Your hosts venture into strange territory with Revelations, from the 2008 metal opera Nostradamus. George and Tom banter about some questionable experimentation, Judas Priest's drive to capture the essence of Nostradamus as a historical figure, and how the lyrics paint a picture of internal conflict. We opine on which parts of Revelations work, and which parts don't.
Drinking: Oktoberfest from Warsteiner (Warstein, Germany)
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