Bienvenue, mes amis! This week we view the 1955 French psychological thriller “Diabolique,” a screenplay so interesting that Hitchcock himself tried to get his hands on it and an ending so thrilling that we are asked explicitly by the film not to reveal it to you.
We also ask the burning questions you never knew you had, such as; what ARE the criteria to be selected as a Criterion Collection film? How can sound become a means of torture? What songs would play in our personal hells?
Join us and find out. It is truly an épisode diabolique.
Bienvenue, mes amis! This week we view the 1955 French psychological thriller “Diabolique,” a screenplay so interesting that Hitchcock himself tried to get his hands on it and an ending so thrilling that we are asked explicitly by the film not to reveal it to you.
We also ask the burning questions you never knew you had, such as; what ARE the criteria to be selected as a Criterion Collection film? How can sound become a means of torture? What songs would play in our personal hells?
Join us and find out. It is truly an épisode diabolique.