This is Spinal Tap: Soundtrack

Ever wondered what happens when comedy meets rock music in perfect harmony? Join us as we break format to celebrate This Is Spinal Tap's brilliant soundtrack – an album that walks the razor-thin line between parody and genuine musical accomplishment.

Fresh from seeing the 1984 cult classic on the big screen, we couldn't resist diving into these tracks that somehow manage to be both ridiculous and legitimately good. From the pompous prog-rock excesses of "Rock and Roll Creation" to the triple-bass absurdity of "Big Bottom," each song perfectly captures the essence of 70s and 80s rock while mercilessly mocking its worst tendencies.

What makes these songs so special isn't just their hilarious lyrics about sex farms and tiny Stonehenge monuments – it's how musically competent they are. We hear echoes of Black Sabbath, Deep Purple, The Who, and Rush throughout the album, all filtered through a lens of satire that somehow enhances rather than diminishes the music. The double entendres may be juvenile, but the musicianship is anything but.

As we eagerly await Spinal Tap 2 (coming September 2025), join us in ranking our favorite tracks from the original soundtrack. Which song goes to eleven? Will it be the mandolin-infused "Stonehenge," the classical-meets-heavy-metal "Heavy Duty," or perhaps the hilariously patriotic "America" with its references to the Brady Bunch and apple pie? Listen now to find out which tracks deserve to be turned up to eleven and which belong in the "Where Are They Now?" file.

Transcript

Breaking Format for Spinal Tap

Speaker 2 0:20

all right, thank you for listening to the greatest non Non-Hits. All right, I'm Chris, and playing the end part of Heavy Duty from the this Is Spinal Tap soundtrack is my co-host, tim. Thank you so much for listening, as you always do. Um, this is we're. We're breaking from our format a little bit for this episode. Uh, we're. We're in season four. We're supposed to be doing uh 2000 albums.

Speaker 2 0:49

We want to break it up a little bit because, um, tim and I went to see uh the this is spinal tap movie made in 1984. Um, we saw a movie with uh them over the weekend and we thought let's listen to the soundtrack. We'll do the whole format where we'll go through all the songs, we'll listen to them, we'll yuck it up, we're going to play Spinal Tap clips within the songs and at the end we'll rank our top three songs from the album. We're going to consider all of the songs non-hits but we've got the benefit of the lyrics. You know, like, when you like, for example, on spotify, if you click in or type in this is spinal tap, it's going to give you a list of 13 songs that you hear when you you know that are in the movie.

Speaker 2 1:39

You know there's there's the classics. You know there's. That was heavy duty when he was playing. You know it's got like the classical music at heavy duty when he was playing. It's got the classical music at the end but he's playing in a heavy riff kind of guitar thing. That's heavy duty.

Speaker 2 1:51

There's other songs like. There's Hell Hole Tonight. I'm Gonna Rock you Tonight. Rock and Roll Creation. There's Cups and Cakes from if you've seen the original movie. That's a hit from a long time ago when they were the Thamesmen. Let's see. There's Sex Farm, if you recall the movie. They played that at the Air Force Base. That was when, I think, nigel completely loses it, smashes his guitar and leaves the band. There's also Stonehenge, you know. There's the classic moment in the movie where the uh, the triptychs uh come down from the rafters and uh, it's super small because uh, yeah, they mislabeled on the napkin that it was uh inches instead of feet. So you get it Really good stuff. Give me some money.

Speaker 2 2:46

Listen to the flower people is towards the end, big bottom, where the three guys are playing bass all at the same time. No guitar, no lead classics. So we're going to listen to all those. At the end we're going to give our top three. I think I know what my top one is. Um, the other two there are a lot of.

Speaker 2 3:09

The thing is, what's the final tap? Is that they they think that they're these brilliant geniuses and they're kind of idiots and, um, the music is, you know, a lot more simple than you know. They try to make it out to be so, but at the same time, the roots of the song are hilarious, and so we're going to have a good time. It's going to be fun stuff. I don't know, man, I think Tim has his certain things. There's the subplot of Janine in the movie that, um, but yeah, we want to talk about throughout. Just, it was just hilarious and I'm excited because on september 12th of this year is when they're releasing spinal tap to the end continues. So, as we're recording this, we haven't seen the movie yet. So if you're listening beyond september 12th of 2025, then, uh, you, if you're listening beyond September 12th of 2025, then you're listening in the future. You've seen the movie and I hope it was good.

Speaker 2 4:13

I hope you enjoyed it, but in the meantime we're excited to have fun with this one, and I haven't talked to Tim about what his top three are, tim, how you doing buddy.

Speaker 4 4:24

Rock and roll, hello cleveland back in the saddle and back in this hellhole gosh. You know we've got lots of time on our hands it's a complete catastrophe just people, mbs, people, mbs uh-huh, you know, it's just, we are, you know, in this point in our careers.

Speaker 3 4:45

People should be envying us. You know, I envy us. Yeah, I do Me too.

Speaker 4 4:49

Me too. We just we are who we are and who we are yeah.

Speaker 2 4:54

No matter how delusional we are, it's just simple, it's clever. Yeah, simple lines.

Speaker 4 4:59

Could be anything.

Speaker 3 5:00

Yeah.

Speaker 2 5:05

It's such a fine line between stupid and clever. Yes, exactly, and try to do that with this podcast.

Speaker 4 5:08

This is our saucy jack yeah, this could be our saucy jack, because you know we've had all these ideas and yeah this is the parody.

Speaker 2 5:16

Do that thing with the london philharmonic yeah it's delusional, but you know, yeah, I mean, I've been thinking about, yeah, the jack, the ripper yeah, remember what we were.

Speaker 3 5:24

Do you project? At the Luton Palace.

Speaker 4 5:25

We were talking about the Luton Palace.

Speaker 3 5:27

The musical based on the life of Jack the Ripper Saucy.

Speaker 2 5:31

Jack, saucy Jack, I like the who.

Speaker 1 5:33

You're a naughty one Pinball wizard.

Speaker 2 5:34

Saucy Jack, you're a naughty one.

Speaker 4 5:47

Yeah, it was a great experience to see that in the theater. Big screen on the big screen, uh, wow, yeah, and the the trailer. You know it was. I'm not gonna spoil anything with the trailer, but yeah, I wonder, yeah, who knows? Well, we can listen to this again after hopefully they get a full size stonehenge, you know yeah, I wonder.

Speaker 2 6:03

Yeah, that new drummer too, like Joe mama bass. I wonder, how he worked Do they make reference to him.

Speaker 4 6:08

Yeah.

Speaker 2 6:08

I think in like one of the like the an interview in 1991 when they came out with break like the wind, they were interviewing them and he said something to the fact that he and Janine, like David St Hubbins is like he and Janine got married in 1986 and yeah, but she's back in London and she's got some sort of business. I don't know. So maybe they'll make reference to those things. Yeah, they were mad at market, marty DeBerge in that, in that interview.

Speaker 2 6:35

interview after the movie because it made him look stupid and they were like mad at that time. I just wonder if that that comes up or they're double dipping with the interview.

Speaker 4 6:43

They just need to stay elusive, and the more elusive, the more the allure. That's what I think. Yeah, with this they can make a cupcake business and sell thousands, yeah, cups and cakes. Vanilla chocolate strawberry Right.

Speaker 2 7:02

Derek Smalls, aka Everybody loves sweets. Nigel Derek Smalls, aka Everybody loves sweets, you know, yeah, nigel.

Speaker 4 7:07

Nigel would have a couple cupcakes. Yeah, they could do that.

Speaker 2 7:11

Yeah, from their big hit Cups and Cakes.

Speaker 4 7:13

Yeah.

Speaker 2 7:13

Yeah, Look at you man. Yeah, you know we could set up our own bakery and business and just call that Cups and Cakes and just rip them off. Yeah in business and just call that cups and cakes and just rip them off. Yeah, you can get them. Maybe they can sponsor us yeah well, but then they. We just gave them the idea.

Speaker 4 7:29

So well they'll have us it was a dream they'll show, they'll reciprocate, you know, yeah, yeah, anyway let's get into the let's go.

Hell Hole: Rich Rock Star Problems

Speaker 2 7:38

You know non-hits yeah, let's go hellhole is the first song. All right, right out of the gate yeah, all right, that's bib savage on the keyboards. Shout out. Shout out to Viv.

Speaker 1 8:00

I'm a man. I'm a man.

Speaker 2 8:21

Now we're going with all smiles out of the clips.

Speaker 3 8:25

They see us on stage. They see us on stage with tight trousers. We've got, you know, armadillos in our trousers. I mean, it's really quite frightening, the size.

Speaker 4 8:54

The lady next to me in the theater really liked that armadillos reference. Oh yes, she was cracking up, she. It's good to hear other people laughing as reference. Oh yeah, she's cracking up. It's good to hear other people laughing at stuff, oh.

Speaker 1 9:05

I know.

Speaker 4 9:07

Yeah, got a little steak and lobster. A sauna they got the sauna yeah.

Speaker 2 9:15

Ooh.

Speaker 1 9:18

Ooh.

Speaker 2 9:19

Man, the kitchen stinks of boiling snails, so they're boiling snails, so they're supposed to be like these.

Speaker 4 9:23

The pools are too hot. It's a heated pool darn. It's a hell hole. The butler quit. It's rich person problems.

Speaker 2 9:36

Taxman's comment the butler quit. This ain't no place to be. Who's gonna clean up around here?

Speaker 4 9:42

Taxman's comment about where this ain't no place who's?

Speaker 3 9:50

gonna, he's gonna clean up around here. I mean I just, I don't. I don't do dishes. I Read so that I put this Right. So then it's like this but this doesn't work because then it's all. Because it hangs out like that Look, would you be holding it? No, I wouldn't want to be holding my mouth.

Speaker 2 10:05

All right, A exhibit A.

Speaker 3 10:09

All right, a exhibit, a Look this miniature bread. It's like I've been working with this for about half an hour and I can't figure out. Let's say, the bite, right, you've got this. You have an M, exactly. I don't understand how it's like you could fold it, well, no, then it's half the size and I keep folding, yeah, but then it breaks up, it breaks apart, like this no, no, no, you put it on the bread like this, see, but then if you keep, and then everything has to be folded and then it's this that was ripping Look who's in here?

Speaker 3 10:50

No one.

Speaker 2 10:53

All right, this is tonight. I'm going to rock you tonight.

Speaker 4 11:02

He did not repeat himself.

Speaker 2 11:06

The title is Tonight I'm Gonna Rock you Tonight. I love that I know.

Speaker 4 11:15

So Hell Hole has got to be like. We're thinking Alice Cooper, yeah, this one could be. Who are they parodying? Yeah, like Directly.

Speaker 2 11:32

Like Godzilla, maybe like with that organ, maybe like Blue Oyster Cult, like Blue Oyster Cult UFO Thin Lizzy yeah, like Blue Oyster Cult. Like Blue Oyster Cult UFO Thin Lizzy, yeah, even Kiss.

Speaker 4 11:46

Yes, here it is. Yes, this is Kiss, yeah, for sure, the Rocka yeah, and it's Alice.

Speaker 2 11:55

Cooper, ted Nugent. It's like the song's about the younger, you know. It's like how you know how Alice Cooper or no, it's like Ted Nugent. It's like his song's about like the younger, you know. It's like how you know how, like Alice Cooper or no, it's like Ted Nugent, you're too young. Yeah, like adopted his girlfriend so he could marry her, or whatever you know. It's like, oh my God. And so it's like, I think it's like parodying that. It's disgusting. He, woody Allen'd it. Ah, oh.

Speaker 4 12:16

God it's cringy.

Speaker 2 12:18

Yeah, this is these guys are. Yeah, this song is like taking it to the end.

Speaker 4 12:23

It's a parody Of course, yeah, they're not Real rock crew. Yeah, which is crazy. How the music is this good for it not being an actual band?

Speaker 2 12:36

I don't understand how this is not a bad song. Who?

Speaker 4 12:39

makes the song.

Speaker 2 12:47

So that's it right. Who are the ghost writers exactly? Yeah, who were they? I mean, we gotta, yeah, look that up, maybe like shame on us, but not even they, like, who wrote these songs? I mean, I think it was just like all of them.

Speaker 4 13:03

Maybe they did write them. That's the brilliance of it they actually made songs for this.

Speaker 2 13:13

It's like proggy. It kind of goes from high to low.

Speaker 3 13:22

They mix opera and, yeah, maybe Boston with the oh yeah emerson lake and palmer, like keith emerson, there's a little guy look yeah, so it's a complete catastrophe you're right yeah, this is heavy duty.

Speaker 2 13:37

This is what Dan was playing.

Speaker 1 13:39

Oh damn it, Damn it man.

Speaker 4 13:41

You know, this song would be really good if they were dressed up as animals.

Speaker 2 13:47

Oh yeah, any idea what it will cost to dress up as animals?

Speaker 3 13:53

Oh it doesn't cost anything. They're not animals.

Speaker 2 13:56

They're not animals.

Speaker 3 13:57

It's a way to fight the drabs.

Speaker 2 14:00

It's a way to fight the drabs. It's a way to fight the drabs.

Speaker 3 14:04

Mine would look better in doubly. It was done in doubly.

Speaker 4 14:10

Meditation stuff makes you go blind. I love it.

Speaker 2 14:15

Scrape that volume.

Speaker 4 14:20

What are the hits on here?

Speaker 2 14:23

I mean my intro. I was just like I don't think these are hits, are they? None, None, none.

Speaker 4 14:30

None more black None. No hits, it's in the. Where are they now file?

Speaker 2 14:40

Why waste good music on a?

Speaker 4 14:41

brain. Yeah, I think they.

Speaker 2 14:52

Said like a heavy riff with classical music.

Speaker 4 14:56

Yeah, also in the movie like you hit many a wrong note, which was just even funnier. Yeah, they were like it was warts and all.

Speaker 2 15:09

When they were in front of Elvis's grave. They're trying to do the barbershop raga. It's like well, since my baby left me, they're like no, no, no.

Speaker 1 15:21

He's like, yeah, no, that's good Attitude, attitude it's.

Speaker 2 15:24

Barbershop Raga. Yeah, and just because it pays, that ain't no crime. Heavy, heavy Duty, duty, heavy duty. Rock and roll. Rock and roll, roll.

Speaker 1 16:10

Heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty heavy duty heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy duty, heavy Simple lines intertwining.

Speaker 3 16:31

It's the guitar solo sucks, don't touch it.

Speaker 1 16:32

Don't touch it. I wasn't going to touch it. No, don't touch it, I was just pointing at it. Well, don't point, even you don't even point.

Speaker 3 16:38

No, it can't be played. Never Can I look at it.

Speaker 4 16:41

No, oh good, drumming here.

Speaker 2 16:54

Yeah, he's done that fill a couple of times.

Speaker 3 16:58

He just was like a flash of green light a couple of times.

Speaker 1 17:01

he just was like a flash of green light.

Speaker 2 17:10

Yeah, the character was mick shrimpton and then he combusted on stage and they replaced him with joe mama bass. Yeah, we just don't know there's. No, I don't think there was any dialogue that addressed him. I wonder if that'll be a question asked or if they'll write a line in about that.

Speaker 4 17:31

There's people working around the clock. We still have to figure out what this is, what riff that is.

Speaker 2 17:45

Yeah, it's classical. Yeah, it shows arguments I don't know. Yeah, anyways.

Speaker 4 17:52

Excellent stuff, it's excellent. Straight through this door here down the hall, yeah, turn right, yeah. And then there's a little jog there.

Speaker 3 18:00

Shout out to the joggers, shout out to the joggers.

Speaker 2 18:02

Shout out to the runners. We don't have time for that.

Speaker 4 18:08

Oh, they're doing it in doubly. All right, this is rock and roll creation.

Speaker 2 18:12

This is a rock psalm, one critic said. It prompts the question On which day did the Lord Create Spinal Tap, and couldn't he have rested on that day too?

Speaker 4 18:33

Is that an actual review from the movie? Well, that was like a line.

Speaker 2 18:36

I don't know what they were saying. You got negative reviews. This this was like from the album. Uh, from their album.

Speaker 4 18:46

The rock songs spinals have something like that salvation we're just, it's out of the emptiness, you know, yeah, creation.

Speaker 1 19:03

Oh, Big Bang Mutation.

Speaker 2 19:08

Yin was searching for his, yang One of the best lines in the whole album, in my opinion. He looked and he saw that it was good.

Speaker 4 19:19

It's a good thing yeah, a little cardamom, that's right.

Speaker 2 19:30

When I'm alone beneath the stars and feeling insignificant. This is like Black Sabbath. Oh, for sure To see the forces that created me. Yes, I mean, it's a kind of totemistic thing, you know. Oh yeah, ian Faith Shout out to Ian Faith, the manager.

Speaker 4 19:52

Road manager. Now we're into the who. Went from Aussie Black Sabbath to the who.

Speaker 2 19:59

Froggy it's like King Crimson. Yeah, derek Smalls.

Speaker 4 20:13

Derek.

Speaker 2 20:14

Killing it and Viv Savage on it, yeah this is.

Speaker 4 20:19

This is good, this is good, this is good, this is a good song.

Speaker 1 20:24

Oh Sean.

Speaker 4 20:34

Oh, sean, is it maybe a little bit right rush? Maybe even this part, yeah?

Speaker 2 20:40

this is rush. Yeah, the pitch the key changes, of course. Yeah, we're not above it. Yeah, yeah, yeah.

Speaker 4 20:52

There's so much going on, there's so many bands that they carry yeah, white Snake.

Speaker 2 21:06

Poison, yeah, white snake poison. Uh, that was a little bit after, I would say maybe earlier white snake deep purple, deep purple, definitely. Yeah, um uriah heap ufo. Now you're naming some of the ones that are less.

Speaker 4 21:22

Yeah, Uriah Heep UFO. Now you're naming some of the ones that are less.

Speaker 2 21:26

Motorhead.

Speaker 4 21:27

Yeah, okay, yeah, yeah, like Prague rock All right, king Crimson yes.

Speaker 3 21:35

All this free time is so elastic. It's a gift time is so elastic give boston kansas all right jazz blues festival where was that?

Speaker 1 21:52

blues jazz, really blues jazz festival me all right, this one's called america like babies from our home, across the sea to see america, and the people have opened up their arms to welcome us. Okay, this gets like super heavy halfway through we came our children from a far and distant land to see America.

Speaker 2 22:38

I very like the band America a little bit. We'll venture a highway.

Speaker 4 22:56

Not bad.

Speaker 2 23:01

Yeah so say all of us tap into America. Sweet, dennis Eaton, hug. Yeah, mitch Shrifton. Sir Dennis Eaton Hogg, all right, yeah, mitch Shrimpton. Yeah, this is like Ozzy. Black Sabbath, deep Purple, children of the Children of the Grave. This is Judas Priest. Yeah, iron Maiden. Brady Bunch and Smokey Bear. Brady Bunch and Smokey Bear.

Speaker 4 23:55

Oh, that is good yes, that is good Brady Bunch. And.

Speaker 2 24:00

Spokane Buildings. Reaching the sky, afrosheen and apple pie.

Speaker 1 24:07

PTA and FBI. Yeah.

Speaker 4 24:24

Chuck begins to run yeah babe.

Speaker 2 24:33

Yeah, this is reminiscent of like Blinded by the Night, Manfred Mann.

Speaker 4 24:40

It's trippy, yeah. Now they're going into this like yeah, really froggy yeah.

Speaker 2 25:00

I like the last line in this. This is hilarious.

Speaker 4 25:06

Peace, religion, race and greed.

Speaker 2 25:09

God bless Chinese apple seed.

Speaker 4 25:12

Oh, my gosh Greed needs seed. They did it. Oh yes, america.

Speaker 3 25:25

That was good man.

Speaker 4 25:27

Definitely up there.

Speaker 1 25:28

Put that on at a party. See where it takes you yeah.

America and Cups and Cakes

Speaker 2 25:33

No, I agree that ripped.

Speaker 1 25:39

This is a little.

Speaker 3 25:41

Oh, what good things.

Speaker 1 25:43

Oh, this is when they were the Thamesmen.

Speaker 3 25:45

You're on your direction when you take it with me. What a gay time it was.

Speaker 2 25:52

Like right after that, when they play this, cups and cakes.

Speaker 1 25:55

Cups and cakes. Please make sure that Nothing breaks that China's so dear.

Speaker 4 26:04

You can hear Nigel there Am.

Speaker 1 26:05

I, I hear a little Nigel, oh yeah. Okay.

Speaker 2 26:18

This is like Michael McKean. I'm like Barbershop Raga with him.

Speaker 3 26:35

Cups and cakes. Cups and cakes.

Speaker 1 26:38

I'm so full.

Speaker 4 26:39

My tummy aches. How sad it must end. But I'm so full my tummy aches.

Speaker 1 26:42

How sad it must end, but I'm glad I don't vent.

Speaker 3 26:45

Sharing cups and cakes with me and cakes with me. So British.

Speaker 4 26:56

I think that's Shout out to the Brits.

Speaker 2 26:57

Yeah, currently residing in the. Where Are they Now fight? Oh man, all right. Fine, oh man All right. This is big bottom. We can't turn our back on the three, three basement song. No, no Three basement.

Speaker 4 27:18

They're doing it.

Speaker 2 27:21

Amphib Savage on the keyboards. I like how they come in for a couple.

Speaker 4 27:36

The drums are playing with us a little bit here.

Speaker 2 27:40

It's good. The mini-move is good.

Speaker 4 27:45

The swing of the cushion. That's how to start a song. That's what I said. You didn't stutter the loose of the waistband.

Speaker 2 27:53

The deep of the quicksand. What so I have red. My baby fits me like a flesh tuxedo. I like to sink her with my pink torpedo. Oh my God, Talk about bum cakes.

Speaker 4 28:15

My girl's got them Cups and cakes and bums.

Speaker 2 28:21

How could I leave this behind? Cups and cakes and bums? How could I leave this behind? Double entendre. I met her on Monday. It was my lucky fun day. You know what I mean. It was my lucky fun day. You know what I mean. It was my lucky fun day. I love her each weekday, each velvet-inching day. You know what I mean my love gun's loaded and she's in my sights. Big Dave is waiting there inside her tights.

Speaker 1 28:59

Yeah, big bottle, big bottle. Sights. B-dame is waiting there in sight. They're tight, big bottom, big bottom.

Speaker 4 29:06

Talk about mudflats, my girl's got them Shout out to truckers out there. Yep, I like the organ. Musically, I think this is, like, honestly, way better than the other ones. Lyrically, I'm just flabbergasted. It's horrible, isn't it? It's a parody. I'm thinking Beard Al yeah.

Speaker 2 29:47

It's very, but these songs are original and they're just good enough to where you can see how they would be successful.

Speaker 4 29:57

But not be at the same time.

Speaker 2 30:03

Yeah, they're like all burnt out, they're out of control, they're delusional, they think that this is profound, they're heavily sedated. I never knew Big Bottom have such a dramatic ending. That was kind of cool, it's such a fine line between stupid and clever. All right, this is Sex Pod. It's the song that they're playing at the Air Force Base and Nigel's cordless guitar picks up frequencies and gets pissed off, stares down Janine and leaves. She's playing tambourine at the next gig, poking your head. Tim's disapproving. I don't think he's enjoying this song as much.

Speaker 1 31:14

I can't even sing that.

Speaker 2 31:20

Not even I can't even tell you that. Not even I can tell you that. This is what. Don't you see my silo rising high?

Speaker 4 31:40

Ah Don't you see my silo rising high?

Big Bottom and Sex Farm

Speaker 2 31:48

Sex farm? Oh, it's on your bar door. Thirteen-year lifestyle. You know what I mean. What?

Speaker 4 32:12

What, what? This is too much, yeah, this is oh wow.

Speaker 1 32:29

I'll let my office stand.

Speaker 2 32:32

Don't you hear my tractor rumbling by?

Speaker 4 32:36

Or just People need to make real playlists Of like Van Halen and like some of these, and then sneak these in and see if your friends notice. Oh okay, be like. What band is that?

Speaker 2 32:53

Just like a heavy rock playlist. Spinal Tap Put it into the violins Sex bomb. Trying to raise some hard love, cutting out my pencil it into the old ones Time to get out the pitch for us A lot of double entendre, triple, quadruple, quadruple, entendres, yeah. Of course, here comes the froggy that's all of these that have them.

Speaker 4 33:25

They just elongate it yeah.

Speaker 2 33:34

I guess you have to have a big climax.

Speaker 4 33:37

That's good. That's good. Thank you, that was good. I'll be here all week.

Speaker 1 33:42

Just like get off. Fine ass, that's good, that's good. Thank you, that was good, all right, wow.

Speaker 2 33:52

Okay, this is Stonehenge.

Speaker 1 33:56

Yes.

Speaker 3 33:58

In ancient times, hundreds of years before the dawn of history.

Speaker 4 34:06

Dawn Dawn lived a strange race of people.

Speaker 2 34:11

Race of people, the Druids.

Speaker 4 34:19

So historical, no one knows.

Speaker 2 34:23

No one knows who they were or what they were doing.

Speaker 3 34:29

What they were doing, so stupid, but their legacy remains Hewn into the living rock of Stonehenge.

Speaker 2 34:58

Stonehenge, where the demons dwell, where the banshees live, and they do live well.

Speaker 1 35:04

Stonehenge, where the madmen, mine and the children dance To the pipes of time. What the pipes of pan the children dance?

Speaker 4 35:15

to the pipes. What Pipes and pan?

Speaker 2 35:20

The children dance to the pipes. Yeah, pan.

Speaker 4 35:23

Place like a Alright, alright Place, those pipes, pan pipes, pipes of pan Duh Dragon in space.

Speaker 1 35:36

Virgins Sky Dragon in space when the virgins lie and the prayers of devils Fill the midnight sky. And you, my love, weren't you taken by hand? We'll go back in time To that mystic land when the dewdrops cry and the cats meow. I will take you there, I will show you how?

Speaker 2 36:27

yeah, it was this part where you know those triptychs. Come down super small. Dwarfs are trampling upon them. This part it's like they're coming down. Come down super small, the dwarves are trampling upon them. This part it's like they're coming down now.

Speaker 4 37:01

The mandolin yeah, yes, it's awesome. This is entertaining, this is great Shout out to the RenFest people. Yeah, renaissance Fest, let's go, let's go.

Speaker 1 37:35

Let's do it.

Speaker 3 37:51

And where are they now, the little people of Stone Age? And what would they say to us if we were here?

Speaker 2 38:04

tonight, tonight have you now, and there were they now the little people of Stone Age Are there with a man, the little people of Stan and Ange.

Speaker 1 38:26

Alright.

Speaker 2 38:29

Stop wasting my time, just give me some money. You know what I want.

Speaker 1 38:36

You know what I need. You know what I need, all right, oh, maybe you don't. You doing this one. Do I have to come right flat?

Speaker 2 38:44

out and tell you We'll cut that one out. I think Give Me Some Money is like from a we want to do like the. Is that it? This is Flower People. I think these are additions. This is christmas with the devil. Look through this one. We'll put this one in here. Actually, I don't even think this is on here.

Speaker 4 39:17

I don't think they're on here, no.

Speaker 2 39:18

No, all right, we're cutting Christmas with the devil out. This is a disqualifier.

Speaker 4 39:24

Yeah, I think that was it yeah.

Speaker 2 39:26

Yeah, well, I think it was. I think you're right. So like, yeah, these are like some of the ending ones, but we're going to cut these out. So what are you thinking?

Ranking Our Top Three Songs

Speaker 4 39:38

man. Well, uh, excuse me, um, I gotta go. Number three Stonehenge. Number three because the mandolin rock. Oh okay, man Shout out to Eddie the mandolin or uh, check them out but, uh, yeah, the mandolin with the heavy prog was just so cool. Yeah, I mean they go back to their folk days. You know, sure, their flower people days, right okay on that, it comes full circle. It's my number three. What do you?

Speaker 2 40:17

got. My number three is gonna be america. You know that was. I don't even remember that from the movie, but I just think it's it was kind of hilarious yeah, the way it was going from extremes, you know, from super chill and mellow at the beginning, and it just goes into like a black sabbath kind of a thing and right.

Speaker 4 40:34

They take you there.

Speaker 2 40:35

Yeah, but then there's also like America and it was just uh, yeah, I, I enjoyed it, it was, it was entertaining. So the number three for me.

Speaker 4 40:44

Yeah, I'm going to go um number two, big bottom Like it deserves to you know queen had. You know Queen had a song that comes to mind. It's rock and roll-esque.

Speaker 2 41:02

Yeah, what I like about that one and spoiler alert. That's not going to be in my top three, but I like the fact that the lyrics are neither more or less stupid.

Speaker 4 41:18

There was a lot of stupid and clever.

Speaker 2 41:21

And I liked how they play off of one another. It's so stupid with the cleverness. It's stupid humor.

Speaker 4 41:27

It's on the precipice, it's on the line. Brilliantly done. It's a knife's edge. That's right. Could be either. Right on, yeah.

Speaker 2 41:40

But lyrics with the rock and like there's, there's some songs I kind of like yeah, that's why I'm glad we're doing this. Um, I'm gonna say, my number two is gonna be stone edge nice, yeah, it's just, it rips yeah, the druids, and like in the middle, like the yes, the keyboard, it's kind of like Emerson Lake and Powley that kind of thing. And then there's like the bass and it's proggy. Yeah, so that's my number two.

Speaker 4 42:08

All right, I'm going heavy. Duty number one, really.

Speaker 2 42:16

Oh yeah, of course I mean that's your signature move. It's heavy duty number one really. Oh yeah, of course I mean that's your signature move.

Speaker 4 42:18

I didn't, it's yeah heavy duty, it's just so the duty, it's, it's the sound just makes you just, you know, potentially void your bowels. I mean it's that, it's that heavy, it's pretty wild, it's that heavy, it's pretty wild.

Speaker 2 42:36

Sure.

Speaker 4 42:44

Well, I'm glad those were mentioned, like the guitar part.

Speaker 2 42:47

Yeah, it's worth mentioning, for sure.

Speaker 4 42:50

It brings it back up to classy and renowned Right on.

Speaker 2 43:00

With that, it's full circle. Very good, uh, for my number one, I'm gonna go rock and roll creation. All right, yeah, just that was just a really good song. It was like. It was like by far I like that more than the others, yeah, so jim was looking for his yang you know.

Speaker 2 43:15

It's funny it's you know, poking fun at them. The genre it's satirical, but the music is good at the same time. It sounds pretty original. It actually isn't, but it is. It's kind of poppy it's, it's, it's. It's dated to that era, early 80s so yeah good stuff all right, yeah, it kept us tapping.

Speaker 4 43:36

Keep you know. Tap into america, tap in, let's go. That's right, you know keep those spines healthy, stretch it out stretch out your spines, yeah but we're ready, we're about ready to tap out. We're tapping out. All right, take care.