In The Past: Garage Rock Podcast
The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!
In The Past: Garage Rock Podcast
Get Me To The World On Time
Friday the 13th is your lucky day - a new episode a lil' early. We pay tribute to the recently-departed James Lowe of the eminently psychedelic combo, The Electric Prunes. And "Get Me To The World On Time" has possibly the best opening of any psych tune. The lyrics describe love as a bad trip but the sounds suggest other worlds - are we caught between the real world and the vast cosmos? Who knows? The second song is by budget rockers The Chellows who turn out a pretty spiffy garage version - a cross between The Troggs and a tea-kettle! The punkers pulled out the song in the late 70s so we then discuss a rendition by The Physicals. It's got some wild free jazz sax, with the vocals of a guy who actually hasn't lost his cool. Still in Britain for a rockabilly-esque version by The Clapham South Escalators. If you liked the spaceship in the original, then you'll love this version. Finally - Richard & The Young Lions recorded a version in what seems to be the the early 2000s but the vocals sound strangely like They Might be Giants. Eat your prunes!