11
Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.
She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the
window.
Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.
Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.
Dancing and laughing along the beach came the twenty-ninth
bather,
The rest did not see her, but she saw them and loved them.
The beards of the young men glisten’d with wet, it ran from
their long hair,
Little streams pass’d all over their bodies.
An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.
The young men float on their backs, their white bellies bulge
to the sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and
bending arch,
They do not think whom they souse with spray.
Twenty-eight, 28, 20-8; scholars and enthusiasts have had extensive discussion on what this number represents and the theories are as follows:
Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.
So the most unassuming of the young men has caught her eye. There’s something quite special about the dynamic presented, the roles have been reversed in a way. It is the woman looking over the naked men, a peeping tom of sorts and I came across an analysis that compared the scene to David in the Bible who watched Bathsheba as she bathed. A verse from the book reads: One evening David got up from his bed and strolled around on the roof of the palace. And from the roof he saw a woman bathing— a very beautiful woman. And in the same manner the woman watches the young men bathe from her “fine house by the rise of the bank,”
In the next line the speaker changes their point of view going from the third person to the second person (I hope I’m right)
Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.
Could Whitman be voicing a character in this scene? I imagine this speaker to be a narrator but not necessarily in the scene themselves. There’s a change in the point of view but not much of a change in interaction. The lines read as though the speaker is now talking to the lady “Where are you off to? For i see you/ You splash in the water there” However in this remark “ yet stay stock still in your room” it doesn’t sound like a direct comment to the lady but more of an observation for the reader. That this lady, though she may be lonely, has been seen splashing in the water, but yet she stays stock still in her room in this instance. Could it be out of fear, probably, could this room that she stays stock still in be alluding to something more abstract, perhaps this room is her inner self that she hesitates to let out. And while we end that line with suggestions of seclusion. The next line paints a different picture:
Dancing and laughing along the beach came the twenty-ninth
bather,
Can you guess who the 29th bather is? If you guessed the lady you are correct.
The lines continue;
The rest did not see her, but she saw them and loved them.
The speaker goes on to describe the bathers having a splash of a time. They describe the water as it trickles down the young men’s beards, passing all over their bodies. Then:
“An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.”
Guess whose hand that is, the young lady still unseen by the young men engages in their sensual bathing and play with mild touching, not to mention her hand trembling in fear and/or excitement as it felt their temples and ribs.
The lines continue:
“The young men float on their backs, their white bellies bulge
to the sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and
bending arch,
They do not think whom they souse with spray.”
Here the section ends with the young men afloat on their backs as relaxed as can be. No once did it ever cross their minds that a woman was among them, They do not ask, they do not know and they do not think about this minor detail. This section definitely speaks to Whitman’s humanist stance and belief in non-discrimination*. Life and all that it constitutes, especially its goodness is meant for all of us to engage in. Even if we find ourselves to be like the woman, with hesitation and doubt within ourselves we ought to find it in ourselves to be the 29th bather for lack of a better expression, and while it may be daunting to do this we might find that all the distress was overblown. But of course easier said than done.