Emerging painter Madeline Rupard discusses her paintings of the American landscape that include truck stops, gas stations, fast food, and stores that connect the suburban and the sublime. In atmospheric works that recall the stylistic approach of the Ashcan painters Henri, Sloan, Glackens, and Shinn of the turn of the 20th century, Rupard finds kinship with them and additional resonance of paintings inside Latter-day Saint church buildings, particularly the mix of religious paintings amid mundane decor.