You know that moment when you realize the thing you’ve worshipped as a fan is now your actual job? That’s where this conversation with guitarist and recording artist Kieran Robinson begins, and it only gets wilder from there. We talk through how a young musician goes from growing up on Queensrÿche and classic rock to performing alongside Geoff Tate, learning songs with serious technical weight, and walking the tightrope between confidence and imposter syndrome.

We get into the real mechanics of making a legacy project work. Kieran explains how he approaches writing and demo-building for Mindcrime III, why the goal is to keep the music in the same sonic universe as Operation: Mindcrime, and what happens when Geoff takes a draft and transforms it with melody, synths, and arrangement choices. If you’re into songwriting, producing, or progressive metal composition, you’ll hear a practical workflow you can steal, plus the mindset required when the fanbase knows every note and expects the music to be played with respect.

Then we shift to the live world: the iconic Viper Room night, the nerves of performing in front of other pros, and why playing Mindcrime feels more like theatre than a standard rock set. Kieran also shares what touring really looks like, from dividing time with Faster Pussycat to the unglamorous truths of backstage riders, band pranks, and recording on the road with portable studios in hotel rooms. We wrap with gratitude, perspective, and the reminder that rock is still a community built on craft, feel, and showing up ready.

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