Still Rockin' It - Cheryl Lee
Still Rockin' It - Cheryl Lee
What have Kingswood been up to lately? OR Six months in a leaky bus!!
Join Cheryl Lee - That Radio Chick on STILL ROCKIN' IT for news, reviews, music and interviews with some of our favourite Australian musicians.
Fergus Linacre of Kingswood takes us behind the scenes of their epic 112-show Australian tour and the raw, unflinching documentary that captured it all. After the pandemic silenced stages across the country, Kingswood made a bold decision to reconnect with audiences everywhere—especially in regional areas starved for live music.
When logistical challenges made traditional touring impossible, they bought their own bus, named her Peggy, and embarked on a six-month journey that would test their endurance, creativity, and relationships. Meanwhile, filmmaker Darcy Newton documented every moment, creating what would become the award-winning documentary "ClapTrap."
What makes this documentary unique is Kingswood's commitment to authenticity. Inspired by Nick Cave's willingness to be vulnerable on camera, they surrendered creative control, allowing Darcy to film everything without interference. "We're quite honest about where we're at," Fergus explains. "It's not a puff piece for the band." The result is a psychological exploration of life on the road—the highs, lows, and everything in between.
The conversation reveals fascinating insights into the band's formation at Melbourne Grammar School, their musical influences (from Aerosmith to Queen), and how they balanced academic pursuits with their passion for music. Fergus shares stories about supporting ACDC and Aerosmith, including a memorable backstage encounter with Steven Tyler.
Looking ahead, Kingswood announces fresh music releases beginning with their Tom Petty cover "You Wreck Me," an upcoming album, and tour dates across Australia and Europe. For fans ready to experience their powerful live performances, tickets for their upcoming shows at Port Lincoln and Whyalla will be available at kingswoodband.com.
Don't miss the rare theatrical screening of "ClapTrap" at the Regal Theatre in Kensington Park on April 9—your chance to witness the untold story behind one of Australia's most ambitious musical journeys.
What has Fergus Linacre and Alex Laska of Kingswood been up to lately? Let's find out!!
Get out when you can, support local music and I'll see you down the front!!
Visit: ThatRadioChick.com.au
That radio chick, cheryl Lee, here. Welcome to the Still Rocking it podcast, where we'll have music news, reviews and interviews with some of our favourite Australian musicians and artists. It's 2023 and Kingswood take Australia by storm with their longest ever music tour, playing a staggering 112 shows across six months to over 60,000 fans. The hometown tour, though, was no ordinary road trip. It was a relentless journey that redefined the band's power as a live act, pushing their endurance, passion and connection with fans to new heights. Country Town also. Right alongside the premiere of the music video for you, rest me.
Speaker 1:Today, kingswood have also announced the untold story of this unforgettable tour has been captured in a documentary claptrap, an intimate and high energy doco that takes viewers behind the scenes of the band's life on the road, from the adrenaline pumping highs to the raw, unfiltered lows. This feature film offers a front row seat to kingswood's wild, emotional ride. Was like enough to catch up with fergus linica in the zoom room yesterday. To catch up on podcasts from other favorite artists, simply go to that radio chickcomau oh, look at the guitars that was quick I don't, I didn't mean to have a um, a space background.
Speaker 2:Let me try and wow. I mean, it's not bad, is it?
Speaker 1:but I can hardly see you.
Speaker 2:Background, here we go. None, that's better. How are you doing?
Speaker 1:Good thanks. When you guys supported ACDC, did you come to Adelaide?
Speaker 2:Yeah, we did. We did two nights in all the major cities that we played in, so we certainly did two in Adelaide. The one funny thing that happened on that tour was that on the second night in Perth, so we went to Adelaide, then we went to Perth and on the second night in Perth we'd already been there for about four days, played a show and had two days off, and then we're playing the second ACBC show. I walk out there and said hello Adelaide. And did the faux pas you're not allowed to do, because it looked the same in every stadium.
Speaker 1:They'd built the same, you know arena. So you said that in Perth.
Speaker 2:I said it in Perth on the second gig Ba-bong, ba-bong.
Speaker 1:So I was thinking I'm surprised I haven't seen you before. And then I worked down a half.
Speaker 2:There you go. You were at that show and the Hives played as well.
Speaker 1:Yeah, yeah yeah, yeah, that's right. That was a great show, that one.
Speaker 2:Awesome fun. Look at all these guitars you've got, and what are these radios?
Speaker 1:They're biscuit tins.
Speaker 2:Oh cool.
Speaker 1:These little ones are, but this one here is a real radio. Yeah yeah, yeah, the others are biscuit tins, that's great, Because I just liked them and plus I like biscuits. Great, me too, and the guitars are pretty much for show.
Speaker 2:Well, it looks pretty cool.
Speaker 1:Let's get started, shall we? You're with that radio chick, cheryl Lee, and I'd like to welcome into the Zoom room today for a chat from Kingswood Fergus. Now, how do I say it? Lineacre.
Speaker 2:Lineacre.
Speaker 1:Lineacre.
Speaker 2:Yeah or Lineacre, if you want to go back to the Irish pronunciation.
Speaker 1:How do you say it in Irish?
Speaker 2:You just put on an Irish accent and say Lineker, or I guess, lineker.
Speaker 1:Are you actually from Ireland?
Speaker 2:No, I think my family, if you go back far enough, is from Cork. But I've never been. I'd love to, but no, I haven't I was lucky enough to go last year.
Speaker 1:It's beautiful.
Speaker 2:Wow, I certainly do want to.
Speaker 1:Kingswood are a four-piece. They call you alternative rock band. You guys formed in Melbourne in 2007 Because you all went to Melbourne.
Speaker 2:Grammar School. Two of us went to school together and were in bands in school, and then the third also sorry did go to the original drummer, went to school with us as well, and then we've had a few line-up changes, but Alex and I are running the show.
Speaker 1:Founding members.
Speaker 2:Founding members and absolutely love it and and have been doing it for our whole lives.
Speaker 1:Yeah, 18 years, that's a long time Is that 18?
Speaker 2:No, that can't be right. Yeah, it is Since 2007.
Speaker 1:2007?.
Speaker 2:Well, yeah, I suppose the band really properly got started in 2010, but we were knocking around in 2007,.
Speaker 4:So there you go, take it Time flies started in 2010, but we were knocking around in 2007. So there you go, take it time flies. That's longer than a lot of marriages.
Speaker 1:Well done, we've got you on lead vocals, ali on lead guitar and he writes some of the songs yeah, we write songs together.
Speaker 2:he writes songs and, um, he sings some of the songs too. We're kind of like a I don know. There's a lot of bands that have multiple singers Fleetwood, the Eagles, the Beatles yeah, this goes on.
Speaker 1:Multitasking.
Speaker 2:Yeah, good on you, alex, and I write and record and then certain people come and play with us on stage, but it's the two of us really, yeah, aha. Yeah, justin and Mango, who were our original members, got up on stage with us last year and played a few songs with us, so that was good fun.
Speaker 4:You are listening to Still Rocking it the podcast with Cheryl.
Speaker 1:Lee, I am going to play you some great songs from the Kingswood's last release, the Tale of GC Towns, no-transcript Code Red from the Power Up album, and then we're going to be back to speak to Fergus very shortly.
Speaker 4:We'll be right back. Strike two set your guns ablaze. Strike three call emergency. You're gonna play it safe. Speeding up the boat, tearing up the highway code Ain't gonna slow me down, no need to hesitate. Ain't coming up late, hit the breakstone. Mess with fate. Hard fight, rough night, dead in your sight, thank you. Oh, come with Weapons ready. Come with Fire one, fire two. Come with Now, pay attention. Reputation on your mind, enemy within your sight. Fire up, fire, straight, fire free, thank you. Firelight, fire, bright fire in the night.
Speaker 3:Station to station, yeah, call it Battle station, so call it Weapons ready. Call it Fire one, fire two. Come on in Station to station Unicorrid. Battle station, telecom Red Weapons Red, cold Red, fire 1, fire 2 Cold Red, cold Red, cold Red.
Speaker 1:Hey, come on Red. Hey, you guys have been busy since 2007. Is it seven albums released in that time?
Speaker 2:It depends if you count the charity jazz Christmas album that we put out in COVID.
Speaker 1:I'm counting it I count it.
Speaker 2:yeah, we've been very busy, yeah, and we like to tour a lot. And, yeah, there's new music coming out very soon as well, and another tour.
Speaker 1:We're going to talk about that in a minute. You also were and we chatted about this earlier were a support to Akadaka and also Aerosmith. That would have been an experience. Yeah, I've done that. And also Aerosmith, that would have been an experience.
Speaker 2:They were great fun. The Aerosmith one was quite special to me because they were one of my favourite bands growing up, so that was really good and we did one show with them. They invited us to their other show that they did in Melbourne and then backstage we hung out with Stephen and he was really nice and you know, we got to sort of spend some time and we had a ball and he was lovely. And then we did, I think, seven weeks on the road with Akadaka and we met them for about five minutes in like a meet and greet. They were lovely. I think they just had a lot on their plate and then not too much energy that they can't disperse when they're not on stage.
Speaker 1:They're getting old, like me. You guys started in school together, you and Alex, so did you either of you ever have a plan b? Or once you started on this road and realized this was your passion? This is it?
Speaker 2:good, it's a good question, I think. I mean, we both sort of went to uni, I think, because that was the thing to do and, uh, I think our parents were sort of like, we support you doing music, but maybe just, you know, while you, while you're honing your craft, you can go to uni. So we did that. But, yeah, I feel it feels to me like I always knew this is what I wanted to do and I feel very lucky to be able to. Um, I went to an oils show once and met rob hurst backstage and we were talking about music.
Speaker 2:Uh, this is when I was about 17 or something and you know, he asked me what I wanted to do and I told him I wanted to be a musician. He said, well, do it, leave school and do it now. Why, like, if you know what you want to do and you're lucky enough to know what you want to do, just go and do it now. And I, obviously I didn't do that. I finished school and I did uni, uni. But I kind of like that mentality. If you're lucky enough to have a passion, not everyone does, not everyone knows what their thing is, that's true. And you know, you get into a system. You try and get a job that's going to, you know, make life, progress and everything. But if you're lucky enough to have something that you love, then just get straight into it, go for it, yeah.
Speaker 1:So what did you do at uni? I?
Speaker 2:did. It was a new course called Project Management and it was very broad. I thought it might apply to anything in the music industry, from running festivals to which it does, to making a record, to managing a tour, which is all things that I do. So you could argue that the uni course actually did come into play. Yeah, yeah, it was, was just uh, it was sort of just a project management course, which means how to see through a, any project, from making a cup of coffee to running a, uh, a festival.
Speaker 1:So well, it's good you've been able to use those skills. What about alex? What did he do?
Speaker 2:he did um commerce for a time, I think in marketing, and then he went over to he did vca. So he did victorian college of the arts for um piano, jazz piano. I believe he's a very accomplished pianist. Yeah, he enjoyed that that greatly. Yeah, a lot of people that play in play in the band and have played in the band have come through VCA.
Speaker 1:So do you come from a musical family?
Speaker 2:Yes, my mum was the singer of the Cut Glass band that toured around Australia back in the day. My dad is a great lover and appreciator of music and certainly influenced me. My older brothers they were the ones that you know got me onto Queen and Extreme and Aerosmith and All the good stuff and Chisel and yeah, yeah I mean we'd all sort of bounce around the kitchen singing Les Mis and being different characters, and so it's a very Our Christmases. We have a big family Our Christmases have. You know, there's 20 cousins there and everyone has a song and the guitars go around and we play till the sun comes up. So, yeah, very musical family.
Speaker 1:Still rocking that podcast with that radio chick, cheryl Lee, going to play some Kingswood music shortly. But first one more of the bands that influenced Fergus One of his favourites and mine Aerosmith. I don't want to miss a thing. Back to chat more to Fergus after this.
Speaker 6:I could stay awake just to hear you breathing, watch you smile while you are sleeping, while you're far away, dreaming. I could spend my life in this sweet surrender. I could stay lost in this moment forever. Every moment spent with you is a moment I treasure.
Speaker 6:Don't wanna close my eyes, I don't wanna fall asleep, cause I miss you, baby, and I don't wanna miss a thing, cause even when I dream of you, the sweetest dream would never do I'd still miss you, baby.
Speaker 6:And I don't wanna miss a thing. I'm close to you, feeling your heart beating and I'm wondering what you're dreaming, wondering if it's me you're seeing. Then I kiss your eyes and thank God we're together and I just wanna stay with you In those moments, forever, forever and ever. I don't wanna close my eyes. I don't wanna fall asleep, cause I miss you, baby. And I don't wanna miss a thing, cause even when I dream of you, the sweetest dream would never do I'd still miss you, baby. And I don't wanna miss a thing. I don't wanna miss one smile, I don't wanna miss one kiss. I just wanna be with you, right here, with you, just like this. I just wanna hold you close I feel your heart so close to mine and just stay here in this moment For all the rest of time. Yeah, yeah, yeah, yeah, yeah.
Speaker 6:Don't wanna close my eyes, don't wanna fall asleep, cause I miss you, baby, and I don't wanna miss a thing, cause, even when I dream again, the sweetest dream will never do. I still miss you, babe, and I don't wanna miss a thing. I don't wanna crawl in the air. I don't wanna fall asleep, cause I'd miss you, babe. And I don't wanna miss a thing, cause, even when I try my best, the sweetest dream will never do, but I still miss you, baby, and I don't wanna miss a thing. Don't wanna close my eyes. Ain't no way to face me. I don't want this old man.
Speaker 1:You've got some exciting news. You have been on a six-month-long nationwide tour. Is this right? 112 shows in six months.
Speaker 2:Yes, this is the big thing that's happening at the moment, in 2023, which is the first sort of things opened up after COVID, and we did sort of those small selected seated shows, and Al and I were probably in a bar and came up with the idea of just doing 100 shows around Australia. That was where the idea started. Just because we hadn't toured in so long, people in regional areas hadn't seen any live music. You know, the cities were sort of starting to open up, but it was very difficult for anyone to travel. So we thought let's just go all around Australia and do a tour. And then we sort of had to figure out the logistics and it didn't work to fly or hire cars or drive and get hotels. So we'll do it on a bus, like in Europe or America.
Speaker 2:And there were no buses for hire, because any bus that did exist got turned into like a motorhome during COVID. Because they couldn't make any money. We bought a bus and built our own tour bus oh wow, and her name is Peggy and we did six months around Australia. I don't know what the total number is because we kept playing shows after that. It's just when you stop counting, but that tour was about 108 shows, I think.
Speaker 1:Can we do 100 shows? Hold my beer. Yeah, that's it.
Speaker 2:But it was incredible. You know, we got to drive around the entire country. You know, some people sort of dream one day is to get in a caravan and drive around Australia. So we did it, playing shows every night, and a young filmmaker came on the road for the entire six months and made a documentary. That's what leads us to be talking together. Yeah, exactly the documentary is. It was in a film festival, it won an award and now is doing a very limited cinema release. So it's very exciting.
Speaker 1:On Friday you've got your sort of debut release, isn't it at the Astor in Melbourne? Yep, You're also showing it here in Adelaide on April 9. Yep, Everybody get onto the Google-o-meter. It's called Clap Trap, the documentary. It's at the Regal Theatre in Kensington Park. So grab your tickets. I love a good music, doco, but what? I don't get is how on earth did Darcy Newton, the director and cinematographer, fit six months in a leaky bus into 90 minutes?
Speaker 2:I mean it's a crazy task. What he's undertaken is incredible. The amount of footage he got. You could make 10 different movies and not reuse footage. You know you could make Spinal Tap. You could easily make Spinal Tap.
Speaker 2:I mean, one of the first things we talked about when we started this venture was giving away any sort of artistic input from us, because I feel like when bands make their own docos, it comes off as contrived. It just makes them look good and it's not really a piece of art. It's more a piece of promotional material. I love some of the Nick Cave documentaries and I've always been inspired by his ability to, or willingness to, just give himself away to the art and be very vulnerable. So that was the mentality when we started talking about the doco was that we were going to let Darcy make his own film.
Speaker 2:So it's definitely turned out different than what I thought. It's kind of like a psychological look inside the life of you know. There's sort of two main characters in the end, which is me and Alex, and our different brains and way of dealing with things. There's a lot going on in our lives behind the scenes during this six months and we're away from home and, yeah, I think it's quite brilliant really if I step away from it and forget that it's me in there. You really get what it's like to be a travelling musician on the road, trying to do something really bold post-COVID and rejuvenate. You know some music into these towns and I think they did a great job.
Speaker 1:I think I read somewhere that you very, very quickly managed to forget that the cameras were even there, so it's a real genuine fly-on-the-wall. Look at what it's like to be a band on tour.
Speaker 2:Yeah, I think one of the things that allowed us to do that and relax was we sort of had an agreement, rather than say, oh, darcy, turn the camera off, you know we're doing this or that or I'm having a fight or whatever. The understanding that was honoured was film everything, and if someone doesn't want something in the film, it comes out. Yeah. Yeah, it wasn't really a problem in the end. I don't even think that happened there was that mutual respect there?
Speaker 2:Yeah, oh, they could have put lots of things in there that you know were more sort of sensational, but that wasn't their goal. So I don't think we had to take anything out in the end, but what it did was allow us to not worry that we were being filmed.
Speaker 1:Yeah.
Speaker 2:No one was ever going to see the footage except for Darcy and the editors, and then anything that someone didn't want in was going to come out, so that allowed us to switch off, let the cameras roll and eventually you kind of forget that it's there.
Speaker 1:And did they edit out all the farts and burps?
Speaker 2:Oh, there might be a couple in there. Actually, you know what? I don't think there were any farts or burps in it. There might be a burp or two. Actually, you know a band living on a bus for six months and travelling around the country and playing shows. Yeah, there's a lot in there, a lot to unpack, and they did a really good job.
Speaker 1:Yeah, it provides whatever charm and pluck can be found in the brutality of an unrelenting tour across an entire continent at a time where musicianship is a difficult and unlucrative game. So you know, it sounds like it is pretty much like warts and all.
Speaker 2:Yeah, it really is. Yeah, it gets into it. We don't really hold back. We're quite honest about where we're at and, as I said, it's not a puff piece for the band. We're in full support of the film. We think it's a great piece of art and a very interesting look into what it's like to be a musician. So, yeah, I certainly encourage people to get along and see it. Honestly, it'll probably just screen in the cinema in Adelaide this one time. There may be some future runs from it, but I wouldn't bank on that. If this sounds like something you want to see in the cinema, I'd get there for April the 9th.
Speaker 4:You are listening to Still Rocking it. The podcast with Cheryl Lee.
Speaker 1:With seven fabulous albums to choose from, it's hard to know which songs to choose, so I'm going to take a couple from the latest album from 2023, the Tale of GC Towns. I'm going to start by playing you the single Little Red Jumpsuit. Our good friends at the Rock Pit say the honeyed vocals of Alexander Lusker, buoyed by the harmonies of Fergus Lineker and musicality of band members Josh and Jack, make a song like Little Red Jumpsuit, one that comes wrapped in warmth. The country lilts and arrangements lend themselves to nostalgic emotions, even if no direct memories are attached by the listener. It's music that is easy to immerse oneself in and, for the moment, escape in the romanticism that Luxa establishes on the record. We'll be back to chat some more to Fergus Lineker straight after this.
Speaker 5:Please enjoy, oh, that keeps telling me Fall in love to the bottom Just after we agree On what we're fighting for. Sometimes you don't apologize, like some rules are for breaking. It all goes up in flames. I'm still drinking whiskey on the porch. Here I am awake while we talk, the dreams exhausted, and all the while I dream of you In your little red jumpsuit. In your little red jumpsuit, I don't really pray in the same way you do. Why are words that I do use Till I do them after you Don't talk to God as often as I should do? But I still think he'll pick up the phone when we all come blazing through. Here I am away, falling down between the dust, and All the while I think of you In your little red jumpsuit. So much for it Doing crappy while you're open. So why don't crack it wide open? So why don't you go ahead, man? Won't you crack it wide open? Won't you crack it wide open? Thank you.
Speaker 5:I often sit and think, and that thinking gives me comfort. We drank from every vine, had ourselves a healthy pool. Last night I saw our graves. The red weed died of adventure. I pissed all over yours. And here I am away While we talk of dreams All day and all the while, I dream of you In your little red jumpsuit. So much for Do we crack it wide open? So why don't you go ahead, man? Won't you crack it wide open? So why don't you go ahead, man? Won't you crack it wide open? Won't you crack it wide open, won't you crack it wide open, won't you crack it wide open.
Speaker 1:So you are having some time off after that and you've got another tour.
Speaker 2:No, after this was 2023 where this was filmed. We did another tour in Europe. After that, we ended up doing 180 shows in the year. Last year was less than that, but still plenty of touring and writing and recording. And we're at the point now where we're going to release, uh, on friday, uh, our first song, um, which is a tom petty cover for the year, and then we're going to start releasing music off our album that'll be will come out at some stage later in the year is that a scoop, that's?
Speaker 2:a scoop and and we're announcing shows too. So, um, I can actually, uh, tell you when we're announcing shows too. So I can actually tell you when we're playing in Adelaide. Right now, before it's even announced, I've got the tour poster in front of me on the computer. We're going to Port Lincoln on 10th of May and Lefties on 11th of May there you go, that will be on the Google. I want to see it, that will be All. The tickets will be at kingsofbandcom on Friday.
Speaker 1:Get on to it, adelaide people. Don't be slack. Don't be tardy in getting your tickets, like we sometimes can be.
Speaker 2:I know you think that way these days. It's more by the ticket, sort of later, but when you miss out it upsets you.
Speaker 1:So are you off to Europe again.
Speaker 2:Yeah, later in the year we're slated to go. We're just working out the particulars. But yeah, we love going back to Europe every year, so very excited. A lot of great friends over there and the fans are very lovely and they allow us to keep coming back. You know they keep buying tickets. So yeah, it's nice to have a little European trip in the counter each year.
Speaker 1:Yeah, if you'd like to keep up with everything that's going on with Kingswood, get. Keep up with everything that's going on with Kingswood. Get onto their website and their mailing list.
Speaker 2:Yes, absolutely, you'll be able to. On the website you'll be able to join that.
Speaker 1:So you can find out everything that's going on and keep up with all the gossip One more question, of course, since you've done like a Spinal Tap movie, have you got any non-negotiables on your riders? Is there? Something you've got to have in the green room or you're not going on.
Speaker 2:Yeah, that's good. I'll tell you what. We watched Spinal Tap on the bus. The other day we did a show at a winery actually out in South Australia near Mount Barker, and we were watching Spinal Tap because there's a sequel coming out which is exciting. We love a good bottle of whiskey. Bourbon Eagle Rare is our favourite. So we have a few requests for if you can get this, we have this. If you can't this one, if you can't this one, all the way down to Jamison's, which is an Irish whiskey. But it's good stuff, to be sure, but nothing crazy. We've had some funny ones over the years that we put in. Sometimes it's a joke, and then you get them every now and then.
Speaker 1:You know, like we had like you know a 50 dollar bunnings voucher.
Speaker 2:No, I mean, the bunny is very handy, you can go and get batteries and all sorts of things. Exactly, we always have, um a surprise, which is an interesting one and, depending on the enthusiasm of weber's putting the rider together, some people are a bit over it. Just ignore the surprise. A lot of people get us kinder surprises, thinking they're the first people to ever do that. But, um, it happens. Most of the time they go kinder surprises and we go amazing. Uh, but look, if sometimes people get creative and create you know, create things. We've got framed photos of us and all sorts of all sorts of funny things, so we get you know we've had paintings made and all sorts of different gifts. So so we get you know, we've had paintings made and all sorts of different gifts. So that's one thing we look forward to is what the surprise is going to be.
Speaker 1:So not bowls of blue M&Ms.
Speaker 2:No, we don't request it, but if someone did that, that would be. Maybe we should do it for this tour that's coming up.
Speaker 1:I can't wait to see the doco on the 9th. Everybody, I'll see you down the front in the theatre. Awesome, and all the best for the launch and all the best for the upcoming tour.
Speaker 2:Thanks, Cheryl, Great to chat to you and yeah, look forward to meeting you in person when we're over there next I'll see you down the front at a gig soon. Awesome, sounds great, thank you. Thank you so much, cheryl, see you.
Speaker 1:Still rocking the podcast with that radio chick, cheryl Lee.
Speaker 1:Today is the day the new single has dropped and you are the first to hear it right here, right now, mixing the high octane energy of classic rock with the storytelling magic of modern country, proving once again that they're pushing musical boundaries, kingswood are back with this fresh take on a timeless anthem. They've taken Tom Petty's iconic track you Wreck Me, cranked up the volume and added their own signature touch. Think soulful harmonies, gritty guitars, pure unfiltered emotion that makes you feel every word here. It is a modern twist on a classic that'll have you singing along. There's also a great video clip on YouTube.
Speaker 6:Right or wrong. Tonight we sail On a radio song Rescue me, should I go down? And if I stay too long In trouble town, oh yeah, you wreck me, baby. You break me in two. But you move me, honey, yes, you do. Now and again I get the feeling, well, if I don't win, I'm gonna break even. Rescue me, should I go wrong. And if I dig too deep, if I stay too long? Oh yeah, you wreck me baby long. Oh yeah, you wreck me, baby. You break me too, but you move me, honey. Yes, you do guitar solo.
Speaker 1:I'll be the boy in the corduroy pants. You'll be the girl at the high school dance. Run with me wherever I go and just play dumb, whatever you want. Oh, yeah, you wreck me, baby. Yeah, you break me too, but you know me, honey. Yes, you break me too, but you know me, honey. Yes, you do. You wreck me, baby. You break me too, but you know me, honey. Yes, you do. You're with Cheryl Lee, that radio chick. Thank you so much for joining me on the Still Rocking it podcast. Hope to catch you again next time. Get out when you can support Aussie music and I'll see you down the front.