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Law on Film
Law on Film explores the rich connections between law and film. Law is critical to many films, even to those that are not obviously about the legal world. Film, meanwhile, tells us a lot about the law, especially how it is perceived and portrayed. The podcast is created and hosted by Jonathan Hafetz, a lawyer, legal scholar, and film buff. Each episode, Jonathan and a guest expert will examine a film that is noteworthy from a legal perspective. What does the film get right about the law and what does it get wrong? Why is law important to understanding the film? And what does the film teach about law's relationship to the larger society and culture that surrounds it. Whether you're interested in law, film, or an entertaining discussion, there will be something here for you.
Law on Film
First They Killed My Father (2017) and The Gate (2014) (Guest: Melanie O'Brien) (episode 37)
This episode looks at two films about the Cambodian genocide of the 1970s: First They Killed My Father (dir. Angelina Jolie), and The Gate (or Les Temps des Aveux) (dir. Régis Wargnier). First They Killed My Father is based on the memoir of Loung Ung, who was a five-year-old girl when the Khmer Rouge took control of Cambodia in 1975. Loung Ung was forced to flee Phnom Penh, Cambodia's capital, with her family. Loung Ung’s parents were killed, and Loung Ung was separated from her siblings; after surviving in a forced labor camp, Loung Ung was forced to become a child soldier. The Gate tells the story of acclaimed French anthropologist, Francois Bizot, who was imprisoned and tortured by the Khmer Rouge for three months in 1971 on suspicion of being a CIA spy, and who later became the French embassy’s translator and intermediary with the Khmer Rouge until he was forced to flee the country. The films, which are both based on personal memoirs, provide a harrowing account of Cambodia under the Khmer Rouge. I'm joined by Dr. Melanie O’Brien, Associate Professor of International Law at the University of Western Australia (UWA) Law School and President of the International Association of Genocide Scholars. Dr. O'Brien is a leading expert on genocide and international law, and is the author of acclaimed scholarly books and articles on the subject.
Timestamps:
0:00 Introduction
3:42 Background on the Khmer Rouge
7:42 Khmer Rouge philosophy and tactics
11:50 Forced marriage
15:37 The role of propaganda
24:58 The use of child soldiers
27:48 Life after genocide
31:42 First They Killed My Father and the Cambodian genocide
38:08 Francois Bizot and Comrade Duch
40:10 The French embassy in Phnom Penh
43:52 The portrayal of Comrade Duch
46:06 The Extraordinary Chambers in the Courts of Cambodia (ECCC)
55:06 Why Cambodia was a genocide
1:00:16 The Khmer Rouge’s destruction of culture
1:07:21 Transitional justice in Cambodia
1:10:33 The role of memoirs after genocide
Further reading:
Becker, Elizabeth, When the War Was Over: Cambodia and the Khmer Rouge Revolution (1988)
Bizot, Francois, The Gate: A Memoir (2004)
Killean, Rachel & Moffett, Luke, “What’s in a Name? ‘Reparations’ at the Extraordinary Chambers in the Courts of Cambodia,” 21(1) Melbourne J. Int'l Law 115 (2020)
O’Brien, Melanie, “Le Temps des Aveux/The Gate” (review), Law & Culture (2016)
O’Brien, Melanie, From Discrimination to Death: Genocide Process through a Human Rights Lens (Routledge Press 2023)
Sperfeldt, Christoph, “Collective Reparations at the Extraordinary Chambers in the Courts of Cambodia,” 12 (3), Int’l Criminal L. Rev 457 (2012)
Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember.
For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.html
You can contact him at jonathanhafetz@gmail.com
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