Academy Vs Audience
Ever since 1928, the Academy of Motion Picture Arts and Sciences has handed out trophies to what it considered the best in film. Sometimes they were absolutely right, sometimes they were entirely wrong, sometimes they were so, so basic. But in all that time, audiences have had their own opinions, sometimes better, sometimes much worse. And sometimes, when the stars align or the fates allow, they even agree. Academy Vs Audience is a deep dive into Oscar history, revisiting film history from the 1920s to the 2020s; from the Studio Era to the age of the IP Franchise; from the age of the silent film to the age of the novelty silent film. Claire, Erin, and Dan take on each year’s Best Picture according to the Academy, and the Box Office Champ selected by audience dollars*. It’s a fascinating look at enduring classics and a descent into madness, because History Is Always Terrible and audiences make questionable choices.(*Based on revenue earned during its initial run, and the year said run began in. No re-releases. Lots of movies become audience favourites years after their initial release, you are not special, Billy Jack.)
Academy Vs Audience
1996: The Independence Patient
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Claire Bolton, Dan Gibbins, and Erin Weir
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Season 7
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Episode 10
It's 1996, and Dan is yelling "Elaine was right" as Claire, Erin, and he dissect Harvey Weinstein's first big Oscar win, The English Patient. Was this an early example of the current hip category fraud, where a co-lead ran as a supporting actress for an easier Oscar? Does cheating on young, hot Colin Firth make sense? Those questions answered, the far less clever but far more fun Independence Day claims the box office, which gives our hosts way more emotions in a surprisingly close amount of time. Ralph Fiennes vs Will Smith, join us for the fight!
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