Opera - We love singing
Music, and more particularly singing is always with us. A certain day we may find ourselves moody and with a melody from La forza del destino playing over and over again in our head. Or maybe we feel like a superhero as we've doing great at work and then we feel like Calaf solving the 3 riddles that Turandot has proposed. First, we would like to share that this is not a place for the platitudes that are everywhere, telling my favorite singer is always the greatest in everything he's sung; and at the same time, we avoid being one of those toxic places where there's endless criticism around the minimum error of a given singer. We need more places where we can be respectful and still express our differences, as art is perception and no one perceives art equally to one another. Our second proposal is to come and share, both Katia and I are pretty sure there are a million questions you have always asked yourself about singing and as singers are sometimes not the most approachable people, well we hope can answers some of those questions!!
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
Opera - We love singing
Dissecting... Di Provenza il mar il suol from La Traviata
In this season we are reviewing the most popular arias of all times. This time another great favorite from La Traviata: Giorgio Germont's aria.
By far, one of the most beautiful melodies ever written for the baritone voice. There is no soprano who doesn't have it in her repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
