Read Beat (...and repeat)
If you're like me, you like to know things but how much time to invest? That's the question. Here's the answer: Read Beat--Interviews with authors of new releases. These aren't book reviews but short (about 25-30 minutes on the average) chats with folks that usually have taken a lot of time to research a topic, enough to write a book about it. Hopefully, there's a topic or two that interests you. I try to come up with subjects that fascinate me or I need to know more about. Hopefully, listeners will agree. I'm Steve Tarter, former reporter for the Peoria Journal Star and a contributor to WCBU-FM, the Peoria public radio outlet, from 20202 to 2024. I post regularly on stevetarter.substack.com.
Read Beat (...and repeat)
"Moses Jacob Ezekiel: Jewish, Confederate, Expatriate Sculptor" by Samantha Baskind
Moses Jacob Ezekiel may be a 19th-century sculptor who’s been largely forgotten, but his work hasn’t been.
A member of the Jewish faith who fought for the Confederacy in the Civil War, Ezekiel is described as a complex figure. Samantha Baskind, an art historian at Cleveland State University, examines some of that complexity in her book, Moses Jacob Ezekiel: Jewish, Confederate, Expatriate Sculptor.
As the first Jewish American artist to win international acclaim, Ezekiel (1844-1917) was a proud American yet lived in Rome for 40 years, said Baskind. Ezekiel never gave up his U.S. citizenship, making frequent trips back to the States to visit friends and family.
Ezekiel was a celebrity artist in his day, honored by U.S. presidents and European royalty, she said.
“Ezekiel felt he should be in Europe to get the proper art education he needed,” said Baskind. The artist spent time in Germany before falling in love with Rome, where his studio became famous in its own right, she said.
Some of Ezekiel’s works have lately become the source of controversy. Several of Ezekiel’s monuments depicting Confederate soldiers were taken down in the early 2020s after the murder of George Floyd, she said. An Ezekiel statue of Christopher Columbus was removed in Chicago, noted Baskind.
But Ezekiel’s Confederate work represented only a small part of the art he produced, she said, pointing to works like the majestic 1876 monument “Religious Liberty’’ in downtown Philadelphia and the large Thomas Jefferson monument on the University of Virginia campus that showcase his skill as an artist.
The UVA campus also displays Ezekiel’s “Blind Homer with His Student Guide,’’ a tribute to the ancient Greek poet. Ezekiel’s works can also be found in several American cities, such as Cincinnati and Louisville.
Among the sources Baskind used in researching her book were Ezekiel’s 638-page memoir, along with private correspondence, and records at the Virginia Military Institute in Lexington, where Ezekiel was a cadet during the Civil War.
Despite a general lack of awareness about the artist, Baskind said she hopes that more people will come to appreciate Ezekiel's diverse body of work. “Ezekiel is an artist whose work is hidden in plain sight,” she said.
