The most outrageous Russian modernist composers of the 1920s were Dmitry Shostakovich in Leningrad, and Alexander Mosolov in Moscow. They were not merely following European avant-garde trends, and their work was genuinely pioneering. Russian culture was undergoing a vigorous renewal at the time, and these composers worked across several arts: Shostakovich's absurdist opera The Nose extends the theatrical innovations of the celebrated theatre director Vsevolod Meyerhold, while Mosolov's 'machine music' embodies many constructivist ideas of visual artists and filmmakers.

A lecture by Marina Frolova-Walker

The transcript and downloadable versions of the lecture are available from the Gresham College website:
https://www.gresham.ac.uk/lectures-and-events/modernism-rampant

Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.

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