Erik Satie: Part One - Satie's musical and personal logic and Satie as poet, playwright and composer
Gresham College Lectures
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Gresham College Lectures
Erik Satie: Part One - Satie's musical and personal logic and Satie as poet, playwright and composer
Apr 16, 2010
Gresham College
TUDY DAY IN COLLABORATION WITH THE INSTITUTE OF MUSICAL RESEARCH, SCHOOL OF ADVANCED STUDY, UNIVERSITY OF LONDON AND KINGSTON UNIVERSITY
Robert Orledge, Emeritus Professor at the University of Liverpool and a panel of experts
In addition to his music, Satie left a remarkable set of writings, including Le Piégede Méduse (1913) featuring music for prepared piano. Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
This study day will include material on French cinema, lecture/recitals and a performance.
This part of the study day included the following talks:
Satie's musical and personal logic by Robert Orlege
Satie as poet, playwright and composer by Caroline Potter
Robert Orledge, Emeritus Professor at the University of Liverpool and a panel of experts
In addition to his music, Satie left a remarkable set of writings, including Le Piégede Méduse (1913) featuring music for prepared piano. Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
This study day will include material on French cinema, lecture/recitals and a performance.
This part of the study day included the following talks:
Satie's musical and personal logic by Robert Orlege
Satie as poet, playwright and composer by Caroline Potter
