and Indian mythology. Apollo is a Naga, which is a half serpent, demi-divine race of beings. Once a man and reborn as Apollo, he ravaged fields and crops, bringing hill storms and floods so that he could feast. After meeting the Buddha, apollo found a spiritual rebirth and followed the Buddha's teaching. Buddha Apollo found a spiritual rebirth and followed the Buddha's teaching, only feasting once every 12 years. And then we also have the lovers, with the message of love each other. The lovers here are more of an unnamed entity rather than being a specific deity or being like Melusine or Apollala.

Speaker 1: 14:04

This is where I feel the deck really shines. And it's, as I said, my favorite part about this deck because it highlights figures and deities rich in history and folklore. But then we also have more of these unnamed entities that speak to a theme or a focus or an archetype of some kind. Coming from multiple cultures and times, it shows a connective thread of dragons, the fae and the needs and trials of mortals, so I like that as well, but again we see it how the archetype of the dragon transcends culture or time or place or language. I also really like that this deck encourages me to research and read about these beings. When I first got this deck which was was probably 2017 around I knew I had heard of Melusine, but I didn't really know her story. So I like that this deck gives me something to research and to learn and that helps me in reading these cards from a more intuitive sense.

Speaker 1: 15:04

Speaking of intuitive, one of the things I will say about this deck is that I often you guys know encourage a more intuitive approach to reading tarot or oracle decks, because when we pull a card over or multiple, we sit with the cards, we sit with their images and their energies for a few moments before we go to the guidebook, we start to learn how to listen to our innate reactions to these cards and we start to open into that dialogue before we bring in the dialogue from someone or something else, like the guidebook. I also encourage this because it helps you learn to trust your own intuition when working with decks or working with any sort of divination tool. The more we rely on guidebooks or other resources, we're not trusting our own inner voice. However, with this deck providing some deities and some beings, or even some unnamed deities or entities like the lovers, we may need the guidebook to help ground us into the backstory and to give us some insight into who these creatures, these beings, are. Like I said before with Melusine, I like that. It gives me something to research, it gives me something to learn about, so that when I read on this card, I have a layered understanding from my own connection to her, but I also have the understanding of her story and her symbolism. So in some ways the guidebook is going to be very helpful here and in other ways it's not going to be very helpful, which we'll get into For each card in the guidebook.

Speaker 1: 16:49

It's divided into four sections. The four sections are the card speaking to you, which I do like I think that's a nice touch the about section, the divinatory meanings, and then working with that card. In the blog post I used the example of the time guardian and I'm going to briefly kind of just touch on that here here, just so you see how the guidebook is laid out. So, from the section where the time guardian speaks, which is the first section, a brief portion of this says the time beings of the dragon fey, of whom I am one, know this and guard and protect you from confusion. Similarly, they can assist you when you require time to be created. If you feel you are short of time, send a thought message to me, the guardian of time, and I will send you all the help you need to meet your goals within the time you feel you have.

Speaker 1: 17:38

Going on to the about section, it says this dragon fey lord is a keeper of time. He arranges and rearranges its weavings and natural laws, dedicating portions to individuals that can expand and contract according to the will, the beliefs and the measure of the heart of each being working with time. And then, moving on to the diminutory meanings, it says feeling pushed for time, that time is moving too fast or too slow, feeling left behind, or that all is moving forward so fast that we are no longer important or relevant. And from the final section, the first sentence says nothing would make you happier than to start to greet the sunrise, to enjoy the sunset, to diminish and dampen the unnatural sources of light in your home that give the appearance of a uniformity of time. Time changes, flows and moves as you interact with it. Rather than entering into a struggle with it, grow closer to natural time, give yourself a watch-free day and begin to understand what time is, from the solar position, the moon cycle and how you feel. It will help maintain an abundance of energy, and it also means that you will be in the flow, making it impossible for you to be late to what it is you are meant to be doing.

Speaker 1: 18:49

So I really like that the guidebook is broken down into the four sections, because it helps to separate some of this information out. I do like that the guidebook provides some information on who these beings are Like. Here, with the Time Guardian, it's a Dragonfay Lord and he's a keeper of time. I like that I have that there, so that now, when I work with this card, that comes into play. What I don't like about the guidebook and this is my Biggest complaint with this deck is the writing. The writing in the guidebook is so esoteric, it's so vague, it's so fluffy and then, at the same time, it's so like, immediately specific. And neither of those are giving a well-rounded way to read and work with these cards.

Speaker 1: 19:40

So, for example, here with the Time Guardian going back to working with the time guardian, it says nothing would make you happier than to start to greet the sunrise, okay. So from my own perspective, I am such a night person, I never want to see a sunrise, I never want to be up that early. And then it goes on to say to enjoy the sunset Okay, I can get down with that, to diminish and dampen the unnatural sources of light in your home that give the appearance of uniformity of time. I understand what she's saying there, but that's so specific. And then it goes on to say time changes, flows and moves as you interact. Interact with it rather than entering into a struggle with it. So it's not saying something from a sense of like look to your relationship with time, or look to how much artificial light you have, can you bring some darkness in? Because darkness is a part of the time cycle.

Speaker 1: 20:37

The way that this is written is, on one hand, so vague, so broad, so esoteric, but then on the other hand, it's so specific that there's not a balance of how to read the guidebook. There's not a way to get a very straightforward, direct and to the point way to read these cards and that is my biggest flaw with this deck. I purchased this deck again in late 2016 or early 2017 and there are still times where I work with this with this deck. I go to the guidebook, I'm reading a section and I'm just like what I feel in some of the sections that I read whole paragraphs and come away with only maybe one sentence or two in insight. There's not that just direct, straightforward, to the point in these guidebook descriptions of the cards. That I really feel is needed so that we can work with some of these beings and some of these titles that we may not know about. So that is my biggest flaw and my biggest complaint with this deck.

Speaker 1: 21:50

Just to give one more example here, the very last card in this deck is Fernium, and the image shows this beautiful woman. She has all these plants and this green on her face, showing very much that she's a nature goddess, a nymph. She's very much tied to the plant world and the message underneath her name is clarity. Okay, when we go to the guidebook, the first sentence in working with Fernia is beginning to understand the impulses and flux and flow of romantic love as opposed to the love between souls that is steadfast and timeless. Again, the message is clarity. Why are we talking about love? If we want to bring love relationships or soul connections into this, it could say something to the effect of find clarity in how your soul connections may be romantic, but not always love romantic. Again, I don't even think we need that in there, but I see where they're trying to get us to a space of finding clarity in the different ways we connect to different things. Then just say that, just say that we don't need some of this whole weird wishy-washy shit in there. I'm not trying to be mean, but I'm just being honest.

Speaker 1: 23:09

It goes on to say working with plants, energies, flower essences, working with native plants, ancient plants, to preserve their energies, teachings and wisdoms. What does this have to do with clarity? Like, again, I'm not trying to just shit on this deck, but it just you know, if you again, if you want to even put that in there find clarity of the native plants around you, okay, I'm down with that. Find clarity around the ancient plants so that we have the clarity from our ancestors. Okay, it's just the way that this is written, that I cannot deal with busters. Okay, it's just the way that this is written that I cannot deal with, and it's the way that some cards are written, not the whole deck. There are some cards that are written in such a way that are very beautiful. So the guidebook is the biggest struggle for me in this deck, and I think it's going to be the biggest struggle for anyone, because the writing is just not consistent and I'm also just going to say there's too much of it. We need more straightforward, to the point, instead of this wishy-washy language that doesn't give us any information or sustenance on how to read and work with this deck.

Speaker 1: 24:17

So now let's move on and talk about the details of the deck. So this is card size, card stock. This is the packaging and the box. I will say the guidebook does have a picture of the image that is related to the card it's speaking about, and I do like that. Some decks will have, you know, no pictures. So I like when we get a picture, even a small black and white one. Of course, I love the ones that go full detail, full color, full page. I mean that is just so much extra and I do enjoy that, but I don't mind that we have here that small image. I still think that's a nice touch.

Speaker 1: 24:57

The cover of the box, the cover of the guidebook and then the backing for all of the cards is Lady Tatiana or Titiana, and that is a card from this deck. It's a very beautiful card. I mean you will see in the guidebook or you will see on my blog post, excuse me. It's a very beautiful image. However, I will say I think we could have changed up some of the artwork. We could have had maybe two opposing dragons that form a circle for the backing of the cards. We could have had a different image for the cover of the guidebook. I don't know, maybe that's a little nitpicky on my end. I feel like it's a beautiful synchronicity, but I feel like we could have had a little bit more diversity in the way that we're presenting some of these different sections of the deck.

Speaker 1: 25:43

So the box is quite simple. It is just an open box. There's no cardboard within the box with the ribbon that holds the card snug. It has the maroon paper and then you just put the cards in there and the guidebook and then the top part of the box, the cover part. I have to say I don't mind a simple box. I don't mind that at all. I know that some boxes are going to be much more intricate with that cardboard inside and it's a beautiful touch of flair. I mean, it does mean that the deck is going to be more secure and snug. But it also means that the deck is going to be more expensive because all that cardboard that goes into the inside with the ribbon, that is all a cost on the manufacturing end. So that means that it's always going to come back to the consumer and I'm willing to pay up for decks like that, like I don't mind decks that have that, but I don't mind a simple box either. So this does not bother me at all.

Speaker 1: 26:41

So the dimensions here I'm going to go with what is listed on the Blue Angel Publishing website, because there's some discrepancies with Amazon. So my cards measure 3.5 inches by 5.5 inches and on the back of the box it says 164 page magical guidebook and 43 cards. It says the same thing on the Blue Angel Publishing website. So that's what I'm going to say is correct, because on the Amazon website or on the Amazon listing for this deck, it says that the dimensions are 5.12 by 1.5 by 7.17 inches and that the print length is 132 pages. So I'm not understanding where this is coming from, but it says in the listing it's by Lucy Cavendish, so I don't really know. Also, it says that the publisher is Blue Angel Gallery on Amazon, but the website is Blue Angel Publishing. So again, I'm not seeing where these discrepancies are coming from and I cannot speak to that because I did not purchase mine through Amazon. I purchased mine through a metaphysical store in Denver.

Speaker 1: 28:01

So the cards are big. These are big cards and I do not mind a bigger card. In fact, I would rather have a bigger card than a smaller card, and we will talk about that much more once I get to my review of the Shadowscapes Tarot. That's a whole thing. But what I will say is these are big cards, but the card stock on these is really nice because they have a very good bend to them. There's give with the cardstock, so I don't feel like I'm doing anything wrong or I'm going to bend them to the point of creasing them when I'm really trying to shuffle and make sure I get a good shuffle because they are so big with my small hands.

Speaker 1: 28:38

Also, the glossy finish on these cards does help them move better when shuffling. Now the glossy finish on this deck is shiny. The gloss is turned all the way up with these cards. I don't mind a glossy finish. I personally prefer more of a semi-gloss or a matte, just because they're easier to see and they picture better. But I mean, gloss is nice and gloss is usually maybe a little bit more protective. So that is totally fine. But it's weird though, because while I said that the gloss kind of gives them that slick when they're shuffling so they get a better shuffle, when I'm flipping through the cards one by one they don't want to move, they kind of want to stick together. It's weird. So this deck has definitely gone through some publications and some revisions, and maybe that's where the discrepancy is coming from in the Amazon listing. Again, I don't know. I will say that this deck with the newer artistry feels much more modern. If you look at the listing on Amazon, you will see some of the older artwork and it's a little rough around the edges. I'm not trying to be rude, but it's just a little dated, whereas this feels much more sleek and much more modern. So I'm glad that they did the revisions. It was definitely needed.

Speaker 1: 29:55

Finalizing and closing some of my thoughts here. The first thing I'm going to say is I know I took a big old shit on the guidebook and I stand behind that, but I love this deck. I love this deck. I still use it and I am so honored that this was the first deck that I bought that was an oracle deck. That alone has so many, so much meaning to me. Also, my middle name is Faye and I love dragons, so me and this deck are just in bed together, and I know that Lucy Cavendish is deeply committed to creating magical connections through her books, her decks and her offerings.

Speaker 1: 30:31

If you want to purchase this deck, I would personally go to your local metaphysical store and see if they have this deck, or I would go to the Blue Angels Publishing website. You can buy it on Amazon for $24. Website you can buy it on Amazon for $24. However, I would be wary. One, it's Amazon and two, the discrepancies in like the dimensions and the page number. I would just I would be a little weary of that. So I would go to either the publishing website, which is Blue Angel Publishing it's in the show notes or just go to your local metaphysical store and see if they have the deck. We are going to end this episode with me giving a rating for these different sections and you can find the sections in the show notes.

Speaker 1: 31:13

For card images and artistry 4.5 out of 5. I love the images in this deck. They are so beautiful. They are what keep me coming back to working with this deck and I love to work with this deck because of the images. I think they're just beautiful. They are what keep me coming back to working with this deck and I love to work with this deck because of the images. I think they're just beautiful.

Speaker 1: 31:31

The guidebook is 1.5 out of 5. As I said, I do not like this guidebook. There are some helpful sections in it. You just really have to dig. You really have to sit and almost like reword the sentences to make it make sense for you. At least that's what I've had to do. So for that reason, 1.5 out of 5.

Speaker 1: 31:49

The cardstock, I think, is really good. They're big and they have a good amount of bend, so I like that. I don't feel like they're hard to shuffle. Some cards or some decks I've worked with they're so stiff that I feel like the minute I shuffle with them and give any sort of push, I'm gonna crease them. So I like that. I have a little bit of leeway with these cards. I do enjoy that. The packaging is three out of five. The packaging is good. Again, I don't mind a simple box. I think the box is nice. It's held up.

Speaker 1: 32:21

The only reason I give this three out of five is because I wish that there was some varying imagery on the cover, to the back of the cards, to the guidebook. I feel like we could have just changed it up a little bit. I know they do that for cost purposes but again for you know, for $35 I feel like we could just have maybe one varying image in there somewhere. $35, I feel like we could just have maybe one varying image in there somewhere. User-friendly or beginner. I'm going to say 2.5 out of 5.

Speaker 1: 32:53

I feel like this deck is a really good option for if you love the fae, if you love dragons, if you love goddesses, like me, that alone might drive you to this deck and it's just going to make you love it and just find a different way to work with it. But if you are one of those people that relies heavily on guidebooks to read, you may really struggle with this deck? I don't know. Check the blog post, see the examples I gave, and that might help you make your choice either to buy it or not to buy it. I personally feel like it might be hard, though, if you want this deck, but you really also need a good guidebook to go along with it. And finally, availability four out of five because you can find it on Amazon. It is still listed on the Blue Angels publishing website and this is a deck that has been around for a while. I think it's one of their best sellers, so obviously people are buying and loving this deck, so I would say I think you should have it.

Speaker 1: 33:51

I'm gonna go ahead and say, just from the imagery and from the theme of the fae, the dragons alone, I think this is a deck that should be in your collection. Especially if you're more gravitated to that fantastical type of vibe, I think you should have this deck. If you like these themes, I think this is a deck you should purchase. If you don't like dragons or the fae or goddesses, this is obviously not the deck for you, but if you like that, I would purchase it. I do not regret having it in my collection, even with some of the things I don't like. So I think it's a beautiful deck, I love working with it and if you like these themes, I definitely think that you should have it. Click the links in the show notes so that you can go and purchase it or go to your local metaphysical store.

Speaker 1: 34:34

And that is the episode for today. Thank you so much for sitting with me. I really appreciate it and I would like to show my appreciation to my patrons Dep Guy Bobby McDermid, lisa Zimmerman, nicole Smith, tracy Lanham, kim Hartnett, chris Rhee, miranda Snow, colleen Toohey, charlie Ruggles, shannon Konendyke and Makai Rose. Thank you all so much for your support in me and in Wolf Child Magic, and until next time, dear listener, take care Bye.