This is Vinyl Tap
Mining the layers of long players. We focus on great albums in their entirety and believe every album tells a story. We take a deep dive into the history of the artist and the album while discussing the merits of the music within the grooves. We are highly opinionated and outspoken and hope to provoke you into sharing your own opinions on albums. If you are serious about great music, this is your podcast. www.tappingvinyl.com
This is Vinyl Tap
SE 5, EP 2: The Pretty Things - S.F. Sorrow
This week we dive head first into the 1968 psychedelic rock opera by the Pretty Things, S.F. Sorrow.
Ask any music fan what was the first rock opera was and most would say Tommy by the Who. That answer would be wrong. Recorded on S.F. Sorrow started a year before the Who even went into the studio to begin Tommy. Unfortunately the release of the album was delayed and was released after Tommy, placing S.F. Sorrow into the "also ran" category for the vast majority of critics and the music buying public at the time. Which is unfortunate because the S.F. Sorrow is a wonderfully imaginative album, and the blueprint for many a concept album to come. One listen illustrates how inventive and influential it was for many albums at the time, including Tommy.
Starting out life as a blues-based band in the vein of the Rolling Stones (one time Stone's guitarist Dick Taylor was a founding member), by the time the Pretty Thing were set to record their fourth LP, they had become much more divers in the music they made, incorporating such diverse element as pop, psychedelia, folk, and even proto-metal) into their sound. And while the concept of S.F. Sorrow is a sad one, the music is remarkable and the lyrics compelling making repeated listens a must. S.F. is a true underrated masterpiece.
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