Ep. 204 - Lost Sounds: Vanished Rock Genres And Killer Crime Films

We chart the rise and fade of once-mighty rock genres and then sprint through a sharp list of the best crime films, mixing live reactions, music nerdery, and a few spicy takes. It ends with a rebrand tease, Super Bowl rituals, and a maple syrup legend.

• arena rock’s monoculture and why it collapsed
• glam swagger, new romantics’ club mystique, pub rock’s punk fuse
• psychedelic folk’s drift, krautrock’s motorik influence
• rockabilly revival peaks, christian rock’s retreat, college rock renaming
• “life support” genres and a defense of nu metal
• worst albums by great bands argued with needle drops
• lou reed’s noise wall, bowie and queen risk vs misfire
• pink floyd authorship debates and 80s production choices
• the crime canon from french connection to fargo
• korean crime gems and modern thrillers worth your time
• personal rituals, stadium stories, and the french toast syrup saga

Thanks for watching. Thanks for listening. If you like this, share it. Don’t forget to brown the cheese.

If you like this podcast SHARE it. If you have any ideas or suggestions for the show you can email us at: milkcratesandturntables@gmail.com

Transcript

Cold Open, Football Banter, Setup

Scott McLean 1:58

I'll get another copyright strike every weekend by YouTube.

SPEAKER_00 2:04

Every weekend. That'll get it. Hello. Yeah. Here you go. God is a DJ. Damn right.

Format Shift: Adding Movies

British Crime Flicks And Guy Ritchie Vibes

Nine Lost Rock Genres: Overview

Arena Rock’s Rise And Fade

Glam, New Romantics, And Pub Rock

Scott McLean 2:32

Damn right. Tonight, God is a DJ. Yeah. Patty Yazzi, welcome. You've been missing the last couple of weeks, Patty. I think you've you you were off schedule. So. Welcome to the podcast. You know what name I'm not gonna say is screaming live right now. Episode 204. Sporting my Drake May Retro Patriots Red Hood jersey for the Super Bowl. Yeah, buddy. We're back. We're back. I know Dr. Pork Chop doesn't like that. I don't know if he's even a big football fan, anyways. So yeah, yeah, yeah, yeah. Welcome again. Milk Crates, Turntables, and movies. I think I'm gonna add movies to this. I tried it a l a while back. But since I do this format now of just reading articles, tonight I have a an article on movies. I think it's the top, I don't know, 50, I think, crime movies. See the crime movies, not horror movies. I like horror movies though. But crime movies. I watched a good crime movie the other day. It's kind of uh I don't know if you know who Guy Ritchie is. Guy Ritchie is like England's version of Quentin Tarantino. Uh Snatch, Lockstock and two loaded barrels, uh just outrageous over-the-top. Uh again, like Quentin Tarantino movies, but very well done. I watched one the other day. I love these British crime ones. Uh it's called Rise of the Foot Soldier, and it's all about uh like just being cut this dude coming up through the through the streets of whatever part of England he was in, and he gets into the crime world. It's based on a true story, actually. But it was really good. Lots of violence, lots of violence, lots of subtitles. I don't always hear what they're saying, you know. Ah, Dr. Pork Chops' his chiefs will be back. Yeah, okay. Keep telling yourself that, buddy. Keep telling yourself that. So, yeah, same format as usual. I have a bunch of stories that I just looked at the headlines, and I said this might be an interesting article, and I don't read them. You will get my instant reaction as I read them. So let's jump right into the first article, and this one is called Nine Old School Rock Genres You Never Hear You Never Hear About Anymore. Thought that was interesting. Old school rock genres you never hear about. So instantly, what I think about is glam rock's gotta be one of them. Um is there hair bands? I'm just making a guess before I read it. Is there any more hair metal? Um what else is there? It's I don't know. Well, let's let's dig into it. Let me see. Uh rock evolves relentlessly, leaving behind. Let me go over here. Leaving behind once vital sounds. Here are nine forgotten rock genres that shaped music history. But have quietly vanished from today's airwaves. Well, is there really airwaves today? There is. There is. Not in the same sense as when these bands were around, though. Let's get into it. Uh, from Chuck Berry's three-chord stomp to the sprawling landscapes of Prague. Every era has brought a new sound that pushed against the last. Genres alive arrive like storms, transforming a uh youth culture, fashion, even politics. And then almost as quickly they disappear. But it's been replaced with some something similar. Some collapse under their own excess. I think that was disco. Others are swallowed by the next big thing. A few still exist in the cult corn in cult corners, beloved by devotees, but far from the mainstream they once dominated. Here we go. The cycle of birth, explosion, and decline, a part of rock's DNA. Psychedelia gave way to hard rock. Glam shimmered briefly before punk spattered out, and the stadium-sized bombast of the 80s was dismantled by grunge's scruffy roar. Each genre left behind records that still feel urgent, even if the wider world has moved on. What's fascinating isn't the music, but the culture movement it captured. The optimism, the rebellion, the sheer audacity of artists building a new world in real time and then watching it all slip into history. Here are seven rock genres that just you just don't hear anymore. Not because they weren't great, because rock's uh restless evolution left them behind. So I I don't know. I don't pay too much attention to music today. I don't know if there's really any new genres. I know there's this new form of dark wave, it has something else wave, but it really has a lot of 80s influence in it. It's big in South America. Um but I don't know if they really evolve anymore. I think it's a lot of it's just pop, rock. I guess there's metal. I don't know. Well, let's let's let's dive into this. Arena Rock, late 70s, aid 1980s, it's right. Arena Rock was a production, let me get rid of that, uh, was a product of a specific economic and technological place and time. At its peak in the late 1970s and 1980s, it transformed concerts into massive communal rituals characterized by high fidelity sound systems, pyrotechnics, and stadium-sized anthems designed to reach the back row. This era thrived on the shared cultural monoculture of FM radio and the absolute stardom of guitar gods. That's true. That's true. Journey, Journey was a big stadium band, right? It faded as the 1990s brought a shift toward the gritty intimacy of grunge and the rise of hip-hop and electronic dance music, which replaced grand grandiosity with raw authenticity or digital precision. Furthermore, the fragmentation of the internet age dissolved the unified audience necessary to sustain the genre's larger-than-life mythology, leaving it as a nostalgic, albeit spectacular relic of a more centralized media era. So you really don't get stadium rock anymore. Like big bands, big groups will come out, like U2 will do stadiums. Then Coldplay will do stadiums. Over in Europe, every Oasis concert, I believe, was in a stadium this summer. But they don't really design bands anymore to go out and play stadiums. Which is kind of odd. It's kind of odd. Maybe it'll make a comeback. As I got older, I really stayed away from them. I stayed away from stadium concerts. It's just again, there's an intimacy about being in an arena, right? Or being in a venue that's covered, maybe holds 16,000, 17,000 people. Uh this when you're in an arena, like it's just it's just too big. You can't really focus. And if you're not in a particular area in the arena, you don't really see anything. I remember back in like 1996, around 1996, I had um gone to see the Rolling Stones. I was stationed in Southern California, and me and some guys I was stationed with went to see the Rolling Stones at the Rose Bowl in Pasadena, and we had tickets way in the back, way in the back. But me being me, of course, we made it down onto the floor, and we made it to about the 20th row, and we watched a chunk of the concert from there. We got caught, we had to go all the way back. And I was thinking, like, why would people pay all this money? It wasn't really a lot back then either, but to to just sit way up high and look down at really, I don't know. I think you just go for the it's like a wrestling match. You go for the experience, right? I don't have my laptop, so I can't see if anybody's commenting right now. I'll get to the comments after the article. Uh glam rock, right? Early 1970s. The sound, glitter soaked stompers, flamboyant riffs, and androgynous vocals, the act uh theatric three what does that say? Theatricality over subtlety. Think big choruses, stack heeled boots, and glitter drenched amps. In the early 1970s, Britain birthed glam rock, a glorious explosion of camp swagger, mock bowling, David Bowie, aka Ziggy Stardust back then, uh, and the bands like The Sweet, Slade, and Mud uh fused heavy riffs with bubblegum rock. You notice how they don't mention Gary Glitter? Uh oh. Not good. He is being erased from music history. This wasn't just music, it was an anesthetic revolt. Um, an aesthetic revolt against denim clad blues rock, a carnival of artificial, of artifice and fun. Wyatt vanished by the late 1970s, punk sneered away the glitter, bowie shape shifted, bowland died tragically, and Slade pivoted to nostalgia tours. Glam's DNA survived in hair metal, I guess. That's a good comparison. And later in Lady Gaga's theatric, blah blah blah, but the genre itself burned bright and fast. What's the next one? New Romantics, early 1980s. What? This is interesting. Uh the New Romantic movement was a fleeting, hyper-specific reaction to the austerity of the late 1970s punk and gray landscape of Thatcher era Britain. At its peak from 1979 to 1982, it was a peacock revolution centered in London clubs like The Blitz, where the music was inseparable from the extravagant gender-bending fashion. Musically, it replaced punk's DIY grit and sophisticated synthesizer heavy synth pop. I like synthesizer heavy synth pop. Say that three times. And lush glamorous escapism influenced by Bowie and craft work. It faded because its reliance on exclusivity and underground door policies was inherently incompatible with the massive global pop start it eventually achieved. As bands like Duran Duran and Spandal Ballet transitioned into mainstream MTV idols, the movement's mysterious subculture edge evaporated. But the mid-80s, the high concept visual drama was absorbed into generic sheen of big eighties pop, leaving the original new romantic spirit as a beautiful, curated moment in time. So far, so good. So far so good. Pub Rock. The mid-1970s. So I this is a British article, it looks like. Stripped down, yep, like garage rock. No frills, rock and roll, Chuck Berry Riffs, Greasy Barroom Keys, Beer Soaked, Sing Alongs. In the mid-1970s, Britain, while prog rock spy uh spiraled into complex complexity, pub rock offered a back-to-basics antidote. Bands like Dr. Feelgood, Bristney Shorts, featuring a young Nick Lowe, and Ducks Deluxe tore up cramped pubs with sweaty, high-energy sets. It was fast, raw, and democratic. Music for drinking and dancing, not gazing at Roger Dean album covers, whatever that means. Why it vanished? Pubrock essentially mutated into punk. I was gonna say that. Joe Strummer's pre-clash band, The 101ers, was a pub rock act. Many pub rockers ended up in punk and new wave groups. Once punk exploded, no one wanted to go back. Psychedelic folk. Now, this is some shit I never would have listened to. Late 1960s. I don't know. Acoustic guitars swirled in reverb, mystical lyrics. Oh, that fucking mystical lyrics shit. This is almost like Jethro Tunnel. Mystical lyrics, sitars and dew climbers drifting in and out, pastoral, dreamy, slightly eerie. In the late 60s, artists like the incredible string band, Fairport Convention, and Comas combined traditional folk instrumental with psychedelic experimentation. Donovan croomed about cosmic sears. Comas sang unsettling pagan chants, Vincinity Vesti, Bunyan, drifted through the hushed otherworldly landscape. Psychedelic folk was communal. Why it vanished? Gee, I wonder why. I don't think I don't think that was built to last. Does it sound like it was psychedelic folk music? I mean Back to the Land hippie ethos faded in the 70s, and folk splintered into either straightforward singer-songwriter, Joni Mitchell, James Teller, uh, to electronic folk rock. The dark ages of psych folk lay dormant until 2000s when freak folk, revivalists like Devandra Ben Hart, Ben Hart briefly briefly resurrected it. Kraut Rock! I like that already.

unknown 17:10

Ha!

Psychedelic Folk And Krautrock

Rockabilly Revival, Christian Rock, College Rock

Genres On Life Support And Nu Metal Defense

Worst Albums By Great Bands: Premise

Lou Reed Test And Bowie’s Low Point

Pink Floyd Debate And Dogs Of War

Stones, Neil Young, Clash, Metallica

The Who, Zeppelin, Sabbath, Queen, U2

Pivot To Crime Movies: Top List

Canon: French Connection To Pulp Fiction

Goodfellas, Chinatown, Seven, Menace II Society

Untouchables, Bonnie And Clyde, Fargo

Training Day Take, Deep Cuts, Korean Crime Gems

Super Bowl Rituals And Syrup Story

Scott McLean 17:12

So much for being pol Does anybody even say politically correct anymore? That's not politically correct. That's not politically correct. Kraut Rock! You know exactly what that is. Hypnotic motorbike beats, minimalist grooves, icy synths, experimental textures, less about solos, more about trance-like momentum. Post-war Germany, there you go. Those lovely krauts. Post-war Germany in the 1970s had little interest in copying Anglo-American rock. Bands like Cannes, Newell, Faust, and Kraftwork in their early days forged something new, music that was experimental, repetitive, and strangely futuristic. I never liked craftwork. I never liked them. They get a lot of credit for the you know the whole synthesizer thing and being in. But I I never, I could never listen to Kraftwork. They get all this glory and and I guess God bless them for that, but I never listened to them. Uh and I like synth music. Just there's no beat to it. There's really nothing to it. Influenced everything from Bowie's Berlin trilogy. Uh Kraut Rock influenced everything from Bowie's Berlin trilogy to punk, post punk, and techno. Kraut Rock was never mainstream, but by the late 70s, its pioneers either split, went electronic, or softened into art rock, new, fizzled, canon ploded, blah, blah, blah. Let's go with that. Rockabilly Revival. See, there you go. Rockabilly, the the Stray Cats, probably nobody else. Right? Straight Cats kind of came out, just kind of took over the whole Rockabilly sound. You had you had a group like the Pole Cats. Polecats were that kind of music. Uh, who else uh that I can think of offhand that had that rockabilly sound? Uh I don't want to waste time thinking of that. But like the pollcats. Uh the sound twangy guitars, pompadors, leather jackets, upright bass slapped within an inch of its life. Retro cool with the 50 swagger. Uh, the story's short, Rockabilly launched rock and roll in the late 50s, but its revival in the late 70s, early 80s was the best subculture moment. Straight Cats scored its shaken. Uh, Stevens topped UK charts in Psychobilly mutations like the cramps. Cramps are good. They were good. Added horror and punk edge. For a few years, Quift and Greaser style took over youth culture. Why advantage? By the mid-80s, the retro shtick wore thin. Rock and Billy became a niche scene kept alive by diehards, but irrelevant in mainstream rock. Every so often, a film, Back to the Future, old-fashioned cycle sparks interest. But the days of Rockabilly topping charts are long gone. Christian Rock. So you had uh Stryper. I know Stryper was right there that pictured Stryper. I know there was a few. You know what there is now? There's not Christian Rock doesn't really, it's there. But it's not as big as it was. And even in the 80s and 90s, it was very minimal, right? Uh on the radio. And Christian rap. I heard a guy one day playing that, playing Christian rap. I was like, okay, that's interesting. Okay. But it, hey, listen, it's it's a thing. It's their thing. Uh the sound, arena ready anthems, polished production, lyrics heavy on hope, faith, and salvation. Throughout the 1980s and 90s, bands like Petra, Striper, and later Jars of Clay, that's right, Jars of Clay in the 90s, made Christian rock a viable crossover force. Striper-filled stadiums with the hair metal hooks and Bible verses, Creed sold millions by bending by blending post-grunge angst with vaguely spiritual uplift. I think that's a stretch, but okay. For a moment, Christian rock seemed like a genre that could ri that rival mainstream rock not just exist in its own industry. Why it vanished by the 2000s? Mainstream rock itself was in decline, and Christian Rock's big crossover appeal collapsed with it. The genre retreated back into church festival circuit. Creed became a punchline. For all if you know about Creed for obvious reasons. It's not the band, it was the lead singer, Scott Sapp. Fucking idiot. Uh and post grunge faded. While worship music thrives, the idea of Christian rock as mainstream rock has died. Is that it? College rock. Really? Huh. College Rock, huh? All right. Jangly guitars, quirky lyrics, left of center experimentation, more personality driven than polished. The story, well, behind Indie Rock existed as a label. Before Indie Rock existed as a label, there was College Rock, the sound of the U.S. Underground in the 1980s. Bands like REM, Huskadoo, the replacements, and 10,000 Maniacs gained followings via college radio stations rather than mainstream FM. It was the era of cheap vans, dorm room cassette swaps, and DIY tours. Why it vanished? College Rock didn't disappear. It was renamed. By the 90s, Alternative, that's why I thought. I'm like, it never really went away. There's always going to be that. Alternative Rock. By the 1990s, Alternative Rock and then Indie Rock replaced the label. REM went stadium. The replacements imploded. Husk and do split. And college radio lost influence in the streaming age. The name may be gone, but the ethos persists in today's indie world. I guess that's it. You know, let me see. Four other rock genres on life support. The third wave ska punk. Yeah. New metal. New metal will always be around. New metal, I think, established itself so strong in the 90s, in the mid to late 90s, and into early 2000s. I don't think it's ever going to go away. It will always be around. Like this article states, life support, but I don't know. You know, I go I've seen corn six times. Six, seven times, seven times. And they sell out every single time. And there's kids at that place that weren't even born. They've been around 30 years. I see kids at these concerts, the Deftones. I see kids at these concerts that are like 18, 17, 16, that are listening. So I think new metal will. I don't think it's on life support. It's just not as popular as it used to be. Because, well, they don't get pushed, right? The swing revival rock. Yeah, Brian Setza Orchestra. Big bad voodoo daddy. Those were novel. Those seemed like novelties to me. They just were the big bad voodoo daddy was like cherry popping daddies. You know, they had interesting, funny videos, and they wore the big uh, you know, uh, what's the name of the the those the zoot suits, the big baggy zoot suits with the big pointy hats. And it was, it was, it was niche. It was just kind of campy stuff. But um, shoe gaze. Shoe gaze, I won't go into it because I'm not going to insult my audience. Most of you probably don't have never heard of shoe gaze. Uh it's very um guitar laden, like uh dream, we'll call it like dream pop kind of. It's not heavy. And what else do they have there? That's it. All right. That's a good article. Every once in a while I do come across a good article. Let's see what's in the comments. Where do I start? Let's go up here. Uh Patty. Chiefs will be back. Bobby Gilbreth, hey King, Scotty D. Is this a movie show or music show? Shut up. Uh grunge, good evening, brother. Jim Harris up in the villages, King of the Villages. Uh thanks for heel. Uh, big head Todd the Witch Brock. Let me see. It's 714, uh, 10 minutes, nine minutes ago, and I didn't say shut up to him. I didn't, so I'm here entertain me. I I don't have my usually I have my laptop over here, and I can see who's commenting in, but uh I just got done working with a veteran before this podcast, so I just wasn't prepared. Bad podcaster, bad, bad podcaster. What do we got next? What can we come up with next? Uh worst albums by great bands. Or best 1970s albums, best 1980s albums, or best crime movies of all time. I'm gonna save that for a little later on. Uh so let's go with worst albums by great bands. I'll be the judge of that. I'll be the judge of that. Get rid of this. Why is that like that? There we go. Screen, worst albums, and disco. All right, worst albums from rock bands from rock's 19 greatest bands. Like, what do you come up with 19? What the like right off the bat, this just make like worst albums from rock's 19 greatest bands. Why, there isn't 20? There's not 20 greatest bands, there's only 19? Or are these the 19 that just have bad albums and all the rest of rock's greatest bands? Every album is great. So these, I can tell you right now, this article is like the one I read last week on, or was it last week or two weeks ago? It was on uh worst songs or like over underrated songs on albums. And I said, like, these are just obscure songs that some writer wanted to kind of be different and say these are great songs that nobody ever listens to. Like I said, side two, song three. Like, what? Okay. Worst albums from rock's 1919 greatest bands. Let's see who number 19 is. It looks like it's Pink Floyd. Well, I don't know, that's just a uh an image, but uh even the great rock legends stumble. And when they do, the results can be fascinating, bizarre, or just pain plain awful. Whether driven by experimentation, ego, exhaustion, or label pressures, some of the most reversed uh revered artists in the music history have released albums that left critics scratching their heads and fans wondering what went wrong. These aren't just minor missteps or un or underrated gems. They're albums that tested patience, sparked confusion, and in some cases were outright disowned by their creators. Oh, okay. I I've seen a few of those. Let's go down. Uh, take Lou Reed's Metal Machine Music, a relentless screech of guitar feedback that's still debated as high art or even or high-level trolling, or David Bowie's Never Let Me Down, an album so uninspired he later asked for it to be reworked. From Neil Young's Rockabilly Head Scratcher, Everybody's Rockin', to Queen's Funk, Misfire, Hot Space. These records mark the weird, wild detours in otherwise stellar careers. And yet there's something oddly compelling about these infamous outliers. They remind they remind us that even Rock's biggest icons are human, prone to risk, reinvention, and the occasional creative train wreck. So there, so here they are 11 of the most unpopular, misunderstood, downright maligned albums. Didn't the fucking 11? Didn't let's let's scroll back up. Worst albums from Rock's 19 greatest bands. So maybe what? So here they are. 11 of the most unpopular, misunderstood, and downright mother's fucking this generation. There's no more editors. There's no more fucking editors. No one copyrights, nobody looks at this stuff. Nobody does a read. They just take these fucking kids and they're like, write an article, print it. Like, submit it, and we just print it. It's like, really? Maybe I'm wrong here, but I don't know. So far, so bad. Downright Maligned albums are truly rock acts. Approach with caution or curiosity. Number one, and so why do you mention one of the fucking songs in the precursor to the list? Lou Reed Metal Machine Music. Lou Reed's, I guess David Bowie's Never Let Me Down Again is going to be in here too, as will Queens, blah, blah, blah. So they probably gave us four right off the bat. Lou Reed's most infamous and confrontational uh work, Metal Machine Music, is a double album of relentless guitar feedback in distortion, unevened by even by any melody or rhythm. Unleavened by hailed by some as avant-garde genius and dismissed by others as an elaborate joke or contractual protest. It's virtually unlistenable for most. Yet it's abrasive, uncompromising. Nature earned cult status. So you know what? You know what? Let's see what we let's see just how bad this is. Let's see just how bad this is. Let me pull this up. Let me pull this up and turn the volume up. Let's do a little experiment. Lou Reed. Metal Machine Music. There we go. Okay, so I have it here. I have the album. I'll go to track three. Let's go to track three. Let's see what it sounds like. Yep. Yep. I mean, fast forward. This is a sixteen minute song, by the way. It's sixteen minutes of this. Let's see. Let's go to minute number nine. Same thing. Let's go to minute thirteen. Well, frequency change. What's this fucking dude recording a ham radio? Hello? Hello? Is anybody out there? Please. Please, if you can hear me, please. We need help. It's a zombie apocalypse. They're attacking my house. Please, if anybody's out there, I've been bunker and tongue. All these rich fucking zombies. I can't give it. Hello. Hello. Let me tune in this ham radio. Hold on. Anybody there? Is anybody there? Please. The rich zombies in bunker. They're ugly. All right. So let's go to track one. Let's see what it is right off the bat. Yeah, okay. This song is also 16 minutes long. That's six minutes in. I definitely won't get a copyright hit from YouTube on this, because this is funny. This is fucking noise. Metal machine music. How about broken machine music? That's what this is. Broken machine music. Yeah, I think, I think. Alright. This dude or this girl was right. Whoever it is. David Bowie, Never Let Me Down Again, right? Never Let Me Down Again is widely considered his creative low point. I think that was even a song, Never Let Me Down Again, but it wasn't one of his best ones. The Beatles, Yellow Submarine, again. Again, Bulldog is on there. Hey, Bulldog. Yellow Submarine was a pretty good song, right? Um it was, it was, but Yellow Submarine is basically a soundtrack, by the way. It's basically the soundtrack to the movie, the animated movie. Pink Floyd, momentary lapse of reason. What? I don't know about that. Let me see. What? That's not their low. I don't think that's their worst, their low point. See. Momentary lapse of reason. Learning to this this song is on there. This song is fucking. This is I this is up there one of their best songs, if you ask me. If they were if you're to ask me to give you top 15 Pink Floyd songs, this would be in maybe between 10 and 15, but go watch the video to this. Dogs of War. Pink Floyd. This is a fucking great video, but great, great video. This is a big anthem for us canine handlers in the Philippines. They would play this video at the at all the the video bars. Loud, big screens. We're all drunk and young. Fucking usually might get me in a fight afterwards. Get the blood pumping if you're a dog handler. Great song. One of these long intros, though. But when it goes, it it blows up the Go watch his video. The German Shepherds running through the woods. It's fucking cool. It's good shit. Yeah, this this video is again YouTube will hit me copyright stuff. Yeah, dog of war. It's a great start solo with it. Go listen to it. But moments do there's that on there. This was on there. This is a good album. Earthbound misfit. Let me see what they say. Often feels more like David Gilmore's solo project. Well, so what? It's still Pink Floyd. Desperate to prove they can survive without Waters. Conceptual leadership. The band learned heavily, leaned heavily on 80s gated reverb and session musicians while exhilarating. So no, you can't give you can't give Roger Waters all that credit. You just can't. I mean, I'm not taking anything. Roger Waters is a fucking douchebag. But I don't know. This this is a Pink Floyd album. Anyway. Bob Dylan's self-portrait. Anything, Bob Dylan. Let's move on. Rolling Stones Dirty Work. What was the hit off of this one? Was there one? 1986? Let me let me pull this up. Let's see. This really so funny is right on this one too, I think. Let's see. Dirty work. Rolling Stones. Where is it? Dirty Work. Rolling Stones. There we go. Is Harlem Shuffle on that? Dirty Work song. Yeah, I guess Harlem Shuffle was on it, right? Alright, I mean, that's one song. Something good. There's something cool about this song. There's something cool about this song. Yeah, alright. If it takes all night. Alright, let me get rid of that. Ah, okay, moving on. Neil Young, everybody's rocking. Keep on rocking in the free world. There's a strange charm to that album. There's a little love. Everybody, Neil Young, uh baffling detour into retro rockability. Uh, released during a turbulent period with Geffen Records. It was seen as many by many as a deliberate provocation rather than a sincere musical statement, clocking it at under 25-minute album. Jesus. Felt like a parody of itself. Critics and fans were largely unimpressed. Young even faced a lawsuit from his label for making unrepresentative music. The Clash cut the crap. The much maligned final album by The Clash, a band already splintered and reeling from keep to parches, without Mick Jones and top of Heading and under the heavy-handed control of manager Bernie Rhodes, the album suffers from clunky songwriting, synthetic production, and an overuse of shouted gang vocals. Despite Joe Strummer's presence, it lacks the fire and conviction of earlier work, making it a disappointing and chaotic end to a legendary band. I would have to say that they're one of those bands that without Strummer, it's almost like Bill Belichick and Tom Brady. These two needed each other. They needed each other. Mick Jones and Joe Strummer needed each other. They were the clash, right? Paul Simonin, great bass player, top ahead and great drama, but they replaced him and then he came back and whole thing. But I think without either one of those, it's not really the same band. So I will give them this writer credit on this one also. Metallica St. Anger. I like St. Anger. I like the title song, but it gets a lot of beef. Uh gets a lot of, while the raw, ugly energy was a deliberate choice to capture their intentional turmoil, the songs are overlong and production is physically difficult to listen to. It remains the most divisive entry in their catalog. Okay. Genesis calling all stations, 1997. I think by 1997, they were pretty much done. Right. Would you agree? Genesis. You know, remaining founding members, keyboardist Tony Banks, and guitarist Mike Rutherford recruited Ray Wilson for one final studio outing. Yeah, they this isn't really. Now, if you wanted to say that that's not a Pink Floyd album, Learning to Fly, because it's more like a David Gilmore soul. At least David Gilmore was a singer and he played the guitar. They brought in like that band was nothing. Mike Rutherford was only known after Mike and the mechanics, really, right? I mean, if you knew him, you were really you were a band junky or groupie or you love Genesis, but so that one. It's hard, The Who, It's Hard, 1982. What was on that? Uh Eminence Front stands out. That's I guess the only song off that album. And they, you know what? They were never really the same. After 86, 85, you know, Pete Townsend did his thing on his own. Uh, he was successful. Roger Daltrey never really got off the ground with a solo career. So what's that? Uh yeah, Townsend's 1982. F it, all the best cowboys have. It's one of the best names of an album, I think. All the best cowboys have Chinese eyes. That's one of the best names for an album. There should be a list. Best names of albums. That's that's in there. That's in the top 20 right there. All the best cowboys have chinese eyes. Yeah. Slit Skirts, great song. Great song. Let Zeppelin In Through the Outdoor. I'm not gonna beat this one. This was a good album. This was a good album. So I'm not gonna go in and say maybe it wasn't their greatest album, but it's not a bad album either. Make you know, this list, they make these albums sound like that fucking Lou Reed mess. This isn't that. This isn't that. It was commercially successful. Uh critics found it uneven and unfocused. Well, you gotta let Zeppelin that's fucking moved a long way in ten years. You know, these guys were fucking killing it for ten years. But again, not their greatest album, but it's still a good album. Black Sabbath Forbidden. If this guy, this is uh Yeah, the nothing. I worst concert I ever saw. Thinking back, the fucking Black Sabbath, blue oyster called Black and Blue Tour. Uh fucking Ronnie James Deal just never, never did anything for me. I yeah. Uh is was he even on this album? See, uh the final album of the Tony Martin era is a bizarre attempt to modernize the Sabbath sound by bringing an Ernie C uh of BodyCont to produce it. Bodycount, that's Ice T's like metal band. Uh it features guest Spot from Ice T, so there you go. Uh, and a thin, weak production that nudes Tony Iomi's legend. Riffs. When you bring in iced tea into a fucking Black Sabbath album, I this gotta be bad. I'm not even I don't even want to dig into that one. The doors, other voices. Was this without Morrison? So yeah, it's gonna be fucking horrible. Queen Hot Space at number 15, a harsh include. So they said 11. Here it is, 15. Queen's most controversial album, a bold pivot into funk, disco and synth pop. Yeah, that's Queen. Nope, not doing it. YouTube pop. I kind of like this. I liked pop. I saw this tour. I saw them play Sun Devil Stadium. Rage Against the Machine backed them up. It was a great show. Great show. Uh waiting after Rage Against the Machine played, everything, you know, in between bands and everything's getting ready. And when the con the energy starts to build up, and we were up in the balcony, but we were looking right down over the stage. So we had good seats. And uh energy is building, energy is building, and you know it's about to come. They're playing the music, and all of a sudden at the other end of the stadium, so you say say you're looking at the stadium from left to right, on the left side was the stage, and it had it was a big, big production, Stadium rock, right? This was a stadium rock tour. And all of a sudden, at the at the other end, so it's over a hundred yards, it's over a hundred yards because you go uh from stage to the other end of the stadium, it's not a football field, it's just open, it's all seating on the floor, and a spotlight hits down at the far end, the far left corner, and uh you start seeing this crowd, and everybody starts as the the the so the the audience kind of explodes in a in a wave, like as as this this this is going by them, because what you see is you see somebody in a in a in a uh like a boxing robe with the big hood, and they're they're like Muhammad Ali uh Mike coming down the aisle and they're bopping up and down and you know throwing punches like they're warming up and the spotlights following them as this is coming up, you know, the crowd starts to get louder and louder and louder until they does this hundred-yard or so walk to the stage, right almost down the middle, and uh gets up on stage and starts doing all the rope and dopes, like the dancing, pulls in. It's Bono. It's Barno got the boxing gloves on. It was a great entrance. Great, great entrance. Uh, and he takes the robe off and he's got this fake muscle shirt on, like the fake muscles, uh styrofoam like muscles. So it was pretty good. I I thought it was a great show. I like the album. The album was was good, wasn't great, but this is U2 1997, not U-2 1987, right? Uh Van Morrison, Last Wreck and Project. Emerson Lake and Palmer, Love Beach, one of the worst album covers ever. Yay. Go go look at that album cover. Emerson Lake and Palmer Love Beach. Like you're taking one of the greatest prog rock bands ever, ever, and you put them, they look literally like the Bee Gees. Open shirt, tight pants, hands on hips. Yeah, no, no. And number 19, Arrowsmith rock in a hard place. All right. Uh, without guitarist Joe Perry and Brat Whitford. This isn't really an Aerosmith album. I agree. It's Steven Tyler and a group of substitutes. What was the hit off that? What was the hit? That was 1982. Was there a hit off that? Let me let me look this up. Uh rock in a hard place. Let's see. Uh let's get the album. There we go. The album. So you got jail bait. This was on there. I think this was it, though. This was it. This was a good song, though. This is a good song. But it was the only good song of this album, so lightning strike. The video was pretty good too. There we go. Now he's got these big buildups, right? This big dramatic build-up. 35 seconds in. Alright, I'm almost done with this. Now the build-up. Here comes the build-up. Here comes the build-up. Here comes the buildup. It wasn't a bad song, like I said. Still not. Yeah. Yeah. Again, not a not a great album. And that's it for that. Let's get out of here. Let's get out of that. Where am I? Well, I'm 50 minutes in. All right. What am I missing? Uh Neil won the lawsuit. Horrible Dio sucks. They would have been moved. Yeah. Great Jersey. Adam Nelson. What do we got? Steven Romano said every everybody rocking. Was it Rock and Billy album, Jack's favorite concert? Yeah. Good evening, Dave Phillips, King of the 45s. Steven Romano. Check out the video. Yep. Great Jersey, Adam Nelson. Todd's Big Head Todd the West Procett. Best video I ever watched in the P.I. Yep, that was Dogs of War. Neil won the lawsuit. Horrible deal sucks. They would have been more successful if they had changed the name. Yes, they would have. Alright, let me get one more article. I want to go with the movies. I mean, let's let's go with the movies. I'll run these down fast. I'm a little congested, so forgive me. Cold down here in Boca Ratong. It's been cold, people. The struggle is real. Listen, I got a cold. It was like, I don't know, 40 degrees, 45 degrees. What is that? It was 30. It was 34 one day last week. Last Sunday, I think it was. It was like 34 in the morning. You kidding me? So I got sick. I got a cold. I don't feel good. Pussy. I know someone's out there saying pussy. Not me, you. Alright, where do we go? Let's get rid of this. Let's get into these crime movies and then we'll call in a night. How's that sound? I have to go see the beautiful Dr. Vera. There we go. Screen. 40 best crime movies and disco. Get rid of that. Alright, the 40 best crime movies of all time. From mobsters and con artists. I'm not going to read all of these, like, you know, the what they're about. We'll figure it out. From mobsters and con artists to serial killers and thieves. Here are Entertainment Weekly's favorite capers. The French Connection. Yep. Great movie from 1971. If you've never seen it, you're not American. Go watch it. It still holds up today. Still Gene Hackman. What's his name? Ray Roy Scheider. Yeah. Great fucking movie. Godfather and Godfather Part 2. Excuse me again. 1972, 1974. At number three, The Departed. Good movie. Pulp Fiction, number four. I agree 100%. It should be in the top five. I would not put it ahead of The Godfather. I would not put it ahead of, I don't think any of those movies. So Pulp Fiction, number four, I'm happy with that. Number five, Zodiac. If you haven't seen any of his movies, go see him. Good fellas at number six from 1990. Chinatown. Haven't seen it in a long time, but I know it's a great movie. Jack Nicholson and Faye Dunaway. I will re-watch this now that I see it. Because again, it is a timeless movie. Just like the first movie. Just like French Connection. Seven, which we all know, what's in the box? What's in the box? You don't want to know. What's in the box? Number nine, Menace to Society. Good movie. I don't care. I know maybe some of you people out there aren't into the hood movies, but Menace to Society is a good movie. It's a very good movie from 1993. If you haven't seen it, watch Menace to Society. I think you'll like it. Rope. That's an old movie. That's James Stewart, yeah. An Alphon Hitchcock movie. Number 11, The Untouchables from 1987. You know, Leave It to a WAP to bring a knife to a gunfight, right? Where I think Robert De Niro played Al Capone, right? Kevin Costner played Kevin Costner. He was Elliot Ness. He was the same character in Robin Hood that he was in Waterworld, that he was in Dances with Wolves. He was Kevin Costner. He played the same character every single movie. Prove me wrong. Inside Man 2006. I don't know if I saw that. I don't know if I saw that. Might have to watch this. Bonnie Clyde, 1967, epic, epic gangster movie. Great movie. In her heyday, Faye Dunaway was by just hands down one of the most beautiful women to ever grace the movie screen. Faye Dunaway was just a smoke show. I have her on my list of top ten most beautiful actresses of all time. Is that a Korean movie? I think so. I'll have to watch that. Double Indemnity, another uh uh that's uh Fred McMurray from My Three Sons. Oh. The Long Goodbye, that's in 1973. That's with Elliot Gould, I think. Yep, Elliot Gould. Good movie. Heist from 2001, another Gene Hackman movie. Fargo. If you've never seen the movie Fargo, you gotta watch that movie. That fucking movie is outrageous. Absolutely outrageous. The Cohen brothers fucking nailed it. They nailed it. If you haven't seen Fargo, go watch Fargo. I'm gonna say it again. Not the TV series. I haven't I've started watching the TV series. I will get into the TV series. Uh but the movie Fargo is absolutely fucking out of control. It's out of control. Go watch Fargo. Okay? Fargo. Talmud and Louise. I've seen it once. Good movie. Good movie. Good movie. Scarface. It's Scarface. 1983. Fucking epic. It's Scarface. You don't need to say anymore. It's Scarface. Casino, 1995, and number 21. Number 22, They Live by Night from 1948. I don't think I've ever seen that. I used to watch a lot of these older movies when I was a kid. Well, because us late boomers got to watch these movies. We'd watch them on TV, as a matter of fact. These old black and whites. And uh they were good movies. They're still great movies. Let's see, Decision to Leave 2022. That's probably a Chinese or Korean movie. Uh they're always good. These movies are always good. If there's a Korean movie, the Koreans know how to make good fucking movies. I'll tell you that. Uh Traffic, good movie. Very good movie from 2000. Set it off, 1996. I think I saw that. I think I saw that. Easy to recognize the Great Queen Latifa movie. Uh The Conversation, 1974, another Gene Hackman movie. Good movie. Good movie. Widows. I don't think I've seen that from 2018. Uh The Underrated Widows by Steve McQueen's follow-up to the incredible 12-year slave, pivoting to tell a fluid and complex story that weaves meditations and marriage into betrayal. Liam Leeson casts a shadow over the film as an allegedly deceased career criminal devoted husband. Okay, well, all right. Training day. I don't think Denzel Washington should have won the Academy Award for this. I think that was a give me because he got overlooked for Malcolm X. Uh, so I think they gave it to him. Uh uh, what's his name? Um uh the actor from Gladiator. Uh Russell Crow should have got best actor for Beautiful Mind in 2001. But there was this was a give me. Denzel has played better roles and didn't get the Academy Awards. So I think this was uh, you know, Russell Crowe got screwed because a Beautiful Mind uh he he played a much more complex part than you know King Kong ain't got nothing on me. Like, come on, really? You're playing a bad cop. How really fucking hard is that? You know, anybody, I think anybody can play a bad cop. I just don't see why they thought he deserved an Academy Award for that. Anyway, Monster, a great movie. She, Charlie Sterin was fucking amazing in this movie based on a true story. Uh Monster. If you haven't seen it, go watch it. That's number 29. 30 Deep Cover with Lawrence Fishburn, who used to be Larry Fishburn when he was uh cowboy bob in the Pee-Wee Herman show. But Deep Cover, great, you know, uh great soundtrack if you like if you like rap, hip-hop. If you don't, well, the movie's still really good. Deep cover's really good. Uh Thief, James Kahn, I believe. Yep, James Kahn. Good movie, 1981. Get Carter, yep. Yep, Michael Cain. Uh Out of Sight, 1998. I don't know if I saw that. City of God, that's a really good movie. That's a really good movie. That's one you should watch too. You should be taking notes, people. Are you not taking notes? How are you not taking notes? Jesus, what kind of audience are you? One false move, 1992. I don't think I saw that one. Bill Paxon, Billy Rob Thornton, Sexy Beast. Uh, Ben Kingsley is yeah, Ben Kingsley. I think I might have seen this. I think I might have seen this. Uh it's 2000s, 26 years ago. Uh, New World from 2013. Uh uh Pak Hoon Jung's epic Korean film focuses on the oft-overlooked world of corporate crime and undercover cop Lee Jia-sung, uh, caught up in a war between an obsessive police captain and Moon Gold, the corporation syndicate he works for. These are always good movies. These Korean movies are always fucking good. So go watch New World. I know I will. Ariana Crom Dem. Cram Dem? I don't know. Uh, that's from 2010. I didn't see it. I might watch it though. Promising Young Woman from 2020. Frothy take on Revenge Films, Smotley Squares, Carrie Mulligan as a confident too smart for the room woman who avenges her friends. Oh, 2020 was the year of the girl boss. That's we're the year of the girl boss. Yeah, every TV show, every movie, every commercial, the girl boss. I don't know if I'll be watching this. I don't know. You know, my brother calling, God rest his soul, he had a real problem with these like 115, 120-pound women kicking a guy's ass that's like 230 pounds. Like, I he just he used to have a problem. I kind of have a problem with that too. Like, I don't know. I don't know. Anyway, in the cut, 2003. These are all crime movies, people. So in case you forgot. Uh Mark Ruffalo, blah, blah, blah. Yeah, yeah, guy. All right. There you have it. Those go watch those movies. Go watch those movies. I think I watched about more than uh 90% of those movies. So let's get out of here. Let's roll over here. Dave Phillips said, good show tonight from what I saw. Thank you. Uh, he also said Fago is a great movie. No you, me, Steve Austin. Steve Armado. Uh, quoting the great, the great, the late, great Perry Palladino. No, you, no, you, me, Steve Hutton. No, you, no, you, me, Steve Austin. Inside joke. Uh yeah, yeah. So that's it. That's it, people. Uh like I think this this year it's it's going to be milk crates, turntables, and movies. I like that. I like throwing that in there. I like these lists too. They're quick. You can kind of chew up some content with it, and you move on. I I see articles that might be long, and I'm like, I don't want to read a long article to you people. You people. I don't. So, you know, I will keep it, I will keep them short, keep the content moving. As I as I uh I teach veterans how to podcast, and one of the things I tell them is keep it moving along, keep it moving forward. Try not to go down these rabbit holes of of the same topic, like kind of just break it up for the audience, and it pays off. It pays off. So, with that, uh, I am going to be signing off. Go, Patriots! I am watching the Super Bowl by myself, by myself. I I the last time I had a party, I lived in Hollywood, and uh uh unfortunately it was after it was the it was the Super Bowl of the year that my first wife passed away from breast cancer, and uh I had a bunch of people over from work, the Patriots playing the Giants, and I I realized at that point, no, well you have people coming to your house, you have people coming to your house. When you don't live in New England or I guess Seattle, but even so, you have people coming to your house, you have a party, they come to your house, they eat your fucking food, right? They're watching your big fucking TV, they're sitting on your furniture, they're having fun, and they're rooting against your team. Like it just fucking happens like that, at least down here. Inevitably, someone's rooting against your team. Now, why would I want people in my so with that when that Super Bowl was over, I probably had, I don't know, 20 people there at that at that party. As soon as the Super Bowl was over, I shut the TV off. I swear to God, there was eyewitnesses to this. There was people that were there that laugh to this day. I shut the TV off, I said, everybody out. They were like, that's it, party's over, everybody out. Can I get some no, you can't take any food. Just go. Everybody go. It was so outrageous. It was so outrageous that they they were laughing. Like people were like, they weren't upset, like you how what you doing? They just saw the look on my face, and they laughed about this for years, for years after. It became a whole story, became a whole thing. The time Scotty just cleared out his house in like seven minutes. Just everybody get the fuck out. Everybody out, party's over. There was so much food left over. Like the next day, I was like, well, I should have just let them at least take food. No, fuck them. Fuck them. Come to my house rooting against my team. Get the fuck out of here. No, so I watch the Super Bowl alone. I watch alone. I'm gonna make some nice food. Maybe I'll make up some chicken palm. It's gotta be pasta. It's gonna be pasta, I guess, I think, right? But yeah, watching the Super Bowl alone. Uh, I'm watching the turning point halftime show. Fuck Bad Bunny. I don't care. I don't care. Fuck that guy. And I think they're sneaking. Well, didn't somebody say Green Day was playing too? But I don't think they are, but that makes it even worse. Fuck Green Day, too. Fuck them. Fuck them, fuck Bad Bunny, fuck the NFL, fuck their halftime show. I don't even like country music, and I'm gonna go watch it on YouTube. Just to prove a point. So with all that, you like my new glasses, by the way? These are my these are Oakley's. Oakley's, these are like, yeah. I'm styling and profiling. Styling and profiling with the prescription Oakley's. Technically, sunglass frames, right? I'm like, no, I want nice frames. I want regular glasses. So this is my this is my my new look. Anyway. Well, everybody, thanks for watching. Thanks for listening. If you like this, share it. You never do, but that's okay. Don't forget to brown the cheese. Oh, yeah, this fucking Steven Romano. This fucking guy. I love Steven Romano. I love Steven Romano. He knows I've known Steven Romano for 50 years. 50, right? But it's one of those friendships where there was a whole fucking group of time and we didn't hang around together, but we grew up together on the same street. We played street hockey. We did this, we did that. We kind of went our over, but we were always on the same street and always. I love Steven Romano. I love Steven Romano. He is the pickiest motherfucker when it comes to food. Like I sat down with this dude. Fucking, I had to respect this. We ought a breakfast. He's buying me breakfast one time when I was up there. And he orders pancakes. I'm like, okay, pancakes. Pancakes, right? And the lady says, You want syrup? He goes, No. And I'm like, who doesn't who fucking eats pancakes without syrup, right? Like, what the fuck, right? Dude reaches in his pocket in his jacket, because it's winter time, right? Pulls out a fucking ziploc bag of fucking syrup. I've seen a lot of shit in my life, right? This was fucking epic. I'm just looking at him like, is this really happening? And he holds it up like it's fucking a bag of cocaine. He goes, This is the good shit right here. He literally showed me. He holds it up like a bag of cocaine. Like a fucking, I don't know, like an eight ball of fucking coke. This is the good shit right here. This came right from the fucking tree. You want some? I'm well, fuck yeah, I want some of that shit. Hell yeah, I want some of that shit. I want the good shit. I like the good shit. It was good shit. It was good shit. Yeah. Motherfucker, I'd never seen it before and I haven't seen it since. Reaches into his jacket and pulls out a fucking Ziploc bag of maple syrup. It was about half full. This was the shit. This is the good shit. I don't, I don't eat that crap. This is the good shit. I will never forget that. To the day I die, which is, I don't know, about 24, 25 years from now. I'm realist. I have, you know, I'm not, I have no delusions, right? I will never forget that. That was fucking that was epic. It was homemade. He just commented in. It was French toast. It was French toast. He said. It was double. It was I gotta put this up on the screen. It was double bagged. He's double double, double bagged homemade maple syrup for his French toast. God forgive me for saying pancakes. I should have known better. Double backed. Because if one he ain't losing a drop of the good shit. He ain't not, he is not losing a drop of the good shit. He was ready. He was fucking ready. Like this dude's like, I'm going to breakfast. Just put this together. Like, go a step beyond the story, right? This is what I love to go a step beyond the story and just think about the prep that went into this. He knows we're going to breakfast, right? He knows we have it planned. He's going to pick me up. We're going to, or I'm picking him up, and we're going to go to breakfast, and it's all set, right? And it's cold and da-da-da. So this motherfucker just like, okay, this is my plan. I'm getting the homemade syrup. I'm getting the homemade syrup, right? I'm going to put this shit in a plastic bag. So let me get the ziploc, right? Just think of the process he went through to do this. This is like, this is some high-end shit right here, right? He gets the ziploc, which couldn't have been easy to put the syrup in the ziploc to begin with, right? Because you've got to hold it and it's not firm, right? It's flimsy. And this dude don't want to drop a fucking, doesn't miss a drop. Like he is not, if this shit hits the floor, I'm fucking guaranteeing. I'm fucking 100% stone cold lock. If a fucking drop hit the floor, he's fucking going out and swooping that off the floor with his finger and he's fucking eating that shit. Nothing was getting away out of this shit, right? Puts it in the fucking bag, puts it enough because he knows, he knows he's getting French toast, right? He knows he's getting the French toast. He knows the place too. He picked the joint. So they got to have some really good, because he's a picky eater, by the way. He's a fucking picky eater. I love that about him. But when he said, I only eat breakfast at this one place, and we went there, and he knew, and he's like, I'm gonna, I ain't gonna fucking blow this. Because then he puts it in there, right? So he puts just he puts enough in there. He knows he's gonna be sharing it with me. I don't know this is happening, though. This is all as we just found out, this this all just blew up in front of my face at the fucking table, right? And then he gets it all in there and he makes sure, he fucking makes sure that this thumb, he fucking scrapes up, he pulls it, fucking closes it, puts it down, and he ziplocks this fucking bag, but says, that's not enough. That's not enough. I need another bag. So he gets another ziploc. That's another ziplock, puts that and then ziplocks that one. And then he puts that shit in his pocket, and he's gonna bust that shit out when the time is right. And boy, did he ever. That's fucking that is like, listen, man, that's dedication. That's dead, and that was good fucking syrup, by the way. He said, standard procedure, he's been doing it for years. Pancakes are gross. Pancakes are gross. What the fuck is the difference between pancakes and French toast? Like, what I mean, come on. It's it's bread. It's it's just that I don't know. I I don't know. All right. All right. That's that was a good way to end the show. That's a good way to end the show. All right, everybody. Like I said, thanks for watching. Thanks for listening. If you like it, share it. If you didn't like it, well, thanks for watching and listening for an hour and 13 minutes. I appreciate that. Uh go Patriots. That's it. Go Patriots. Bring in number seven. Just bring it home. It's gonna be a great game. Uh, I just hope you remember all those fucking six that Brady and Belichick were in. Every one of those games is a fucking nail biter, right down to the fucking last five minutes of the fourth quarter, all of them. Whether they won or the two that they lost, it always went down to the last five minutes in the fourth quarter. Please, Drake May, don't do that to us. Don't do that to us. And Drake May is a fan of the show, by the way. He is. I know he is. I mean, who isn't? It's fucking milk crates and turntables in movies. Yeah. I might have to change the logo and all that shit. I like that though, in movies. So, as I always say, doing the show for you to quote my favorite artist, Morrissey. The pleasure, the privilege is mine. I will see you next Thursday. Hopefully in Super Bowl champions, and don't ever forget, in the immortal words of my great friend Steven Romano, pancakes are gross.