S2.E104. Luminosity with Chopin, some wistfulness with Bridge, and jollity with Christophe Foerster.

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Transcript

SPEAKER_00 0:09

Welcome back to Perfect Pitch with Nick Healy Hutchinson and his fresh approach to the world of classical music. Whether you're an expert or a beginner, old or young. Perfect Pitch has something for everyone.

SPEAKER_01 0:23

Hello. First, I need to put something right for my introduction last week. If you were one of the early people to download the episode, I directed you to links which didn't work, much to my embarrassment. I think they are active now at the bottom of every episode. But if for any reason you are unacceptable, please do send me some kind of a notification. It's now easier to recommend the podcast than ever before. You don't need to ring your friends or send them a link. All you have to do is to pop in the few addresses and the link below the episode and the test and will be the rest. And while you're at it, please do it ideally with a brief comment. And don't forget to put your name into the prize drawer to join me in the box at the Royal Festival Hall in London for a London Philharmonic Hawks concert on the 23rd of February next year. There aren't any terms and conditions. The winner will be drawn at random on January 1st next year and make the 50 after being done with. And now we can use it. Sometime in the early 1830s, CHAPTER wrote a piece with a mixed language title and then the Espionato pollinated by the work which is sometimes performed with local. But never in dialogue with the conventional focus on the early and the translator. Which is pretty much a bigger one. So here she is nearism and luminosity. And the piece of some thirteen minutes. The level of concentration required for this is hard to comprehend. Those dates alone give you an idea of the broad spectrum of music to which it was exposed. Ranging from the romantic through to the modern and its own experimentation. But he also had a highly rarefied extension of having the endorsed Britton. So indeed with the rhythm variations of the bridge. We're going to look at the composition by bridge within the well. It's more than a hint at the competitive. And although it can appear light and fresh, there's an elegic feel to it, which is a precursor to the sort of music you were writing during after the First World War.