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WEBVTT
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Alternate Line: Hello.
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Alternate Line: welcome to. We heard wonders, the music podcast that's watching the Telly thinking about our holidays. And that's entertainment. And you know, it was entertaining, really struggling to come up with an intro. There.
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Andrew's iPhone: Yep, it really both. It really bode well for the banter that was gonna happen in the rest of the episode that we couldn't get.
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Alternate Line: Black hole.
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Andrew's iPhone: But you you've done it, and you've doug us out of a hole. So thank you. And it's very fitting. Actually, cause I am actually watch the TV on the holiday. So.
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Alternate Line: Nice, nice, nice nice how you been.
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Andrew's iPhone: Good. Yeah. Yep, yep. Just enjoying my break from work for a couple of weeks over Easter
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Andrew's iPhone: and Manchester, United have just got into a free 2. Lead. So
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Andrew's iPhone: yep, at this very moment I am very well.
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Andrew's iPhone: Stop! Who are you?
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Alternate Line: The code. Stop the joke
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Alternate Line: below the whistle.
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Alternate Line: blow the whistle! Yeah. It's nice to be nice to be on our holidays, isn't it. You've moved house as well since last time we spoke.
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Andrew's iPhone: I have. I have. Yes. So that's that's the kind of main reason for the delay in proceedings. So apologies guys that we haven't had the podcast in a few weeks. But, yeah.
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Andrew's iPhone: just been busy doing doing that.
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Alternate Line: It's not really it's not. The last time we spoke I met. I misspoke there. It's the last time we podcasted. You've moved house since then. And that's good. So you're no longer up in your loft, you know, in a proper room.
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Andrew's iPhone: I am. Yeah, although the music room is under construction at the moment, it.
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Alternate Line: And we'll have a.
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Andrew's iPhone: Building site at the moment.
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Alternate Line: Later, and.
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Andrew's iPhone: To you of the
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Andrew's iPhone: the archers that we've discussed.
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Alternate Line: The arches. Yeah, the arches shut. So Andrews opened his own arches. But you I'm a wee bit worried that the the the concept for our listeners of you reaching out and pulling a vinyl down from your from your collection is gonna be bust by the fact that there are no records on in any shelf at the moment.
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Andrew's iPhone: Yeah, th listen will have to just do an extra little bit of mental gymnastics to to get that image in their heads. But I'm sure you can manage guys. I have faith in you that you can
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Andrew's iPhone: put that image together.
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Alternate Line: Yeah, nicely done. Let's introduce ourselves. It's been a minute.
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Andrew's iPhone: Yeah, my name is Andrew. I buy records and write about them on Instagram at kid, age 86.
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Alternate Line: It's a wonderful Instagram. I actually didn't think of something witty to say. So I'm just gonna say it's really good.
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Andrew's iPhone: Yeah, that's fair it to be fair. That's kind of under construction at the moment as well. It's been a while since I've
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Andrew's iPhone: put any records up there. So I apologize again.
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Andrew's iPhone: Joys again.
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Alternate Line: Like the info.
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Andrew's iPhone: That's my life, and I'm just constantly apologizing for things.
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Alternate Line: This is like the podcast equivalent of us, like warming up. Yeah.
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Alternate Line: stretcher, like pulling your foot behind your bum and all that.
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Andrew's iPhone: Yeah.
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Alternate Line: Appreciate your calves and.
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Andrew's iPhone: Yoummies.
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Alternate Line: I mean. I'm in Glasgow band. The deadline shakes and you can find those and all the social media platforms at Deadline shakes. Good. So it's good to be back on the old podcasty trail. You've picked some 5 bangers for us this week. Club bangers. Every single one, I think, would be fair to say.
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Andrew's iPhone: I I don't know about the club, but but yeah, bangers big tracks that that have been released during the time that we've been away.
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Andrew's iPhone: And and there has been a lot happening, I would say, over the last few weeks has been a lot of big releases.
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Andrew's iPhone: particular female artists, I would say. You know, it's not really a surprise at this point. They've been kind of.
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Andrew's iPhone: you know, slaying it for years. At this point. In particular. But but yeah, in recent weeks we've had some some really big releases.
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Andrew's iPhone: Yeah, some of them that we're gonna talk about some other ones I'm thinking of, you know, things like the new beyonce record as well, and
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Andrew's iPhone: just just every kind of
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Andrew's iPhone: genre music. Actually, whether it's like in dance. You get Jaylin or
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Andrew's iPhone: Move over into like jazz or
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Andrew's iPhone: Casey Musgraves had another big record as well. So yeah, just loads and loads of
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Andrew's iPhone: artist. I've that I've put some releases out that will maybe get to in a next couple of weeks. But yeah, certainly a few here that we're gonna dig into.
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Alternate Line: Also. So just in case she's listening beyonce. Sorry. You've actually made the cutting room floor tonight.
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Andrew's iPhone: Yeah. Just didn't quite make the cup.
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Alternate Line: Sorry about it.
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Alternate Line: your cover of blackboard is okay. I was at when I heard when I heard that she covered blackboard. I was like 100%. Andrew's gonna put that on the podcast playlist next time, 100%.
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Alternate Line: But it's not me that.
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Andrew's iPhone: Yeah, I did think about it. To be honest, I did think about bringing something from that record. But yeah, I think I think just these ones. As I say, we've been away for a few weeks, and these are ones that I've been kind of thinking about over over that kind of time, if you like. So had a bit longer to spend with some of these.
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Alternate Line: Well, take us out of suspenders and and let us know what's what's on the slate. Then.
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Andrew's iPhone: Okay. So they've got new music or newish music from Waxahachie
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Andrew's iPhone: Blaire.
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Andrew's iPhone: Adrian Lincoln.
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Andrew's iPhone: Julia Halter, and Usheen Leach.
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Alternate Line: Very nice.
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Alternate Line: Oh, very nice. Well, see, in the, in the sort of interregnum period between last podcast and this,
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Alternate Line: I've had a a musical, a very unusual musical experience. Where I went to the battlelands
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Alternate Line: to see Elvana.
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Andrew's iPhone: Oh, yeah.
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Alternate Line: Which was for anyone who doesn't know. I mean, I don't know. Like I do a music podcast I feel like, I'm fairly switched on to musical happenings. Right? But I I kept saying to people, I'm going this really weird gig, right? It's Alvana. And everyone was like, Oh, yeah, Elvis fronted Nirvana.
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Alternate Line: There are about 14 different people. I said that, too. And yes, I was really surprised that it was. It was so popular, widely known about. I had never heard of it. But it's it is. It's pretty much what it says on the 10 except the guy is not a good Elvis impersonator. I think that's part of it's I think that's part of the deal.
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Alternate Line: But there was a couple of a couple of moments of it. 3 moments in particular, if you'll indulge me, Andrew, which I which encapsulated, how much I enjoyed the evening!
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Alternate Line: So the first was, and early in the set I was just kind of like.
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Alternate Line: you know, blown away by just trying to take in what I was heating and make sense of it. And and so when they played, and the Nirvana track rape me
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Alternate Line: and paired it with Love me tender.
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Alternate Line: I I found that quite a sort of
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Alternate Line: you know, a bit of an oxymoron, but.
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Andrew's iPhone: Yeah.
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Alternate Line: Of a musical statement, so that made me laugh. That was that was funny.
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Alternate Line: And then about when they played, I think it was come as you are about 3 quarters away through the set, and I generally I genuinely as as the Disco just had a big bounce about and a laugh, and you know all that sort of stuff.
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Alternate Line: And so that was my second moment, and the third moment was the very, very end of the set
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Alternate Line: Elvis in your air, quotes.
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Alternate Line: leaves the stage, and the rest of the band do some stuff, and then he comes back on for a sort of grand like finale, or whatever.
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Andrew's iPhone: You leave the station. It doesn't leave the building.
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Alternate Line: He doesn't leave the building. Yes, doesn't leave the building. But this like sort of very sincere, boldy.
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Alternate Line: portly Glaswegian gentleman just turned around to me as as airports. Elvis came on stage. He's turned to me and he went
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Alternate Line: me. I went well in it.
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Alternate Line: He's fucking brilliant, and he
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Alternate Line: I was like.
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Alternate Line: Yeah, Jody's brilliant. I.
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Andrew's iPhone: So, yeah.
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Alternate Line: No.
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Andrew's iPhone: That's a classic guys. Good response that
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Andrew's iPhone: I mean, I must have. I hadn't heard the vibe, and it sounds like
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Andrew's iPhone: something that that somebody was that was coming up with like an a Edinburgh show. Edinburf show.
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Alternate Line: It's.
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Andrew's iPhone: You know we we kind of magic up when they were stoned, or something like that.
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Andrew's iPhone: And is it? Is it played for laughs, or is it? Is it? Is it just, or is it just completely tongue in cheek, or or are they really kind of sincere about it?
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Alternate Line: It's it is.
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Alternate Line: It's kind of all of that. It's.
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Alternate Line: Of that. It is definitely like. It is almost like it.
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Andrew's iPhone: Play with conviction.
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Alternate Line: It's played with convection, and they are actually good musicians. The 2 back and singers were were very, very good.
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Alternate Line: and it's just
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Alternate Line: like it's. It's difficult to even review it, because it's not like it's not that kind of thing. It's not like going to see Nirvana or Elvis, where you'd be totally like reviewing the experience. And when it possible, see either those acts. It's it's just kind of and it. It's just kind of a a show, basically. And it was it was a good laugh. It was funny.
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Alternate Line: so yeah, I enjoyed it for what it was. But I think that's probably, I think once is probably quite a lot.
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Andrew's iPhone: Yeah.
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Alternate Line: Yeah, it's fine. If I was at a music festival, and someone was like.
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Alternate Line: Alvanna are playing over there, and and you know, like no one was playing another stage that I was like desperate to see. I would definitely go and see them in that that situation, because that was good laugh, but like
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Alternate Line: in terms in terms of handing over another 50 quid to see them somewhere. Props.
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Andrew's iPhone: Yeah, I was. I was surprised that it was the bardas I mean, the borders is.
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Andrew's iPhone: you know, considerable venue. And there's obviously legendary venue. So yeah.
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Andrew's iPhone: got enough of her.
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Alternate Line: Find that people
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Alternate Line: actually like them like blue.
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Andrew's iPhone: Really like them.
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Alternate Line: And that shocked me because I just assumed everyone else would be like me, just kind of like, wide eyed and sort of innocent. But there were people there who, like my my chubby PAL I mentioned, is genuinely like love. This.
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Andrew's iPhone: Can probably.
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Alternate Line: Fucking. Probably so as well as anyway, that leads me onto my second piece of bance at the start of this, podcast I came prepared this evening
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Andrew's iPhone: Turns out.
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Alternate Line: Well, there's a link as well. I know it's not like there's a link here as well.
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Alternate Line: So it turns out that the bar is is opening a hall of fame. Did you hear this.
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Andrew's iPhone: Nope.
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Alternate Line: So. The most recent recipient of the Battlelands Hall of Fame is a quite good one. Johnny Marr.
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Andrew's iPhone: Okay.
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Alternate Line: So I think you have to plead. The battle ends a number of times. I think that's that's the deal. So I was just wondering
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Alternate Line: not to put you on the spot too much, but who, if you had to pick an artist who you would put in your own personal battle of fame like an act you've seen in the balance, and you think it was a legendary show.
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Alternate Line: Who would you put in your battle? Lens? Hall of Fame.
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Andrew's iPhone: Oh, blimey, I mean some of them. We've talked a bit before we've talked about my career before. So it's been my book, my Buddy of Valentine before
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Andrew's iPhone: M.
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Andrew's iPhone: The very first time that I saw
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Andrew's iPhone: Seapower was supporting doves at the Barland. So that was just a brilliant show, and
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Andrew's iPhone: really kind of set me on a path with them, so I mean that that was a great night.
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Alternate Line: Bother me, but I think.
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Andrew's iPhone: And get it.
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Alternate Line: Yeah, I saw doves in the battleland. Yeah.
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Andrew's iPhone: That was like that when the last broadcast came out. And yeah, I was a I was a good show. And then
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Andrew's iPhone: the the first time. LCD sound system split up, they played.
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Andrew's iPhone: and I think then we played the very last gig apart from the Madison Square Garden show.
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Andrew's iPhone: Think that was maybe at the Barlands.
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Andrew's iPhone: and they had the the
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Andrew's iPhone: the optimal sign in the background so that they'd manage to get that from the the kind of famous dance club.
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Andrew's iPhone: So so they they were kind of very aware of the kind of
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Andrew's iPhone: legendary status of of that venue as well.
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Andrew's iPhone: And then they ruined all by you know, reforming a few years.
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Alternate Line: I know.
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Andrew's iPhone: Bioethical.
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Alternate Line: I recall a previous round about that.
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Andrew's iPhone: Yeah, but but yeah, so that that mean those maybe play 2 shows on a kind of fair go tour. And that was really really good.
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Andrew's iPhone: And so I think that would definitely be up there.
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Andrew's iPhone: M.
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Andrew's iPhone: So I think those would be the main ones. And then, obviously Mo. More recently, the Lancam show is still kind of fresh moving, so I mean, those would be some.
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Andrew's iPhone: yeah, but I may be I I say all that, but I'm not even sure any of them would really kind of be in 10 terms of a kind of cultural moment. I'm not sure they kind of fit the bow in terms of.
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Alternate Line: No, I'm asking. I'm asking about you asking.
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Andrew's iPhone: Yeah, yeah, yeah.
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Alternate Line: That's gonna be mine was main is easy. The mine is so easy. 2,003 queens of the Stone Age.
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Alternate Line: Joshua, Homie, Nico Laveri, Troy, Van Lewin, Mark Lannigan, and Dave Grohl
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Alternate Line: can't be taught for me. There'll be no topping that. Everything else is like that's like the first big hit, and everything else is me just chasing a high afterwards. To be honest.
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Andrew's iPhone: Yeah, and that's fair.
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Andrew's iPhone: So have they have, they said, like, whoever whatever artists or
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Andrew's iPhone: are in this hall of Fame? Or is Johnny mark. Kind of just starting.
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Alternate Line: Me to have researched this file. Do you.
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Andrew's iPhone: Like he's just Johnny Marrow just played the bar lunch, maybe, like last night, or something.
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Alternate Line: Yeah, that's that's when they gave them it.
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Andrew's iPhone: Right.
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Alternate Line: Th there is, there is. There are more out of Senate, and I'mottedly googling it right now. So if you wouldn't mind filibustering for a few seconds. I'll get them right for you.
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Alternate Line: Inductees over the years have included the likes of David, Boy, Iggy Pop the Ramones, Paul Weller, no Gallic or simple minds, and many more.
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Andrew's iPhone: Okay. So it's, it's not a new thing.
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Alternate Line: No did. I may have sold it as a new thing, but it
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Alternate Line: I mean.
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Andrew's iPhone: Wonderly, man.
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Alternate Line: Was new to me.
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Andrew's iPhone: Bit.
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Alternate Line: So I saw an opportunity, and I took it, and I'm not ashamed of it.
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Andrew's iPhone: That's fair.
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Alternate Line: Right. Let's get out of this and get into the actual purpose of our
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Alternate Line: of our sojourn.
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Alternate Line: And so who would go up first.
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Andrew's iPhone: So yeah. So first up, we've got Waxahachie.
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Andrew's iPhone: and which is
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Andrew's iPhone: probably the most
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Andrew's iPhone: high profile and acclaimed.
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Andrew's iPhone: and the release of the last few weeks.
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Andrew's iPhone: I would say, and so I thought it'd be worth talking about, even though even though it was been a couple of weeks. At this point. I think it's
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Andrew's iPhone: kind of a notable enough release for the year that that we could have a wee bit of a chat about it.
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Andrew's iPhone: And this track
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Andrew's iPhone: is
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Andrew's iPhone: really lovely track, I would say.
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Andrew's iPhone: featuring MJ. Lindemann, who is a
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Andrew's iPhone: kind of alternative country Americana artist. Who is kind of really kind of grown his own kind of profile at the moment, and he contributes a few moments on the record. And but yeah, this was the kind of lead single for it.
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Andrew's iPhone: and it's called right back to it.
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Alternate Line: Alright, just like us, right back to it.
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Alternate Line: Here we go.
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Alternate Line: Portuguese.
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Alternate Line: in spite
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Alternate Line: night. I was good.
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Alternate Line: Better send me a taint sound
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Alternate Line: peace and
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Alternate Line: hang.
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Alternate Line: Get ahead and
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Alternate Line: say.
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Alternate Line: racing for a
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Alternate Line: on a blank. Jay buried around.
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Alternate Line: Know
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Alternate Line: you come to
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Alternate Line: me on a
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Alternate Line: go
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Alternate Line: like a mall
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Alternate Line: better my say.
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Alternate Line: laying out exchange
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Alternate Line: been yours for so long.
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Alternate Line: Come
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Alternate Line: like to
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Alternate Line: in my mind. Why
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Alternate Line: don't know why? Yeah.
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Alternate Line: Do
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Alternate Line: you just
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Alternate Line: like a song.
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Alternate Line: knowing
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Alternate Line: if I can keep up
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Alternate Line: gear
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Alternate Line: back to
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Alternate Line: a
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Alternate Line: that's where we need
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Alternate Line: burning up in no flame
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Alternate Line: genocide.
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Alternate Line: I fall down into a fair game like a wound that was.
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Alternate Line: Never mind.
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Alternate Line: get ahead of my
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Alternate Line: say
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Alternate Line: Come
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Alternate Line: Don't know why. Yeah.
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Alternate Line: And do
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Alternate Line: you just
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Alternate Line: like a sun.
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Alternate Line: know it?
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Alternate Line: I can keep up
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Alternate Line: gear
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Alternate Line: back to
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Alternate Line: been yours for so long.
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Alternate Line: Come
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Alternate Line: like to
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Alternate Line: I don't know why. Yeah.
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Alternate Line: Do
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Alternate Line: you just settle in like a song
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Alternate Line: window?
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Alternate Line: If I can keep up
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Alternate Line: Giraffe
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Alternate Line: to
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Alternate Line: mirror.
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Alternate Line: like to
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Alternate Line: here at
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Alternate Line: like to.
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Alternate Line: Oh, lovely stuff! And that's us right back to Andrew
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Alternate Line: Waxah Hatchee featuring Mj. Linderman.
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Alternate Line: Very, very nice. I made it kinda love it.
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Andrew's iPhone: Yeah, it's a really pleasant listen, isn't it? Very.
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Alternate Line: Nearly good.
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Andrew's iPhone: Comforting, very pleasurable.
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Andrew's iPhone: It's awesome. Yeah.
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Alternate Line: I. I was in researching the track, and I was on some forum or something where people were chatting about it, and someone described that as
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Alternate Line: lying on your back on a boat floating on a river in the summer, holding a beer.
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Alternate Line: I was like, oh.
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Alternate Line: makes it.
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Andrew's iPhone: Sounds good. Sounds good. Take me that good.
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Andrew's iPhone: Yeah. So, as I say, this is, this has been getting a lot of acclaim this track on the album as well. I think a lot of people already say this is not gonna track of the year as well.
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Andrew's iPhone: and I think I can kind of see why it is. I wouldn't. I wouldn't go that far for me, but I I can kind of see
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Andrew's iPhone: why they would say that for anybody that doesn't know Waxahachie is an American Indie music project formed in 2,010,
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Andrew's iPhone: and it's primarily the the work of a single record called Katie Crutchfield.
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Andrew's iPhone: and she kind of put this project together, following the the demise of her previous band. Ps. Elliot.
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Andrew's iPhone: and yeah, it started off as more of a kind of sole thing. And then over time, it's it's grew into this band
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Andrew's iPhone: a project. And it's really kind of, grew arms and legs as it's went on in terms of the the popularity of the project as well, and
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Andrew's iPhone: that has changed
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Andrew's iPhone: sound over time as well. So it's gone from this very kind of Lofi as a ticket to get a solo project on the first record, which was called American weekend.
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Andrew's iPhone: And then there was a series of records that had this kind of grungy prickliness to them.
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Andrew's iPhone: That I enjoyed a surrolly and salt and ivy trip with those albums, and then over time they've they've gone the kind of more expansive and D rock direction on the album out in the storm.
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Andrew's iPhone: and then the real kind of breakthrough was the 2020 record which is called Saint Cloud.
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Andrew's iPhone: and that's where you started to get these kind of detectable American country hues coming in
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Andrew's iPhone: and around the edges of those kind of the kind of ragged and the rock edges, if you like, and all of the previous records.
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Andrew's iPhone: and she was trying to kind of write with a clarity in the vein of all those kind of classic American songwriters as well.
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Andrew's iPhone: And she's talked recently about how that record
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Andrew's iPhone: she kind of estimates that that record doubled her fan base. It was just such a massive kind of breakthrough for her.
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Andrew's iPhone: and so when she kind of went into this new record, she was kind of wanting to do a little bit more of the same, but
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Andrew's iPhone: and maybe kind of
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Andrew's iPhone: scaling it back in terms of
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Andrew's iPhone: some of the kind of difficult subject matter. So a lot of that record that previous record, Saint Cloud was to do with her
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Andrew's iPhone: her kind of battle with alcoholism
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Andrew's iPhone: and and getting sober.
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Andrew's iPhone: And so I think, for this this time around, it's kind of
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Andrew's iPhone: creating a similar sound. But
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Andrew's iPhone: yeah, may maybe try to make it a little bit later and easier to listen to. And I think she's kind of achieved that here
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Andrew's iPhone: and so yeah, so she's working with the same producer. Again, the guy called Brad Cook
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Andrew's iPhone: and a lot of the same bands as well, I think.
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Andrew's iPhone: but one of the main things that she's done is brought an Mj. Linderman. For this I originally they they kind of tested that out with us track, and it went so well that he kind of just ho hung around the sessions and.
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Alternate Line: Yeah.
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Andrew's iPhone: Ended up contributing to a few more tracks as well. And yeah, I do really really enjoy the way that they are
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Andrew's iPhone: vocals blend on this track. I think it does add an extra element
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Andrew's iPhone: to to the sound.
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Andrew's iPhone: And and then you've got the the banjo from Phil Cook, who? Who's this very kind of accomplished and effective collaborator. It works in a lot of these kind of a package.
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Andrew's iPhone: Yes, I'll enjoy his banjo here.
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Andrew's iPhone: and there's just a real kind of sense of ease about the whole thing.
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Andrew's iPhone: and Nicole.
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Alternate Line: And banjo is what gives track. It's
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Alternate Line: vibe, really. It's it's yeah pool. It's rhythm. I think.
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Andrew's iPhone: Definitely. Definitely.
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Andrew's iPhone: is there anything else you want to say about the try other things that I'll kind of want to dig into about the album, and about Waxahachie in general, but sort of a bit track or.
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Alternate Line: There's lots. There's a lot sip at the track. I think the vocal performance is really really good from both of them, and it. It is Mj. Lender, and doing the guitar as well. The lead guitar part.
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Andrew's iPhone: I believe. So. Yeah.
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Alternate Line: Yeah.
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Andrew's iPhone: Yeah, yeah.
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Alternate Line: Good. It's really good. It perfectly fits the
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Alternate Line: the style of the track, and it's got a kind of low fi quality to it, but not to the point where and it's not melodic. It's a very melodic pair of guitar solos. And then, towards the end of the track, the second solo
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Alternate Line: builds an intensity just when the track needs it.
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Alternate Line: And I was very taken with what you said there about how
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Alternate Line: some people are saying, this is like the track of the year.
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Alternate Line: but other people might say, Well, it's it's kind of just a bit.
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Alternate Line: maybe a bit simple for that, or maybe a bit
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Alternate Line: you know, emotionally, it doesn't take you to a place that's
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Alternate Line: uncomfortable or difficult, or whatever and you mentioned Lancamiller. And I often wonder like, because Lancam is like such a bludgeoning force of like emotional power and all that stuff. And it taps into all these like ancient
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Alternate Line: you know, sort of
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Alternate Line: rustic types of music and all that sort of stuff. There's something like this which is just so perfectly formed.
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Alternate Line: It's like it's like.
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Alternate Line: could an amazing comedy film. When the oscars are best picture.
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Alternate Line: it's almost like that, because it's just it feels like it's not a genre that people can say critically, this is the best.
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Alternate Line: and because it's not super challenging to listen to. But that's actually strength. And there's there's a craftsmanship here that's that's that's very understated and
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Alternate Line: really, really bloody good. I really like this track really like it a lot.
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Andrew's iPhone: Yeah, I think that's a really good, really good way of looking at that. Actually, that that kind of idea that it's yeah, a lot of time that you're. You're kind of track of the year you're on with the year. The ones that are these kind of
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Andrew's iPhone: yeah dealing with these really kind of heavyweight statements and.
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Alternate Line: Yeah.
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Andrew's iPhone: And people were kind of like, you know.
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Andrew's iPhone: delve in the depth kind of thing. But you're you're right. There's a real kind of ease to this.
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Andrew's iPhone: that the as it strengthen is exactly the kind of mood that it's going for
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Alternate Line: Do you know Paul Gambuccini says.
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Alternate Line: no, it's not smart. Lamar never mean Polly. I'm Machinny, but I'm in the bin. Mark Lamarr says, no, it's not Mark Lamar. Who's the.
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Andrew's iPhone: He's a fellow.
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Alternate Line: Markham Woods. Markham Wood says you have to judge a film
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Alternate Line: on what it's attempting to do
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Alternate Line: right. So if if if film tries to do something, and it perfectly does it. Then it should. You should make yourself a great film, and I think the same is true with music like this sets out to be that vibe that moved piece. It's very relaxing, and it's clever than it than it
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Alternate Line: It gets credit for. There's a lyric in the middle there, where?
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Alternate Line: What's the lettic?
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Alternate Line: I lose a bit of myself
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Alternate Line: laying out eggshells.
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Alternate Line: and so there is a there is a frailty, a fragility in here somewhere. I think this is really good.
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Andrew's iPhone: Yeah, I I I do really like this track. I I I kind of do wonder with Waxahachie as a project, though why they get quite
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Andrew's iPhone: the brief reviews that they do. You know, I mean that this album's getting. They got an 8.8 from pitchfork, and
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Andrew's iPhone: you know, and it's got critics really kind of writing in purple prose and kind of
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Andrew's iPhone: tying themselves up, and not so almost trying to like. Explain what it is about this artist that really kind of connects with them, and I kind of struggle with that a little bit.
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Andrew's iPhone: you know. You know I I agree that it's in terms of what it's trying to do. It's very, very good, but
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Andrew's iPhone: I think to get those kind of scores and look like kind of a claim. I think it needs to be done something that's a little bit.
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Andrew's iPhone: you know, something that's really special
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Andrew's iPhone: or or or
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Andrew's iPhone: kind of reaching for the profound in some way, and I don't quite, or I would really kind of hit you in the most level. I don't feel that this quite does that and this this project. You know a lot of the tracks on the record
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Andrew's iPhone: stay in this very kind of
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Andrew's iPhone: mid Temple.
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Andrew's iPhone: and is is a lot of kind of really kind of
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Andrew's iPhone: enjoyable
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Andrew's iPhone: hooks that in the choruses that are really nice. But a lot of it sounds
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Andrew's iPhone: not to someone to something like Cheryl Crow.
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Andrew's iPhone: Which which is not.
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Andrew's iPhone: You know what what I cannot think of as being, you know, inspirational world changing music.
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Alternate Line: Kevin.
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Andrew's iPhone: And but I'll read some of these quotes cause. I pulled a few from some of the
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Andrew's iPhone: the really kind of glowing review. So in the Pitchfork Review, it says in Crutchfield songs, the South, and it's messy relations to others is a battlefield, one capable of inflicting real and grievous harm.
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Andrew's iPhone: And then in the Guardian Review, by Katie Solomon, it says, lyrical effect is a kind of mind maze. Concentrate too hard, and you'll tie yourself in knots. But look at that out the corner, your eye and it swims into focus.
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Andrew's iPhone: And I I just feel like they're kind of that they are finding or they're set. I'm I'm not. I'm not suggesting that that they don't find it really kind of profound in that way, but I feel like they are kind of tying themselves up in notes, trying to articulate what it is. That's really
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Andrew's iPhone: kind of special about this, or deep and important about it.
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Andrew's iPhone: And to me it's just kind of enjoyable music, but it's not.
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Andrew's iPhone: I don't quite get. Why, why, it's
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Andrew's iPhone: you know she's kind of held as one of these kind of generational artists.
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Alternate Line: Hmm!
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Alternate Line: Not sure myself, but it's a good track.
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Andrew's iPhone: Let's track this.
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Alternate Line: That's that's that's my. That's the bottom blade of my review as well. I think we're seeing the same things here. I think we're seeing the same things. I think one of the things about this particular. This particular track is it just makes
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Alternate Line: at every turn that just makes the right decision. You know. Every every everything is well conceived and well constructed, well put together. It makes a lot of sense. But I see what you mean. It's not. Is this a sort of
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Alternate Line: world altering statement?
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Alternate Line: No, probably not.
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Andrew's iPhone: Yeah, there's there's another critical area like Laura Snape since she wrote a really good piece about it. And she was like saying that she's
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Andrew's iPhone: just a couple of months difference in age from
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Andrew's iPhone: Katie Crutchfield, and she kind of really kind of relates to a lot of the experiences that she's talking about
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Andrew's iPhone: and the songs, and
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Andrew's iPhone: don't know. Maybe that's maybe that's just that. I just don't. It just doesn't resonate with me. It doesn't kind of hit me on that emotional level.
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Andrew's iPhone: yeah, I don't know.
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Andrew's iPhone: And but but, as you as you say, it's a very enjoyable track, and and I do, I do like on that level. But it's just not gonna be one of those ones. It's album of the year for me personally.
386
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Alternate Line: Maybe you're just so chill already that what you want is something in.
387
00:30:51.640 --> 00:30:52.160
Andrew's iPhone: But.
388
00:30:52.160 --> 00:30:53.700
Alternate Line: Mussy up a little bit.
389
00:30:56.840 --> 00:31:05.210
Andrew's iPhone: Maybe I mean, I I'll just I just want something a little bit more. I guess we're gonna talk about track later on that. And artist later on, that that really kind of hits me in that emotional level.
390
00:31:06.410 --> 00:31:08.619
Andrew's iPhone: And this this doesn't quite do. It.
391
00:31:09.120 --> 00:31:12.360
Alternate Line: Right. Andrew's fucked that one in the bin next.
392
00:31:13.100 --> 00:31:23.919
Alternate Line: Just kidding just kid just kid. You wouldn't have brought it. And if you didn't think it was amazing? Obviously, right? So what's next? What do we have next?
393
00:31:24.970 --> 00:31:28.100
Andrew's iPhone: Next up. We've got an app called Lat Year.
394
00:31:29.110 --> 00:31:34.900
Andrew's iPhone: who are an Indonesian collective, currently totaling 7 members.
395
00:31:35.170 --> 00:31:36.570
Andrew's iPhone: As far as I can tell.
396
00:31:37.403 --> 00:31:42.479
Andrew's iPhone: and Latir is a local dialect for the Indonesian word meaning birth.
397
00:31:43.290 --> 00:31:48.119
Andrew's iPhone: and and this is a track from their just released second record
398
00:31:48.340 --> 00:31:50.659
Andrew's iPhone: on Guru Guru. Brain records.
399
00:31:51.522 --> 00:31:53.090
Alternate Line: Good good evening!
400
00:31:53.090 --> 00:31:53.680
Andrew's iPhone: Yeah.
401
00:31:53.680 --> 00:31:54.050
Alternate Line: Amelia
402
00:31:54.420 --> 00:31:57.749
Alternate Line: familiar with those? Yeah.
403
00:31:58.400 --> 00:31:58.750
Andrew's iPhone: Yeah.
404
00:31:58.750 --> 00:32:01.460
Alternate Line: Well, here we go. Here we go.
405
00:32:02.061 --> 00:32:04.829
Alternate Line: Number one on the itunes itunes.
406
00:32:04.830 --> 00:32:05.260
Andrew's iPhone: Yeah.
407
00:32:05.260 --> 00:32:09.010
Alternate Line: Number one in your heart. It's a set, Ann Dollbone
408
00:32:09.210 --> 00:32:10.840
Alternate Line: by a lot year.
409
00:32:19.420 --> 00:32:23.260
Alternate Line: Very humorous.
410
00:32:24.220 --> 00:32:25.840
Alternate Line: A
411
00:32:26.820 --> 00:32:28.469
Alternate Line: can you hear
412
00:32:28.570 --> 00:32:30.510
Alternate Line: da da da
413
00:32:52.540 --> 00:32:53.860
Alternate Line: think that the
414
00:32:54.870 --> 00:32:55.760
Alternate Line: season.
415
00:32:56.640 --> 00:32:58.920
Alternate Line: I didn't adventure
416
00:32:59.990 --> 00:33:00.740
Alternate Line: me.
417
00:33:01.640 --> 00:33:02.580
Alternate Line: Da.
418
00:33:04.180 --> 00:33:05.010
Alternate Line: in that
419
00:33:06.680 --> 00:33:08.400
Alternate Line: chasing you
420
00:33:18.260 --> 00:33:19.130
Alternate Line: a
421
00:33:49.660 --> 00:33:50.540
Alternate Line: a
422
00:33:55.410 --> 00:33:56.110
Alternate Line: me
423
00:34:01.660 --> 00:34:02.330
Alternate Line: me.
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00:34:15.159 --> 00:34:15.900
Alternate Line: you
425
00:34:32.330 --> 00:34:33.030
Alternate Line: la
426
00:35:46.890 --> 00:35:47.700
Alternate Line: alone.
427
00:35:49.570 --> 00:35:50.850
Alternate Line: You
428
00:35:57.460 --> 00:35:58.250
Alternate Line: right
429
00:35:59.110 --> 00:36:00.220
Alternate Line: right, Andrew.
430
00:36:01.280 --> 00:36:02.990
Alternate Line: I've never said this before.
431
00:36:05.170 --> 00:36:09.610
Alternate Line: Stay silent. Okay, but you I know you're sort of screaming right? Because
432
00:36:09.750 --> 00:36:11.670
Alternate Line: Chelsea just scored 2 last minute goal.
433
00:36:12.404 --> 00:36:13.139
Andrew's iPhone: That's.
434
00:36:13.140 --> 00:36:15.099
Alternate Line: That's not. That's not what I want to talk about.
435
00:36:15.100 --> 00:36:15.470
Andrew's iPhone: To
436
00:36:15.840 --> 00:36:17.189
Alternate Line: As so
437
00:36:18.850 --> 00:36:22.470
Alternate Line: I want to read to everyone the inspiration for this song.
438
00:36:23.020 --> 00:36:24.430
Andrew's iPhone: So I'm assuming you already know.
439
00:36:24.430 --> 00:36:31.629
Alternate Line: It's unbelievable. Right? This is, gonna take me about 90 s or something like that. So there's gonna be, you know, a lot of me reading something here.
440
00:36:31.990 --> 00:36:33.330
Andrew's iPhone: Surely worth it, though listeners.
441
00:36:33.330 --> 00:36:37.840
Alternate Line: Yeah, I think it is. I think it is okay. So
442
00:36:39.043 --> 00:36:47.279
Alternate Line: new album. Good to go to brain records Indonesian collective layer have shared the second track from their album. Sitan Dolbon.
443
00:36:47.992 --> 00:36:49.769
Alternate Line: The band comments
444
00:36:50.220 --> 00:37:02.379
Alternate Line: originating from a true story around the year 2013, in a village in Jatai Wang Guy, a troubling phenomenon in a cub. That instilled fear, suspicion, and mutual accusations. Among the local residents. At that time
445
00:37:02.650 --> 00:37:07.361
Alternate Line: there were repeated discoveries of objects suspected to be human feces
446
00:37:08.850 --> 00:37:14.100
Alternate Line: in the areas surrounding the residence housing, and even in public spaces, rumors spread.
447
00:37:14.280 --> 00:37:19.279
Alternate Line: giving rise to speculations regarding the cause of these findings ranging from
448
00:37:19.360 --> 00:37:20.760
Alternate Line: animal mischief
449
00:37:21.070 --> 00:37:23.399
Alternate Line: actions of mentally ill patients.
450
00:37:23.520 --> 00:37:27.209
Alternate Line: suspicions of black magic rituals for wealth.
451
00:37:27.950 --> 00:37:35.100
Alternate Line: the unrest peaked within the community, forcing the local police to intervene and participate in the rest of the night patrols.
452
00:37:35.350 --> 00:37:42.180
Alternate Line: Medical personnel from the Jatawangi Health Centre also took part in investigating the suspected feces
453
00:37:42.630 --> 00:37:47.320
Alternate Line: alarmingly medical laboratory tests reported that the faeces contained both
454
00:37:47.430 --> 00:37:50.239
Alternate Line: human baby feces and
455
00:37:50.390 --> 00:37:52.280
Alternate Line: animal feces.
456
00:37:52.910 --> 00:38:02.059
Alternate Line: The situation became even stranger when there were rumors of the simultaneous disappearance of the yellow bamboo ryuk plants at all the crime scenes.
457
00:38:02.480 --> 00:38:24.990
Alternate Line: The local residents believed the yellow bamboo rooke to be a plant that wards off black magic. The anxiety almost turned into chaos when accusations began to fly. Among the residents, especially towards those who suddenly appeared to have excess, wealth, village officials, and local religious figures eventually agreed to advise the residents to seek refuge in God and religion.
458
00:38:25.050 --> 00:38:27.499
Alternate Line: and not to let the slander escalate.
459
00:38:27.670 --> 00:38:37.990
Alternate Line: To this day. This sensational case has never been resolved, leading residents to always seek refuge in God and religion, when recalling the case which eventually became known
460
00:38:38.010 --> 00:38:40.410
Alternate Line: as the legend of the Dolborn.
461
00:38:40.410 --> 00:38:42.040
Andrew's iPhone: Bond, demon.
462
00:38:42.340 --> 00:38:43.400
Alternate Line: Do you, Martin?
463
00:38:45.000 --> 00:38:46.090
Andrew's iPhone: It's incredible, isn't it?
464
00:38:46.090 --> 00:38:50.250
Alternate Line: Right, some some chant, and it what the hell is going on.
465
00:38:51.400 --> 00:38:59.390
Andrew's iPhone: You can now see why works out. She just doesn't quite enough for me. That kind of like hem to domestic plus is not quite not quite hitting it.
466
00:39:02.440 --> 00:39:02.870
Andrew's iPhone: of this.
467
00:39:02.870 --> 00:39:03.700
Alternate Line: He sees.
468
00:39:03.970 --> 00:39:04.610
Andrew's iPhone: Oh.
469
00:39:05.400 --> 00:39:07.720
Andrew's iPhone: yeah, there's not enough songs
470
00:39:08.920 --> 00:39:11.620
Andrew's iPhone: inspired by that kind of thing, in my opinion.
471
00:39:11.950 --> 00:39:15.890
Alternate Line: It's like you know, if your neighbor pulls it in a driveway in a brand new Volvo.
472
00:39:16.010 --> 00:39:17.100
Alternate Line: and you think
473
00:39:17.250 --> 00:39:22.859
Alternate Line: they shat in my garden. And now they've got a brand new Volvo. That's basically it, isn't it? That's that's kind of the.
474
00:39:23.148 --> 00:39:25.170
Andrew's iPhone: Kind of the myth that's going in.
475
00:39:26.570 --> 00:39:29.999
Alternate Line: Well, anyway, enough of that order to track it soon.
476
00:39:33.325 --> 00:39:34.150
Andrew's iPhone: Yeah, I mean.
477
00:39:34.150 --> 00:39:36.970
Alternate Line: Is quite choppy and upbeat, generally speaking, as well.
478
00:39:36.970 --> 00:39:43.039
Andrew's iPhone: It is as and it is. It's got a slightly kind of unhinged thing going on at different points in the track.
479
00:39:43.580 --> 00:39:48.870
Andrew's iPhone: But yeah, I really, I really enjoy the energy of this track. I enjoy like the
480
00:39:49.320 --> 00:39:55.529
Andrew's iPhone: the kind of the the surf. I just got a surf rock thing going on surf guitar.
481
00:39:55.730 --> 00:40:00.490
Andrew's iPhone: It's got some of that kind of on the edge. Manic energy of King Gizzard and Lizard Wizard.
482
00:40:00.770 --> 00:40:06.280
Andrew's iPhone: There's a little bit of B 52 Si would say as well, but the possessed kind of dual vocals.
483
00:40:06.450 --> 00:40:08.120
Andrew's iPhone: yeah, but I enjoy
484
00:40:08.460 --> 00:40:09.610
Andrew's iPhone: am.
485
00:40:10.220 --> 00:40:20.390
Andrew's iPhone: And yeah, I mean, th, this is, this is funnily enough, this is actually one of the more conventional songs on the record in terms of like the structure and stuff like that in terms of like having, like lyrics and stuff like that, and
486
00:40:22.790 --> 00:40:34.930
Andrew's iPhone: some kind of some kind of structure to it. And there's a lot of kind of instrumental tracks on the record or tracks that have kind of minimal vocals, and that they're all more about kind of the. It's gonna go off in these kind of wild tangents and things like that.
487
00:40:35.020 --> 00:40:40.620
Andrew's iPhone: And but yeah, I I do. I do enjoy this track, and I do. I do always kind of seek out
488
00:40:40.890 --> 00:40:46.989
Andrew's iPhone: and and keep up to date with what good or good of brain are putting out so. And this records produced
489
00:40:47.390 --> 00:40:52.489
Andrew's iPhone: by Go Kurosawa from Kikukaku, Moyo.
490
00:40:53.840 --> 00:41:00.073
Andrew's iPhone: Who are much missed in in my house. And so yeah, so again, there's that kind of link there. So
491
00:41:01.478 --> 00:41:03.209
Andrew's iPhone: you have this block, this block.
492
00:41:03.470 --> 00:41:04.530
Alternate Line: Oh!
493
00:41:04.530 --> 00:41:06.998
Andrew's iPhone: And which which I'm gutted about.
494
00:41:07.410 --> 00:41:10.290
Alternate Line: Just like they went like the rumors are true
495
00:41:11.500 --> 00:41:12.030
Alternate Line: like that.
496
00:41:12.506 --> 00:41:15.840
Andrew's iPhone: There's no more I very much
497
00:41:16.471 --> 00:41:21.529
Andrew's iPhone: but yeah, so so so I'm I'm all for this kind of craziness, and.
498
00:41:21.530 --> 00:41:24.436
Alternate Line: I don't think I'm getting useful to add in review of this price.
499
00:41:25.350 --> 00:41:41.339
Alternate Line: like is is in the in the 5 or 6 times I've listened to it. Now I'm like, I quite enjoy it when it's on, and then it's all kind of like. Okay, that was all of it. But it provides a momentary respite from
500
00:41:41.990 --> 00:41:45.160
Alternate Line: from the sanity of the rest of the rest of my life. So.
501
00:41:46.710 --> 00:41:48.000
Andrew's iPhone: Good good.
502
00:41:48.280 --> 00:41:50.210
Andrew's iPhone: We need a bit of insanity
503
00:41:50.320 --> 00:41:52.029
Andrew's iPhone: and a little bit of black magic.
504
00:41:52.040 --> 00:41:53.400
Andrew's iPhone: I've just lost it.
505
00:41:53.400 --> 00:41:56.409
Alternate Line: Little bit of suspected feces every now and again.
506
00:41:56.889 --> 00:42:10.189
Alternate Line: Right? Okay. So I think we're we're putting a button on on live, I think so that takes us to now we're talking about big Indie acts like Waxahachie. So next up is
507
00:42:10.200 --> 00:42:13.809
Alternate Line: Adrian Linker of off of Big thief.
508
00:42:14.752 --> 00:42:18.290
Alternate Line: Now we've reviewed. Have we reviewed Bikie? Twice
509
00:42:18.600 --> 00:42:23.469
Alternate Line: did we do one on the pilot and then one on just one. Later, when the record came out. Is that right?
510
00:42:24.360 --> 00:42:28.619
Andrew's iPhone: We did. Yeah. And we've talked about them at different times. I remember Fergus Mikudi brought in.
511
00:42:28.800 --> 00:42:35.419
Andrew's iPhone: and Adrian Link a track. And yeah, we've we've talked. We've talked at different stages about how much we enjoy their stuff.
512
00:42:35.900 --> 00:42:36.830
Andrew's iPhone: Em.
513
00:42:37.740 --> 00:42:42.220
Andrew's iPhone: and if I'm saying that Waxahachie's music and and her voice maybe doesn't speak to me.
514
00:42:42.490 --> 00:42:52.029
Andrew's iPhone: Hit me on that kind of emotional level, you know. That's never been an issue for me with Adrian Lynch as a voice. Thanks. She's, you know. She's kind of capable of like leaving me a blubbering wreck after just
515
00:42:52.440 --> 00:42:55.570
Andrew's iPhone: just a couple of sentences, you know just anything about the kind of
516
00:42:55.710 --> 00:43:00.120
Andrew's iPhone: cracking her voice or kink in the melody line or turn a phrase, she's just kind of
517
00:43:00.810 --> 00:43:03.969
Andrew's iPhone: yeah. She's she just kind of does it for me. Kind of thing.
518
00:43:03.970 --> 00:43:04.450
Alternate Line: Yeah.
519
00:43:04.450 --> 00:43:13.520
Andrew's iPhone: And and I mean she she. Her lyrics can be very kind of direct and personal, or they can be very kind of poetic and abstruse.
520
00:43:13.740 --> 00:43:16.070
Andrew's iPhone: But yeah, she just always has that kind of
521
00:43:16.210 --> 00:43:19.009
Andrew's iPhone: emotion, the the emotion that just comes across.
522
00:43:19.280 --> 00:43:20.930
Andrew's iPhone: Yeah, for me, it just works.
523
00:43:21.630 --> 00:43:22.360
Alternate Line: Yeah.
524
00:43:22.360 --> 00:43:25.440
Andrew's iPhone: Yeah. So so I've been really kind of anticipating this album.
525
00:43:26.180 --> 00:43:30.350
Andrew's iPhone: And again this came out. I think this came out. I should the first the same day as the wax of Hatchie
526
00:43:30.480 --> 00:43:32.959
Andrew's iPhone: Record. So that was, that was a good day.
527
00:43:33.150 --> 00:43:37.190
Andrew's iPhone: But yeah, this is this is a this is one that again. I thought we could
528
00:43:37.380 --> 00:43:38.699
Andrew's iPhone: of a bit of a chat, but.
529
00:43:38.990 --> 00:43:58.664
Alternate Line: Definitely, I remember, on the pilot, which only pretty much you and I have ever heard. I said Adrian Link. It was a bit like Woody Guthrie, and I'll be making no attempt to revise that. Here, I'll just. I'll just move on, because that was it was a bit of a stretch at the time, and the more think back on it. I'm like, partly still think it's true. But like
530
00:43:59.480 --> 00:44:03.720
Alternate Line: yeah, I don't know. I don't. I don't know if I can actually support this with evidence. It's just a kind of feeling I have.
531
00:44:04.820 --> 00:44:12.119
Andrew's iPhone: I I I get what you mean, maybe even more so now than then. But yeah, I'll be kind of forwarding a few big names later as well.
532
00:44:12.350 --> 00:44:17.429
Alternate Line: Alright. Okay, alright. Okay. So this is Adrian Linker. With
533
00:44:17.450 --> 00:44:19.210
Alternate Line: sadness as a gift.
534
00:44:23.330 --> 00:44:24.640
Alternate Line: Hmm
535
00:44:28.300 --> 00:44:30.150
Alternate Line: to
536
00:44:30.330 --> 00:44:33.000
Alternate Line: 1, 2, 3, 4,
537
00:44:42.090 --> 00:44:42.790
Alternate Line: a
538
00:44:48.770 --> 00:44:49.460
Alternate Line: you
539
00:45:00.540 --> 00:45:01.300
Alternate Line: a
540
00:45:01.910 --> 00:45:02.710
Alternate Line: in
541
00:45:05.220 --> 00:45:08.680
Alternate Line: you and I both know
542
00:45:09.210 --> 00:45:13.630
Alternate Line: there is nothing more to say.
543
00:45:14.300 --> 00:45:17.000
Alternate Line: Chances, shutters
544
00:45:17.140 --> 00:45:22.740
Alternate Line: tiny eyes, and turned her face away.
545
00:45:22.870 --> 00:45:29.780
Alternate Line: leaning on the windows. Shoe, you could rat me someday, and I think you will.
546
00:45:29.960 --> 00:45:37.640
Alternate Line: We could see the sadness as a gift, and still feel too heavy to hold
547
00:45:39.070 --> 00:45:41.590
Alternate Line: snow falling.
548
00:45:42.340 --> 00:45:46.299
Alternate Line: The chatter keeps from calling
549
00:45:46.370 --> 00:45:54.230
Alternate Line: watch the spring turn the winter flies all frozen.
550
00:45:55.780 --> 00:46:02.310
Alternate Line: the seasons go so fast thinking that this was gonna last.
551
00:46:02.430 --> 00:46:03.110
Alternate Line: Still.
552
00:46:03.240 --> 00:46:06.869
Alternate Line: maybe the question was too much to
553
00:46:07.000 --> 00:46:07.710
Alternate Line: Ernst.
554
00:46:11.810 --> 00:46:15.250
Alternate Line: Been searching for your eyes.
555
00:46:15.910 --> 00:46:18.950
Alternate Line: She's blue sky.
556
00:46:20.750 --> 00:46:32.190
Alternate Line: Lean it on the windows
557
00:46:32.340 --> 00:46:36.299
Alternate Line: you could someday, and I bet you will.
558
00:46:36.440 --> 00:46:40.589
Alternate Line: We could see the sadness as a gift ain't still.
559
00:46:41.380 --> 00:46:47.970
Alternate Line: the seasons go so fast thinking that this one's gonna last?
560
00:46:48.790 --> 00:46:52.479
Alternate Line: Maybe the question was too much to ask
561
00:46:56.760 --> 00:46:59.950
Alternate Line: a
562
00:47:10.520 --> 00:47:11.240
Alternate Line: you
563
00:47:19.160 --> 00:47:20.250
Alternate Line: a
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00:47:32.150 --> 00:47:44.820
Alternate Line: you and I could see into the same eternity every second brimming with a
565
00:47:45.010 --> 00:47:51.640
Alternate Line: majesty so sweet, so fine.
566
00:47:51.740 --> 00:48:00.029
Alternate Line: you could hear music inside my mind, and you show me a place I'll find.
567
00:48:00.160 --> 00:48:09.940
Alternate Line: even when I'm old, just leaning on the windowsill. You could write me someday, and I hope you
568
00:48:10.300 --> 00:48:14.239
Alternate Line: we could see the sadness as a gift ain't still
569
00:48:15.040 --> 00:48:18.640
Alternate Line: the seasons go so
570
00:48:18.880 --> 00:48:21.620
Alternate Line: thinking that this
571
00:48:22.240 --> 00:48:26.490
Alternate Line: still, maybe the question was too much to
572
00:48:26.700 --> 00:48:29.359
Alternate Line: a school.
573
00:48:34.540 --> 00:48:35.400
Alternate Line: Oh.
574
00:48:35.550 --> 00:48:37.270
Alternate Line: I just run to the milk every
575
00:48:37.690 --> 00:48:40.844
Alternate Line: every second right out of that there. So that is
576
00:48:41.180 --> 00:48:42.720
Alternate Line: Sadness is a gift
577
00:48:43.030 --> 00:48:46.130
Alternate Line: by Adrian Linka. Absolutely.
578
00:48:46.901 --> 00:48:49.309
Alternate Line: So. Just a stone called
579
00:48:50.100 --> 00:48:52.300
Alternate Line: classic of a track, and the.
580
00:48:52.300 --> 00:48:52.700
Andrew's iPhone: Second.
581
00:48:52.700 --> 00:49:03.830
Alternate Line: Really really good as well. I can say I haven't listened to the wax Apache record, although I did want to, isn't enough time. But I've listened to this entire record. All the way through, and
582
00:49:03.880 --> 00:49:05.369
Alternate Line: this track is
583
00:49:06.150 --> 00:49:08.780
Alternate Line: it's phenomenal. I don't even know where I'm going to begin.
584
00:49:09.349 --> 00:49:14.460
Andrew's iPhone: It's it's just absolutely brody. It's not. It's just. It feels like it's always existed. It's one of those.
585
00:49:14.800 --> 00:49:15.440
Alternate Line: Yeah.
586
00:49:15.770 --> 00:49:16.759
Andrew's iPhone: Well, I think.
587
00:49:16.760 --> 00:49:22.480
Alternate Line: That's a great place to start. Actually, the timeless quality of it, because the record was recorded live to tape
588
00:49:23.161 --> 00:49:50.559
Alternate Line: so that every performance on bright future, and including this one there's no overdubs, no redos, and the record and the record live to actual old fashioned tape, and on some parts of the record you can actually hear the tape buzzing, and you can hear them chatting to each other a little bit as as they're and saying anything. So the counting at the start isn't a kind of an affectation. It's actually it's actually.
589
00:49:51.109 --> 00:49:51.660
Andrew's iPhone: Necessity!
590
00:49:51.660 --> 00:50:00.860
Alternate Line: It's a necessity. And I think that that brings part of the timeless quality to it. Makes you feel like you're on somebody's porch.
591
00:50:01.140 --> 00:50:08.901
Alternate Line: Woody Guthrie's porch. I don't know. I'm just throwing it back out there again, but you know you're on. You're on a porch somewhere, and this music's being
592
00:50:09.290 --> 00:50:11.409
Alternate Line: played for you live, and it has that.
593
00:50:12.015 --> 00:50:18.440
Alternate Line: Well, immediately is the world. But that's partly due to the performance of it. It's yeah. Timeless is right. I think.
594
00:50:20.080 --> 00:50:31.589
Andrew's iPhone: Yeah, absolutely supply minute. She's kind of continuing in that country vein that big she did a lot of on on their last record that that like kind of sprawling double album they did. They did a lot of
595
00:50:31.620 --> 00:50:38.310
Andrew's iPhone: different styles, but some of the tracks that kind of work best for me were the ones where they were doing the that country style
596
00:50:38.320 --> 00:50:52.129
Andrew's iPhone: and the kind of tracks like dried roses and red moon spot infinity. And yeah, th, this is kind of continuing in that vein, as well as having that kind of intimacy that that the last slow Adrian link a record that as well.
597
00:50:52.350 --> 00:50:53.729
Andrew's iPhone: that was that kind of
598
00:50:53.800 --> 00:50:58.000
Andrew's iPhone: it was the classic and and the cabin lockdown record.
599
00:50:58.550 --> 00:51:01.849
Andrew's iPhone: from that period. And the song's instrumental record.
600
00:51:01.880 --> 00:51:07.850
Andrew's iPhone: And yeah, this is this is our kind of continuing in that vein and going for that. As you said, that kind of immediacy.
601
00:51:08.605 --> 00:51:10.620
Andrew's iPhone: And yeah, it's just a really
602
00:51:11.870 --> 00:51:14.480
Andrew's iPhone: great record a really special record, I think.
603
00:51:14.500 --> 00:51:23.120
Andrew's iPhone: and it's not always easy listening. It starts with this track called real house. That's kind of almost kind of deliberately difficult in patience testing. It's kind of
604
00:51:23.510 --> 00:51:29.329
Andrew's iPhone: what what a robust does in a lot of the the big the bright eyes records, you know. He kind of starts with a kind of
605
00:51:29.510 --> 00:51:33.530
Andrew's iPhone: long, difficult track. It's almost as if you're kind of like.
606
00:51:33.760 --> 00:51:35.400
Alternate Line: When you're at the bottom of everything.
607
00:51:36.260 --> 00:51:36.690
Andrew's iPhone: Nationwide.
608
00:51:36.690 --> 00:51:38.520
Alternate Line: On one of them.
609
00:51:38.980 --> 00:51:44.422
Andrew's iPhone: Yeah, it's almost as if they're trying to like get rid of the casual listeners. And I've I've heard Adrian Lincoln as well like
610
00:51:44.740 --> 00:51:49.839
Andrew's iPhone: talking dismay about the fact that she's become a little bit of a staple on coffee
611
00:51:50.280 --> 00:51:55.119
Andrew's iPhone: coffee shop playlists and things like that. So she's kind of wanting to get away from that a little bit
612
00:51:55.535 --> 00:52:12.939
Andrew's iPhone: by by by putting that track at at the front. And then there's a track called Evolve, which is she's clearly grown out of her at noticing the evol and love are palindromes. And then she tries to write a whole track around the idea of palindromes.
613
00:52:13.170 --> 00:52:16.460
Andrew's iPhone: Yeah. And and she very quickly runs out of steam.
614
00:52:16.790 --> 00:52:17.570
Alternate Line: Mechanisms.
615
00:52:17.570 --> 00:52:26.010
Andrew's iPhone: Aspect. Well, it's it's kind of like one of those kind of clot, you know. You have a correct idea for something you can notice, maybe, like 2 or 3 examples. Oh, okay, I could do a whole song with this and then
616
00:52:26.593 --> 00:52:30.700
Andrew's iPhone: get sent to trouble. But it's like dog and God and
617
00:52:31.090 --> 00:52:40.713
Andrew's iPhone: lived in devil and things other. Okay, that's fair enough. And then she starts saying, feel, says Leaf. It's not even spells leaf backwards. It's it feel.
618
00:52:41.080 --> 00:52:43.839
Andrew's iPhone: or or it says it. It says it. If you see it right.
619
00:52:43.840 --> 00:52:45.100
Alternate Line: Saves it. Yeah.
620
00:52:45.250 --> 00:52:47.119
Alternate Line: is it audio palindrome.
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Andrew's iPhone: Yeah, tips. Ease is C-spit
622
00:52:49.980 --> 00:53:06.554
Andrew's iPhone: is another one. Yeah. So yes, I, that kind of like doesn't quite work for me. And but there's just like so many gorgeous moments on the record. There's this, there's the track free treasure which I'd sent you a link of them doing that
623
00:53:07.290 --> 00:53:08.790
Andrew's iPhone: live on American TV.
624
00:53:08.790 --> 00:53:09.150
Alternate Line: Isn't.
625
00:53:09.150 --> 00:53:11.499
Andrew's iPhone: I think it's Jimmy Fallon. It's just amazing.
626
00:53:11.962 --> 00:53:13.449
Andrew's iPhone: There's a track code
627
00:53:13.500 --> 00:53:18.028
Andrew's iPhone: do not seem, which is again kind of playing words that, don't it seem?
628
00:53:18.755 --> 00:53:32.909
Andrew's iPhone: And that actually works as a track. And then there's a an absolute gut punch of a closer called ruined, which will we leave you ruined. It's absolutely amazing. And yeah, and there's also an acoustic hold down version of
629
00:53:33.880 --> 00:53:37.529
Andrew's iPhone: the big seas track from last year, which is a brilliant standalone track called.
630
00:53:37.790 --> 00:53:39.119
Alternate Line: Right input yeah.
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Andrew's iPhone: Yeah, which I love.
632
00:53:40.260 --> 00:53:43.790
Andrew's iPhone: and and the big T session. And I really enjoy here as well.
633
00:53:43.900 --> 00:53:53.729
Andrew's iPhone: And it does kind of put me in mind of these are the big names. I was thinking of it pushing people like Dylan and Neil Young. You know those kind of artists in their pump that would
634
00:53:54.070 --> 00:53:58.140
Andrew's iPhone: do multiple and various versions of different tracks, and
635
00:53:58.240 --> 00:54:00.210
Andrew's iPhone: and play them in different styles.
636
00:54:00.420 --> 00:54:11.880
Andrew's iPhone: and I think she is kind of compatible in terms of the kind of creative street that she's on, though in terms of like kind of building a catalog with that kind of momentum and productivity and consistency, I think.
637
00:54:11.880 --> 00:54:12.519
Alternate Line: Yeah, sure.
638
00:54:12.770 --> 00:54:18.540
Andrew's iPhone: So yeah, I think I can kind of see it in that kind of lineage of those kind of great American artists. Now.
639
00:54:19.000 --> 00:54:27.069
Alternate Line: Thinking about Neil Young and Bob Dylan as well, since you've since you've mentioned them, and they both on an on a record, wouldn't have
640
00:54:27.260 --> 00:54:36.740
Alternate Line: any hesitation to do something fun or experimental with Linux or you know, or or, you know, just try something out and see.
641
00:54:36.740 --> 00:54:37.739
Andrew's iPhone: That's true. Yeah, that's true.
642
00:54:38.012 --> 00:54:52.725
Alternate Line: I'm thinking of. Is it a new young album? Is it called on the beach? Is that what I'm thinking of? I forgot the name room that that has its few experimental moments over or so. This tonight's the night from New Young. Those those are records with with experimental moments on them.
643
00:54:53.420 --> 00:54:56.940
Alternate Line: and there's a million a million examples from Dylan, obviously. But
644
00:54:57.590 --> 00:55:02.502
Alternate Line: sadness is a gift that just just focus on the track. For a little second
645
00:55:03.240 --> 00:55:31.160
Alternate Line: a a. I've spoken about how it's wonderfully live, and that and it feels like that when you're listening to it, you really get the sense of, and it's being performed. Live for you, which which makes it feel very personal, and I think the I thought of Bob Dylan's desire it when I heard the fiddle, because it just immediately made me think, and of that sort of that sort of time period. But I just can't get over the Linux, I think, like Adrian Link, it is over time becoming a
646
00:55:31.270 --> 00:55:45.255
Alternate Line: a a better and better liticist. And I I know there's the feeling like she doesn't want to become too ubiquitous, or you know all that kind of thing doesn't want to come Shania Twain, obviously or cheryl crow, as you said and before.
647
00:55:46.000 --> 00:55:48.370
Alternate Line: But the chorus of this song, like
648
00:55:48.410 --> 00:55:53.539
Alternate Line: the lyrics, are leaning on a windowsill. You could write me someday, and I think you will.
649
00:55:53.940 --> 00:56:05.410
Alternate Line: We could see the sadness as a gift and still feel too heavy to hold, and I'm interpreting that as a little bit like well, first of all, it's easy to visually picture it. You know someone standing at the window cell
650
00:56:05.840 --> 00:56:10.770
Alternate Line: writing a letter or receiving letter, and I'm interpreting it, as like, you know.
651
00:56:11.350 --> 00:56:33.304
Alternate Line: thinking of like an ex partner, and hoping that, you know, if we meet each other in the future, we would be able to kind of still interact and still be friends, and we both be sad about it. But that would be a positive, because it would be kind of the good relationship of the past. And we're sad that we couldn't have kept it going or whatever it's just. It's a very specific
652
00:56:34.220 --> 00:56:36.900
Alternate Line: It's a very specific scenario, right?
653
00:56:36.910 --> 00:56:58.241
Alternate Line: But it feels like quite universal as well. I think most people can listen to that and go. I specifically can think of some situation in my life. This maybe not quite exactly like that, but pretty similar. And it's got a sort of a a twinge of the old fashion to it with the rating. You know the writing later, or whatever.
654
00:56:58.880 --> 00:57:00.539
Alternate Line: But yeah, it's just it's
655
00:57:00.560 --> 00:57:25.969
Alternate Line: I don't know. She's just hooked into something, a a deep, a deep thing. And and it's not the first time for Adrian. This is the first time I've listened to Adrian Lincoln thought. Now you're you're grabbing me here in a place. You know, like I I know it's on your favorite like thief record. But there's a there's a song called Rock, and sing from back to small and significant album.
656
00:57:26.050 --> 00:57:29.810
Alternate Line: and it was the first time, I think Big Thief really like hooked
657
00:57:29.850 --> 00:57:34.847
Alternate Line: right into me emotionally. I was just like, right, this is what's going on here.
658
00:57:35.400 --> 00:57:46.499
Alternate Line: but I think I'm I think I think I've I think you might be already be in this crowd, and I think I'm joining this crowd, which is that these solo records might actually be better than the full band records.
659
00:57:46.500 --> 00:57:56.749
Andrew's iPhone: Yeah, yeah, I'm I'm I'm kind of in that zoom. To be honest, even though I really enjoy big Fifa. I think they're getting better. But I think, yeah, I think she's just getting better. And
660
00:57:57.310 --> 00:58:01.939
Andrew's iPhone: yeah, there's just some, maybe something about the fact that it's under her own name that maybe gives her that
661
00:58:03.240 --> 00:58:07.869
Andrew's iPhone: that kind of idea that she could push it a bit further in terms of the works and
662
00:58:08.400 --> 00:58:15.720
Andrew's iPhone: give a bit more. Maybe I don't know. But yeah, there's and just that, as you say, that kind of sense of immediacy about it. That kind of
663
00:58:16.790 --> 00:58:21.680
Andrew's iPhone: since that. Yeah, you're there with her is just. It's just palpable. Think.
664
00:58:21.680 --> 00:58:22.030
Alternate Line: I mean.
665
00:58:22.030 --> 00:58:23.010
Andrew's iPhone: Just just works.
666
00:58:23.390 --> 00:58:26.609
Alternate Line: To to what extent like there'll be some some
667
00:58:26.870 --> 00:58:29.150
Alternate Line: record executive somewhere saying
668
00:58:29.410 --> 00:58:35.359
Alternate Line: to Adrian, right? These last 2 solar records have been really really good. So what we want you to do for the next solo record is
669
00:58:35.650 --> 00:58:42.986
Alternate Line: just put a band together, just actually drums in bass and just actually put a band together and go on like a tour like that.
670
00:58:43.340 --> 00:58:47.850
Alternate Line: And I'm trying to. I'm trying to think, depending on who you know who who the
671
00:58:47.930 --> 00:58:54.439
Alternate Line: musicians. Where to what extent would that be? Massively different from big thief? I mean, it would say, I mean big Thief
672
00:58:54.520 --> 00:58:56.610
Alternate Line: always has felt like a vehicle
673
00:58:57.060 --> 00:58:59.781
Alternate Line: for Adrian Link, and I've always thought
674
00:59:00.370 --> 00:59:04.910
Alternate Line: but that that isn't to diminish what the others do. I know that the drummer, like he's the
675
00:59:05.510 --> 00:59:19.649
Alternate Line: he's sort of the studio guy, at least on some of the tracks, I think. You know he's he's recording and and putting the tracks together, so I I don't know if I'm maybe speaking at Churchy a little bit, but I'd be up for an Adrian Linkers
676
00:59:19.710 --> 00:59:22.719
Alternate Line: solo project with with a more full on
677
00:59:23.495 --> 00:59:27.379
Alternate Line: Rock, facing or indie rock, facing and approach.
678
00:59:28.180 --> 00:59:29.249
Alternate Line: What's a you.
679
00:59:29.860 --> 00:59:39.739
Andrew's iPhone: Yeah, I could see that. But yeah, I I'm not sure how different that would be from big fief. To be honest. And yeah, I think often it just whatever they'll do at the moment seems to be working just
680
00:59:40.320 --> 00:59:50.250
Andrew's iPhone: having time apart and then coming together and doing something really great, so I don't know. I think I can see what you're saying. But I think, just just keep going. Just keep doing what you're doing, I think.
681
00:59:50.290 --> 00:59:52.540
Andrew's iPhone: But yeah, I think it's quite telling that
682
00:59:52.620 --> 00:59:55.190
Andrew's iPhone: that these these solo records are really
683
00:59:55.370 --> 01:00:04.110
Andrew's iPhone: they. They don't feel like, say projects. They feel like main events in themselves, which is, which is really, which shows that she's a really special artist, I think.
684
01:00:04.340 --> 01:00:05.100
Andrew's iPhone: Yep.
685
01:00:06.680 --> 01:00:09.519
Alternate Line: Very good, very good, very good. Okay.
686
01:00:09.960 --> 01:00:19.250
Alternate Line: and not a black magic per person site. Right? Okay. So next we've got Julia halter
687
01:00:20.860 --> 01:00:24.900
Alternate Line: and this is a longer track. Is there anything you need to kind of? Tell us before we
688
01:00:25.200 --> 01:00:26.429
Alternate Line: batter into this.
689
01:00:28.440 --> 01:00:33.811
Andrew's iPhone: Yeah, just definitely attract to luxuriating. I would say, this track.
690
01:00:34.790 --> 01:00:47.360
Andrew's iPhone: and I I never really kind of hotly anticipated release for me this one and again, an album that's come out in the last couple of weeks. And yeah, just I, really again, I really
691
01:00:47.780 --> 01:00:50.017
Andrew's iPhone: really special artist, I would say,
692
01:00:50.720 --> 01:01:00.200
Andrew's iPhone: people that don't know Julie Hall or an American singer, songwriter, record producer, composer, artist, and academic, based in Los Angeles. And she's been doing a kind of series of these
693
01:01:00.320 --> 01:01:01.930
Andrew's iPhone: really ambitious.
694
01:01:02.570 --> 01:01:05.228
Andrew's iPhone: quite diverse records as well.
695
01:01:05.950 --> 01:01:08.550
Andrew's iPhone: kind of exploring the elements of arc.
696
01:01:08.720 --> 01:01:13.240
Andrew's iPhone: And in your classical music, ambient music product. Pop.
697
01:01:13.789 --> 01:01:17.850
Andrew's iPhone: and yeah, just every every record has its own kind of
698
01:01:17.960 --> 01:01:25.380
Andrew's iPhone: identity. But it also feels like a Julia Hall record. So so it's always a bit of an event, certainly for me and a and a lot of people.
699
01:01:25.880 --> 01:01:27.010
Andrew's iPhone: M,
700
01:01:27.240 --> 01:01:29.570
Andrew's iPhone: so, yeah, so this is, this is the latest one.
701
01:01:30.330 --> 01:01:33.919
Andrew's iPhone: And and this is the title track from the record.
702
01:01:36.370 --> 01:01:39.130
Alternate Line: Oh, I'm scribbling amongst my notes. What is the title? Track? Sorry.
703
01:01:40.300 --> 01:01:42.559
Andrew's iPhone: Something in the room. She moves.
704
01:01:42.830 --> 01:01:46.869
Alternate Line: Something in room. She is. Thank you. Cheers. Okay, Julia. Halter. Here we go
705
01:01:48.610 --> 01:01:50.610
Alternate Line: play on
706
01:01:50.920 --> 01:01:51.880
Alternate Line: stun
707
01:01:53.750 --> 01:01:54.520
Alternate Line: the
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01:01:54.760 --> 01:01:55.460
Alternate Line: Oh
709
01:01:55.860 --> 01:02:06.880
Alternate Line: on something brightly supplied.
710
01:02:08.270 --> 01:02:09.480
Alternate Line: Sunday.
711
01:02:10.440 --> 01:02:11.900
Alternate Line: Take time.
712
01:02:12.870 --> 01:02:13.720
Alternate Line: Santa Claus.
713
01:02:16.940 --> 01:02:18.090
Alternate Line: Ea
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01:02:40.370 --> 01:02:41.170
Alternate Line: the
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01:02:41.700 --> 01:02:42.660
Alternate Line: the
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01:02:44.030 --> 01:02:45.160
Alternate Line: alone
717
01:02:48.400 --> 01:02:49.110
Alternate Line: you.
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01:02:53.330 --> 01:02:54.900
Alternate Line: Starlight
719
01:02:56.520 --> 01:02:57.530
Alternate Line: Whitney!
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01:02:59.260 --> 01:03:00.050
Alternate Line: O,
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Alternate Line: a key
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Alternate Line: no
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Alternate Line: is
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Alternate Line: can
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01:03:34.650 --> 01:03:35.610
Alternate Line: sink!
726
01:03:39.360 --> 01:03:41.229
Alternate Line: What a sink could be! So
727
01:03:44.760 --> 01:03:45.440
Alternate Line: I can
728
01:04:07.540 --> 01:04:08.280
Alternate Line: in
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01:04:18.390 --> 01:04:19.130
Alternate Line: gun
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01:04:46.010 --> 01:04:49.550
Alternate Line: a
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Alternate Line: take
732
01:04:54.760 --> 01:05:04.719
Alternate Line: and stay fallen like my moon standing. Be shy.
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Alternate Line: All I have to
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Alternate Line: sale
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Alternate Line: da
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01:05:17.320 --> 01:05:18.220
Alternate Line: the heart
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Alternate Line: the
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Alternate Line: la
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Alternate Line: is in
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01:05:32.620 --> 01:05:33.680
Alternate Line: oh.
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Alternate Line: a
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Alternate Line: to
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Alternate Line: a
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01:06:00.850 --> 01:06:03.580
Alternate Line: a
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01:06:15.130 --> 01:06:16.800
Alternate Line: has
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Alternate Line: so.
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Alternate Line: but I still could be. So
748
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Alternate Line: I
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Alternate Line: I can.
750
01:07:34.700 --> 01:07:35.380
Alternate Line: The
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Alternate Line: Whoa!
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01:08:00.690 --> 01:08:09.560
Alternate Line: Well, the I'm gonna have to see jaw dropping, breathtaking something in the room. She moves by Julia Halter.
753
01:08:11.210 --> 01:08:15.079
Alternate Line: I do. Is it a bastardization of something in the way
754
01:08:15.890 --> 01:08:21.819
Alternate Line: she moves by the Beatles? Or is it something else? Who knows? Who knows but
755
01:08:23.189 --> 01:08:24.140
Alternate Line: Wonderful.
756
01:08:24.350 --> 01:08:25.229
Alternate Line: wonderful!
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01:08:25.850 --> 01:08:45.509
Andrew's iPhone: As it really is. I I believe it is a kind of take on that title. And but it's it's the. I think the idea is that it's kind of giving the female agency within that rather than just being an object that's been observed. And that's the idea. But yeah, she she's she's an amazing
758
01:08:45.840 --> 01:08:49.360
Andrew's iPhone: artist who I've been swallowing for a while. As I say, this is kind of one of my
759
01:08:49.520 --> 01:08:51.740
Andrew's iPhone: most anticipated records of the year.
760
01:08:53.920 --> 01:09:10.679
Andrew's iPhone: Every every record has been a little bit different. I I got on board with our for the record loud City song in 2,013, which is really really good. And then there was a Have you in my wilderness which I don't. I don't know if you know what, but if you haven't haven't heard that you need to hear this record. It's like
761
01:09:10.970 --> 01:09:12.949
Andrew's iPhone: one of my favorite records of the last
762
01:09:13.450 --> 01:09:16.589
Andrew's iPhone: kind of just probably ever. Actually, it's just just an amazing way.
763
01:09:17.729 --> 01:09:21.299
Andrew's iPhone: like a modern burrow pop masterpiece. That's just
764
01:09:21.429 --> 01:09:25.959
Andrew's iPhone: it's got a really kind of uniform sound to it which works really well.
765
01:09:26.612 --> 01:09:28.239
Andrew's iPhone: And it's just
766
01:09:28.469 --> 01:09:33.139
Andrew's iPhone: that there's like these recurring themes of water. And as just one of those records that kind of just
767
01:09:34.589 --> 01:09:43.559
Andrew's iPhone: builds and and laps and crashes and envelops you, and there's like moments on it that just kind of overwhelmingly lush.
768
01:09:43.979 --> 01:09:44.339
Alternate Line: Yeah.
769
01:09:44.340 --> 01:09:49.698
Andrew's iPhone: I'm just, and you just get it. It's like your your heart's gonna burst at your chest when you listen to it. I think it's just amazing record.
770
01:09:50.350 --> 01:09:53.239
Andrew's iPhone: So yeah, I'd really recommend pull checking that out.
771
01:09:53.560 --> 01:09:59.180
Andrew's iPhone: And and then she followed that up with a double album called Aviary in in 2,018,
772
01:09:59.400 --> 01:10:08.929
Andrew's iPhone: and which again was kind of deliberately difficult, I would say, is kind of daunting. It was like a 90 min record, unremittingly epic maximalist.
773
01:10:09.460 --> 01:10:13.140
Andrew's iPhone: And and I had these really kind of impenetrably thick.
774
01:10:13.330 --> 01:10:15.620
Andrew's iPhone: petrifying forest of sound.
775
01:10:16.140 --> 01:10:26.610
Andrew's iPhone: and the the kind of got lost. And it's kind of one of those records that you you. It's hard to kind of find your way out of that forest and get through the other side of it. So it's just so long and dense
776
01:10:27.261 --> 01:10:36.849
Andrew's iPhone: but there's a lot of people that really kind of bat for that record, and say, it's even superior to have you in my wilderness. So she has one of those artists that people really kind of spend time.
777
01:10:37.030 --> 01:10:40.509
Andrew's iPhone: and, you know, kind of delving into a project.
778
01:10:41.230 --> 01:10:45.709
Andrew's iPhone: And this is her latest one. This is this is the follow up behavior. So it's been
779
01:10:45.890 --> 01:10:47.570
Andrew's iPhone: 6 years at this point
780
01:10:48.455 --> 01:10:52.590
Andrew's iPhone: and this record is for kind of rowing back from that to a degree.
781
01:10:53.130 --> 01:10:57.920
Andrew's iPhone: I guess I guess you couldn't really go further in in that direction. The Navy Aviary went.
782
01:10:58.523 --> 01:11:04.369
Andrew's iPhone: So yeah. So she's kind of rowing back, but it's still a really kind of complex and
783
01:11:05.077 --> 01:11:22.442
Andrew's iPhone: wash record, I would say, there's of. There's moments that kind of fit quite neatly on that would fit quite neatly onto wilderness. So I'd say, this is maybe one of those moments. And then there's other moments that are a little bit more kind of abstracted and discordant. There's a few moments that really were kind of upsetting my kids this week.
784
01:11:22.710 --> 01:11:23.410
Alternate Line: Yeah.
785
01:11:23.721 --> 01:11:30.879
Andrew's iPhone: There's just these really kind of scronking moments that they didn't appreciate. But then there's other ones that are just like, just
786
01:11:30.980 --> 01:11:33.410
Andrew's iPhone: really kind of lushly beautiful like this.
787
01:11:33.900 --> 01:11:34.890
Andrew's iPhone: Damn?
788
01:11:35.320 --> 01:11:45.940
Andrew's iPhone: So, yeah, I mean, this is the sound design of her records are really really amazing. And and I think she has inspired and been quite influential on a lot of people that are kind of working in that art pop
789
01:11:46.130 --> 01:11:53.209
Andrew's iPhone: area as well. So I'm thinking of people like wise blood in particular, and maybe, like people like Father John Misty as well.
790
01:11:53.559 --> 01:11:57.030
Andrew's iPhone: I've kind of taken that that kind of sumptuous approach to
791
01:11:57.400 --> 01:12:01.400
Andrew's iPhone: to their production and stuff like that. But yeah, I think she's she's an amazing artist.
792
01:12:01.820 --> 01:12:02.760
Andrew's iPhone: and I guess so.
793
01:12:02.760 --> 01:12:12.390
Alternate Line: You took the wise blood right on my mouth there actually cause that was the it was the most obvious connection I could I could make. Really. And you know, the face of it like this is.
794
01:12:12.630 --> 01:12:21.239
Alternate Line: this is a record. This is a song actually, that I think is almost set up for me to sort of detest in a way, and it's sort of.
795
01:12:21.710 --> 01:12:27.789
Alternate Line: you know, deliberately floaty and times grandiose.
796
01:12:27.870 --> 01:12:33.933
Alternate Line: and it's good flute, you know, so there's lots of reasons to like to dislike it, you know.
797
01:12:34.530 --> 01:12:39.590
Alternate Line: but it's but it's just so stunningly beautiful. It's just so well done. I mean, the whole thing
798
01:12:39.650 --> 01:13:01.820
Alternate Line: is just dripping with artistry. And it's so like it reminds me of a painted at work so often. I mean, the lyrics obviously do that but I think a special shirt has to go to the lyrics as well, because I think they're just so so beautiful. This song. I'm not really sure why, it puts me in mind of Caroline Duffy, but it kinda does. You know the the the English poet Scottish poet.
799
01:13:02.050 --> 01:13:09.029
Alternate Line: British port. And yeah. But something about the the Linux here that are just so
800
01:13:10.150 --> 01:13:28.379
Alternate Line: gently obscure. You know the the you feel when you're listening to them and thinking about them, swirling them around your mind. You feel like some sort of cogent story is being told. You actually read them off the page, and then there isn't like just like there's a Lenny. But when I am in the furniture
801
01:13:28.696 --> 01:13:44.210
Alternate Line: and something in the front, nothing in the front rooms or something in the back room, nothing in the front room, or what's that effect? And I into it. Stupid as well, you know, which actually doesn't really mean anything. I don't think this sounds incredibly profound and dramatic.
802
01:13:44.210 --> 01:13:44.570
Andrew's iPhone: Yeah.
803
01:13:44.570 --> 01:13:46.790
Alternate Line: That moment in the song.
804
01:13:46.820 --> 01:13:53.394
Alternate Line: So yeah, I really love that, and and shout out to the the sleeve as well that I could sleeve, which
805
01:13:53.730 --> 01:13:58.549
Alternate Line: is kind of. It's got the color palette of queens and 8 at the opera
806
01:13:58.955 --> 01:14:04.210
Alternate Line: and is this some sort of like dramatic you know, image of like
807
01:14:04.540 --> 01:14:07.103
Alternate Line: 2 folk wrestling, or something like that.
808
01:14:07.600 --> 01:14:12.412
Alternate Line: but it's painted in this way that it makes them look like they're flesh and bloods. And and
809
01:14:13.190 --> 01:14:21.379
Alternate Line: yeah, it's just it. The whole thing is just a big, a big concept swirl all over your mind. You know, there's there's so much to kind of
810
01:14:21.900 --> 01:14:25.500
Alternate Line: follow up on and think about and interpret, and so on. So
811
01:14:26.050 --> 01:14:28.899
Alternate Line: I thought it was wonderful. I thought it was really really good, really interesting.
812
01:14:29.130 --> 01:14:35.833
Andrew's iPhone: Good. I'm really pleased. I yeah, I must have. I wasn't sure where you could land on this. If you would think it was maybe just a little bit too
813
01:14:36.120 --> 01:14:52.964
Andrew's iPhone: kind of abstract in a way or or yeah, but to arty party. But but yeah, I just I just love it. And th, this is, this is kind of like the album and miniature, if you like. So if you're saying like, you know, just delving into this track you've got an out got an hour of music to delve into, and the album.
814
01:14:53.270 --> 01:15:03.949
Andrew's iPhone: It's really wonderful, and as as really kind of painter painterly, and she's she has a proper artist, I would say, in that kind of Kate Bush Bjork, when when she's on fire mode
815
01:15:05.700 --> 01:15:10.239
Andrew's iPhone: And yeah, just just really encourage people to kind of get lost in this record.
816
01:15:12.020 --> 01:15:28.200
Alternate Line: Very nice, very nice. Do you know a a shelved, a comment. I'll I'll top until my review of this, because I shelved the comment in my head. About about something in the way she moves the Beatles song at the start of this, because then what did derailers. But
817
01:15:28.590 --> 01:15:41.216
Alternate Line: it's quite a hornetic. Actually, when I think about it, I've never really thought about it like that. Something in the way she moves attracts me like no other lover. I've never really thought about it like that before. I've always just seen it as a naive, innocent
818
01:15:41.500 --> 01:15:44.680
Alternate Line: love song lyric. But actually it is kind of.
819
01:15:45.030 --> 01:15:48.520
Alternate Line: you know. I'm looking at you physically and and and
820
01:15:48.550 --> 01:15:50.409
Alternate Line: you know that's nice, isn't it?
821
01:15:50.410 --> 01:15:53.450
Andrew's iPhone: Yeah, absolutely. And George was the horny as bu
822
01:15:53.710 --> 01:15:54.410
Andrew's iPhone: by a longstanding.
823
01:15:54.410 --> 01:15:55.299
Alternate Line: But Wilton.
824
01:15:56.000 --> 01:15:58.260
Alternate Line: alright, alright.
825
01:16:00.120 --> 01:16:12.085
Alternate Line: okay. I have to delete the 6 things that came out my header and move on. Alright. So, yeah, really, really interesting that from Julia Holter. And I think that's a 1. 2 punch of of
826
01:16:12.990 --> 01:16:14.060
Alternate Line: Ratty.
827
01:16:14.360 --> 01:16:25.159
Alternate Line: unimpeachably good tracks here back to back from Adrian Linker and Julia Halter. But the shows not over. We got one more new track. Who we got? What's next.
828
01:16:26.550 --> 01:16:29.380
Andrew's iPhone: So yeah. So the last track today is
829
01:16:29.400 --> 01:16:30.820
Andrew's iPhone: pushing leech
830
01:16:31.210 --> 01:16:36.260
Andrew's iPhone: S spelt. OISI, n, but I believe it's Roshine
831
01:16:36.290 --> 01:16:37.999
Andrew's iPhone: and and I cleaned
832
01:16:38.410 --> 01:16:41.039
Andrew's iPhone: song and writer and musician from Ireland.
833
01:16:41.120 --> 01:16:46.520
Andrew's iPhone: And yeah, I've been sitting on this track since the start of the year pretty much, and I was kind of
834
01:16:46.960 --> 01:16:50.780
Andrew's iPhone: really enjoyed the track, and I was like, but I'll just wait for the album to come out, and
835
01:16:50.840 --> 01:16:57.849
Andrew's iPhone: that's kind of came and went. But yeah, I've just so that's my moment for that. But but yeah, I just
836
01:16:58.040 --> 01:17:01.710
Andrew's iPhone: th this. This was this was like in a standard track for me at the start of the year.
837
01:17:02.090 --> 01:17:03.620
Andrew's iPhone: that again I wanted to bring in.
838
01:17:04.010 --> 01:17:08.199
Alternate Line: Well for anyone who's not heard it before. Obviously it's
839
01:17:08.230 --> 01:17:09.563
Alternate Line: coming after.
840
01:17:10.450 --> 01:17:18.760
Alternate Line: a series of really great tracks, I mean, this. This week's playlist is an absolute banger, and we had that liar track as well as a
841
01:17:19.845 --> 01:17:25.704
Alternate Line: so so anyway, here we go. So fifth new track of the week is well newish, newish.
842
01:17:26.030 --> 01:17:27.409
Andrew's iPhone: I think this holds its own.
843
01:17:27.860 --> 01:17:32.259
Alternate Line: Yeah, I think it does as well. So this is ocean leach color of the rain.
844
01:17:48.120 --> 01:17:49.060
Alternate Line: back
845
01:17:57.820 --> 01:17:59.920
Alternate Line: 6.
846
01:18:03.240 --> 01:18:08.409
Alternate Line: First come the healing days when please
847
01:18:08.600 --> 01:18:09.350
Alternate Line: trip
848
01:18:09.730 --> 01:18:11.130
Alternate Line: all the land
849
01:18:11.400 --> 01:18:13.379
Alternate Line: it's flooding through my
850
01:18:13.520 --> 01:18:14.380
Alternate Line: and
851
01:18:16.720 --> 01:18:18.639
Alternate Line: so leaves a go
852
01:18:19.010 --> 01:18:19.670
Alternate Line: the
853
01:18:27.700 --> 01:18:28.820
Alternate Line: so 7
854
01:18:28.910 --> 01:18:30.820
Alternate Line: years passing a bleed
855
01:18:36.440 --> 01:18:38.760
Alternate Line: alone, some drums
856
01:18:39.100 --> 01:18:41.370
Alternate Line: that in the northern.
857
01:18:41.720 --> 01:18:44.459
Alternate Line: the water's carpentry.
858
01:18:44.880 --> 01:18:47.480
Alternate Line: the open sea
859
01:18:49.650 --> 01:18:52.170
Alternate Line: seal, the knockout.
860
01:18:52.280 --> 01:18:53.440
Alternate Line: Truly
861
01:19:00.490 --> 01:19:03.040
Alternate Line: I stood, the heart and light in
862
01:19:09.370 --> 01:19:11.419
Alternate Line: the colour of rain.
863
01:19:15.070 --> 01:19:17.119
Alternate Line: the color of the rain.
864
01:19:19.430 --> 01:19:22.660
Alternate Line: the endless colour of
865
01:19:25.980 --> 01:19:28.070
Alternate Line: is all that now
866
01:19:49.960 --> 01:19:51.860
Alternate Line: is like a moon.
867
01:19:52.540 --> 01:19:53.000
Alternate Line: Dream
868
01:19:55.450 --> 01:19:58.380
Alternate Line: feels like we're moving through the
869
01:19:58.790 --> 01:19:59.690
Alternate Line: do.
870
01:20:00.540 --> 01:20:01.310
Alternate Line: then.
871
01:20:02.910 --> 01:20:03.730
Alternate Line: hey?
872
01:20:06.080 --> 01:20:07.420
Alternate Line: Do you
873
01:20:07.770 --> 01:20:08.460
Alternate Line: a
874
01:20:17.830 --> 01:20:19.730
Alternate Line: commend the days of
875
01:20:20.610 --> 01:20:22.569
Alternate Line: horsemen on the shore
876
01:20:23.350 --> 01:20:25.580
Alternate Line: we live the strangest life
877
01:20:25.860 --> 01:20:27.980
Alternate Line: along the maritime.
878
01:20:31.670 --> 01:20:33.830
Alternate Line: filthy oceans.
879
01:20:34.340 --> 01:20:35.160
Alternate Line: friend
880
01:20:38.340 --> 01:20:39.210
Alternate Line: A.
881
01:20:42.830 --> 01:20:45.369
Alternate Line: Stood in wonder once again
882
01:20:51.630 --> 01:20:53.680
Alternate Line: for the colour of the rain
883
01:20:57.500 --> 01:20:59.369
Alternate Line: color of the rain.
884
01:21:01.210 --> 01:21:02.300
Alternate Line: A.
885
01:21:02.400 --> 01:21:06.010
Alternate Line: The endless colour
886
01:21:08.260 --> 01:21:09.749
Alternate Line: is all that now.
887
01:21:12.580 --> 01:21:13.250
Alternate Line: So
888
01:21:29.325 --> 01:21:29.840
Alternate Line: yeah.
889
01:21:30.260 --> 01:21:32.319
Alternate Line: So there's Ocean Leach.
890
01:21:32.590 --> 01:21:35.289
Alternate Line: with the color of the rain.
891
01:21:36.200 --> 01:21:38.850
Alternate Line: So you've you you like this for sure.
892
01:21:40.110 --> 01:21:46.290
Andrew's iPhone: I do really like it. And yeah, I can kind of it's one of those tracks that could have stopped me on my tracks when when I first heard it, so it was just
893
01:21:46.550 --> 01:21:48.480
Andrew's iPhone: just goes at its own pace.
894
01:21:49.110 --> 01:21:53.019
Andrew's iPhone: It's very assured, self assured of what it is.
895
01:21:53.260 --> 01:21:59.069
Andrew's iPhone: and it's just got a real kind of sensitivity restraining class to it that I responded to immediately
896
01:21:59.210 --> 01:22:00.250
Andrew's iPhone: the
897
01:22:01.120 --> 01:22:02.100
Andrew's iPhone: and
898
01:22:02.580 --> 01:22:10.410
Andrew's iPhone: he is interested. We're talking about Adrian Linka, like he's somebody who who's more established within within a group.
899
01:22:10.821 --> 01:22:15.260
Andrew's iPhone: So he's part of the the much loved American duo, the lost brothers.
900
01:22:15.918 --> 01:22:23.089
Andrew's iPhone: But he's talked about how going solo is kind of liberated them in in a certain way, and he's able to do something different
901
01:22:23.190 --> 01:22:24.960
Andrew's iPhone: on this record.
902
01:22:25.970 --> 01:22:30.899
Andrew's iPhone: Yeah, he's he's from the north coast of Ireland. In Denigal.
903
01:22:31.330 --> 01:22:33.370
Andrew's iPhone: Don't don't go sorry.
904
01:22:34.440 --> 01:22:41.549
Andrew's iPhone: but he's working here with Steve Gunn, who's a guitarist and singer songwriter from America, who I really, really like.
905
01:22:41.780 --> 01:22:43.700
Andrew's iPhone: And so he's kind of
906
01:22:44.470 --> 01:22:51.510
Andrew's iPhone: yeah, he, he's kind of tapping into a lot of what's going on in that kind of experimental Americana
907
01:22:52.000 --> 01:22:54.950
Andrew's iPhone: seen in in America as well.
908
01:22:55.210 --> 01:22:58.800
Andrew's iPhone: and even though this was recorded in old school house in Ireland.
909
01:22:59.180 --> 01:23:02.870
Andrew's iPhone: and so so there's a kind of interesting kind of culture clash going on here.
910
01:23:03.010 --> 01:23:07.830
Andrew's iPhone: And but again, it's got a kind of timeless quality to it that that I really respond to.
911
01:23:08.920 --> 01:23:11.475
Alternate Line: Yeah, it's it's really good. It reminds me of
912
01:23:11.880 --> 01:23:13.385
Alternate Line: John Martin.
913
01:23:15.090 --> 01:23:23.931
Alternate Line: folk like that sort of folky. British folk is the main thing to drive Irish, obviously. But you know that sort of seventies
914
01:23:24.510 --> 01:23:28.609
Alternate Line: British folk. It brings me to mind straight away.
915
01:23:28.790 --> 01:23:33.900
Alternate Line: I like the base a huge amount base played by Tony.
916
01:23:35.230 --> 01:23:42.890
Alternate Line: Gania? I'm probably just gonna go with him. I'm gonna go with gone you but he's a he's a Dylan. Dylan chap
917
01:23:43.329 --> 01:24:01.550
Alternate Line: played with with Dylan on on records and tours and stuff. And it's really really nice, the the the base playing here. I think it adds a huge amount to the track, and it also makes it feel like John Martin as well. With the the upright base. I think that's one of the things that does that.
918
01:24:01.870 --> 01:24:02.950
Alternate Line: I
919
01:24:03.820 --> 01:24:05.609
Alternate Line: I like this to a point.
920
01:24:05.980 --> 01:24:15.240
Alternate Line: but it doesn't it the something it just doesn't do something for me, and I almost feel like you feel with the wax a hatchy track. To be honest, like, I just kind of.
921
01:24:15.340 --> 01:24:16.450
Alternate Line: It's not
922
01:24:16.610 --> 01:24:17.959
Alternate Line: like a lake it
923
01:24:18.100 --> 01:24:34.950
Alternate Line: and I get that. It's good, but I just don't love it. I'm not really sure why, maybe I'm just dead inside or something. I don't know what it is. But I like you know, I like everything about it. I like the track. I like the track. I just. I don't know. There's something holding me back from seeing. All this is
924
01:24:35.110 --> 01:24:36.900
Alternate Line: this is genius, is, it's
925
01:24:37.110 --> 01:24:38.363
Alternate Line: is, is.
926
01:24:39.860 --> 01:24:47.529
Alternate Line: it's derivative. But I don't mean that in a negative way. I mean, it does derive from from the sort of folk traditions that it's that it's
927
01:24:47.750 --> 01:24:49.340
Alternate Line: this.
928
01:24:49.460 --> 01:24:51.460
Alternate Line: you know, inspired by
929
01:24:52.710 --> 01:24:57.439
Alternate Line: and it's it's got clever elements to it as well. It's very sensitive. There's a really good seventh chord.
930
01:24:57.890 --> 01:25:06.566
Alternate Line: and that middle section is my favorite bit of the whole thing. But it just kind of deviates slightly, and maybe there's just something a bit
931
01:25:08.130 --> 01:25:09.870
Alternate Line: too comfortable.
932
01:25:10.394 --> 01:25:16.159
Alternate Line: About the the the color of the rain. Imagery, and just the sort of
933
01:25:17.280 --> 01:25:28.309
Alternate Line: I don't know. I I can't put my finger quite on it. There's something just slightly unsatisfying to me about this particular track. Which sounds like I'm ripping it to sheds, and I don't mean to. I I do like it. I just.
934
01:25:28.560 --> 01:25:29.180
Andrew's iPhone: No, no.
935
01:25:29.370 --> 01:25:31.319
Alternate Line: I just can't. It's just not
936
01:25:31.400 --> 01:25:32.900
Alternate Line: hitting me right with it
937
01:25:33.070 --> 01:25:35.000
Alternate Line: where I want it to almost.
938
01:25:37.510 --> 01:25:52.699
Andrew's iPhone: That's that's totally fair enough, I mean for me. It does it? It? It really does kind of hit hit that mark. I I was it good? Martin's a great show. I was thinking about Yanks. I was David Crosby. This is a David Crosby track called Traction in the rain.
939
01:25:52.810 --> 01:25:59.099
Andrew's iPhone: and which which not just the title, but this the mood of it reminds me of that, and that's a track that I love.
940
01:25:59.753 --> 01:26:05.700
Andrew's iPhone: And it was it was killing me for ages like, who does this guy sound like in terms of his voice?
941
01:26:06.890 --> 01:26:15.859
Andrew's iPhone: I I I got there eventually. It's I think he's a kind of dead ringer at times across the album, and maybe on the structure degree for Damon Gerardo.
942
01:26:16.159 --> 01:26:19.120
Andrew's iPhone: Who's who's a singer songwriter who I really like as well.
943
01:26:20.600 --> 01:26:22.540
Andrew's iPhone: that people should maybe check out
944
01:26:23.768 --> 01:26:30.309
Andrew's iPhone: so so so yes, I mean, it's it's a kind of style of music that I do enjoy, and I think this is just a really good version of it.
945
01:26:30.952 --> 01:26:35.269
Andrew's iPhone: The album's very good as well. So the album's called Code C.
946
01:26:35.820 --> 01:26:43.889
Andrew's iPhone: And there's. There's lovely tracks at this, and there's other tracks that are a little bit the kind of instrumental ambient pieces almost, that
947
01:26:44.140 --> 01:26:45.299
Andrew's iPhone: that could have
948
01:26:45.450 --> 01:26:49.750
Andrew's iPhone: are are meant to kind of evoke the the Irish
949
01:26:50.140 --> 01:26:58.400
Andrew's iPhone: a coastline, I think. I think that's the kind of idea of it. And and it I think it does that really successfully, in terms of like creating a
950
01:26:58.750 --> 01:27:01.190
Andrew's iPhone: removed in a sense of place.
951
01:27:01.230 --> 01:27:06.020
Andrew's iPhone: And it really kind of sets out what it it achieves, what it sets out to achieve, I think.
952
01:27:06.430 --> 01:27:12.760
Andrew's iPhone: And so yes, I mean, it's totally fair enough, I mean, I mean, you're you're you're you're not. You're not dusting it by any means.
953
01:27:12.760 --> 01:27:13.140
Alternate Line: No.
954
01:27:13.140 --> 01:27:16.260
Andrew's iPhone: Not quite hitting that really could have talked.
955
01:27:16.260 --> 01:27:16.660
Alternate Line: It's.
956
01:27:16.660 --> 01:27:18.600
Andrew's iPhone: But that's totally totally fair enough.
957
01:27:18.730 --> 01:27:22.980
Alternate Line: You know, in popular culture, at the moment the concept of cosiness is one that.
958
01:27:22.980 --> 01:27:23.330
Andrew's iPhone: Yeah.
959
01:27:23.330 --> 01:27:44.949
Alternate Line: Are finding really like. You know, like this, cozy games people are buying games to be cozy like that animal crossing, or whatever's cozy game. And and obviously there's lots of like things to watch on Netflix that are like deliberately kind of comforting and warm, and all that sort of stuff, and I'm not saying that Ocean Leach is going for that. I'm sure that's not his intention at all, but it is
960
01:27:45.110 --> 01:27:52.688
Alternate Line: just a bit cozy for me. It's a bit too close. It doesn't really take too many risks,
961
01:27:53.150 --> 01:28:02.420
Alternate Line: or whatever. And I know there's no point in comparing this to Waxahachie too much, and because they're very, very different. But what I really liked about right back to it was
962
01:28:02.900 --> 01:28:06.309
Alternate Line: I mentioned it when I was reviewing the track, but the guitar solo
963
01:28:06.380 --> 01:28:18.649
Alternate Line: just builds a kind of just necessary intensity and just gives the whole tracks a little bit of electricity. That I feel this one doesn't, doesn't quite have. And I think if I were in the studio with ocean.
964
01:28:18.910 --> 01:28:29.200
Alternate Line: I'd maybe be urging them to do something with. I know. What am I talking about? But like that that would be my! It would be my taste would be what I'd be trying to get across to, I'd say. Just feels that we need a bit of like
965
01:28:29.600 --> 01:28:31.610
Alternate Line: something like a crackle of.
966
01:28:31.760 --> 01:28:33.320
Alternate Line: you know, free zone of
967
01:28:33.600 --> 01:28:38.082
Alternate Line: tension or something like it's you know, the the old
968
01:28:39.060 --> 01:28:45.769
Alternate Line: concept in in art of like tension and then release. Yeah, it feels like this is this almost feels like it's all release.
969
01:28:45.920 --> 01:28:54.530
Alternate Line: And there's no, there's no buildup of tension for me. I think I think I've just about got to the bottom of what is that ails me about this track? But
970
01:28:54.920 --> 01:28:58.189
Alternate Line: but it is. It's very it's very
971
01:28:58.240 --> 01:29:00.210
Alternate Line: relaxing, very like
972
01:29:01.900 --> 01:29:04.829
Alternate Line: calming, it's a it's a it's a it's a good track, of course it is.
973
01:29:04.830 --> 01:29:05.440
Andrew's iPhone: Yeah.
974
01:29:05.830 --> 01:29:08.410
Andrew's iPhone: Well, I think for me like that. That initial
975
01:29:08.650 --> 01:29:10.999
Andrew's iPhone: vocal melody when it comes in.
976
01:29:11.559 --> 01:29:18.259
Andrew's iPhone: really? Kind of kind of gives me a bit of a kind of shiver, and it kind of it. It kind of grabs me, and then it kind of holds me there
977
01:29:18.803 --> 01:29:21.000
Andrew's iPhone: for the remainder of the track. So
978
01:29:21.580 --> 01:29:29.709
Andrew's iPhone: yeah, maybe there's kind of yeah, that kind of kind of sense of release intention. Maybe that's not there. But it it kind of it. It
979
01:29:29.980 --> 01:29:35.670
Andrew's iPhone: it immediately creates a mood, and it holds me there, and I'm happy to to to stay in that mood, I guess.
980
01:29:36.040 --> 01:29:37.840
Andrew's iPhone: And but yeah.
981
01:29:39.220 --> 01:29:43.369
Alternate Line: Hmm, yeah. Well, it's it's done its job for
982
01:29:44.260 --> 01:29:48.789
Alternate Line: for us, certainly, because it's it's caused us, lots of, you know.
983
01:29:48.850 --> 01:30:00.680
Alternate Line: Given us lots of things to think about, and lots of things to feel and contemplate. And it's a really really interesting piece of music. And ocean is such a cool name as well. So so there's that as well.
984
01:30:01.491 --> 01:30:03.849
Alternate Line: Right? So there we go.
985
01:30:04.140 --> 01:30:08.289
Alternate Line: 5 tracks came to the pleat and 5 tracks
986
01:30:08.300 --> 01:30:21.100
Alternate Line: we're reviewed. We did it like to hatch a liar, Adrian Link or Julia Holt, and or Sheen Leach, look at us! Go get us go! Right. So we have already peaked behind the curtain.
987
01:30:21.464 --> 01:30:28.609
Alternate Line: The Wizard of Oz has no trousers on, and there are no no records to bring down from the shelf.
988
01:30:28.770 --> 01:30:33.460
Alternate Line: But you'll just have to pretend for a second that Andrew's house move is just a little further on.
989
01:30:33.590 --> 01:30:53.110
Alternate Line: and his music room is complete. And this is the segment of podcast where Andrew Bell left a record down from his private collection of a million records and play some. Sometimes it's very closely linked, sometimes a little bit less closely. But this is the vinyl word. And just whilst I'm
990
01:30:53.110 --> 01:31:04.429
Alternate Line: and fella bustering to to let Andrew get himself ready for this I probably just mentioned to everyone that if you do enjoy this week's podcast there are lots to go back and listen to.
991
01:31:04.490 --> 01:31:08.910
Alternate Line: I think we've got about 80, I think, roughly. Is that right, Andrew? Think so?
992
01:31:08.910 --> 01:31:10.529
Andrew's iPhone: Yeah, just over 80. I think, yeah.
993
01:31:10.530 --> 01:31:14.460
Alternate Line: I just over 80. Good for us. So there's loads to go back and listen to.
994
01:31:14.570 --> 01:31:19.360
Alternate Line: and if your favorite artist has released a record over the last couple of years. Chances are we've probably
995
01:31:19.460 --> 01:31:25.320
Alternate Line: chatted about it at some point. So go back and listen to that follows on Instagram, and if you really really like what we're doing.
996
01:31:25.770 --> 01:31:28.170
Alternate Line: then you can actually buy us a coffee.
997
01:31:28.350 --> 01:31:33.380
Alternate Line: and all the cash that goes in there just gets flung back into the
998
01:31:33.800 --> 01:31:43.439
Alternate Line: flung back into the cause the the recording cost of of making this podcast so please feel free to do that at Www buy me a coffee.com slash! We heard wonders.
999
01:31:43.770 --> 01:31:45.270
Alternate Line: Andrew the venal. What.
1000
01:31:46.520 --> 01:31:55.896
Andrew's iPhone: I thank you. Yes. So I was thinking about you know something in the room. She moves, and I was thinking about that connection to suffering in the way she moves.
1001
01:31:56.816 --> 01:32:01.209
Andrew's iPhone: And I was thinking about where George Harrison got that phrase from.
1002
01:32:01.870 --> 01:32:05.899
Andrew's iPhone: and it was from a track by James Taylor
1003
01:32:06.130 --> 01:32:08.220
Andrew's iPhone: in 1968,
1004
01:32:08.620 --> 01:32:11.349
Andrew's iPhone: and James Taylor was
1005
01:32:11.380 --> 01:32:15.120
Andrew's iPhone: the first art assigned to apple records.
1006
01:32:15.160 --> 01:32:16.759
Andrew's iPhone: which was the Beatles
1007
01:32:16.920 --> 01:32:24.080
Andrew's iPhone: kind of came to be seen as a kind of vanity project, I guess, but I think it was a kind of genuine.
1008
01:32:24.290 --> 01:32:33.999
Andrew's iPhone: curious attempt to to to make their own record label. So James Taylor was the first signing to to that label, and he was the first American to release a record
1009
01:32:34.290 --> 01:32:35.999
Andrew's iPhone: on apple records.
1010
01:32:36.160 --> 01:32:44.319
Andrew's iPhone: And yeah, we're talking about cozy. This, I mean James Taylor kind of went on to make those really kind of Co. Almost the the too cozy for me. Those kind of early
1011
01:32:44.770 --> 01:32:56.229
Andrew's iPhone: seventies, a singer songwriter records that he he became really really famous with but this this kind of debut record that he did in 1968 is one that I really enjoy.
1012
01:32:56.460 --> 01:32:57.880
Andrew's iPhone: and it's got a lot of
1013
01:32:57.940 --> 01:33:02.469
Andrew's iPhone: really lovely baroque orchestrations on it. And
1014
01:33:02.510 --> 01:33:05.559
Andrew's iPhone: I think you know Paul Mccartney. Around that time he was just
1015
01:33:06.010 --> 01:33:14.400
Andrew's iPhone: so full of enthusiasm and energy. I think he was involved. And and a lot of those orchestrations like just kind of even if he wasn't like, you know.
1016
01:33:14.860 --> 01:33:29.760
Andrew's iPhone: are the other controls, is kind of there in the background, and he he plays base on a few tracks and contributes in different places. But yeah, I think this is just a really lovely record that some people were kind of put off at the time by those broke touches. But I think they actually kind of add to the record.
1017
01:33:30.809 --> 01:33:31.539
Andrew's iPhone: And
1018
01:33:31.700 --> 01:33:39.819
Andrew's iPhone: yeah, I just really enjoy this album. And so I thought I'd bring in something from that. It's interesting that you know. People talked about the artist Rodriguez.
1019
01:33:39.850 --> 01:33:42.890
Andrew's iPhone: and who got discovered through searching for sugar Man.
1020
01:33:43.180 --> 01:33:44.459
Andrew's iPhone: I think like
1021
01:33:44.890 --> 01:33:53.560
Andrew's iPhone: this could almost be a Rodriguez record this first stream Taylor Record. But it doesn't. It's not talked about in itself and not talked about in the same kind of cool
1022
01:33:53.630 --> 01:34:00.450
Andrew's iPhone: way that that Rodriguez album is. But I think this has kind of got elements of that as well. So I'd recommend people checking this album if they don't know it.
1023
01:34:01.180 --> 01:34:04.300
Andrew's iPhone: and and the track that I've gone for
1024
01:34:04.830 --> 01:34:07.019
Andrew's iPhone: there's a track called Rainy Day Man.
1025
01:34:07.350 --> 01:34:14.680
Andrew's iPhone: which just kind of up seems kind of being washed out during the Easter break as well. So yes, I thought this could place out this week
1026
01:34:14.990 --> 01:34:20.009
Andrew's iPhone: always recommend people checking out this first James to their record if they don't know it, because it's they're one of those kind of lost.
1027
01:34:20.150 --> 01:34:21.980
Andrew's iPhone: James, I would suggest, and
1028
01:34:22.380 --> 01:34:30.080
Andrew's iPhone: it's slightly different from the James till that you maybe kind of know and love, or maybe don't love. Yeah, for this could play us out this week.
1029
01:34:30.500 --> 01:34:34.040
Alternate Line: Okay, very nice. Well, all it's left to do is for us to say
1030
01:34:34.200 --> 01:34:36.619
Alternate Line: goodbye, everyone, and we'll see you next time.
1031
01:34:38.290 --> 01:34:39.439
Andrew's iPhone: See you next time, guys.
1032
01:34:40.230 --> 01:34:42.720
Andrew's iPhone: e
1033
01:34:50.260 --> 01:34:54.900
Andrew's iPhone: What good is that? Happy?
1034
01:34:55.040 --> 01:34:56.970
Andrew's iPhone: All you wanted
1035
01:34:57.460 --> 01:35:07.249
Andrew's iPhone: from the start, was the cry. It looks like under the fall.
1036
01:35:08.520 --> 01:35:12.560
Andrew's iPhone: Your friends they don't seem to help at all.
1037
01:35:13.300 --> 01:35:17.569
Andrew's iPhone: Now, when you're feeling kind of cold and small.
1038
01:35:18.780 --> 01:35:22.219
Andrew's iPhone: Just look up your rainy day, man.
1039
01:35:24.220 --> 01:35:33.060
Andrew's iPhone: it does you no good to attend. You've made a whole much too big.
1040
01:35:33.220 --> 01:35:56.730
Andrew's iPhone: and it looks like to lose again, my friend. So go on home and look up your rainy day, man. Now, rainy day, man, don't like sunshine. Don't chase no rainbows. He don't need good times, no great days roll, and then you see him?
1041
01:35:56.940 --> 01:36:02.050
Andrew's iPhone: I said. Empty feeling, though now you need him.
1042
01:36:02.530 --> 01:36:06.019
Andrew's iPhone: All those noble thoughts say, don't belong.
1043
01:36:07.190 --> 01:36:15.889
Andrew's iPhone: can't hide the truth with a happy song, and since you knew where you stood all along.
1044
01:36:16.010 --> 01:36:19.639
Andrew's iPhone: Just a call on your rainy day, man.
1045
01:36:21.080 --> 01:36:35.070
Andrew's iPhone: Simple pleasures they all they knew snowball treasures. Lord, none can save you. No. Now look for signs to ease the pain.
1046
01:36:35.190 --> 01:36:43.490
Andrew's iPhone: I said. I sk again. Go on and pray for rain. It looks like another fall.
1047
01:36:44.950 --> 01:36:57.669
Andrew's iPhone: Your friends say, don't seem to help at all. Now, when you're feeling kind of cold and small. Just look up your rainy day, man.
1048
01:36:57.930 --> 01:37:03.139
Andrew's iPhone: all I'm asking just to look up your rainy day.
1049
01:37:03.440 --> 01:37:06.920
Andrew's iPhone: A
1050
01:37:08.690 --> 01:37:09.530
Andrew's iPhone: e
1051
01:37:11.820 --> 01:37:13.570
Andrew's iPhone: can do
1052
01:37:13.730 --> 01:37:15.050
Andrew's iPhone: woo
1053
01:37:24.160 --> 01:37:25.490
Andrew's iPhone: eee
1054
01:37:27.220 --> 01:37:28.160
Andrew's iPhone: da
1055
01:37:29.120 --> 01:37:31.290
Andrew's iPhone: a
1056
01:37:31.810 --> 01:37:32.840
Andrew's iPhone: a
1057
01:37:33.580 --> 01:37:34.930
Andrew's iPhone: a.