0:00

on today's show we're going to talk


0:01

about this crazy


0:03

cool Glazer Bender guitar Strat with a B


0:08

vender on it we're going to talk about


0:10

these old Seymour Duncan hot Strat stack


0:14

pickups and strats with Benders oh


0:19

[Music]


0:28

my well hello friends


0:30

so how many times do you see a strat


0:32

with a B bender on it not often so today


0:35

we're going to tell the tale and how


0:37

many times do you see Glazer Bender


0:39

guitars so uh this is a parts Caster


0:42

It's a


0:43

80s um you know Glazer neck that I found


0:48

online and uh then I uh of course got a


0:52

non- tremolo strp body and we painted it


0:54

the same color as the other guitar and


0:57

uh this one if you're not familiar with


1:01

it and uh yeah and just kind of had a


1:04

Heyday so that's what today's episode is


1:06

about just going to tell the tale of it


1:08

and talk about these cool old Seymour


1:11

Duncan hot Strat stack pickups that are


1:15

really cool and that Duncan you know


1:17

still makes them to this day and uh yeah


1:21

they're a cool a cool


1:23

pickup all right first off I just want


1:25

to say thank you to all my patreon


1:27

members and everyone that's supported


1:29

the show in any way shape or form be it


1:32

tip jar or buying a coffee mug or a


1:35

t-shirt um just really appreciate it uh


1:40

if you want to learn about patreon


1:41

there's information in the


1:43

description also just want to say a


1:45

hello to windmill windmill guitars in


1:49

Cleveland Tennessee which is just kind


1:52

of east of Chattanooga it's a great


1:55

little shop there that I was at recently


1:59

and uh was there my son had a wrestling


2:02

tournament and went there and got to run


2:04

into my my buddy Clint and uh yeah just


2:08

got to have a good time there it's a


2:09

great shop so if you're ever in uh in


2:12

the Chattanooga area or going through


2:14

there you ought to go to Cleveland


2:15

Tennessee and hit windmill


2:18

guitars all right let's dive


2:21

in


2:23

so you know I did the the last episode


2:26

about you know about this this Glazer


2:29

telly


2:30

which was of course made from old parts


2:33

that were unfinished you know they still


2:36

had to be shaped and painted and all


2:38

that stuff and so we put this together


2:40

but in that episode I talked about how


2:44

for years and years and years I had a


2:47

search going on reverb and eBay and


2:51

Google in general looking for Glazer


2:53

guitars but they really didn't come up


2:55

at all I never could find one so of


2:58

course the way this works is that once


3:02

that once I got that one all of a sudden


3:04

on reverb there popped


3:07

up this Glazer Strat and I started


3:11

looking at it and before I even got to


3:13

this description I saw the picture of


3:16

the


3:17

headstock and I knew something was up


3:19

because it said Glazer bender on there


3:23

and so anytime it says Glazer Bender


3:26

that means it was on a guitar that had a


3:28

bender on it and the body that was on it


3:30

had a tremolo so I knew that it was a


3:33

non it wasn't the original body so of


3:35

course reading the


3:36

description yes it was a you know it was


3:39

just a Glazer neck on another


3:42

body so otherwise if it's a real Glazer


3:46

guitar and it doesn't have a bender then


3:48

it would say custom instead of Bender


3:50

there on the on the same font and


3:52

everything it would just say custom


3:54

there instead of


3:56

Bender so I uh I I you know of course


4:01

messaged the guy through Reverb and I


4:03

said hey do you know what happened to


4:05

the original body with the bender and he


4:08

immediately uh comes back with hey Zach


4:11

this is Jason


4:13

Cornelius and which was just amazing


4:16

because Jason is a cat that I met 20


4:19

plus years ago out on the road when I


4:21

was working for Brad Paisley uh Jason


4:24

met us up at Billy Bobs and he ended up


4:26

hanging out with us all day long he


4:29

ended up help helping us with load in


4:30

and load out and was there for sound


4:32

check and everything and was just a


4:33

great hang and a great guy and through


4:36

the years I've kind of stayed in touch


4:37

with him and uh and uh just a really


4:40

nice guy so when I found out that that


4:42

he had the neck of course I asked him if


4:45

he would sell just the neck cuz I didn't


4:48

really want the body cuz I wanted it to


4:51

be a be vendor like it was supposed to


4:52

be a vendor you know guitar and so he


4:55

agreed to that and he was he G you know


4:58

gave me a buddy deal on it he sold it to


5:00

me for what he had in it and which was


5:02

very kind so thank you


5:04

Jason and I immediately told my guitar


5:08

buddy


5:09

Brad


5:11

and I mean he immediately got on his


5:13

phone and he found a upper thre


5:19

lb swamp Ash non- tremolo Strat buddy on


5:23

reverb and ordered it just like


5:26

that and he said okay I've got a body


5:29

order


5:30

and I said what he said yeah he said now


5:33

you just need pickups so I said well


5:36

what kind of pickups should we put on it


5:37

I said you know cuz you know on my other


5:39

Strat I have like a combination of Ron


5:41

Ellis and I have like a Duncan twang


5:43

Banger in the back and he said no no and


5:47

I said well what about like emgs and he


5:49

said no he said you need to do a set of


5:55

seamour Duncan hot Strat stacks and I


5:58

said three of them and he said yeah you


6:01

need to have three of them three blade


6:03

you know pickups on there and I said why


6:06

and he said two words Steve


6:09

Warner and then I remembered the fact


6:12

that of course the most famous Glazer


6:15

Strat


6:15

user is Steve Warner and his Strat which


6:20

has a you know it has an ebony fretboard


6:22

with kind of a tree of life in lay and


6:24

if you want to find out about it I've


6:25

interviewed him a couple of times


6:27

Through The Years there's one of them


6:28

that's with Joe Glazer and Steve Warner


6:31

and we talk in depth about the guitar so


6:33

if you want to learn more go there but


6:35

uh you know it has a tree life inlay on


6:37

an ebony frit board it has a matching


6:39

red head stock and red body and it has


6:42

these blade


6:43

pickups but uh currently now at one


6:46

point it was three blades but at other


6:48

times it had um I don't think it had


6:51

other pickups it just had other covers


6:53

on it so now in its current Incarnation


6:56

it has two blades and then one of them


6:58

is a smooth white cover


7:00

and it's just one of these so this is


7:03

the old style covers that Duncan used to


7:07

put with these pickups so let's tell


7:10

we'll do a little short Sid track on


7:13

Duncan hot Strat Stacks


7:17

so in the early


7:19

80s uh Duncan started making these


7:23

stacked single coil pickups that that


7:25

were humbucking you know so was one coil


7:27

on top of the other they made the


7:30

Vintage stack which had you know your


7:32

regular kind of six pole pieces but


7:35

still had this kind of cover but most


7:37

the time it was a maroon cover and


7:39

that's where all y'all are going to go


7:40

oh yeah so they had a maroon cover on


7:44

them with this little with the Seymour


7:46

Duncan


7:48

s and then they made the hot version


7:52

which was a blade but it also had the


7:55

same smooth cover on


7:57

it uh after after a year or two they


8:01

decided to change the covers and so the


8:04

Vintage stack got a regular pickup cover


8:08

that of course had the six holes in it


8:09

for the six pole


8:11

pieces and these the hot strap stack


8:15

pickups went from the smooth cover to


8:17

this you know opening that would show


8:19

the blade which you know was showing off


8:22

you know what was kind of cool about the


8:25

pickup so um yeah and then uh these


8:30

became very well known and of course


8:32

you've seen a lot of the maroon covered


8:33

early ones in a lot of guitars so that's


8:36

what's in the middle position on uh


8:39

Brent Mason's Telecaster that's what's


8:41

in the neck position on Trevor Raven's


8:44

um old Strat that he used with used with


8:47

yes and also that's what's in the the


8:50

neck and middle position on Dan Huff's


8:53

63 Strat that he still plays to this


8:56

day so yeah so Brad said you know ought


9:00

to get a set of those and so of course I


9:03

immediately went on reverb which I'm


9:05

sounding like an ad for Reverb but it's


9:06

like like most of you guys I'm on reverb


9:08

a lot looking for stuff to uh you know


9:12

to to think about buying or


9:15

buy and lo and behold I found a


9:20

pre-wired set of these pickups from


9:22

the80s on a single ply white Pit guard


9:25

which is exactly what I wanted you know


9:27

cuz I already knew that I wanted it to


9:29

be kind of a 50s kind of look uh except


9:33

for having of course blade pickups but I


9:35

wanted a single ply guard with white you


9:37

know plastic and there it was you know


9:40

with the blade pickups it was pre-wired


9:42

it had two push push pots on it so that


9:45

you could tap the pickups separately so


9:49

this you know this first tone


9:51

control uh it Taps these two pickups so


9:56

down is humbucking up is single coil and


9:59

this bottom tone control that is of


10:03

course I have it wired to the bridge uh


10:05

down is humbucking up is single


10:07

coil and so I got it and uh golly it


10:13

seemed like just about everything you


10:15

know showed up and in fact the body


10:17

showed up first and the first thing we


10:19

did was I said what Brad what color are


10:23

we going to paint this and I said are we


10:26

going to go red or we going to do like


10:29

you know know some other color and he


10:30

said no you have to do the same color as


10:34

your Telly he said I have I'm going to


10:36

match that color and we're going to do


10:38

it and I said okay he said you're going


10:41

to have you know the matching set of


10:44

glazer Strat and Telly so so he painted


10:48

the body and he did uh you know he was


10:50

out of this paint you know of course


10:53

which he had mixed this up to begin with


10:55

and so we I brought this over so he


10:57

could look at it he he mixed up um


11:01

another little uh container of it and uh


11:05

sprayed it and uh yeah it's a great


11:09

looking kind of Tous turquoise is kind


11:12

of color that he mixed other colors with


11:15

also to kind of give it a cool look and


11:19

so yeah so the body was done so then I


11:21

you know went about putting like the


11:23

strap buttons on the pit guard showed up


11:25

I wired it in the neck finally showed up


11:27

and so I wired it all together


11:30

and lo and behold when I tapped these


11:35

pickups um they were out of phase so in


11:39

humbucking mode they were in Phase but


11:42

when you would tap them this middle


11:44

pickup was out of phase with the other


11:47

two and that's not you know a lot of


11:49

people will call this sound you know


11:50

like when anytime when you have two


11:52

Strat pickups together they call it the


11:54

out of phase sound it's not out of


11:56

phase um out of phase is when it has no


11:59

base and it sounds really kind of cocked


12:02

W sounding um or maybe that's not even a


12:06

fair description but it just it has no


12:09

base so um so I took it to Joe and Joe


12:15

uh looked at the wiring looked at the


12:16

pickups and he said well the reason that


12:18

they're out of phase is this middle


12:20

pickup is slightly older than the other


12:23

two they're all from the 80s but this


12:24

middle pickup is the oldest of them and


12:28

it's from when they were using a


12:30

different shaped magnet and they were


12:33

doing and they were wrapping it in the


12:35

opposite direction so what you have is a


12:38

reverse wrap middle pickup that was


12:40

wired up wrong so he fixed it and he


12:44

said now he said even in single coil


12:47

mode you'll have home cancelling um when


12:50

you have two pickups together which is


12:52

really cool so now here for if you're


12:54

really wanting to go down the rabbit


12:56

hole of course the earliest pickups have


12:59

the those maroon or white covers like


13:02

this uh then the first iteration of it


13:06

with this type of cover the blade magnet


13:09

is flush with the top of the cover and


13:13

it's kind of grainy looking and it just


13:16

kind it has like some lines and some


13:19

imperfections then a year or so later


13:22

they changed it and they do they did it


13:24

they W they wrapped it in the opposite


13:27

direction and the magnet now is smoother


13:30

nicer looking and it's kind of kind of


13:34

bulbous a little bit above the cover so


13:37

that's a way you can tell if it's a uh


13:40

first generation I guess hot Strat stack


13:44

or or whatever but uh they sound great


13:48

and so the way I have it wired of course


13:50

is you know I have a five-way switch you


13:53

know you have your good old tone control


13:55

I have this this is a tone control but


13:57

just for the middle pickup you know how


13:59

I am I like no tone control on the neck


14:01

pickup even if it's a strat and then of


14:03

course you have a tone control for the


14:04

bridge only and then this uh Taps that


14:08

so uh yeah let's let's hear this thing


14:11

so of course we got to do some vender


14:13

stuff let's see got a little volume yeah


14:19

[Music]


14:48

yeah and then uh of course that's single


14:50

call mode uh humbucking


15:00

there's just a touch more output when


15:02

it's in single coil mode and it's just a


15:04

little darker in humbucking mode and a


15:06

little brighter in single coil mode


15:08

which kind of makes sense because it has


15:10

to do with whether you're activating


15:12

that lower coil or not or whether it's


15:15

just top coil only I really like these


15:19

these you know the front two pickups I


15:21

prefer them in single coil mode because


15:22

they're the most open sounding so here's


15:25

of course these two pickups


15:27

[Music]


15:37

let's


15:43

[Music]


15:51

see um middle pickup on its own let's


15:55

see


15:57

[Music]


16:07

kind of fun to add a little uh Bender


16:10

action to the ASAC theme of course you


16:12

have the uh the back two uh pickups and


16:17

uh I've got it where of course this


16:18

pickup is a single coil and this one is


16:20

is humbucking at at the


16:22

moment um you know yeah


16:29

[Music]


16:44

good old clucky Plucky uh um you know


16:49

back two pickup sound then of course the


16:51

bridge


16:53

[Music]


17:06

probably right now what you're saying is


17:08

how does Zach make everything sound like


17:10

a


17:11

Telecaster I I don't know but um yeah


17:15

I'm a Telly guy and then of course you


17:18

know but really A non- tremolo Strat you


17:20

know kind of has a little more of a


17:22

Telly thing anyway but yeah and uh yeah


17:26

this this back uh hot Strat stack pickup


17:30

is a really good uh you know beefy


17:32

sounding uh you know pickup and uh


17:35

single coil mode is a little uh you know


17:37

a little more


17:40

[Music]


17:50

open you can see it's just kind of


17:52

taking it down like half a DB or


17:54

something like that and it's just you


17:55

know when it goes into humbucking mode


17:57

was just a little bit dark marker which


17:59

I actually kind of like so yeah so this


18:02

is a really really fun guitar so yeah so


18:07

I put the guitar


18:09

together and uh you know got Joe Glazer


18:12

to fix the wiring and uh then you know I


18:15

was like well I guess we need to put a b


18:17

bender on it so of course you know the


18:21

Glazer uh string Bender system is about


18:23

the only one that you can put on a strat


18:26

and so you know of course they did the


18:27

whole you know they ran the uh long


18:30

drill through here up underneath here


18:33

they put in this other neck plate with


18:35

the arm on there you know they do a


18:37

little bit of drilling underneath the


18:40

um uh the bridge and of course you you


18:44

know we still have these bent steel


18:45

saddle but then you have this kind of


18:47

combination saddle here and then of


18:49

course you can flip this over and uh you


18:52

know I could have a g bender on this


18:54

guitar you know in 15 minutes if uh


18:57

that's what I wanted but of course I'm a


18:59

B Bender guy through and through so yeah


19:02

so this is a really really great guitar


19:06

and uh you know of course I'm always


19:09

playing through my headstrong l king amp


19:13

um and the only effect I'm using it all


19:15

is a touch of Reverb on the amp and I


19:17

have a little slapback delay going with


19:19

the uh L capistan but uh you know


19:23

extremely happy with the way this guitar


19:26

turned out and of course I feel


19:29

ridiculous but uh you know here I have


19:32

this matching pair of glazer


19:35

stepchildren which you know this you of


19:38

course this neck was you know actually


19:41

done by Joe um I asked Joe if he could


19:44

remember where the net came from and he


19:46

said he couldn't uh of course here you


19:48

can see some of the beautiful tiger


19:51

stripe on it uh you and on the


19:57

fretboard yeah


19:59

he said that it might have been on a you


20:03

know a bender equipped Strat that he


20:05

built for Don Kelly but he wasn't sure


20:09

um yeah he he thought that it could have


20:11

been that one and that that that Don


20:13

wasn't happy with it and he got rid of


20:14

it and then it got you know parted up so


20:18

but anyway so it's a Glazer neck with a


20:21

uh a lightweight swamp as body uh


20:25

finished by Brad with some old Seymour


20:27

Duncan h Strat stack pickups and a


20:30

bender and a really great fun tool and


20:34

if you have an a hardtail strat that


20:37

you've ever thought about uh having a


20:38

bender on if you're not a Telly guy well


20:41

do


20:42

it all right guys well I hope you've


20:44

enjoyed this episode and I'll see you


20:46

next time bye-bye