Lost And Sound
Lost and Sound is a podcast exploring the most exciting and innovative voices in underground, electronic, and leftfield music worldwide. Hosted by Berlin-based writer Paul Hanford, each episode features in-depth, free-flowing conversations with artists, producers, and pioneers who push music forward in their own unique way.
From legendary innovators to emerging mavericks, Paul dives into the intersection of music, creativity, and life, uncovering deep insights into the artistic process. His relaxed, open-ended approach allows guests to express themselves fully, offering an intimate perspective on the minds shaping contemporary sound.
Originally launched with support from Arts Council England, Lost and Sound has featured groundbreaking artists including Suzanne Ciani, Peaches, Laurent Garnier, Chilly Gonzales, Sleaford Mods, Nightmares On Wax, Graham Coxon, Saint Etienne, Ellen Allien, A Guy Called Gerald, Jean Michel Jarre, Liars, Blixa Bargeld, Hania Rani, Roman Flügel, Róisín Murphy, Jim O’Rourke, Yann Tiersen, Thurston Moore, Lias Saoudi (Fat White Family), Caterina Barbieri, Rudy Tambala (A.R. Kane), more eaze, Tesfa Williams, Slikback, NikNak, and Alva Noto.
Paul Hanford is a writer, broadcaster, and storyteller whose work bridges music, culture, and human connection. His debut book, Coming to Berlin, is available in all good bookshops.
Lost and Sound is for listeners passionate about electronic music, experimental sound, and the people redefining what music can be.
Lost And Sound
Maria W Horn
What if you could blend the haunting echoes of history with cutting-edge electronic music? This week, Swedish composer Maria W. Horn reveals the secrets behind her spectralist compositions. We delve into her latest album, "Panoptikon," and how she seamlessly integrates ghostly choirs and recordings from an abandoned Swedish prison to evoke emotions that are both eerie and deeply human. Maria's background growing up in a remote Swedish area plays a significant role in her creative process, offering a unique perspective on the importance of community for artists.
Maria shares invaluable insights on developing a unique voice, free from external pressures, and the benefits of embracing mistakes and uncertainties. She uses tools like SuperCollider to add an element of unpredictability to her work.
Our discussion takes a fascinating turn as Maria describes her site-specific sound art projects, particularly her installation in Sweden's only panoptic prison. The emotional resonance of the prison's history inspired her to create an imaginary prison choir, combining sound and light to evoke the cycle of daylight and lamenting voices. Maria also opens up about her creative routines, the impact of COVID-19 on her life, and offers heartfelt advice to young artists. Trusting one's instincts, valuing friendships, and courageously releasing work independently emerge as key takeaways from our conversation.
Panoptikon is available now, listen an buy on Bandcamp
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Lost and Sound is proudly sponsored by Audio-Technica
Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more.
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Lost and Sound title music by Thomas Giddins