Join me in conversation in two parts with Esme Garlake, an ecocritical art historian and climate activist who centers her research on the interaction between the artist and the natural world. We are talking about two artists who were trained under Raphael, Giulio Romano and Giovanni da Udine. How do animals manifest in their works, and what does it tell us about the social history of sixteenth century Italy?
Part one focuses on establishing how an ecocritical approach is used to analyze Renaissance art via Raphael before turning to the Palazzo Te in Mantua, and Giulio Romano's Sala dei Cavalli and the Banquet of Cupid and Psyche.
For more of Esme's work:
Blog: https://medium.com/@esme.garlake
Article: https://envhistnow.com/2023/05/04/towards-an-ecocritical-art-history/
Research Profile: https://www.ucl.ac.uk/art-history/esme-garlake
Podcast Instagram: @italian_renaissance_podcast
Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast
Join me in conversation in two parts with Esme Garlake, an ecocritical art historian and climate activist who centers her research on the interaction between the artist and the natural world. We are talking about two artists who were trained under Raphael, Giulio Romano and Giovanni da Udine. How do animals manifest in their works, and what does it tell us about the social history of sixteenth century Italy?
Part one focuses on establishing how an ecocritical approach is used to analyze Renaissance art via Raphael before turning to the Palazzo Te in Mantua, and Giulio Romano's Sala dei Cavalli and the Banquet of Cupid and Psyche.
For more of Esme's work:
Blog: https://medium.com/@esme.garlake
Article: https://envhistnow.com/2023/05/04/towards-an-ecocritical-art-history/
Research Profile: https://www.ucl.ac.uk/art-history/esme-garlake
Podcast Instagram: @italian_renaissance_podcast
Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast