Inside the She Cave: Trailblazers, Innovators, Rule Breakers
Women are the pulse of culture and society, blazing new trails for how we see and move through the world - from arts and culture to real estate, finance, politics and more. Podcaster Cindy Farkas Glanzrock aka "RealArtMuse" is a proud native New Yorker, a longtime advocate for minority women business enterprises, celebrating and connecting women through hosting and sponsoring events like “A Seat at the Table” and “Iconic Women." Come inside her “she cave” for heart-to-hearts with dynamic women spanning generations - Trailblazers, Innovators, Rule Breakers - as they frankly reflect on their craft, success stories, failures and the lessons learned.
Inside the She Cave: Trailblazers, Innovators, Rule Breakers
Anonymous Was A Woman and the Intersection of Art, and Architecture in a Curatorial Practice
Welcome to Season 3, Part 2 of Episode 1 of Inside the She Cave, where we explore-inspiring stories and the passions of two women making a difference in the art world. In this episode, Host Cindy Glanzrock explores the fascinating intersection of art, psychology, architecture, space, and community in curatorial practice with Dr. Vesela Sretenović, co-curator and co-author of 'Anonymous Was A Woman,' recently at the Grey Art Museum at New York University. This episode delves into how curators use psychological insights to enhance the viewer's experience, create meaningful connections, and evoke emotions through art. From the Grey in New York City, to the Phillips Collection in Washington, D.C., to Mallorca, her home country of Serbia (former Yugoslavia), and more, Vesela takes us on a global journey as she uncovers the strategies and stories behind some of her most impactful exhibitions. Tune in for an enlightening journey into the mind and vision of this prolific inter-disciplinary curator.
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The configuration of the Grey is such that it was restricted, like any other gallery, to show large work. So, when Nancy and I were looking, we were also looking to find a work that represents, that is within the five years of the reception of the grant, but also that presents the artist at their best. One of the great things about the fact that you did this, this Abby Weed Grey, knowing that someone who actually cared very much about art from other worlds, Iran, India, Asia, and brought that collection in 1974 to the NYU, a woman, to think about what was happening in the 70s for women. Think about what was happening for women in the 70s, and she was bringing this collection to the NYU. I think it's mind-boggling, you know, and then here it is 50 years later, it's developed and yet still important. A woman 50 years later is doing a exhibition on 251 women at the Grey Museum of Art. Look at how history is 50 years later, from the 70s to 2025, has kind of come back. So, I think we are doing better, maybe, as women. I do too.