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The Italian Renaissance Podcast
The Italian Renaissance Podcast takes you on an exciting journey into fifteenth and sixteenth century Italy, stepping beyond the bounds of general overviews of historical themes of the Renaissance, and diving deeply into interpreting how we understand the period today. Each episode provides an analysis of cultural giants, stories of drama and violence, masterworks of literature, but most importantly, the art.
These discussions are curated for not only the adept history lover, but also the general audience, as an engaging and digestible source of information for those interested in enhancing their own understanding of Western history.
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The Italian Renaissance Podcast
Ep. 34: The Titian List, feat. Gee Cooper
With great pleasure, I welcome Gee Cooper back to the show to discuss the afterlife of Titian. Given his proliferation and international appeal, the works of Titian and his role as court painter had a ripple effect in courts throughout Europe. Among the most important figures is Charles I of England who looked to expand the Royal Collection after a visit to Spain where he saw Titian's poesie series and was permanently changed. The Titian List is the inventory of his works by Titian until his execution and the dispersal of his collection.
Charles I wanted a Titian of his own. He employed Antony Van Dyck as his court painter, who would emulate Titian, reproduce his works, and adjust his own style to the preference of the King.
In this conversation, we cover essential aspects of the poesie series in Spain to understand the impact that it had on Charles I. We then look at two types of Imperial portraiture to determine the direct influence of Titian's work in the seventeenth-century, not merely as items in an inventory, but as a highly praised style that infiltrated courtly painting.
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