New Music - Sahra Halgan! Gustaf! Jane Weaver! Khruangbin! Daisy Rickman! Diving Horse!

Home-improvement hounds Iain and Andrew put down their paintbrushes and rollers long enough to play and pore over new musical offerings from Somali freedom fighter Sahra Halgan, Brooklyn no-wavers Gustaf, psychedelic national treasure Jane Weaver, sub-zero Texan synthesists Khruangbin and “Cornish high priestess” Daisy Rickman. Central Belt upstarts Diving Horse make a splash, and one side of a classic Brit-psych 45 has The Vinyl Word. Listen to We Heard Wonders on your podcast platform of choice; tell your friends that we’re back; like, subscribe and recommend; catch up with previous editions and support the show by buying us a Coffee (link in the show’s bio).

Transcript

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Andrew's iPhone: Hello and welcome to. We heard wonders. The music podcast that's warning. You don't come for my man.

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Alternate Line: Yeah, and we actually got that warning directly from beyonce and our dms this week.

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Alternate Line: I lied.

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Alternate Line: Would you like to continue the layer. Would you like to drop it there? I don't know.

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Alternate Line: How are you doing, man?

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Andrew's iPhone: Yeah, I'm good man. I'm good. How are you.

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Alternate Line: I'm good. I'm good. I've just been in a hurricane of

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Alternate Line: house improvements and painting, and etc. and etc. So that's not been the most fun.

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Andrew's iPhone: Yeah, welcome to my world.

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Andrew's iPhone: That's like.

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Alternate Line: I know it's not fun, but it is kind of satisfying, I think.

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Alternate Line: When you know you do something that goes well, you know you get it, you get it. Well, I spotted your social media post about your

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Alternate Line: your arches.

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Andrew's iPhone: Yep, absolutely. Yep. So that that's the next room to be

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Andrew's iPhone: getting worked on. But yeah.

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Andrew's iPhone: I'm I'm up to my knees and home improvements.

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Andrew's iPhone: and I'm also trying to potty train my 2 and a half year old as well.

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Andrew's iPhone: She's funny games.

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Alternate Line: Yeah.

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Andrew's iPhone: So, yeah.

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Alternate Line: How's that going.

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Andrew's iPhone: Yeah, it's not.

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Andrew's iPhone: but don't.

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Alternate Line: You've gone for the classic. It's like the Easter holidays. We're all stuck in the house for a bit. So

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Alternate Line: now is the time to learn.

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Alternate Line: Yeah, which is a good, a good strategy.

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Andrew's iPhone: It is, but it's not much of a holiday.

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Alternate Line: No, you can't really go anywhere. Can't really go anywhere. Someone, an acquaintance. I won't see who they are or how I know them once told me they never potty trained their child until they're about 5. Something.

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Andrew's iPhone: Okay.

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Andrew's iPhone: And how does that work out for them?

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Alternate Line: I mean I don't know. I don't. I just think that's a bit I mean, I don't want to say anything publicly. I don't know that they might sort of.

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Alternate Line: I don't know. I'm worried about my reputation amongst poly training experts, but but it does seem a bit long. I would say.

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Alternate Line: you want. You want that sorted a wee bit, Ella. I would think.

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Andrew's iPhone: Yeah.

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Andrew's iPhone: we got you.

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Alternate Line: Fair enough, right?

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Alternate Line: We have a busy, a busy old show this evening.

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Alternate Line: We have 5 steaming new tracks. They are new this week. That's right. Yeah.

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Andrew's iPhone: They are, they are. We're getting a bit more up to date now.

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Alternate Line: That's good. 5 new tracks, and we've got obviously our vinyl words.

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Alternate Line: And before we get on with our our first item, maybe we should introduce ourselves. I see, remembering that that's a thing we often do.

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Andrew's iPhone: Yeah, who are you?

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Alternate Line: Great question. I'm Ian. I'm in Glasgow band. The deadline shakes, and you can find us on all the social medias

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Alternate Line: at the Olympics.

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Alternate Line: and your show.

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Andrew's iPhone: My name is Andrew I by record and write about them and post pictures of my home improvements at Kidd, 86 on Instagram.

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Alternate Line: Is very relatable and human

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Alternate Line: and

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Alternate Line: musical.

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Alternate Line: E,

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Alternate Line: so I would say everyone should fully identify.

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Alternate Line: And but we're starting off this week, not with not with brand new music from your selection. We're starting off with a bit of a curio this week. So what we got

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Alternate Line: whatever.

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Andrew's iPhone: Yeah. So return of our occasional segment that I'm calling cool stuff our cool friends are doing.

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Andrew's iPhone: and.

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Alternate Line: The nepotism, diaries.

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Andrew's iPhone: Absolutely. It's where we use our platform that we've got such as that as to shine the spotlight on creative projects by people. We know

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Andrew's iPhone: that we think are worthy of over people's time and

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Andrew's iPhone: and the track that I'm featuring this week as the latest single by Central Belt band, diving horse.

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Andrew's iPhone: and so several friends and acquaintances of mine are in this band and included one of the lead focus, Gavin Marshall, who I've known

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Andrew's iPhone: since the age of 5.

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Alternate Line: Oh!

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Andrew's iPhone: Starting P. One together. So go back a long way, and and the various members of David Horse have been in multiple bands and projects over the years.

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Andrew's iPhone: and they've been releasing music as diving horse since 2,023

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Andrew's iPhone: the previous 3 singles have had radio attention and a decent number of streams on spotify.

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Andrew's iPhone: And I think this new track it's called. I don't need the Lord. It has potential to be the biggest so far.

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Andrew's iPhone: Yeah. So according to the band, the track is about dancing wine big here being a bit ritual, but most of all about being yourself.

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Andrew's iPhone: And I just thought it would be nice to play it on the podcast this week and see what you guys think of it.

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Alternate Line: Yeah, sounds like fun. So I don't need to log by diving horse. Here we go.

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Alternate Line: We're just gonna have a crest there. Hold on.

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Alternate Line: just keep recording.

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Alternate Line: what I've not done is shared any audio with you. I forgot to say that to you, at the start of the podcast. Can you hear the music? Because I was playing it when we came on.

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Alternate Line: I was dicking about painting. So I didn't do that right.

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Alternate Line: I'm just gonna play in the track again, and then I'll just stitch it together

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Alternate Line: a

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Alternate Line: inside me. I can.

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Alternate Line: Your forgiveness don't.

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Alternate Line: What doesn't

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Alternate Line: go

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Alternate Line: up and time

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Alternate Line: laced.

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Alternate Line: feel like reading.

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Alternate Line: I feel like breathing now. I feel

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Alternate Line: I don't

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Alternate Line: time

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Alternate Line: want to steal you

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Alternate Line: 9

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Alternate Line: looking for the answers and

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Alternate Line: know they're in your.

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Alternate Line: And

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Alternate Line: this morning.

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Alternate Line: Right.

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Alternate Line: dragon

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Alternate Line: me by

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Alternate Line: not stop to die.

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Alternate Line: Stop

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Alternate Line: up to 9!

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Alternate Line: Stop!

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Alternate Line: Not stand!

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Alternate Line: Stop

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Alternate Line: not stopping!

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Alternate Line: Alrighty! That's diving horse

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Alternate Line: with. I don't need the Lord.

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Alternate Line: What do you think of that?

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Andrew's iPhone: I really enjoy it for for what it is. Yeah, I think it's a

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Andrew's iPhone: but really on. But sorry. Go back to the Christy's here.

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Andrew's iPhone: chew Kuwait.

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Andrew's iPhone: Thank you.

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Andrew's iPhone: She's totally distracted.

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Alternate Line: Julie fuck off.

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Andrew's iPhone: I don't really want. I don't really want to like talk about the track too much. However, it's like, obviously my base plan. So I would, I'd probably ask. I would rather ask you what you think about it to us.

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Alternate Line: Well, if I don't wanna talk about either. Just kidding.

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Alternate Line: Just ask me then, and then I'll I'll go from there. Just give us like a few seconds of pause, and then ask me.

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Andrew's iPhone: They notice?

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Andrew's iPhone: What did you make of it?

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Alternate Line: Really energetic? I think that it's got that nice

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Alternate Line: 4 to the floor dancing stuff they were talking about there, and they've gone for. I think they're trying to get the old ear warm stuff going. So you know, repetitive lyrics and stuff to try and try and get your attention so enjoyed it particularly enjoy the female vocal.

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Alternate Line: which comes in really strident and

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Alternate Line: almost like kinda

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Alternate Line: I don't know kind of gospel or something.

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Andrew's iPhone: Yeah, and it's a.

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Alternate Line: The track generally has a kind of joy division vibe, and until then, and then it goes in a different like kind of unexpected

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Alternate Line: direction. I think that the the the

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Alternate Line: writing of the track is is is

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Alternate Line: interesting. It does. It does things you don't expect.

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Alternate Line: and I think that's always a good thing, especially when you're

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Alternate Line: trying to meet.

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Alternate Line: you know, trying to make people pay attention to. It's good idea to to go off the beaten track. So yeah, it's good to enjoy it.

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Andrew's iPhone: Good, excellent! And there's a track for the the sorry man. Let's see.

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Andrew's iPhone: Sorry, Andrew.

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Alternate Line: You, Tim.

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Andrew's iPhone: And there

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Andrew's iPhone: cool. Excellent! There's a video for the track coming on Friday. That people should check out, and the band are playing a gig hugging paint on the 28 of June.

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Andrew's iPhone: which is a Friday night.

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Andrew's iPhone: and so I think that'll be a really good night out.

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Alternate Line: That's a class. That's a class a class night to have a gig in the hugging pipe.

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Andrew's iPhone: Yeah, absolutely. So hopefully, we'll see few listeners down there and.

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Alternate Line: Else.

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Andrew's iPhone: A bit of paint and a boogie.

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Alternate Line: A boogie boogie and some Vegan food that you may later regret at the hugging pint.

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Alternate Line: I don't know. I'm always. I'm always about the food in there. I'm always you know, because it's really Vegan.

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Alternate Line: the hugging pint. It's not like it's a wee bit like

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Alternate Line: Vegan, but you can still get chips. It's like proper, like.

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Andrew's iPhone: The committee.

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Alternate Line: Like right in there with the Vegan food. So

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Alternate Line: yeah, no, that was good. Thanks for sharing that with us. I also like the name diving horse which is like a sort of an American like. I think it was like some sort of sideshow, like

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Alternate Line: thing entertainment. Still thing where a horse would literally just dive off a giant

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Alternate Line: cliff and into water for the general amusement of the public.

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Alternate Line: And has no been. It's not been banned. So so it's a rather than unusual practice, but it makes for a good band name, I think.

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Andrew's iPhone: I think so. I think so.

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Alternate Line: Do you know, just before we move on to our new new music now is maybe a point where we can share a kind of an amusing story which is like

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Alternate Line: So obviously we had in this slot a few months ago. I think I brought in my friend Kev's song.

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Alternate Line: And and then you've brought in diving horse here. So this is not like this is bringing in something that we we love, basically. But we have over the years we've been doing this had quite a lot of people just approaches.

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Alternate Line: And just say, Can you play

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Alternate Line: our music on

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Alternate Line: on on the podcast to which I've always said, we have an editorial process.

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Andrew's iPhone: Which.

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Alternate Line: She's basically.

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Alternate Line: Andrew will listen to it. And if you don't like it, then

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Alternate Line: we're not just going to play it, just because just because someone's asked, or whatever you know, there's loads of local Glasgow bands that send this stuff. And and you've said, and I think this is a good thing.

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Alternate Line: You would rather not play the track and not have to be critical of it than play it and go. That's not very good, is it? So

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Alternate Line: yeah, I mean, you're welcome to send us stuff.

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Andrew's iPhone: Yeah.

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Alternate Line: If it doesn't make it, or we don't reply.

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Alternate Line: you know.

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Alternate Line: Read into that what you.

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Andrew's iPhone: Yeah, yeah, if you're gonna send and just make sure it's good.

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Alternate Line: Yeah, but I mean you'd be trying to do that anyway. But.

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Andrew's iPhone: Yeah, you're.

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Alternate Line: Capable, unfortunately, and we've got our 5 new tracks all very capable of making excellent music this week, and who we got.

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Andrew's iPhone: So yeah, we've got new music from Sarah Hogan.

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Andrew's iPhone: Good stuff.

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Andrew's iPhone: Jane Weaver.

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Andrew's iPhone: Krang Bin and Daisy Rickman.

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Alternate Line: Hmm!

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Alternate Line: Very nice, very nice, a very eclectic bunch this week, I would say.

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Andrew's iPhone: Yes, definitely I was. I was going for that.

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Andrew's iPhone: I I think they they go together quite nicely as well.

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Alternate Line: They do!

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Andrew's iPhone: I like the

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Andrew's iPhone: I like the kind of peaks and troughs for the set list, so.

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Alternate Line: Good good stuff. It. It accompanied my

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Alternate Line: decorating endeavors over the course of the day to day. So

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Alternate Line: so yeah, without further ado. Let's listen to Sharaf.

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Alternate Line: By Sarah Halgen.

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Alternate Line: One is so

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Alternate Line: and so.

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Alternate Line: A

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Alternate Line: see that morning somebody

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Alternate Line: I saw

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Alternate Line: is my

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Alternate Line: try.

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Alternate Line: You are God shut up.

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Alternate Line: I said, I,

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Alternate Line: you at

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Alternate Line: a

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Alternate Line: 0.

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Alternate Line: You are.

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Alternate Line: Seal

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Alternate Line: said. I'm not.

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Alternate Line: You

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Alternate Line: can enjoy.

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Alternate Line: and a

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Alternate Line: unseen

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Alternate Line: levy.

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Alternate Line: I say.

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Alternate Line: Jimmy.

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Alternate Line: a

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Alternate Line: do I die?

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Alternate Line: God, said

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Alternate Line: you

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Alternate Line: da

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Alternate Line: to

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Alternate Line: stay

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Alternate Line: hima

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Alternate Line: 30,

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Alternate Line: I see.

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Alternate Line: hey?

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Alternate Line: Staff! By Sarah Halgen.

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Alternate Line: and that is an absolute bop.

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Alternate Line: isn't it? Just.

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Andrew's iPhone: Oh, man, it's so good! It's like one of the most badass

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Andrew's iPhone: slabs of rock and roll that I've heard

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Andrew's iPhone: in in quite a time. Quite a time.

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Alternate Line: It just comes right out the gate, doesn't it? And it's got that nice like

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Alternate Line: a rollicking like guitar Riff and the drums and everything, and it just kinda get added dumb over and over and over, and it's it's quite

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Alternate Line: It's quite hypnotic in a way. It's got that sort of

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Alternate Line: draws you in makes you feel all woozy like. Get in the desert

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Alternate Line: more on that to come more on that.

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Andrew's iPhone: But it just borrows along.

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Alternate Line: Hmm.

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Andrew's iPhone: And the band are turning up.

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Andrew's iPhone: I love that far. Is it a farfesser of for Fasa Oregon?

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Alternate Line: Well, that's that I was gonna come to talk about the organ. Actually, because to me, that's the sort of most controversial part of the track, I would say,

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Alternate Line: the the sort of do do, do, do, do, do do do that that thing

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Alternate Line: cause it's so.

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Alternate Line: jolie.

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Alternate Line: and it's kind of cheesy, and and

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Alternate Line: initially the like, literally in the first or second heating of it. I was like, what's this organ doing? This is mental

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Alternate Line: but it just it sort of is part of the

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Alternate Line: chaos and charm of the track. I think so. It's kind of wacky, I think. Do you know? Think so?

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Andrew's iPhone: A as, but I think it's also th. There's. There's also kind of tradition of having those kind of organics within rock and roll.

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Andrew's iPhone: Jerry Lee Lewis, or whatever. But I don't know.

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Andrew's iPhone: More recently, like John Spencer blues explosion or Jim Jones review these types of acts.

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Andrew's iPhone: And I'm so yeah.

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Alternate Line: I think it.

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Andrew's iPhone: Like like great Grinderman, when that caves in his grind demand mode.

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Alternate Line: Oh, yeah, I mean, I love organ and rock and roll. It's not. It's not organ itself. It's it's the actual lick is. So

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Alternate Line: I use the word jolly, but it's so. Major Key.

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Andrew's iPhone: With his.

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Alternate Line: The rest of the ref is all very kind of bluesy and primal get rid of we in the weeds. Here man.

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Andrew's iPhone: So.

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Alternate Line: Who has sat out and.

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Andrew's iPhone: Yeah. So Sarah Hogan is a singer, cultural activist and freedom fighter from Somaliland.

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Alternate Line: Badass.

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Andrew's iPhone: She she does certainly seem to be about us.

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Andrew's iPhone: And

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Andrew's iPhone: I I don't claim to be a kind of you know, a

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Andrew's iPhone: a cultural historian or anything like that. So I'll I'll try my best with the kind of.

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Andrew's iPhone: and

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Andrew's iPhone: you are kind of

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Andrew's iPhone: his, her, her some other lands, history and and and her kind of part in it.

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Andrew's iPhone: But she's somebody who began singing at the age of 13, when performing on stage and in public was kind of frowned upon by her community. So yeah, kind of like, kind of, you know, music. Could it give you a sense the kind of person that she was

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Andrew's iPhone: and

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Andrew's iPhone: when when there was a kind of

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Andrew's iPhone: could, could you help me out with with some of the the kind of cultural stuff of the kind of historical stuff

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Andrew's iPhone: I didn't.

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Alternate Line: To Maryland.

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Andrew's iPhone: Yeah.

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Alternate Line: Yes.

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Alternate Line: I can. I've got my notes here.

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Alternate Line: so there's a Somali Civil War in the late 1970 S.

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Alternate Line: and

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Alternate Line: she was only 16 years old and had no it says here had no previous training, but worked as a nurse, and where she was living at the front line was free and was allowed to sing

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Alternate Line: and then she moved to Europe.

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Alternate Line: and where she became a political refugee.

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Alternate Line: and in 2,009 released our first.

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Alternate Line: our first record, and I believe this is the fourth album we're talking about now, although I might not be right on that.

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Andrew's iPhone: I use a Ford Ford album. Yeah.

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Alternate Line: Culture. Okay.

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Andrew's iPhone: But yeah, is she somebody who's kind of joined the Somaliland success and movement as well.

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Andrew's iPhone: and she was providing a first aid for the injured fighters and comforting them with songs. So she's she's talked about kind of

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Andrew's iPhone: contribute. She believes that people should contribute wherever they can in in times of war, and she says, what? What she could contribute is her voice.

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Andrew's iPhone: So? Yeah, so she was kind of part of that.

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Andrew's iPhone: Then she was made a refugee, and and and spent some time in France in in Leon, I believe, and it was there that she kind of met some of the musicians that she's ended up and making these records with.

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Andrew's iPhone: and and the more recent time she's gone back to Somaliland, and she's kind of

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Andrew's iPhone: set up these really kind of cool cultural spaces that are kind of championing a fee. Female artists.

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Andrew's iPhone: and

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Andrew's iPhone: and, you know, locally

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Andrew's iPhone: and kind of championing the their their kind of contribution.

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Andrew's iPhone: And so this this new album is called. He don't

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Andrew's iPhone: dowa, which I believe

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Andrew's iPhone: translates literally, is promote culture. So that's kind of what she's trying to do

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Andrew's iPhone: through her music as well

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Andrew's iPhone: and as well as just providing a rollicking good time.

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Andrew's iPhone: and that this this album is really really good. It's an absolute treat. It's kind of yeah raucously rocking, rhythmic.

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Andrew's iPhone: I mean, she she's our fifties now, but she's just still absolutely on fire.

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Alternate Line: I can ask.

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Andrew's iPhone: Yeah, absolutely. So I mean, I I really recommend people checking out this album.

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Alternate Line: Our voice is really cool on this as well, and very

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Alternate Line: very powerful and I love how they recorded it as well. I don't know if it's double or triple tracked. We listen to it very closely. It's it's that the

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Alternate Line: vocal performance, I think, is that there's like 2 of them squashed together and sounds like one, so as a very kind of

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Alternate Line: and striding

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Alternate Line: sounds to it. That's I'm not really describing that very well, but I just mean our voice is very powerful in the track. And this is one of those ones where you know.

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Alternate Line: we've talked about Twada music, music before and desert rock, and all that sort of stuff. I think there's tinges of that in here. And I think the power of that stuff

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Alternate Line: is.

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Alternate Line: It's you can hear it on the track. You can hear the power of the music just through the track, and then when you start looking into as you've you've plotted out for us there. Who Sarah Halligan is.

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Alternate Line: Think it just makes it even cooler.

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Alternate Line: Yeah, it's one of it's one of last week we were we were getting into when we were talking about

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Alternate Line: something, and we were talking about

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Alternate Line: how you should take the track for what it's attempting to do and almost see the track in isolation. And and does it? Does. Does it do what it says to do, and that, I guess, removes the artist from it. And this is another reminder that you shouldn't really do that because sometimes the artists

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Alternate Line: story in inverted commas.

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Andrew's iPhone: Yeah.

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Alternate Line: Really adds to adds to what your adds to the performance.

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Andrew's iPhone: Definitely definitely. Yeah. And she's talked about this track being a love stronger than him to the importance of human dignity.

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Andrew's iPhone: And me, she. She is a an artist who seems to

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Andrew's iPhone: kind of, you know, embody that, I guess.

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Alternate Line: What's fucking dignity? Have you got any.

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Andrew's iPhone: No, no! After scraping my oh, no.

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Alternate Line: Leave, the leave, the.

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Andrew's iPhone: Complete your own sentence. Ok.

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Andrew's iPhone: let's see that chiming.

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Alternate Line: This is gonna be a running theme like, Oh, Jesus!

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Alternate Line: Oh, we'll we'll more on that next week. We'll find out Andrew's gone

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Alternate Line: right. This is another song.

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Alternate Line: Next track is

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Alternate Line: starting in stating by Gustav. And this one's also badass. I'm not gonna kid on it isn't. This is this one's also absolutely brim full of attitude. So let's just get it straight on.

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Alternate Line: Live

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Alternate Line: da da

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Alternate Line: white sky

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Alternate Line: passenger

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Alternate Line: on my eyes.

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Alternate Line: Stay

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Alternate Line: on my eyes

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Alternate Line: inside.

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Alternate Line: Stay on my eyes. Stay on my eyes again. I've been swayed

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Alternate Line: that you

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Alternate Line: caught me staring.

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Alternate Line: started late.

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Alternate Line: You get me started upstairs.

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Alternate Line: Now I'm starting.

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Alternate Line: Darren

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Alternate Line: set

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Alternate Line: the past 2 kits in the hall on starting and stirring.

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Alternate Line: Bob

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Alternate Line: can see. Oh, yeah, there I'm staring.

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Alternate Line: I want.

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Alternate Line: So

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Alternate Line: one by one I watch your stance.

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Alternate Line: Don't reflect your glass now. I've sat

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Alternate Line: started to look at me in the eyes

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Alternate Line: I'm starting to share.

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Alternate Line: They're yours.

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Alternate Line: Bye, bye.

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Alternate Line: Got me silent.

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Alternate Line: Restart

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Alternate Line: sky.

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Alternate Line: no worries

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Alternate Line: and stare.

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Alternate Line: I got you

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Alternate Line: a new.

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Alternate Line: My eyes

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Alternate Line: decide

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Alternate Line: a

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Alternate Line: my eyes.

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Alternate Line: just a

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Alternate Line: my eyes come on

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Alternate Line: today

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Alternate Line: is

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Alternate Line: got to stay.

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Alternate Line: You got me started

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Alternate Line: stopping, start and start.

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Alternate Line: Happen start at 8.

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Alternate Line: Start at

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Alternate Line: hurts stopping you.

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Alternate Line: Stanley.

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Alternate Line: I'm Gonna

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Alternate Line: Daddy

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Alternate Line: S.

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Alternate Line: A

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Alternate Line: lovely stuff, inspirational stuff. I don't know if I should maybe try and review this song in the same way

382
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Alternate Line: that it is delivered. What do you think

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Alternate Line: I'll stop that day.

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Andrew's iPhone: Please don't.

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Andrew's iPhone: You do request you do a bit of a similar thing to the singer. And is it, have you seen the video for it. They're in that.

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Alternate Line: And I've seen the video.

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Andrew's iPhone: Yeah, which is kind of doing this kind of like, right face right up in the camera

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Andrew's iPhone: kind of like, almost like staring you down. So you're trying to do that to me there a little bit.

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Alternate Line: I'm just as cool as they, you know.

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Alternate Line: pretty much pretty much. Yeah, that's lovely. That makes me think of

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Alternate Line: that makes me think of when you and I were just boys.

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Alternate Line: doesn't it? That gives you that sort of like

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Alternate Line: 2,000 to 2,003 sort of like

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Alternate Line: every you know, every track I was listening to was like was like the strokes or LCD sound system, or

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Alternate Line: the Aaa is, or

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Alternate Line: other ones who who sang bandages. Remember that song bandages.

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Alternate Line: bandages on my legs and hot heat, yeah, has has all that kind of stuff.

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Andrew's iPhone: Adam.

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Alternate Line: It wound up into it. I just think

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Alternate Line: the link segment here has

401
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Alternate Line: just got so much like

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Alternate Line: pizzazz and star quality, and is clearly the main character in this musical project, and then the the rest of the band are just really good at seeing we'll put the attitude stuff together for you. We'll we'll lay the track, and then you go, and you go and put your personality on top of it. And it really worked well.

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Andrew's iPhone: Yeah, I think that's absolutely spot on. And so yeah, so that the the the front person is called Lydia Gamel.

404
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Andrew's iPhone: And yeah, she's pretty extraordinary, actually and really commanding, compelling front person

405
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Andrew's iPhone: just dripping with nonchalant, cool.

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Andrew's iPhone: but also fierce conviction. As I was kind of all into in that video just like quite terrible in the way, but just just formidable.

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Andrew's iPhone: And and just the way that she kind of like reels off certain lines like. There's that. There's the lines that I've been swayed by the way, that you bolked when you caught me staring. And it's just like this kind of like. The the words are just kind of stumbling out, but she does it in such a kind of musical way.

408
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Andrew's iPhone: and and it does remind me a lot of the kind of early LCD sound system tracks what James Murphy was doing on those tracks.

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Andrew's iPhone: And there's like multiple phrases that she repeats. But every time she repeats them she kind of changes up

410
00:32:47.760 --> 00:32:57.849
Andrew's iPhone: the phrasing in such a way that it's kind of finding new meetings and new emphases is within it. And it's just really smart, I think, and that you're right. I think she is.

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Andrew's iPhone: You know, the real, kinda the star of this this group. And so, Gustav, are a no wave post punk art funk band from Brooklyn.

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Andrew's iPhone: So it's just something about Brooklyn that just a lot of these acts just end up there, and

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Andrew's iPhone: and this is from their just released

414
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Andrew's iPhone: a sophomore album. I hate the word sophomore.

415
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Andrew's iPhone: second album.

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00:33:21.620 --> 00:33:25.079
Alternate Line: Why do people say that sophomore? And I don't really understand why people say that.

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Andrew's iPhone: Just an American thing, isn't it? It's a college thing.

418
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Andrew's iPhone: But then, yeah.

419
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Andrew's iPhone: second album. And it was out on their Friday, the April the Fifth on Royal Mountain Records.

420
00:33:38.621 --> 00:33:50.539
Andrew's iPhone: And they formed in 2,018, and have since established a reputation as one of New York's hardest working and most reliably fun bands, according to the blog Brooklyn Vegan.

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Andrew's iPhone: The first album was in 2,021,

422
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Andrew's iPhone: and it

423
00:33:57.740 --> 00:34:03.350
Andrew's iPhone: got the attention of Beck, who let them open for him at one of his secret love parties.

424
00:34:03.510 --> 00:34:06.050
Andrew's iPhone: And and they've toured with

425
00:34:06.390 --> 00:34:13.490
Andrew's iPhone: it bands like Omni and Bodega, who we've had in the podcast before. And you can tell they're kind of very much in that style

426
00:34:13.844 --> 00:34:19.530
Andrew's iPhone: and as well as some British acts, like idols, sleep with Mods and yard act as well.

427
00:34:20.970 --> 00:34:21.790
Andrew's iPhone: And

428
00:34:21.800 --> 00:34:28.660
Andrew's iPhone: yeah, this this album package part 2 sees I'm working with the producer Erin Tonkin.

429
00:34:28.770 --> 00:34:33.070
Andrew's iPhone: who work on David Bowie's Blackstar album as well, which is pretty cool.

430
00:34:33.310 --> 00:34:33.709
Alternate Line: There you go!

431
00:34:33.719 --> 00:34:38.509
Andrew's iPhone: And there's there's something about that title package part 2. That kind of links them with

432
00:34:38.539 --> 00:34:41.229
Andrew's iPhone: Omni and Bodega. That kind of idea of

433
00:34:42.467 --> 00:34:44.019
Andrew's iPhone: you know, kind of

434
00:34:44.109 --> 00:34:57.669
Andrew's iPhone: the rock band be a commodity, or like music being a product. There's there's a kind of like idea about that there. And there's that kind of classic sense of New York. Remove to the whole thing. And as if the whole thing's kind of covered in air quotes.

435
00:34:58.139 --> 00:34:59.139
Andrew's iPhone: and

436
00:34:59.589 --> 00:35:06.999
Andrew's iPhone: there's like the the. The new title track on the album sees her having an existential crisis in the checkout queue at a supermarket.

437
00:35:07.455 --> 00:35:13.309
Andrew's iPhone: So it's that it's that kind of that. There's that kind of thing going on. But it's just yeah. As you see, there's so much personality.

438
00:35:13.919 --> 00:35:16.999
Andrew's iPhone: attitude, quick wittedness to the whole thing.

439
00:35:17.349 --> 00:35:27.259
Andrew's iPhone: And and yeah, I I do. I do enjoy this band. I think I think the the kind of work best for me in in small doses. I think over the course of a whole album. It gets a little bit

440
00:35:28.113 --> 00:35:31.999
Andrew's iPhone: tiring, I would say. Those kind of those kind of mutant

441
00:35:32.319 --> 00:35:34.229
Andrew's iPhone: backing vocals

442
00:35:34.619 --> 00:35:40.739
Andrew's iPhone: th, that are on the track. They're kind of like a signature sound, and they they become quite great afternoon.

443
00:35:40.740 --> 00:35:48.174
Alternate Line: No into that. Yeah, I mean, and I record that should really be 30 min, you know, in and out I always feel something like this

444
00:35:48.830 --> 00:35:49.500
Alternate Line: or.

445
00:35:49.500 --> 00:35:52.589
Andrew's iPhone: It kind of is, I guess. I guess it's like 35 min the album. But

446
00:35:52.750 --> 00:35:56.760
Andrew's iPhone: it's it's a good. It's a good record. But yeah, even at that, it's just maybe a little bit.

447
00:35:56.760 --> 00:36:01.119
Alternate Line: You're so you you're kind of suggesting, though at 35 min it slightly still outstays as well comes.

448
00:36:01.120 --> 00:36:01.600
Andrew's iPhone: Yeah.

449
00:36:03.753 --> 00:36:17.220
Alternate Line: A either needs to be short, or it needs to be massively varied in style. And they've got a little bit of talking heads or television about them, I would say, and you never really listen to talking heads, record and think.

450
00:36:17.950 --> 00:36:22.549
Alternate Line: Wish this was shorter, you know. Because of the variety and the quality of the song. Writing.

451
00:36:22.550 --> 00:36:23.500
Andrew's iPhone: Yeah, one.

452
00:36:23.778 --> 00:36:32.140
Alternate Line: So. But this track is really, really, really cool, and it's absolutely just. I think I use the phrase, brimming with attitude before the before we played it. And

453
00:36:32.190 --> 00:36:35.659
Alternate Line: I stand by that. I think that's I think that's the right, the right description.

454
00:36:36.810 --> 00:36:38.070
Andrew's iPhone: Yeah. Spot on.

455
00:36:38.290 --> 00:36:44.389
Alternate Line: Well done, everyone. Good stuff. Well done to you. Okay. So now we're on to

456
00:36:44.520 --> 00:36:46.969
Alternate Line: a pod, friend or pod.

457
00:36:47.200 --> 00:36:48.280
Alternate Line: should we say?

458
00:36:49.480 --> 00:36:51.750
Alternate Line: So Jane Weaver has some new music out.

459
00:36:52.040 --> 00:36:59.309
Alternate Line: and this is love in constant spectacle. You want to say anything before we listen to it, which I'm going to dive straight in.

460
00:37:00.360 --> 00:37:13.153
Andrew's iPhone: Yeah, Fred, friend of Paul is right. What can I say? You know a simple man when it comes to Jane Weaver, my thought processes. See new Jane Weaver buy New Jane Weaver, put new Jamiever on the podcast so here we go here we go

461
00:37:31.020 --> 00:37:33.230
Andrew's iPhone: over the head of you

462
00:37:34.860 --> 00:37:39.480
Andrew's iPhone: wanted an island to go to

463
00:37:40.520 --> 00:37:44.550
Andrew's iPhone: do anything of this.

464
00:37:45.970 --> 00:37:47.960
Andrew's iPhone: It's all you've ever known.

465
00:37:49.730 --> 00:37:52.130
Andrew's iPhone: Signs of play to things.

466
00:37:52.790 --> 00:37:54.460
Andrew's iPhone: A

467
00:37:55.080 --> 00:37:59.520
Andrew's iPhone: love on time loving comes in sight.

468
00:38:00.920 --> 00:38:03.270
Andrew's iPhone: Where is tranquility

469
00:38:04.820 --> 00:38:06.630
Andrew's iPhone: grave in attention

470
00:38:07.950 --> 00:38:09.620
Andrew's iPhone: as

471
00:38:10.310 --> 00:38:14.600
Andrew's iPhone: from a distance, like a

472
00:38:15.230 --> 00:38:17.920
Andrew's iPhone: fall under the surface

473
00:38:19.880 --> 00:38:22.059
Andrew's iPhone: when desires motion

474
00:38:22.750 --> 00:38:24.250
Andrew's iPhone: as

475
00:38:25.720 --> 00:38:29.570
Andrew's iPhone: a

476
00:38:31.000 --> 00:38:33.030
Andrew's iPhone: want you, when you

477
00:38:33.770 --> 00:38:34.470
Andrew's iPhone: a

478
00:38:34.670 --> 00:38:36.960
Andrew's iPhone: I will be when you're

479
00:38:38.230 --> 00:38:41.629
Andrew's iPhone: I want you to stand.

480
00:38:42.010 --> 00:38:44.180
Andrew's iPhone: I won't hear you when you're

481
00:38:45.890 --> 00:38:47.860
Andrew's iPhone: just to.

482
00:38:49.570 --> 00:38:51.929
Andrew's iPhone: You would like

483
00:38:52.810 --> 00:38:59.180
Andrew's iPhone: you

484
00:39:00.790 --> 00:39:03.129
Andrew's iPhone: over the head of you

485
00:39:04.800 --> 00:39:07.080
Andrew's iPhone: locked in, and I look at

486
00:39:07.370 --> 00:39:09.460
Andrew's iPhone: dreams.

487
00:39:10.330 --> 00:39:15.300
Andrew's iPhone: First assignments capture this magnitude.

488
00:39:16.280 --> 00:39:18.050
Andrew's iPhone: They repeatedly

489
00:39:19.760 --> 00:39:21.670
Andrew's iPhone: the incidentals

490
00:39:22.510 --> 00:39:24.330
Andrew's iPhone: a

491
00:39:25.420 --> 00:39:29.410
Andrew's iPhone: through this tension on the show.

492
00:39:30.370 --> 00:39:32.910
Andrew's iPhone: I'll just

493
00:39:34.920 --> 00:39:36.850
Andrew's iPhone: illuminating the

494
00:39:37.710 --> 00:39:39.370
Andrew's iPhone: could jump

495
00:39:40.760 --> 00:39:44.040
Andrew's iPhone: a

496
00:39:45.830 --> 00:39:48.260
Andrew's iPhone: I won't hate you when you

497
00:39:49.570 --> 00:39:51.999
Andrew's iPhone: I want you, when you

498
00:39:53.290 --> 00:39:55.439
Andrew's iPhone: I won't hear the

499
00:39:55.850 --> 00:39:56.730
Andrew's iPhone: say.

500
00:39:56.930 --> 00:39:59.179
Andrew's iPhone: I want you when you're

501
00:40:01.770 --> 00:40:03.000
Andrew's iPhone: love to.

502
00:40:04.640 --> 00:40:06.789
Andrew's iPhone: You are here, and I

503
00:40:12.100 --> 00:40:14.190
Andrew's iPhone: you were here

504
00:40:26.560 --> 00:40:29.580
Andrew's iPhone: you will be

505
00:40:35.910 --> 00:40:36.640
Andrew's iPhone: me.

506
00:41:12.710 --> 00:41:16.959
Alternate Line: Oh, absolutely love that guitar performance at the end of that track

507
00:41:17.511 --> 00:41:21.629
Alternate Line: that is so cool, that is love and constant spectacle.

508
00:41:22.109 --> 00:41:36.490
Alternate Line: By Jane Weaver. I was cast my mind back there to when we had Jane Weaver on the podcast previously and a quick steps through our archive says it was on albums of the year part 2 2021.

509
00:41:37.550 --> 00:41:40.639
Alternate Line: So that's mad. We've been doing this this long

510
00:41:40.980 --> 00:41:41.970
Alternate Line: for a stop.

511
00:41:42.250 --> 00:41:43.260
Andrew's iPhone: There is, there is.

512
00:41:43.260 --> 00:41:45.990
Alternate Line: Is that the only time? Is it just dish that once.

513
00:41:46.325 --> 00:41:48.335
Andrew's iPhone: Yes, yeah. That was her last

514
00:41:49.020 --> 00:41:49.630
Alternate Line: That's record.

515
00:41:49.630 --> 00:41:54.059
Andrew's iPhone: A proper album. I guess she's done like side projects and things like that.

516
00:41:54.620 --> 00:41:59.819
Andrew's iPhone: soundtracks and things like that. But yeah, this is, that was a last album flock

517
00:42:00.170 --> 00:42:01.100
Andrew's iPhone: am

518
00:42:01.280 --> 00:42:04.869
Andrew's iPhone: that that we did as part of the best of 2021 roundup

519
00:42:05.327 --> 00:42:08.800
Andrew's iPhone: and Jeremy. She's just a kind of total, no brainer

520
00:42:08.840 --> 00:42:12.099
Andrew's iPhone: by with confidence arts for me. And she has been for a while.

521
00:42:12.471 --> 00:42:16.089
Andrew's iPhone: And so so yeah, I'm pleased, really pleased that there's another one.

522
00:42:16.945 --> 00:42:21.994
Andrew's iPhone: And that's the title track from the album. So the album came out, and Friday again.

523
00:42:23.595 --> 00:42:24.500
Andrew's iPhone: And

524
00:42:24.650 --> 00:42:27.340
Andrew's iPhone: yeah, I think it's so. It's another winner for me.

525
00:42:27.570 --> 00:42:31.110
Andrew's iPhone: and she's just kind of one of those kind of brilliantly creative.

526
00:42:31.270 --> 00:42:33.500
Andrew's iPhone: genuinely independent, spirited.

527
00:42:33.610 --> 00:42:39.400
Andrew's iPhone: and musicians, and just, impeccable taste, but no pretensions about arrival.

528
00:42:39.840 --> 00:42:47.120
Andrew's iPhone: and which which is a cool combination. And and yeah, I think everybody should have at least one Jamie of a record in the collection.

529
00:42:47.890 --> 00:42:53.430
Alternate Line: Yeah, it's such a wonderful track that as well like, it's, it's a fairly simple

530
00:42:54.180 --> 00:42:57.321
Alternate Line: musical concept. It's fairly kind of like

531
00:42:58.680 --> 00:43:09.489
Alternate Line: rhythmic and repetitive. It's a groove as well. And like other tracks we listen to today. The vocal performance is just. It's just stunning on this and it's it's

532
00:43:09.500 --> 00:43:11.160
Alternate Line: so melodic.

533
00:43:12.320 --> 00:43:18.350
Alternate Line: it just goes straight. It just went straight in my ears and straight into my brain, and hasn't really left since. I think it's really, really good.

534
00:43:18.400 --> 00:43:25.597
Alternate Line: absolutely in love with that guitar sound at the end of the track as well. It's got this like really overdriven

535
00:43:26.580 --> 00:43:31.640
Alternate Line: just. I can't. Yeah, I'm struggling to even put it into words. It's exactly what I like.

536
00:43:31.950 --> 00:43:32.460
Andrew's iPhone: Yeah.

537
00:43:32.460 --> 00:43:37.330
Alternate Line: Guitar sound. Basically, the track does a very gentle build

538
00:43:37.940 --> 00:43:40.949
Alternate Line: all the way through, and that it feels like.

539
00:43:41.240 --> 00:43:51.807
Alternate Line: And it's totality that's like the release of tension that the whole track has been kind of building gently up towards it. Does this really clever thing, this track that

540
00:43:52.450 --> 00:44:08.439
Alternate Line: is maybe not that noticeable on a first lesson, but on a a a couple of lessons. You start to notice that although it's repetitive, there's a minor, a a small change every time a small addition every single time, and it just gently builds to a to a kind of

541
00:44:08.650 --> 00:44:14.369
Alternate Line: crescendo's, the wrong word. But so sort of crescendo towards into the track. It's really, really cleverly done. Stuff.

542
00:44:14.781 --> 00:44:20.719
Alternate Line: Everything is perfectly recorded. And yeah, the focal, the vocal performance on this is just

543
00:44:20.840 --> 00:44:23.789
Alternate Line: wonderful, I think, like feathery and light.

544
00:44:23.800 --> 00:44:25.720
Alternate Line: powerful and strong as well.

545
00:44:26.410 --> 00:44:27.710
Alternate Line: Love it.

546
00:44:27.930 --> 00:44:29.650
Alternate Line: love it well done, Jean.

547
00:44:30.130 --> 00:44:38.888
Andrew's iPhone: Love it. Yeah, I figure, I think, that that guitar solo, I think, is very kind of reminds me very much of like Lower Hero 0 Bowie.

548
00:44:39.280 --> 00:44:51.580
Andrew's iPhone: and the way that he kind of would introduce these new exciting elements, and and the kind of dying moments of a track and just kind of take it somewhere else. And this and it's very Robert, frepped in terms of the tone as well of it.

549
00:44:51.580 --> 00:44:51.940
Alternate Line: Yeah.

550
00:44:51.940 --> 00:44:55.659
Andrew's iPhone: That kind of overdriven thing that you're talking about. Yeah, just very, very cool.

551
00:44:55.900 --> 00:44:57.050
Andrew's iPhone: am.

552
00:44:57.300 --> 00:45:02.269
Andrew's iPhone: So I mean, she's she's really cool for every every project. That's

553
00:45:02.550 --> 00:45:11.969
Andrew's iPhone: it's exploring a slightly different set of influences she, she or she. Somebody, is always kind of kind of bringing in a kind of new kind of mood board for each project almost

554
00:45:12.273 --> 00:45:17.260
Andrew's iPhone: and she's kind of following a particular creative impost, but it always ends up sounding like her

555
00:45:17.510 --> 00:45:25.100
Andrew's iPhone: in a really kind of cool way. And one of the one of the big changes this time around is that she's working with an outside producer for the first time.

556
00:45:25.380 --> 00:45:31.209
Andrew's iPhone: and so in the past it's it's been hard it's been producing, and they've often been quite kind of

557
00:45:31.680 --> 00:45:37.120
Andrew's iPhone: and idiosyncratic and wonk a bit wonky a little bit unvarnished.

558
00:45:37.483 --> 00:45:49.390
Andrew's iPhone: What is here? She's working with John Parish, who is kind of best known for his partnership with Pg. Harvey, but he's also been doing some a production work with people like I. I'll just Harding more recently.

559
00:45:49.400 --> 00:45:56.519
Andrew's iPhone: And and I think there is a kind of step up here in terms of the kind of cleanliness and the directness of the production. On this album.

560
00:45:56.610 --> 00:45:57.770
Andrew's iPhone: which is cool

561
00:45:58.120 --> 00:46:04.969
Andrew's iPhone: and and the album is one of jamie was most personal works as well. So it's written in the aftermath of our father passing away.

562
00:46:05.360 --> 00:46:15.329
Andrew's iPhone: and the way that she wrote the track system around where she kind of wrote words and phrases that she cut up. And then she fed through Google, translate twice.

563
00:46:15.760 --> 00:46:20.360
Andrew's iPhone: and to try and kind of disguise specifics and distort meaning.

564
00:46:20.570 --> 00:46:22.810
Andrew's iPhone: And so it wasn't kind of overly

565
00:46:22.930 --> 00:46:26.019
Andrew's iPhone: a confessional in that way.

566
00:46:26.220 --> 00:46:35.369
Andrew's iPhone: and which is which is interesting. There's a really cool interview on the Guardian website. It was published a few weeks ago, where she was talking to Alexis Petridis about the record

567
00:46:35.500 --> 00:46:37.660
Andrew's iPhone: that I'd recommend people checking out

568
00:46:38.230 --> 00:46:41.410
Andrew's iPhone: and across the record. You get the get the usual

569
00:46:41.600 --> 00:46:46.010
Andrew's iPhone: aspects of Psychedelia, Cosmiche, Prague, Funk.

570
00:46:46.180 --> 00:46:48.810
Andrew's iPhone: Electronica Exotica.

571
00:46:49.060 --> 00:46:53.090
Andrew's iPhone: And she's also kind of bringing a lot more of an explicit folk influence

572
00:46:53.260 --> 00:46:57.629
Andrew's iPhone: on this record than she has for a long time she kind of started as

573
00:46:58.170 --> 00:47:00.319
Andrew's iPhone: more kind of folk-based artist.

574
00:47:00.470 --> 00:47:08.949
Andrew's iPhone: and and then I think she was kind of worried of being pigeon holed in that way. So she's kind of got away from that. But come back for this record and

575
00:47:09.030 --> 00:47:11.859
Andrew's iPhone: and th. Those moments are really lovely as well.

576
00:47:12.410 --> 00:47:14.259
Andrew's iPhone: And so yeah, I think

577
00:47:14.650 --> 00:47:26.169
Andrew's iPhone: it's it's it's gonna be difficult to dislodge a couple of the records, and that she made a few years ago, the silver globe and modern cosmology the 2, that kind of the very top for me. But

578
00:47:26.440 --> 00:47:31.590
Andrew's iPhone: and it's really days with this one. But I think you know this, this is kind of upper tier again.

579
00:47:31.670 --> 00:47:40.489
Andrew's iPhone: really, really good. And undoubtedly another word addition to a fabulous discography. So yeah, I'd really recommend people checking this out

580
00:47:42.330 --> 00:47:47.769
Andrew's iPhone: and just just while we're kind of in that kind of new psych vein. And there was another record that came out of Friday

581
00:47:47.860 --> 00:47:51.969
Andrew's iPhone: by another act that we talked about in the pod before called Project Gemini.

582
00:47:52.230 --> 00:47:52.900
Alternate Line: Hmm.

583
00:47:52.900 --> 00:47:53.780
Andrew's iPhone: And

584
00:47:54.410 --> 00:47:55.540
Andrew's iPhone: and it

585
00:47:55.630 --> 00:48:09.880
Andrew's iPhone: mainly mainly a guy called Paul Osborne who's behind that project? And the album's called Colors and light. And I really recommend. Again, people checking that album out because it's a significant step up from what was already an excellent debut.

586
00:48:09.920 --> 00:48:18.297
Andrew's iPhone: And so yeah, check out team. We would also check out Project Gemini. Yeah, as well. And there's just so many good releases at the moment.

587
00:48:19.040 --> 00:48:19.460
Alternate Line: Mullen.

588
00:48:19.640 --> 00:48:21.583
Andrew's iPhone: Yeah, absolutely. Yeah, so.

589
00:48:22.510 --> 00:48:25.770
Alternate Line: Kind of on that topic, and also talking about our

590
00:48:25.850 --> 00:48:33.519
Alternate Line: and 2021 bizarrely album of the year round up. What's what's been? What are kind of

591
00:48:33.550 --> 00:48:44.650
Alternate Line: the record so far this year that have really taken your attention, some that we maybe talked about, or some things we haven't mentioned. But you think kind of good. And I'm aware we're not. We're about to maybe talk about one.

592
00:48:44.920 --> 00:48:46.180
Alternate Line: Lisa. That may

593
00:48:46.320 --> 00:48:48.799
Alternate Line: might make your make. Make your chart. What are you thinking.

594
00:48:50.760 --> 00:48:52.760
Andrew's iPhone: Yeah, that's a good question.

595
00:48:53.270 --> 00:48:56.330
Andrew's iPhone: Yeah, I think so. Certainly. The the Brittany Howard record.

596
00:48:56.380 --> 00:49:00.740
Andrew's iPhone: I love the Julia Hall, or one that we talked about last week.

597
00:49:01.266 --> 00:49:04.650
Andrew's iPhone: and Adrian Lenko that we talked about last week.

598
00:49:05.200 --> 00:49:10.270
Andrew's iPhone: And then, yeah, things like the Bill Rider Jones album that that's one that's

599
00:49:10.840 --> 00:49:23.769
Andrew's iPhone: that's really kind of captured, and a lot of people's attention, you know. Certainly on like people that follow on Twitter, now X and Instagram, you know, people are just loving that record, and that is a really good record.

600
00:49:24.510 --> 00:49:27.510
Andrew's iPhone: And the plan, Troy, the bricker, is really good.

601
00:49:28.390 --> 00:49:37.950
Andrew's iPhone: and there's one that we haven't gotten into talking about. Yeah, I've kind of feel like I missed the boat on a little bit, but I would. I'd like to bring something in from it. The Hannah Francis Record.

602
00:49:38.160 --> 00:49:41.430
Andrew's iPhone: If people haven't checked that out. You really need to check that out.

603
00:49:41.680 --> 00:49:51.629
Andrew's iPhone: And it's it's a beauty. And and then the Rosalie record as well. And we we talked about kind of preview track for that. That albums out now. And that's a really

604
00:49:51.800 --> 00:49:54.640
Andrew's iPhone: terrific records as well. So yeah, there's there's a lot going on.

605
00:49:54.640 --> 00:49:58.979
Alternate Line: Lot a lot, but nothing that you, anything you would say is a standout

606
00:49:59.190 --> 00:50:00.499
Alternate Line: that the like

607
00:50:00.780 --> 00:50:02.060
Alternate Line: you're groping on.

608
00:50:04.230 --> 00:50:06.920
Andrew's iPhone: I'd just say I'd I'd say that that bunch really, that that.

609
00:50:06.920 --> 00:50:08.809
Alternate Line: 11. Yeah, good enough.

610
00:50:08.910 --> 00:50:12.556
Alternate Line: I just wondering, trying to get it out of yearly bookies

611
00:50:12.970 --> 00:50:19.509
Alternate Line: within the bookies later in the year, and see if I can lay a line on what's on your number one? Right? Okay.

612
00:50:19.510 --> 00:50:21.590
Andrew's iPhone: What about yourself? Is there anything that you've

613
00:50:21.640 --> 00:50:22.710
Andrew's iPhone: the elix.

614
00:50:24.680 --> 00:50:26.959
Alternate Line: I do like the Adriene Linker records.

615
00:50:28.880 --> 00:50:34.719
Alternate Line: that's been one that's been spinning ring in my head quite a lot recently, but I wouldn't say there's anything

616
00:50:35.090 --> 00:50:38.459
Alternate Line: I wouldn't say other than that anything's really jumped out at me as like

617
00:50:38.770 --> 00:50:42.180
Alternate Line: slapping me around the face. This is this is amazing new music

618
00:50:42.260 --> 00:50:44.170
Alternate Line: that that's happened last year

619
00:50:44.420 --> 00:50:45.513
Alternate Line: with with

620
00:50:46.850 --> 00:50:47.870
Alternate Line: Lankham.

621
00:50:48.909 --> 00:50:52.530
Alternate Line: So I don't. I'll wait and see. I'll wait and see.

622
00:50:53.244 --> 00:51:11.600
Alternate Line: I I thought. It's funny. You know, I was just driving in the car a little bit on today. Listen to the the podcast. For this. And I was kind of thinking again like, How do you listen to so much music like? How do you actually process it all? Because I essentially listen to like 5 new tracks a week, and it's the ones you send me, basically and it takes me like.

623
00:51:11.660 --> 00:51:21.680
Alternate Line: you know, a day or 2 to like. Listen to them. Think about them do the better research, or whatever I just. I still am amazed. Years on. I'm amazed that you manage to like.

624
00:51:21.980 --> 00:51:24.520
Alternate Line: Like. Take all this on board, and

625
00:51:24.750 --> 00:51:32.299
Alternate Line: you don't do. You're obviously like really thinking about it as well. It's not just washing over you and have it having no impact on you.

626
00:51:33.080 --> 00:51:38.279
Alternate Line: So there you go. I'm not looking for you to explain your secret methods or anything. I'm just saying. It's kind of impressive.

627
00:51:40.830 --> 00:51:42.099
Andrew's iPhone: Oh, I'll take it. Thank you.

628
00:51:42.100 --> 00:51:42.550
Alternate Line: Okay.

629
00:51:43.880 --> 00:51:49.689
Alternate Line: Alright. Well, that's enough being nice to each other. Let's get back to let's get back to new music. So this one, I know you're gonna like

630
00:51:49.800 --> 00:51:54.044
Alternate Line: I'm speaking to you, Andrew, and everyone who's listening as well.

631
00:51:54.540 --> 00:51:57.850
Alternate Line: this is Krang bin another friend, Opd

632
00:51:59.130 --> 00:52:01.110
Alternate Line: from from times going by

633
00:52:01.544 --> 00:52:04.619
Alternate Line: and this is their new track. Ada Gene.

634
00:52:07.096 --> 00:52:11.633
Andrew's iPhone: Yep, it was. It's it's a it's a track from the new album. It's I'd like. It's not a a single.

635
00:52:11.850 --> 00:52:12.640
Alternate Line: Single Sso.

636
00:52:12.640 --> 00:52:14.379
Andrew's iPhone: Early. But yeah, it's just a truck.

637
00:52:14.700 --> 00:52:16.460
Alternate Line: Alright! Here we go

638
00:52:17.740 --> 00:52:18.540
Alternate Line: a

639
00:52:28.310 --> 00:52:29.000
Alternate Line: by

640
00:53:25.450 --> 00:53:26.150
Alternate Line: to

641
00:53:36.410 --> 00:53:37.150
Alternate Line: May

642
00:53:47.790 --> 00:53:48.500
Alternate Line: a

643
00:54:11.780 --> 00:54:12.590
Alternate Line: a

644
00:54:21.960 --> 00:54:22.820
Alternate Line: a.

645
00:54:23.530 --> 00:54:24.280
Alternate Line: I

646
00:54:24.710 --> 00:54:25.520
Alternate Line: have

647
00:54:27.120 --> 00:54:28.500
Alternate Line: a

648
00:54:29.140 --> 00:54:29.860
Alternate Line: a

649
00:54:30.110 --> 00:54:31.330
Alternate Line: who can.

650
00:54:36.470 --> 00:54:37.260
Alternate Line: hey?

651
00:54:38.650 --> 00:54:39.710
Alternate Line: A

652
00:54:43.320 --> 00:54:43.990
Alternate Line: a.

653
00:54:44.760 --> 00:54:45.450
Alternate Line: a

654
00:54:48.950 --> 00:54:49.660
Alternate Line: a

655
00:54:55.520 --> 00:54:56.250
Alternate Line: my!

656
00:55:29.860 --> 00:55:31.330
Alternate Line: And that

657
00:55:31.690 --> 00:55:33.320
Alternate Line: is, either gene

658
00:55:34.375 --> 00:55:36.700
Alternate Line: by crang, ben

659
00:55:36.880 --> 00:55:37.620
Alternate Line: and

660
00:55:39.060 --> 00:55:40.709
Alternate Line: They've done that thing.

661
00:55:40.880 --> 00:55:47.940
Alternate Line: They've done that thing that bands do when they get a bit bigger than they were before. They've sort of gone back to a previous.

662
00:55:48.380 --> 00:55:49.740
Alternate Line: a previous thing.

663
00:55:49.830 --> 00:55:52.410
Alternate Line: And so that kind of mid temple

664
00:55:53.237 --> 00:55:55.539
Alternate Line: really groovy thing.

665
00:55:55.610 --> 00:56:00.359
Alternate Line: And on that tries like that track we're just listening to. There. We'll talk about what it is.

666
00:56:00.390 --> 00:56:01.640
Alternate Line: but what it isn't

667
00:56:01.740 --> 00:56:03.340
Alternate Line: is. There's no build ups.

668
00:56:03.540 --> 00:56:12.957
Alternate Line: there's no vocals, no shouting, screaming, yelling, no, I mean it. The the guitar is not playing a solo. It's it's just. It's just a melody.

669
00:56:13.360 --> 00:56:15.149
Alternate Line: you know. The base is just

670
00:56:15.810 --> 00:56:17.350
Alternate Line: bobbing around.

671
00:56:17.480 --> 00:56:21.770
Alternate Line: There's no aggressive drum fill or showing off. It's just

672
00:56:22.260 --> 00:56:25.149
Alternate Line: it's just very restrained.

673
00:56:26.180 --> 00:56:29.999
Alternate Line: And it's it's so cool for that it's is the coolest thing.

674
00:56:30.260 --> 00:56:31.629
Alternate Line: How did they do that.

675
00:56:33.820 --> 00:56:44.040
Andrew's iPhone: A A is what they do is what they do. It's not what they've been doing more recently. Could they have been doing a lot of those kind of collaborations. So when we've talked about them previously on the

676
00:56:44.060 --> 00:56:48.749
Andrew's iPhone: audio, it was the the collaboration with liam bridges. We did. And then.

677
00:56:49.241 --> 00:57:02.030
Andrew's iPhone: the the view for Katuria one as well, and and I'd I'd also wax love the Co. About a fantastic night that I'd spent seeing them live as well. Wh, which is like kind of a thing again that you do.

678
00:57:02.140 --> 00:57:03.679
Andrew's iPhone: Were they? Were they kind of like.

679
00:57:03.720 --> 00:57:06.869
Andrew's iPhone: bring the party vibes which they can do live.

680
00:57:07.090 --> 00:57:14.720
Andrew's iPhone: and I remember like after the bit, the third time before I was talking about the point. Cash you, you said to me, you body love crying.

681
00:57:16.550 --> 00:57:17.019
Alternate Line: We did.

682
00:57:17.020 --> 00:57:20.049
Andrew's iPhone: In in general. I do really like what they do.

683
00:57:20.140 --> 00:57:25.520
Andrew's iPhone: And and they they do have that that signature sound that they bring to everything that they do.

684
00:57:25.998 --> 00:57:29.610
Andrew's iPhone: And you're right that with for this record, they're kind of

685
00:57:30.190 --> 00:57:35.352
Andrew's iPhone: going back to what what they kind of became known for at start.

686
00:57:36.940 --> 00:57:39.520
Andrew's iPhone: this is kind of this kind of strip back

687
00:57:40.060 --> 00:57:42.200
Andrew's iPhone: instrumental palette.

688
00:57:42.760 --> 00:57:47.070
Andrew's iPhone: particularly on the first album which was called the universe, smells upon you.

689
00:57:47.190 --> 00:57:53.670
Andrew's iPhone: And and just yeah, just just that, just relying on the kind of interplay between the musicians.

690
00:57:53.930 --> 00:57:59.690
Andrew's iPhone: But but now they've kind of got added chops as well. I think I think they've kind of improved as musicians as well.

691
00:57:59.900 --> 00:58:00.960
Alternate Line: Yeah. Very good.

692
00:58:01.130 --> 00:58:03.729
Andrew's iPhone: In in the time and the time of the week they've been together.

693
00:58:04.020 --> 00:58:13.039
Andrew's iPhone: So yeah, so it's it's very tasteful so so part of me. Listen to the album as a whole, I kind of feel like. Is it enough

694
00:58:14.440 --> 00:58:15.509
Andrew's iPhone: to a degree.

695
00:58:15.510 --> 00:58:16.899
Alternate Line: Audible gasp.

696
00:58:16.900 --> 00:58:18.720
Andrew's iPhone: I think I think there's

697
00:58:18.880 --> 00:58:26.050
Andrew's iPhone: I think there's definitely I mean, I shouldn't hear for people that kind of say that it's nothing more than modern music. I think there's there's a there's a little bit of that

698
00:58:26.370 --> 00:58:27.120
Andrew's iPhone: like.

699
00:58:28.200 --> 00:58:29.460
Andrew's iPhone: yeah, I just

700
00:58:29.790 --> 00:58:38.129
Andrew's iPhone: some. Some. Listen to the album as a whole. I don't. I don't know if there's enough to kind of watch onto and and to remember

701
00:58:38.496 --> 00:58:41.339
Andrew's iPhone: kind of I'm concerned about that with this one.

702
00:58:42.066 --> 00:58:47.500
Andrew's iPhone: I don't, I don't know. Like you kind of bring in like your kind of musicians head to it.

703
00:58:47.880 --> 00:58:50.830
Andrew's iPhone: Ca, can you? Is there enough there for you in terms of

704
00:58:52.630 --> 00:58:54.370
Andrew's iPhone: in terms of the.

705
00:58:54.370 --> 00:58:55.270
Alternate Line: Lots of lots.

706
00:58:55.270 --> 00:58:55.860
Andrew's iPhone: Appreciate the.

707
00:58:55.860 --> 00:59:04.789
Alternate Line: For sure. Yeah, like I think the drumming I like every time I listen to Craig Benn. It's the first thing I

708
00:59:04.810 --> 00:59:09.089
Alternate Line: think of, but I guess what this has taken is into Waxahachie

709
00:59:09.150 --> 00:59:15.023
Alternate Line: Territory from last week a little bit. We're we're gonna we're gonna be having the same kind of debate here, I think.

710
00:59:15.893 --> 00:59:16.720
Alternate Line: we are.

711
00:59:16.830 --> 00:59:21.210
Alternate Line: It's very, very good. But, like, what? What is it like? What? What's it for? Kind of thing.

712
00:59:21.210 --> 00:59:28.400
Andrew's iPhone: It's it's kind of. I think it's kind of similar in in a certain way, and that it's kind of lifestyle music. If you know what I mean. It's kind of like.

713
00:59:28.530 --> 00:59:37.580
Andrew's iPhone: It's what people put on to soundtrack the good times and the happy moments in the life, and make them feel good, and there's there's absolutely nothing wrong with that. That's that's good. And

714
00:59:37.760 --> 00:59:43.379
Andrew's iPhone: and this began, this album came out Friday, and there's been a lot of people and Instagram talking about.

715
00:59:43.840 --> 00:59:49.539
Andrew's iPhone: And, you know, like posting a picture of the album. It's beautiful album cover color, Vinyl.

716
00:59:49.720 --> 00:59:54.920
Andrew's iPhone: you know, Sunday vibes chilling out to the new cran and the loving it. And

717
00:59:55.050 --> 00:59:59.690
Andrew's iPhone: and I I get that. I do get that. But I do wonder like, are people gonna be

718
00:59:59.850 --> 01:00:01.509
Andrew's iPhone: returning to this record

719
01:00:01.550 --> 01:00:02.620
Andrew's iPhone: and

720
01:00:02.720 --> 01:00:07.600
Andrew's iPhone: months down the line. I'm I'm not sure this time around. I'm not. I'm not sure there's enough

721
01:00:07.820 --> 01:00:12.260
Andrew's iPhone: there this time around, and I'm a little bit disappointed in this record, though I've I've given.

722
01:00:12.260 --> 01:00:12.700
Alternate Line: Oh!

723
01:00:12.700 --> 01:00:14.569
Andrew's iPhone: Good few spins over the weekend.

724
01:00:15.004 --> 01:00:19.020
Andrew's iPhone: I brought this track in because it does have a sense of

725
01:00:19.230 --> 01:00:20.970
Andrew's iPhone: mystery to it, and

726
01:00:21.680 --> 01:00:23.719
Andrew's iPhone: there's something kind of slightly.

727
01:00:24.220 --> 01:00:26.874
Andrew's iPhone: There's a kind of moodiness and an intrigue to it.

728
01:00:27.535 --> 01:00:27.930
Alternate Line: Weston.

729
01:00:28.070 --> 01:00:33.193
Andrew's iPhone: Yeah, there's that kind of spaghetti westbound vibe, the kind of almost kind of fun noir ish thing going on.

730
01:00:33.917 --> 01:00:37.390
Andrew's iPhone: There's like the this the sound of like a woman gasping and sobbing.

731
01:00:37.390 --> 01:00:37.920
Alternate Line: Yeah.

732
01:00:37.920 --> 01:00:43.775
Andrew's iPhone: At 1 point you're kind of not really sure what's happening. And then, obviously, that kind of the ambulance sounds at the end as well.

733
01:00:45.380 --> 01:00:49.129
Andrew's iPhone: I'd seen some theories online. So so a lot of this album's about.

734
01:00:49.170 --> 01:00:52.990
Andrew's iPhone: And the bass player, Laura Lee. She she had a child

735
01:00:53.020 --> 01:00:54.220
Andrew's iPhone: there recently.

736
01:00:54.440 --> 01:00:56.250
Andrew's iPhone: Think a lot of the albums

737
01:00:56.960 --> 01:00:58.030
Andrew's iPhone: around.

738
01:00:58.070 --> 01:01:04.339
Andrew's iPhone: or in what's been kind of going on her kind of personal life, so that there's a track immediately before this one that's called May Ninth.

739
01:01:04.860 --> 01:01:12.059
Andrew's iPhone: Apparently that was the day that the baby was born. So I've seen feeds online where they've kind of maybe wondered whether Aida Jane is the name of her child.

740
01:01:12.200 --> 01:01:14.740
Andrew's iPhone: and maybe, like the crying is her.

741
01:01:15.780 --> 01:01:30.003
Andrew's iPhone: you know, holding our child for the first time exhausted but happy. That kind of. I've seen kind of feelings about that, but I'm not entirely sure if that's true, and but at least there's there's that kind of th. There's a kind of moodiness to that track.

742
01:01:30.300 --> 01:01:34.880
Alternate Line: I didn't know there was a I didn't know there was a crime been extended. Universe I was stepping into here.

743
01:01:35.830 --> 01:01:37.370
Alternate Line: This is like Taylor Swift.

744
01:01:37.370 --> 01:01:42.529
Andrew's iPhone: Almost of it. Yeah, yeah. Well, I mean, there are big bands now.

745
01:01:42.530 --> 01:01:43.150
Alternate Line: Yeah, yeah.

746
01:01:43.150 --> 01:01:45.609
Andrew's iPhone: You know they're they're playing the hydrol later in the year.

747
01:01:46.100 --> 01:01:46.730
Alternate Line: Really.

748
01:01:46.730 --> 01:01:59.830
Andrew's iPhone: Which is insane. Yeah, absolutely. And which was one of the kind of things. How except I saw that before, even here in the album, and I did wonder whether they were gonna maybe kind of go in that kind of

749
01:02:00.300 --> 01:02:06.719
Andrew's iPhone: glutter big, you know, kind of big disco record, almost with an even bigger glutter ball at the live shows that kind of thing.

750
01:02:06.750 --> 01:02:10.266
Andrew's iPhone: or maybe they would bring in some kind of you know.

751
01:02:10.560 --> 01:02:11.170
Alternate Line: Poops on the.

752
01:02:11.170 --> 01:02:19.240
Andrew's iPhone: And that kind of thing, we could have easily gone into that direction. So I do admire the fact that they're kind of as you say they're kind of going even more minimal and

753
01:02:19.700 --> 01:02:25.412
Andrew's iPhone: and kind of trusting. You know what they do as musicians, almost. But yeah, as I say, if

754
01:02:25.860 --> 01:02:28.240
Andrew's iPhone: the album is just a little bit

755
01:02:28.340 --> 01:02:30.719
Andrew's iPhone: underwhelming for me. There's not really

756
01:02:30.750 --> 01:02:45.229
Andrew's iPhone: many tracks that that have kind of stuck in my head, you know. You're talking. You're talking about that Jane Weavers track. Just kind of it immediately. Kind of embedding itself, you know. There's just not really that. Enough of that on this album for me, and but

757
01:02:45.590 --> 01:02:52.229
Andrew's iPhone: I still I still really like what they do. But yeah, I was. I was kind of kind of hoping that you could kind of convince me that it's good, really good, but.

758
01:02:52.230 --> 01:03:00.802
Alternate Line: The thing about like, see the great spaghetti, Western music, like annual morocco, or whatever on on some of those big sound tracks. Soundtracks?

759
01:03:01.540 --> 01:03:04.299
Alternate Line: You know the good, the bad, and the ugly theme tune, or whatever

760
01:03:04.610 --> 01:03:07.050
Alternate Line: it just. You heat it once.

761
01:03:07.180 --> 01:03:13.329
Alternate Line: you know, and it's forever in your brain, and I guess I guess you're right. Maybe maybe that track there is

762
01:03:13.610 --> 01:03:15.120
Alternate Line: a little

763
01:03:15.350 --> 01:03:17.799
Alternate Line: forgettable, perhaps, but

764
01:03:18.080 --> 01:03:29.090
Alternate Line: in this sort of 3 and a half, 4 min it's with you. It's as a very pleasant listening experience. I haven't really talked about the musicality of it all that much. So does the almost Flamenco Esque

765
01:03:29.240 --> 01:03:32.449
Alternate Line: really clean reverbie, electric guitar.

766
01:03:33.160 --> 01:03:34.680
Alternate Line: I love her. The beast

767
01:03:34.750 --> 01:03:41.490
Alternate Line: interacts with the drums and the drumming. The drumming is wonderful. It's the there's a snap on the snare.

768
01:03:42.030 --> 01:03:43.770
Alternate Line: That's quite like

769
01:03:43.830 --> 01:03:53.160
Alternate Line: subtle, but it's he's just a great player. There's the sound of the cat, and everything's fantastic. And so I like all of that fun. Funny thing is right.

770
01:03:53.650 --> 01:03:58.130
Alternate Line: When we reviewed Krang Bin that previous time, I think with Leo and Bridges.

771
01:03:58.747 --> 01:04:22.479
Alternate Line: Like, I I thought, that's okay like that that's cool. I I didn't love it. I didn't love it. I just sort of like, yeah, so right, I probably won't listen to crank Ben again. And then I noticed, like over time you were mentioning them repeatedly, and I was like, Oh, maybe I'm sort of missing out on something here. I've not. I've not done my due diligence on this on this band. And then, when I saw this in the playlist this week, I was like great. I've clearly

772
01:04:22.480 --> 01:04:31.199
Alternate Line: clearly not done my due diligence here. I need to get into crying, Ben. So I've actually listened to this records and the whole of this record over the weekend

773
01:04:31.580 --> 01:04:39.970
Alternate Line: and I do quite like it, and I did really like it. And then what you've said is made me go. Maybe I don't like it as much to think of it

774
01:04:40.270 --> 01:04:43.020
Alternate Line: now. I don't know if I like it or not. Now I don't know what I'm doing.

775
01:04:43.150 --> 01:04:46.408
Alternate Line: I'm a reviewer. I don't know who am I?

776
01:04:46.810 --> 01:04:55.270
Alternate Line: But yeah, it's I don't know. It's so hard. It's a hard thing to review this, because it's it's perfect in a way on one level. It's

777
01:04:55.400 --> 01:05:06.968
Alternate Line: it's perfect. There's not a note you could change. There's does. The recording is perfect. It's got. It does have that interesting breathing, talking kind of thing, going through it as well?

778
01:05:07.600 --> 01:05:10.680
Alternate Line: And another level, as you say. Like, is it enough.

779
01:05:10.690 --> 01:05:12.510
Alternate Line: you know? Is it enough of a

780
01:05:12.520 --> 01:05:16.160
Alternate Line: would it be good to have scattered a crazy idea through this record?

781
01:05:16.856 --> 01:05:19.399
Alternate Line: You know, of challenging

782
01:05:19.450 --> 01:05:22.179
Alternate Line: different musical style, or a

783
01:05:22.220 --> 01:05:26.867
Alternate Line: or a new instrument, or something to just set the cat amongst the pigeons.

784
01:05:27.200 --> 01:05:37.380
Andrew's iPhone: Yeah. Cause I mean the the the last kind of full record that they did without collaborate was more decay. That was one way they were starting to kind of try these more

785
01:05:37.934 --> 01:05:52.230
Andrew's iPhone: obvious genre experiments and things like that. And they were bringing in more vocals, and that kind of thing as well as always sounded like them. I'll I'll kind of thought that they would kind of build on that a little bit. So, as I say, in some ways it's brave, but

786
01:05:52.640 --> 01:05:53.910
Andrew's iPhone: it's just.

787
01:05:54.390 --> 01:05:57.130
Andrew's iPhone: I just can't see myself returning to this

788
01:05:57.930 --> 01:06:06.130
Andrew's iPhone: and too often, and on the I've I've I've been again kind of going into these forums and things of that I've seen people say, like certain

789
01:06:06.180 --> 01:06:08.440
Andrew's iPhone: tracks on the album, the actual live

790
01:06:08.540 --> 01:06:11.899
Andrew's iPhone: versions, all they were saying, Oh, yeah, I remember this live. It was so

791
01:06:12.340 --> 01:06:14.030
Andrew's iPhone: awesome or so cool and

792
01:06:14.734 --> 01:06:21.045
Andrew's iPhone: you know, and and maybe seeing them live, maybe maybe that's ultimately where the their best.

793
01:06:21.775 --> 01:06:22.110
Alternate Line: Sam.

794
01:06:22.651 --> 01:06:29.688
Andrew's iPhone: We we can't just kinda get into the because kind of lock into what they're doing on stage and how they're playing with each other.

795
01:06:30.110 --> 01:06:35.000
Andrew's iPhone: But yeah, as I say, this this time around the actual records, I mean.

796
01:06:35.190 --> 01:06:38.139
Andrew's iPhone: it's it's very pleasant, but it's not.

797
01:06:38.370 --> 01:06:41.400
Andrew's iPhone: it's it's not. It's not rocking, not not rocking my world, this one.

798
01:06:41.699 --> 01:06:48.880
Alternate Line: I don't know where I'm with Crying, Ben. Now. I don't know if I'm a hot guy. I don't know what's going on

799
01:06:49.190 --> 01:07:01.830
Alternate Line: right first he likes crying Ben. Now he doesn't like dying, Ben. We don't know what's going on. And now you obviously delight Ben. I I think this is an interesting record. Let's let's do something we've never done before. How's about this? How's about

800
01:07:01.980 --> 01:07:08.320
Alternate Line: next week? Bring in another track from this record, and let's talk about it again. Let's both go away and listen to it a bit more.

801
01:07:08.420 --> 01:07:10.380
Alternate Line: Bring it back. How does that sound.

802
01:07:11.650 --> 01:07:13.299
Andrew's iPhone: Yeah, we could do, yeah.

803
01:07:13.300 --> 01:07:20.870
Alternate Line: We'll give it a try. Give it a try, and we'll see if a week we don't have to spend long on over it. We'll see if a week of it.

804
01:07:23.050 --> 01:07:27.900
Alternate Line: And if we never do that, if we just stick that in the bin of ideas, then you'll know we just we didn't care when that was up.

805
01:07:28.128 --> 01:07:37.739
Andrew's iPhone: But yeah, certainly, if if any of you guys have listened to the record, what do you think of it? Do you think it's as good as the other stuff. Exactly. It's it's it's one of those funny things. But it's like

806
01:07:38.040 --> 01:07:44.619
Andrew's iPhone: it's obvious that they're better musicians than they were when they started. But are they but are? But is the music better.

807
01:07:45.200 --> 01:07:50.480
Alternate Line: Yeah. I saw on a review that described crying Ben as well as hip, hop, adjacent music.

808
01:07:51.620 --> 01:07:56.608
Alternate Line: and I get that like, that's that tracked it is like eminently sample.

809
01:07:57.760 --> 01:08:04.590
Andrew's iPhone: Yeah, I get it. Yeah, I get. It's up to. I like the bit truckers that I could imagine like Tank, or something like that, you know, like sampling it.

810
01:08:05.170 --> 01:08:08.089
Alternate Line: Yeah, I just wonder if I would like that more.

811
01:08:08.420 --> 01:08:09.319
Andrew's iPhone: But yeah.

812
01:08:09.984 --> 01:08:12.349
Alternate Line: Cassandra's got like Wu Tang Sha.

813
01:08:12.350 --> 01:08:12.980
Andrew's iPhone: Yeah. Shit.

814
01:08:13.754 --> 01:08:22.662
Alternate Line: Okay, right? I think we've I think we've explored that as much as we're going to explore it. So final new track

815
01:08:23.330 --> 01:08:30.230
Alternate Line: of the week, and this is an artist I know nothing about in contrast to the previous 2. So who is Daisy? Recommend.

816
01:08:31.330 --> 01:08:35.699
Andrew's iPhone: So. Daisy Rickman is a musician and painter from Cornwall.

817
01:08:36.208 --> 01:08:41.590
Andrew's iPhone: And this is a track from her recently released second album, which is called Howell.

818
01:08:42.510 --> 01:08:43.560
Andrew's iPhone: And

819
01:08:44.450 --> 01:08:46.929
Andrew's iPhone: and yeah, I mean, the fact that she's a painter

820
01:08:47.479 --> 01:08:48.830
Andrew's iPhone: is is

821
01:08:49.109 --> 01:08:53.390
Andrew's iPhone: quite important. I would suggest just, or it kind of makes sense, because

822
01:08:53.960 --> 01:09:03.019
Andrew's iPhone: looking at the the album cover, and she'd see that the artwork for it and it's is very much aligned in terms of the stale. And the subject matter of the music.

823
01:09:03.806 --> 01:09:06.363
Andrew's iPhone: And how will in in this

824
01:09:07.660 --> 01:09:13.659
Andrew's iPhone: This instance is, is, is is meaning, how, as in the Cornish word for sun.

825
01:09:14.290 --> 01:09:15.930
Andrew's iPhone: and so

826
01:09:16.160 --> 01:09:23.699
Andrew's iPhone: the idea is that the Strongs are a homage to the sun and the stars and their role in shaping the earth season and landscape.

827
01:09:24.160 --> 01:09:31.489
Andrew's iPhone: So I think that should kind of maybe give you some kind of idea in terms of mystical territory. We're kind of stepping into here.

828
01:09:31.700 --> 01:09:36.139
Alternate Line: Yeah, let's see what Daisy, what kind of seats Daisy Rickman has been smoking on on this street.

829
01:09:36.149 --> 01:09:40.319
Andrew's iPhone: And it was deliberately released on the day of the spring equinox.

830
01:09:40.859 --> 01:09:41.739
Alternate Line: Alright!

831
01:09:41.740 --> 01:09:43.119
Andrew's iPhone: So there you go! Alright.

832
01:09:43.120 --> 01:09:44.450
Alternate Line: You up to on the day of the spring.

833
01:09:44.951 --> 01:09:47.460
Andrew's iPhone: I was listening to this.

834
01:09:47.649 --> 01:09:48.220
Alternate Line: Do you like.

835
01:09:48.220 --> 01:09:49.770
Andrew's iPhone: Still, really, I like to.

836
01:09:50.020 --> 01:09:58.229
Alternate Line: I was just out in my back garden. Creating an icon to an elder God. Okay, golden seats, Daisy Rickman.

837
01:10:02.280 --> 01:10:03.290
Alternate Line: Oh.

838
01:10:03.620 --> 01:10:04.300
Alternate Line: move

839
01:10:09.640 --> 01:10:13.980
Alternate Line: a

840
01:10:14.720 --> 01:10:15.530
Alternate Line: you

841
01:10:16.520 --> 01:10:18.180
Alternate Line: and I'm

842
01:10:19.100 --> 01:10:21.510
Alternate Line: a

843
01:10:23.300 --> 01:10:24.780
Alternate Line: man.

844
01:10:27.600 --> 01:10:28.730
Alternate Line: A

845
01:10:30.900 --> 01:10:33.340
Alternate Line: by the

846
01:10:33.590 --> 01:10:39.350
Alternate Line: the sun shone red. Read by the

847
01:10:39.610 --> 01:10:40.870
Alternate Line: 9 figures

848
01:10:41.400 --> 01:10:44.609
Alternate Line: the subject of starring Kate.

849
01:10:45.330 --> 01:10:46.020
Alternate Line: Now

850
01:10:48.110 --> 01:10:55.380
Alternate Line: through to the source of light. Their bodies dance like comets falling far into the sky.

851
01:11:07.760 --> 01:11:11.090
Alternate Line: Its vision is spiritual

852
01:11:11.470 --> 01:11:12.600
Alternate Line: God for the

853
01:11:12.770 --> 01:11:13.800
Alternate Line: a

854
01:11:14.850 --> 01:11:16.990
Alternate Line: I would have done.

855
01:11:19.600 --> 01:11:21.740
Alternate Line: Oh.

856
01:11:22.630 --> 01:11:23.330
Alternate Line: one!

857
01:11:31.270 --> 01:11:32.710
Alternate Line: A

858
01:11:33.020 --> 01:11:36.260
Alternate Line: a!

859
01:11:37.520 --> 01:11:46.019
Alternate Line: The King held out his hands to the wings, to the stars.

860
01:11:48.190 --> 01:11:49.730
Alternate Line: Oh.

861
01:11:53.130 --> 01:11:54.689
Alternate Line: the figures go through!

862
01:11:56.750 --> 01:11:57.570
Alternate Line: I'm so

863
01:11:58.980 --> 01:11:59.690
Alternate Line: listen!

864
01:12:00.800 --> 01:12:01.980
Alternate Line: Radiant.

865
01:12:02.790 --> 01:12:04.580
Alternate Line: rising

866
01:12:16.850 --> 01:12:19.810
Alternate Line: a

867
01:12:23.090 --> 01:12:24.260
Alternate Line: boo!

868
01:12:26.360 --> 01:12:27.510
Alternate Line: I

869
01:12:29.130 --> 01:12:32.229
Alternate Line: the golden scenes sing this vision of the spiritual

870
01:12:33.130 --> 01:12:34.950
Alternate Line: the one morning

871
01:12:36.280 --> 01:12:37.900
Alternate Line: you.

872
01:12:39.090 --> 01:12:42.020
Alternate Line: It has the completeness of the stars around.

873
01:12:42.610 --> 01:12:43.440
Alternate Line: Play that

874
01:12:45.190 --> 01:12:46.280
Alternate Line: eternity.

875
01:12:46.700 --> 01:12:47.440
Alternate Line: No.

876
01:12:48.200 --> 01:12:49.220
Alternate Line: me!

877
01:12:59.800 --> 01:13:01.730
Alternate Line: A

878
01:13:30.080 --> 01:13:31.080
Alternate Line: Go

879
01:13:34.410 --> 01:13:36.620
Alternate Line: e

880
01:13:38.310 --> 01:13:39.520
Alternate Line: you

881
01:13:39.730 --> 01:13:45.589
Alternate Line: so, Andrew, the High Priestess has spoken.

882
01:13:46.440 --> 01:13:48.409
Alternate Line: I feel like I may have been

883
01:13:48.890 --> 01:13:54.439
Alternate Line: be witched or in sorcerers by what we just listened to. There.

884
01:13:57.530 --> 01:13:59.079
Andrew's iPhone: Awesome. Happy. Yeah.

885
01:13:59.080 --> 01:14:01.130
Alternate Line: It's lovely stuff. It's lovely stuff.

886
01:14:02.900 --> 01:14:10.744
Andrew's iPhone: Yeah, but I think so. Yeah, that's kind of it kind of highlights the year for me. This is this album is is one of them. And really loving this album.

887
01:14:13.760 --> 01:14:14.630
Andrew's iPhone: yeah.

888
01:14:16.740 --> 01:14:18.300
Andrew's iPhone: so

889
01:14:18.820 --> 01:14:23.259
Andrew's iPhone: so yeah, that that kind of kind of build up that I talked about that kind of idea of

890
01:14:23.310 --> 01:14:29.490
Andrew's iPhone: a kind of hymn to the sun if you like and that these are when she's she's dedicated us

891
01:14:29.610 --> 01:14:38.700
Andrew's iPhone: album to her grandmother as well. So she said that her spirit, the spirit of the grandmother, has guided her and stay close to her while recreating the record.

892
01:14:39.290 --> 01:14:47.790
Andrew's iPhone: And there's there's a brilliant track code sign post to the stars as well, which is written for our grand over is for all those login to be in the stars with loved ones who have passed.

893
01:14:48.280 --> 01:14:50.320
Andrew's iPhone: So there's that kind of sense of.

894
01:14:51.370 --> 01:14:58.539
Andrew's iPhone: and, you know, kind of connecting myself in kind of spiritual, something mystical, connecting to the land all that kind of stuff

895
01:14:59.360 --> 01:15:06.580
Andrew's iPhone: you'll be. You'll be surprised to hear, Ian, that that Daisy admin is previously recorded. The version of Windows song from the wicker man, so.

896
01:15:06.580 --> 01:15:06.940
Alternate Line: And you.

897
01:15:06.940 --> 01:15:08.389
Andrew's iPhone: There's a there's a lot of that going.

898
01:15:08.390 --> 01:15:10.890
Alternate Line: It was inevitable. We would mention the wicked man. It was.

899
01:15:10.890 --> 01:15:11.360
Andrew's iPhone: Yeah.

900
01:15:11.360 --> 01:15:11.980
Alternate Line: Just it was.

901
01:15:11.980 --> 01:15:20.560
Andrew's iPhone: I feel like I picked a track. That's kind of that could be in the book of Manse contract every couple of weeks. I'll bring them so from that. But I just I just love that kind of thing.

902
01:15:20.560 --> 01:15:23.579
Alternate Line: Breeze, the breeze, not the breeze. Yeah.

903
01:15:23.580 --> 01:15:24.170
Andrew's iPhone: Yeah, okay.

904
01:15:24.436 --> 01:15:24.969
Alternate Line: Another, one.

905
01:15:28.430 --> 01:15:35.073
Andrew's iPhone: yeah. So I thought it was Eddie. I thought, she's in Pat, inspired by Nicholas Cage. She has inspired Nick Drake.

906
01:15:35.670 --> 01:15:37.539
Andrew's iPhone: She does a terrific life

907
01:15:37.680 --> 01:15:47.020
Andrew's iPhone: version of 3 h from a 5 weeks left that you can see on Youtube. And that's recommend people checking out. So there's a lot of that kind of

908
01:15:47.140 --> 01:15:48.355
Andrew's iPhone: that kind of

909
01:15:49.300 --> 01:15:54.510
Andrew's iPhone: British folk of the kind of early seventies thing going on.

910
01:15:55.390 --> 01:16:01.879
Andrew's iPhone: There's a little bit of a hauntology, you know we talked about ghostbox records before. There's kind of elements of that in there.

911
01:16:02.210 --> 01:16:05.480
Andrew's iPhone: And then there's elements of like kind of drone music.

912
01:16:05.710 --> 01:16:06.750
Andrew's iPhone: M.

913
01:16:07.260 --> 01:16:14.699
Andrew's iPhone: Maybe kill links it to things like Lancome a little bit, or Alison Cotton, who again, we've played in the podcast before.

914
01:16:14.780 --> 01:16:22.699
Andrew's iPhone: And again, she's got a really lovely record out this year as well. And so yeah, so th, there's lots of really cool things going on here.

915
01:16:22.910 --> 01:16:30.910
Andrew's iPhone: and and the the the tracks on the album kind of meander the on sport their own pace. It's actually one of the shorter tracks from the record.

916
01:16:32.360 --> 01:16:48.180
Andrew's iPhone: and it's as kind of both around aspects of drawn and short repeated phrases that become almost like kind of mantras to the earth and the sun and the stars, and that kind of thing so, and she's got a really kind of unusual voice. It's really kind of deep blue voice, right.

917
01:16:48.180 --> 01:16:48.730
Alternate Line: Really, deep.

918
01:16:48.730 --> 01:16:49.470
Andrew's iPhone: Appreciate it.

919
01:16:49.700 --> 01:16:52.734
Andrew's iPhone: I find quite, quite mismeric again.

920
01:16:54.191 --> 01:17:01.430
Andrew's iPhone: There's there's there's a cool review that I've seen a guy called Thomas Blake did a brilliant piece for

921
01:17:01.440 --> 01:17:04.345
Andrew's iPhone: KLOF. Mark,

922
01:17:05.230 --> 01:17:08.040
Andrew's iPhone: which was like a new website for me. But it's actually it's really cool.

923
01:17:08.350 --> 01:17:17.350
Andrew's iPhone: And his his piece was great, and he he described it as conjuring an alternative reality, where Nico budded up with the incredible string band rather than the velvet underground.

924
01:17:17.810 --> 01:17:21.589
Andrew's iPhone: and which which I think is pretty much spot on. So it's got.

925
01:17:21.790 --> 01:17:23.569
Andrew's iPhone: It's got that kind of the other kind of

926
01:17:23.610 --> 01:17:28.976
Andrew's iPhone: deep droning Nico Esk vo voice. But it's kind of taken it in this

927
01:17:29.460 --> 01:17:32.390
Andrew's iPhone: British scope prog direction.

928
01:17:32.820 --> 01:17:35.300
Andrew's iPhone: which? Which? I'm all for.

929
01:17:35.751 --> 01:17:46.670
Andrew's iPhone: And yeah, there's a real kind of elemental beauty to the music. But it's kind of rich and mystery, and it's kind of ripe for ruminating and kind of losing yourself. And

930
01:17:47.200 --> 01:17:56.855
Andrew's iPhone: and yeah, I just think there's a real kind of magic to this record. I I I could I I could understand when we feel like some people would just be kind of instantly put off by it. But for me.

931
01:17:57.080 --> 01:18:00.449
Alternate Line: Are you wondering if I'm about to appear with a golf club and smash this one.

932
01:18:00.450 --> 01:18:00.890
Andrew's iPhone: Oh!

933
01:18:00.890 --> 01:18:09.519
Alternate Line: I'm not. Gonna I'm not. Gonna it's just it's not this one's not necessarily for me. It's just to.

934
01:18:10.090 --> 01:18:14.020
Alternate Line: I don't know. It's just too full of ideas that I just don't believe in, I think.

935
01:18:21.594 --> 01:18:30.705
Alternate Line: And you can. You can summarize that. However you want. But like I just it's just so outside my like my own personal worldview and all that.

936
01:18:31.680 --> 01:18:40.577
Alternate Line: and like you were, say I, I hate to say this. I may even. I may even clip this out. I'm gonna say this in advance, just in case I feel like clipping this out. But see, when you were sitting there like she

937
01:18:40.930 --> 01:18:49.539
Alternate Line: like our grandmother, died when she was making the record, and she felt like her grandmother's spirit was leading her through the making of the record I wanted to go. What literally

938
01:18:51.380 --> 01:19:01.589
Alternate Line: unfortunate answer is, yes, so, but that's fine. Like. Obviously, people. People see the world very differently. And the review I read it was in something called Moof Mag. Comment. I don't know if you saw that.

939
01:19:01.590 --> 01:19:05.239
Andrew's iPhone: Yeah. But that's a that's a that's a great website.

940
01:19:05.240 --> 01:19:10.449
Alternate Line: It's a mad review. The words are, by Lady Godiva.

941
01:19:10.630 --> 01:19:34.720
Alternate Line: I don't know which. I don't know if it's the original one, or or what but the review begins by referring to Daisy as the Cornish High priestess, and the photograph of her is like amazing. She's dressed in effectively what looks like Motley, but she's dressed like Marilyn as well. So that it's it the whole it's it doesn't seem to be a bet, is what I'm trying to get at. This seems to be like her actual.

942
01:19:34.720 --> 01:19:45.570
Andrew's iPhone: Yeah, yeah, that's that's absolutely true. Yeah. And th, that's most done a bit with the artwork and all that as well. It's just everything's just. And and the way that she looks, it's just all of a piece.

943
01:19:45.590 --> 01:19:46.220
Andrew's iPhone: Yeah,

944
01:19:47.160 --> 01:19:52.099
Andrew's iPhone: and yeah, my, my vinyl copy of the wreck had arrived this week, and it's beautiful, beautiful thing.

945
01:19:52.570 --> 01:19:57.369
Alternate Line: Remember, I've I've said this to you before sometimes if you're ever at a music festival, particularly a smaller one.

946
01:19:57.630 --> 01:20:01.839
Alternate Line: and there are just people there would look dreadlocks and stuff and like.

947
01:20:01.850 --> 01:20:05.729
Alternate Line: and they appear to just live outside all the time. And you're like.

948
01:20:05.840 --> 01:20:17.094
Alternate Line: where do you go? The rest of the time when you're not here, because you're only here 3 days of a year, right? So where are you? The other 363 days of the year or 62 days of the year.

949
01:20:17.490 --> 01:20:26.305
Alternate Line: And she seems to be one of those type of folk, I think, but she's she's I mean, our our voice is stunning like our voice is really, really amazing.

950
01:20:26.740 --> 01:20:30.369
Alternate Line: And the the spoken word element of this is is really like.

951
01:20:30.720 --> 01:20:33.848
Alternate Line: it's kind of spooky. It's kind of chilling.

952
01:20:34.240 --> 01:20:34.840
Andrew's iPhone: Yep.

953
01:20:35.160 --> 01:20:46.669
Alternate Line: And yeah, I can see how I can see how you would disappear in a rabbit hole with it. It's just not for me this one, so not slagging it off. Well, I think I have been slagging off, but the not not in a serious way. It's just not for me. This one.

954
01:20:48.890 --> 01:20:52.310
Andrew's iPhone: Not sure it's definitely for me, and I'll I'll love it.

955
01:20:52.610 --> 01:21:00.719
Alternate Line: It's it's not as strange as that time when you had that guy. Just like whispering in my ear was the aboriginal guy

956
01:21:00.790 --> 01:21:01.909
Alternate Line: that was amazing.

957
01:21:02.030 --> 01:21:06.043
Alternate Line: That was amazing. Okay, cool. So that says

958
01:21:06.870 --> 01:21:13.299
Alternate Line: for better or worse, now made their way through our 5 new tracks of the week, and our

959
01:21:13.599 --> 01:21:29.629
Alternate Line: ha! I can't remember how you described that. I said that was nepotism, a corner. I can't remember what you said. It was like just bringing in our talenty friends, I think, was what you said, and diving horse at the start of the podcast that was really good as well. So that leads us onto our final segment of the week, which is a recurring

960
01:21:29.925 --> 01:21:47.649
Alternate Line: vinyl world, where Andrew takes down from his music room with the arches. A record that's inspired by so or not inspired by he is inspired by something that he had there. And it's I'm talking shortly. I'm gonna have to go back and clip this back out. Talk to him! I never do that, I never.

961
01:21:49.580 --> 01:21:50.690
Alternate Line: Right.

962
01:21:51.220 --> 01:21:53.010
Alternate Line: I said, recurring segment.

963
01:21:55.450 --> 01:21:56.609
Alternate Line: The vinyl word.

964
01:21:57.870 --> 01:22:00.149
Alternate Line: How did I get confused talking about you

965
01:22:00.350 --> 01:22:01.750
Alternate Line: taking a rough? Say, this like.

966
01:22:01.750 --> 01:22:02.370
Andrew's iPhone: I'm like so.

967
01:22:02.370 --> 01:22:03.630
Alternate Line: Said this bit 80 times.

968
01:22:03.630 --> 01:22:04.330
Andrew's iPhone: To.

969
01:22:04.330 --> 01:22:05.980
Alternate Line: Have I confused myself like

970
01:22:08.270 --> 01:22:09.470
Alternate Line: cutting segment?

971
01:22:10.000 --> 01:22:11.030
Alternate Line: They know what?

972
01:22:14.030 --> 01:22:42.759
Alternate Line: Yeah. So we're here with our recurring segment. The final word, Andrew's gonna take down a record from his shelves, and it's connected to something that we've listened to today, and something from the past, something he really loves whilst he's getting ready to give us a bit context on that. I'm just gonna let you know that if you've enjoyed this week's podcast the best thing you can do is to subscribe, subscribe to the podcast everywhere and follow us on social media. We're on X, we're on Instagram, and you can just find us at, we heard windows.

973
01:22:43.195 --> 01:23:00.740
Alternate Line: You can also support the podcast financially. If you choose to do so, we would love it if you did. Main is an iced oak milk latte these days on buy me a coffee.com slash. We heard wonders and all their money they get sent there. We just put it towards the ongoing running costs of the podcast of which there are some.

974
01:23:01.641 --> 01:23:03.399
Alternate Line: Okay. Andrew over to you.

975
01:23:04.920 --> 01:23:12.640
Andrew's iPhone: I thank you. So yeah. So the vinyl word this week I'm going from that track by these Rickman golden seats.

976
01:23:13.250 --> 01:23:19.740
Andrew's iPhone: and I am taking it from there, and I'm transferring it to

977
01:23:20.209 --> 01:23:29.390
Andrew's iPhone: similar slice of British psychedelia released in 1968 by the band July and the track is titled dandelion Seats.

978
01:23:29.390 --> 01:23:29.930
Alternate Line: No listen.

979
01:23:30.309 --> 01:23:30.689
Andrew's iPhone: M.

980
01:23:30.690 --> 01:23:42.040
Alternate Line: You said seeds. And then you said seminal quite a lot, and I'm just like I'm not having it right. There's too much seed chat going on here. Right? So this is dandelion seats. The golden seeds have been watered, and now it is dandelion seeds.

981
01:23:42.500 --> 01:23:47.679
Andrew's iPhone: Absolutely. Yeah. So dandelion seeds was one side of

982
01:23:47.710 --> 01:23:52.130
Andrew's iPhone: July's debut. Single the other side was called my clown.

983
01:23:52.340 --> 01:23:54.189
Andrew's iPhone: and together they form

984
01:23:54.730 --> 01:23:56.390
Andrew's iPhone: one of the the great

985
01:23:56.700 --> 01:24:00.440
Andrew's iPhone: 7 inch singles of British psych. And

986
01:24:00.710 --> 01:24:10.149
Andrew's iPhone: yeah, both super tracts and staples of any self respecting site comp aiming to kind of document that seen in that time in the UK.

987
01:24:10.280 --> 01:24:15.569
Andrew's iPhone: I would say, so yeah. So July started out as a group

988
01:24:15.850 --> 01:24:19.469
Andrew's iPhone: called the Tomcats, and then they changed their name.

989
01:24:19.910 --> 01:24:22.230
Andrew's iPhone: and July, 1968,

990
01:24:22.500 --> 01:24:23.720
Andrew's iPhone: and then

991
01:24:24.700 --> 01:24:26.329
Andrew's iPhone: very quickly released

992
01:24:26.380 --> 01:24:30.122
Andrew's iPhone: that that brilliant single. And then they released.

993
01:24:31.010 --> 01:24:32.799
Andrew's iPhone: the self-titled album.

994
01:24:33.450 --> 01:24:34.560
Andrew's iPhone: which

995
01:24:35.290 --> 01:24:39.780
Andrew's iPhone: again is kind of is kind of seen as one of those kind of seminal.

996
01:24:40.220 --> 01:24:41.950
Andrew's iPhone: a British psych

997
01:24:41.990 --> 01:25:02.629
Andrew's iPhone: albums of of that period, a very kind of spotty album I would suggest. But it's got one of the old time great psychedelic sleeves, and I think that kind of does a lot of kind of heavy lifting for it, and I do think is is it's a good album. And it's a very kind of fine example of how British Psyche was different from American psych of that period, you know, it's very kind of

998
01:25:02.650 --> 01:25:04.660
Andrew's iPhone: when was a call eccentric.

999
01:25:04.860 --> 01:25:07.990
Andrew's iPhone: quite musically diverse in terms of what it's doing.

1000
01:25:08.420 --> 01:25:16.730
Andrew's iPhone: And yeah, it's Ca, it's kind kind of pulling from what what the what the Beatles were doing, but kind of doing a slight, slightly kind of stranger

1001
01:25:17.231 --> 01:25:23.780
Andrew's iPhone: way, and so yes, I kind of spot the album, but but definitely one that I'd recommend people checking out if they don't know it.

1002
01:25:24.220 --> 01:25:44.549
Andrew's iPhone: And yeah, I I I'd I'd seen like there. There's a great quote from the vocalist, Tom Newman. Who's Who recalls one review, who said that it was the worst album they'd ever heard in the complete waste of plastic. But yeah, O over time has become one of those kind of rarities, and and one of those kind of touch stones of the period.

1003
01:25:45.300 --> 01:25:48.089
Andrew's iPhone: and I thought it'd be a cool way to place it this week.

1004
01:25:48.860 --> 01:25:51.199
Alternate Line: Tom Newman produced tubular Bells.

1005
01:25:51.430 --> 01:25:52.529
Alternate Line: Ms. Rilla.

1006
01:25:52.530 --> 01:25:58.489
Andrew's iPhone: He did. He does, James. Yeah, he became a I don't know if he just. I think he engineered it. Maybe.

1007
01:25:59.506 --> 01:26:00.400
Alternate Line: So it's

1008
01:26:01.300 --> 01:26:07.140
Alternate Line: says. Here Newman released a number of solo albums and produced several albums for other artists, including Mike Oldfield.

1009
01:26:07.421 --> 01:26:09.249
Alternate Line: I got stupid bills, and you go.

1010
01:26:09.610 --> 01:26:10.320
Andrew's iPhone: Yeah.

1011
01:26:10.320 --> 01:26:11.470
Alternate Line: Believe that he would undress.

1012
01:26:11.840 --> 01:26:20.850
Andrew's iPhone: You went. But yeah, yeah, absolutely. Yes. Yeah. So yeah, that's kind of what he went on to do afterwards. He produced a lot kinda

1013
01:26:21.080 --> 01:26:23.410
Andrew's iPhone: interest in records.

1014
01:26:23.460 --> 01:26:25.070
Andrew's iPhone: And but yeah.

1015
01:26:25.410 --> 01:26:27.920
Andrew's iPhone: the first, the first July record is definitely

1016
01:26:28.020 --> 01:26:30.700
Andrew's iPhone: definitely want to check out from that period. If you don't know it.

1017
01:26:31.070 --> 01:26:57.270
Alternate Line: Isn't it cool? How like someone can go from in a really interesting musical project where it's just flawed. It's like great ideas and stuff. But it's just not quite right, somehow. As you said, the record is quite spotty. But that person goes on to be an amazing producer who, like can look at other people's ideas, and maybe a more dispassionate way, or whatever, and bring the best out in them.

1018
01:26:57.647 --> 01:26:58.720
Alternate Line: Isn't that clever?

1019
01:27:00.300 --> 01:27:03.389
Andrew's iPhone: As as yeah. And there's so many

1020
01:27:03.490 --> 01:27:11.842
Andrew's iPhone: got guys that maybe like tried to be the Pop Star, and it hasn't worked for them. But then they they go behind the scenes and do amazing work.

1021
01:27:12.860 --> 01:27:21.710
Alternate Line: Alright. Well, here we go. Here is July with dandelion seats, plays out today, and thanks for checking in with us again, guys, and we shall see you next time.

1022
01:27:22.410 --> 01:27:23.449
Andrew's iPhone: See you next week. Guys

1023
01:27:24.890 --> 01:27:27.399
Andrew's iPhone: dandelion c state one

1024
01:27:36.540 --> 01:27:38.840
Andrew's iPhone: E

1025
01:27:51.700 --> 01:27:53.210
Andrew's iPhone: floating in the air.

1026
01:27:55.790 --> 01:27:56.950
Andrew's iPhone: Never seen

1027
01:27:57.090 --> 01:27:58.750
Andrew's iPhone: a

1028
01:28:00.090 --> 01:28:02.150
Andrew's iPhone: what is.

1029
01:28:05.470 --> 01:28:06.560
Andrew's iPhone: See them?

1030
01:28:09.590 --> 01:28:11.529
Andrew's iPhone: E is

1031
01:28:11.550 --> 01:28:15.460
Andrew's iPhone: dandelion. Lion C.

1032
01:28:19.310 --> 01:28:21.089
Andrew's iPhone: Blow them, and they're

1033
01:28:22.950 --> 01:28:25.229
Andrew's iPhone: lying to the sun

1034
01:28:25.550 --> 01:28:26.310
Andrew's iPhone: existing.

1035
01:28:26.620 --> 01:28:30.290
Andrew's iPhone: Come and be with me.

1036
01:28:31.860 --> 01:28:34.880
Andrew's iPhone: There is always

1037
01:28:35.180 --> 01:28:36.020
Andrew's iPhone: e

1038
01:28:36.850 --> 01:28:41.910
Andrew's iPhone: dandelion. C.

1039
01:29:02.120 --> 01:29:02.840
Andrew's iPhone: Me.

1040
01:29:03.060 --> 01:29:03.770
Andrew's iPhone: He's

1041
01:29:43.310 --> 01:29:43.980
Andrew's iPhone: yes.

1042
01:29:50.170 --> 01:30:09.769
Andrew's iPhone: I tell the time for you. 12 o'clock on noon. It's still true. I know it's true.

1043
01:30:10.110 --> 01:30:11.519
Andrew's iPhone: You can't like make

1044
01:30:23.750 --> 01:30:25.460
Andrew's iPhone: E.

1045
01:30:26.010 --> 01:30:29.319
Andrew's iPhone: Looking down on me

1046
01:30:30.610 --> 01:30:32.039
Andrew's iPhone: by my style.

1047
01:30:39.060 --> 01:30:39.720
Andrew's iPhone: E

1048
01:30:40.140 --> 01:30:45.910
Andrew's iPhone: a dandelion. C.

1049
01:30:47.120 --> 01:30:47.810
Andrew's iPhone: Me.

1050
01:31:27.490 --> 01:31:28.150
Andrew's iPhone: is that.

1051
01:31:46.360 --> 01:31:49.500
Alternate Line: Branberry, source.