Mick and the PhatMan Talking Music

How Vanilla Ice lost all his money to lawyers for Queen and Bowie

May 28, 2023 Mick and the Phatman Season 3 Episode 8
How Vanilla Ice lost all his money to lawyers for Queen and Bowie
Mick and the PhatMan Talking Music
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Mick and the PhatMan Talking Music
How Vanilla Ice lost all his money to lawyers for Queen and Bowie
May 28, 2023 Season 3 Episode 8
Mick and the Phatman

Send us a Text Message.

Mick has discovered an excellent book - “The Number Ones – Twenty chart-topping hits that reveal the history of pop music” by Tom Breihan (Hachette Books, NY) - one of the best books ever written on how songs get, or don’t get, to the top of the charts. 

A great story in the book is how Vanilla Ice came to be the first artist to lose all their earnings from a hit through lawyers suing them for copyright infringement.  In a story with more twists than an Agatha Christie novel, all the profit from the  first “rap” single to top the charts was  gobbled up by lawyers, after Vanilla Ice sampled "Under Pressure" without clearance from Bowie or Queen.  

Other gems in the book include:  

  • The Miracles’ “Shop Around”, Motown’s first hit, was kept out of the top spot by "Calcutta" by Lawrence Welk (Who?  WTF?) 
  • “The Twist”, by Chubby Checker, led to a wave of “Twist”-labelled hits. Except that, in this case, it was made “nicer” for white audiences, so that white DJs would play it.  
  • Human League’s “Don't You Want Me, Baby?” became a breakthrough hit simply because MTV needed video clips when they started up, and most existing bands weren’t set up to provide them. 

Our album you must hear before you die (with thanks to Robert Dimery) is The Pogues’ “Rum, Sodomy and the Lash” from 1985. The title is based on Winston Churchill’s quote that “English Naval tradition was nothing but rum, sodomy and the lash.”  Elvis Costello, who produced the album, saw his role as capturing the Pogues’ “dilapidated glory”, with the band heavily influenced by alcohol, and their name meaning, in Gaelic, “Pogue mahone”, or “up your arse”!  

Musical gems abound on the album, not least in Ewan MacColl’s “Dirty Old Town”, and Eric Bogle’s “The Band Played Waltzing Matilda” (listed as one of the 30 Greatest Australian songs of all time). We love The Pogues, and you should, too. 

Jeff has uncovered some gems from the mind of Donald Trump and his supporters, as well as discovering that the man has an ego bigger than the most deranged rock star. 

Another jam-packed episode! 

 _______________________________________________________________ 

Books 

“The Number Ones.  Twenty chart-topping hits that reveal the history of pop music”, Tom Breihan, Hachette Books, New York 




The Show Playlist
Trump Justice for All
Trump the Best

Show Notes

Send us a Text Message.

Mick has discovered an excellent book - “The Number Ones – Twenty chart-topping hits that reveal the history of pop music” by Tom Breihan (Hachette Books, NY) - one of the best books ever written on how songs get, or don’t get, to the top of the charts. 

A great story in the book is how Vanilla Ice came to be the first artist to lose all their earnings from a hit through lawyers suing them for copyright infringement.  In a story with more twists than an Agatha Christie novel, all the profit from the  first “rap” single to top the charts was  gobbled up by lawyers, after Vanilla Ice sampled "Under Pressure" without clearance from Bowie or Queen.  

Other gems in the book include:  

  • The Miracles’ “Shop Around”, Motown’s first hit, was kept out of the top spot by "Calcutta" by Lawrence Welk (Who?  WTF?) 
  • “The Twist”, by Chubby Checker, led to a wave of “Twist”-labelled hits. Except that, in this case, it was made “nicer” for white audiences, so that white DJs would play it.  
  • Human League’s “Don't You Want Me, Baby?” became a breakthrough hit simply because MTV needed video clips when they started up, and most existing bands weren’t set up to provide them. 

Our album you must hear before you die (with thanks to Robert Dimery) is The Pogues’ “Rum, Sodomy and the Lash” from 1985. The title is based on Winston Churchill’s quote that “English Naval tradition was nothing but rum, sodomy and the lash.”  Elvis Costello, who produced the album, saw his role as capturing the Pogues’ “dilapidated glory”, with the band heavily influenced by alcohol, and their name meaning, in Gaelic, “Pogue mahone”, or “up your arse”!  

Musical gems abound on the album, not least in Ewan MacColl’s “Dirty Old Town”, and Eric Bogle’s “The Band Played Waltzing Matilda” (listed as one of the 30 Greatest Australian songs of all time). We love The Pogues, and you should, too. 

Jeff has uncovered some gems from the mind of Donald Trump and his supporters, as well as discovering that the man has an ego bigger than the most deranged rock star. 

Another jam-packed episode! 

 _______________________________________________________________ 

Books 

“The Number Ones.  Twenty chart-topping hits that reveal the history of pop music”, Tom Breihan, Hachette Books, New York 




The Show Playlist
Trump Justice for All
Trump the Best