Pat's Peeps Podcast

Ep. 393 Today's Peep Presents Three Legends- These Are Three of My Personal Favorites Featuring Timeless Music and Rare, Revealing and Surprising Interviews. Please enjoy & Happy Friday!

Pat Walsh

A sunny Friday, a rake, and three artists that won’t let go. We set out to clear the yard and ended up clearing the myths around Dean Martin, Frank Zappa, and Hank Williams—three legends whose personalities and principles still pulse through headphones and headlines. This isn’t a greatest-hits spin; it’s a guided listen into why their voices cut deeper than image, trend, or era.

First, Dean Martin. The tux, the glass, the wink—then the real man in a rare interview, talking family, work, and the difference between being relaxed and being lazy. If you grew up on Rat Pack charm, you’ll hear what the cameras couldn’t stage: a craftsman who knew the value of presence, not just presentation. Then the mood pivots to Frank Zappa, whose jokes hid a spine of steel. We revisit his PMRC showdown on Crossfire, where satire meets civic clarity and a musician schools pundits on the First Amendment without breaking a sweat. Love him or not, Zappa’s defense of messy art still feels urgent in any debate about taste, censorship, and who gets to decide.

Finally, Hank Williams walks in like a memory you didn’t know you were missing. At twenty-nine, he’d racked up a lifetime of number ones and a vocabulary for sadness and joy that country keeps borrowing. A rare radio chat reveals the neighborly tone and dry humor that made the songs land like letters from home. Threaded throughout are small, honest moments—your mama jokes on a school bus, an old Sly and the Family Stone LP, the way certain records become people you carry. That’s the heartbeat here: music as identity, music as argument, music as a place to stand.

Press play to hear the rare clips, the stories, and the case for listening with fresh ears. If this ride moves you, follow the show, share it with a friend, and drop a review with the legend who grabbed you first. Your turn—who’s the real king: cool, counterculture, or country?

SPEAKER_01:

Happy Friday! It's a Friday! That's peeps on a Friday!

SPEAKER_08:

So glad to have you with us. It is one of my favorite days of the week. No doubt about it. Today is the 30th day of January already. Cannot believe it's already the 30th day of January in the year of our Lord 2026. That was my epic voice right there. One of my many epic voices. The Year of Our Lord. Remember Hercules, the cartoon, high atop Mount Olympus. As I look out my studio window into the beautiful thanks for putting up with putting up with me. My studio window in the beautiful foothills in Northern California. It's sunny. It's uh maybe a thin layer of clouds way up there, but for the most part, like the skies aren't really blue, but the sun is out there and it's just gorgeous. So you know, again, thanks for putting up with me yesterday on Pat's Peeps uh 392. Because this is 393 as we approach 400. That's dedication, right? Thank you. If I have to applaud for myself, thank you. Thanks for putting up with me as I was raking pine needles. You know, something it was awesome because here's why. Because again, until I get my humanoid robot, or until I can actually create an AI version of myself, you know, I need to there's so I have so many things to do in a day. They're all kind of productive things, though, you know, besides running my business and doing the podcast. Doing my show, by the way, uh my name is Pat Walsh. I'm the host of the Pat Walsh show. It's heard on KFEK News Radio 93.1 FM, 1530 a.m. in Sacramento, 7 to 10 p.m. Monday through Friday. Did I just repeat that? Yeah, uh raking yesterday. The thing is, so you get to do the podcast while you're raking, which then of course cleans up the property, which you gotta do sometime. You can't let that stuff it looks terrible, and you can't let it, it's a fire hazard, so you gotta clean it up at some point. Yes, it was the perfect day, it was a burn day. I was really I had the energy, I had the time to do it. I always have the energy to do it. So thank thank God, by the way. I never take that for granted. So you're out there and you um you can think about things, you get things done, you do a podcast, and you're cleaning your yard, plus you're working out, honestly, because I I'm we I'm not only am I raking, but then I got the wheelbarrow, and I'm up and down that hill with the wheelbarrow all day. I mean, trip after trip, up and down a hill, not just on a flat ground. So I was sweating more than I do, even when I'm out doing my my uh walk and my run that I try to get to as often as I can. So, anyhow, it was wonderful, and I just appreciate you listening and supporting the local businesses and listening to my radio show and uh, you know, spending a little time with us on a festive Friday. Uh, if how about this? I mean, you know, I feel a little bit festive. How about some festive music for Pat's Peeps? 393 Yeah, little tiki lungs for you. Sixties style, tonight on the Pat Wall Show, on a very special Pat Wall show. Friday at 7 p.m. Well, actually it's like 7.04, 705 after the handoff with Kitty O'Neill. This week on the Pat Wall Show. Well, tonight, washing someone's mouth out with soap. You ever had to do it? You ever had that happen to you? We'll talk about it. We'll take your phone calls. Nominative determinism. What is that? Psychological research indicating that names they don't directly determine a person's personality. Rather, they influence how a person is perceived and treated by others. Sometimes your name, you know, like likability and trustworthiness. Names with voiceless stop sounds like Kate or Kirk are often perceived as high in extrovert extroversion. Is that a word? Now, in extroversion, you're an extrovert. Sometimes they say that you like people could live up to their name. Like a guy by the name of Art that does art, you know that kind of stuff. Also, coming up tonight on the Pat Walsh show, your mama jokes. Let me see. These are random. I have not looked at these yet. Alright, let's check out a couple. Your mama's so dumb, she thinks Johnny Cash is a pay toilet. Hey now. Your mama's so dumb when your dad said it was chilly outside. She ran outside with a spoon. Your mama's so ugly. Psychiatrist makes your life face down on the couch. Come on, that's ugly. I remember this guy in sixth grade, 1972. Kevin Olson. By the way, Olson brothers, if you're tuned in right now, Mitchell Kevin, can't remember the other brother's name. If you're tuned in right now, Tiki Lounge, the Atomic Ultra Lounge, Tiki Bar Music, 60s, Exotica Jazz. That's right. Right here on Pat's Peeps 393. Kevin Olson in school said my mama told me, told me my mama was so fat that she had to wear a circus tent. You can't make fun of my mama. And so when he did that, I had to give him the what for. You know, I had to give him the business. And I gave him the business. I said, no, no, no. You can't talk bad about my mama. So we took we we scrapped on the schoolyard, and after that, see, I had brothers, and he had brothers. So we rode the school bus together, and then we get off in an empty lot after school. This is sixth grade for me. My other brother would be like in fifth, and my other one in fourth. And then we just get off and we'd scrap at the bus deep at the bus stop there in the empty lot. Other kids, this was in Valley High, I kid you not. Other kids would get off the bus just so they could watch the Walsh brothers scrap with the Olson brothers. We didn't lose many. And when he said that my mama was so fat she had to wear a circus tan, you know what I did? I stole his record. I stole his record. Sly in the family stone. Because it was a family affair. Talking about my mom.

unknown:

It's a family affair.

SPEAKER_08:

He had a record called There's a Riot Goin On. I said, Oh, look over there. Is that a bird? He went, Where, where? I snagged his album. I took it home and I grew down it, baby. Have a ghost live.

SPEAKER_01:

One child grows up to be. Still love this. Somebody that just loves a big.

SPEAKER_08:

It's got a song on here called Spaced Cowboy. Spaced Cowboy. It's one of the only songs I ever heard like funky jams where the dude Yodels. Talking about my mama.

SPEAKER_00:

Both kids. Blood stick of in the mud. It's a family of families.

SPEAKER_08:

As I'm thinking about families, you know what I thought I would do on this Friday Pat's Peeps 393. And I would just kind of sort of indulge myself with a couple of things today. I hope you don't mind. First of all, I love that song. But you know, speaking of my mom, you know, I've as I've said so many times, one of the great things about her is that she had this enormous record collection, and I'm always drawn to music, of course. And today on the podcast, I thought I would share with you three of my very favorite. These would be at the top, at the pinnacle of my favorite, and I there I know I understand there are other genres for such as classical. I didn't put classical on the list because we, for the most part, most of the classical um writers or composers, you know, were centuries ago. The people that are playing classical now, there are classical artists, uh current ones, yo-yo ma, who are playing some Bach and some of these things. So, anyhow, that gets a little bit convoluted in terms of what I'm trying to talk about. Suffice it to say, that is one of my favorites. Bluegrass, one of my favorite genres of music. But for this conversation today on Friday, January 30th, I want to talk about just three of my very top favorite artists. And play an interview with each one of them, just to kind of let their personality, just to show you the personality, and sometimes very surprising, quite frankly. Um, and because I'm mentioning my mother, I will tell you this. She had two of these artists in her record collection. Two of the three. The other one, I can't see my mama listening to, but it is right there, top echelon. So these are my very favorite artists of all time from these three genres. But starting off with my mother's record collection, I'm a huge fan of Dean Martin.

SPEAKER_05:

Well, it's lonesome in this old town. Everybody puts me down. I'm a face without a name.

SPEAKER_06:

Just walking in the rain, going back to Houston.

SPEAKER_08:

I know there are so many songs you can pick from Dino. I chose this one. I like this one. Little old wine drinker, me.

SPEAKER_06:

Sa Dala. There's just so many. All of his Italian songs.

SPEAKER_08:

I love Dean Martin so much. I had a dog, rest in peace. Dino. And what people would ask me, oh, you named your dog after Dino on the Flintstones, which would have might seem obvious, maybe. That would be good, actually. But I didn't. I named him after Dean Martin. I mean, he has just so many classics and the rat pack. I love the rat pack. You nobody till somebody loves you. You nobody till somebody cares. You know, I I'm a and then I think I go to the couch now. And he'd have the gold diggers on on the TV show. I may or may, I wasn't as much into like the um like Martin and Lewis stuff necessarily. I don't know. I thought Jerry Lewis was a little goofy, but eh, he was funny at times, but that wasn't my thing with Dino. It was watching him with the rat pack, but particularly listening to his music. And my mother loved him, so I would listen to the and of all of her records, I would always pull out Dean Martin. Dino Paul Crucetti. The day he died in 1995. I remember I had to do the news that day to fill in for someone to do news on the radio. I think for Rick Stewart. So I had to read that, and I was I was so sad. You know, he just meant a lot to me. This man was named, nicknamed the King of Cool. He's regarded as one of the most popular entertainers of the 20th century. Yeah, he gained his fame with Jerry Lewis. But I, you know, back in the day when we had three networks, starting in 1965, I'm just a little tyke. Dean Martin would host the um Dean Martin show. But you know what else he had was the Dean Martin roast. The celebrity roast. He was very relaxed, very easy-going demeanor. From 74 to 84, you know, he was the roastmaster for the Dean Martin celebrity roast. You'd see like Muhammad Ali and Frank Sinatra, Foster Brooks, Ruth Buzzy, Jimmy Stewart, Lucille Ball. Those were the days where back then, Don Rickles, it seemed like they these were big stars. You just knew they were big, important stars. Unlike now, I don't know. I don't mean to be bitter or I just, I don't know, there was something about them. They had status, there was they had importance. You know, the rat pack was huge. So anyhow. I wanted to play a little interview with Dean Martin that may surprise some of you. You know, Dean Martin, he was portrayed, he'd always had a drink in his hand, but was he really out there drinking? Was he drunk? Yeah, well, yeah, that uh kind of a laid-back attitude. Here he is in a rare interview. When you listen to this, you'll get the real Dean Martin from 1983. In this conversation, I tell you, I I don't know. I'm just not sure who does is doing this interview. It doesn't even say. Whoever the interviewer is, with all due respect, when he they get to the part about lazy that people perceive Dino is lazy. I don't but I don't know anyone who thought Dean Martin was lazy. I don't know why he used that. Relaxed and kicked back and chill, yeah. But lazy, no. So that's kind of out of left field for me. But without further ado, rare Dean Martin interview.

SPEAKER_09:

But when you mention the name Dean Martin to them, they say wine, women, and song. Is that an accurate description of your preferences? Women and song.

SPEAKER_10:

Wine. I'm not too crazy about wine. Wine, women and song. I mean, what else is there to say about me? I love to sing and I love women. I'm really not a boozer. Oh, I drink, but I'm not a a boozer. I'm not an alcoholic or anything like that. But uh people like to see that you're a regular guy and you drink, and I even when I used to play in the tournaments with all the the big players, you know, when they were out here every summer we had eight tournaments with all the with Arnold Palmer and Nicholas, and I always played with them. And every once in a while, hey Dean, you want a drink? You know, here's a beer, and so was that's the way they wanted me, and I I couldn't change if I wanted to. What is your favorite drink? Scott and soda. Some people when you beer a margarita, a martini. I'll drink anything.

SPEAKER_09:

Yeah. You have this image of being quite a laid back and lazy person. Mm-hmm. That's what everybody thinks. They think you're a lazy guy, but you're not.

SPEAKER_10:

But I think down deep they know I'm not a lazy guy, because if there's ever a benefit, somebody calls me. Frank and I are always there, or Sammy Davis. We're there. Well, I'm not lazy. They they want to think I'm lazy, but they know I worked. I mean, could I be where I am today if I were lazy and if I were a boozer? I mean no one would put up millions and millions of dollars to give me a TV show.

SPEAKER_09:

You like to have fa fun, but there are a lot of things which uh I think you believe are important to you, and I imagine that family is important to you, isn't it?

SPEAKER_10:

Oh, most of that that comes first. My family is always first. I I don't have fun all the time. I work. And the only reason I work is to provide for my family. And uh when I work, it's it's serious work. And the serious work that I do, I try to have a little fun with it.

SPEAKER_09:

But I must work. I love the work. Tell me, do you have any regrets at all when you look back at your life? Is there anything that you would have wanted to have done differently anyway at all? I wouldn't change one thing. Not one thing.

SPEAKER_08:

Dean Martin. He reminds me of my dad. He reminds me of, I don't know. I don't know who uh there's someone else in there that he reminds me of. Anyhow, love that guy. Dean Martin, rest in peace. Uh also, all three of uh the people I wanted to feature today are all are all gone now. Anyone that knows me knows that I am uh this will also demonstrate. So, of course, Dean Martin sang standards. He sang Italian songs, he sang just you know, um, you know, you know what I'm talking about if you've seen him. This artist was totally different. Frank Vincent Zappa. I'm a huge Frank Zappa guy. When I was uh 16 years old, a friend of mine, Keith Welch, I may have told the story before. I hope I'm not repeating this, but real quick, he he says, Yeah, we were just we'd listen to music all the time. We'd listen to records. We anytime we worked, whatever we did, all I could do in my mind was calculate how many records I could buy from the record factory on 65th Street behind Florence Center. How many records can I buy per hour based on the amount of money I'm gonna make for working? Can I buy three, four, whatever? So we buy albums, and for a period of time, because we're from the 70s, we'd buy eight track tapes. So one day he says, uh, I got this tape that my buddy loaned me or whatever. Uh it's called apostrophe. It's this guy, Frank Zappa. Oh my god, I don't even know who that is. Yeah, man, I just it was so funny, man. You gotta listen to this tape. So he plugs it in. It's watch out where the huskies go, don't you eat that yellow snow, do-do-do-do, you know, and it's about putting a doggy due snow cone in one eye, and then, you know, what it's just like uh this funny song. And, you know, for most kids, or most of us who are exposed to it, we would laugh, like, ah, that's so funny. The heck, that's hilarious. But we didn't but a lot of kids didn't take it serious because it was just too funny and quirky and different and weird or odd or whatever you might however you might describe it. Then they go we go back to listen to Montrose and Led Zeppelin and Ted Nugent or whatever. Or the last band that I'm gonna play on today's podcast. But anyhow, so when I heard it, I was like, Oh, yeah, that is. Funny. Then on the A track, it click and it clicks to the next track. And I don't remember if the next track was Uncle Remus. I don't exactly remember what track it was, but suffice it to say, when I it clicked over and I heard the next song, I'm like, wow. This is really good and different. I I've never heard anything quite like this. It's it's just it it had the song apostrophe. It had um at San Alfonso's pancake breakfast, did a little little it was all the way. It had Stinkfoot. I heard this song Stinkfoot, and I'm thinking that's funnier than Don't Eat the Yellow Snow. He's anti-establishment, he's anti-record executive, he makes his opinions known very clearly. He and I disagree many times on political things. Uh he'd rail against you know being the there was too many conservative things going on. And you know what? In a case I'm about to play for you, he was absolutely right. He railed against the PMRC and Tipper Gore and that bunch. It's the only reason a two-live crew ever became anything because the PMRC was whining about it. We didn't even know about them. All of a sudden you got a put a sticker with explor explicit lyrics on their record label, I mean on their record cover, so you have to know. So everyone, so Mama Dad no. Well, guess what? Teenagers are rebellious. They're gonna buy the record, they're not gonna tell mom and dad. Mom and dad probably don't even know. They're not listening to two live crew, no one was, but thanks to Tipper Gore and again the PMRC, you know, and then you had D. Snyder and you had um Frank Zappa going in and battling against the PMRC. There was a a lot of reasons I liked Frank. He spoke his mind. And here he is on Crossfire. You remember the show Crossfire? Here's Frank Zappa dressed in a suit. You didn't see Frank in a suit a lot, shorter hair. Right. And he's trying to keep us cool among these angry pundits, Robert Novak, Tom Braden, a couple of these other half-wits. This is part of the reason I miss Frank. Here's the exchange, we'll see how Frank ends this exchange. Now let me preface this also. Just like in the last interview about being lazy, Frank Zappa does no songs about killing yourself and suicide. If you listen to it, uh listen to any of his m music which is satire, see these clowns don't know that. They don't understand satire. When you hear a song like Jewish Princess, or when you hear Don't Try Suicide, or you hear listen, these guys have no clue what they're talking about, no concept. And Frank is right in my estimation.

SPEAKER_11:

Let's not say that the government's gonna get in this all just as a matter of taste, of artistic preference. You think it's a good idea to write lyrics that says incest is good for you? Does that make any sense?

SPEAKER_15:

Well, it m might make sense to Prince. That's his business, because that's mainly the song that they're talking about.

SPEAKER_11:

Don't you have an opinion on?

SPEAKER_15:

My opinion is he's got a right to sing it, he's got a right to say it, and I got the right to not buy it.

SPEAKER_08:

Right. You had a right to sing it, play it, but I got a right to not buy it.

SPEAKER_02:

Right to advocate incest comes from. Song does not advocate incest. No, there are songs that advocate incest. Tell me them. I haven't heard of it. You ought to get out more. And I don't I don't think you're being candid with it. You know what those signs are uh songs are. Now you said there's a right to do this. Where does the right come from? Your group was called the mothers of the invention. Mothers uh mothers of invention moron.

SPEAKER_03:

Yeah, and you're a free inventive guy. You make up a lot of stuff like that.

SPEAKER_02:

Let's say that again you're being candid with it. You know what those signs are. S uh songs are. Now you said there's a right to do this. Where does the right come from? Your group was called the mothers of the invention. Mothers uh mothers of invention.

SPEAKER_03:

Yeah, and you're a free inventive guy.

SPEAKER_02:

You make up a lot of stuff, like what was in the mind of the f founding fathers. Would you look at the camera and tell them which camera? Any camera. Yeah, that's right. Well, you certainly need some direction, Mr. Zappa. Spank me here. Come on, what do you think? No, I'm not into spanking. I love it when you froth like that.

SPEAKER_15:

What the founding fathers. I thought he was gonna be the one frothing today.

SPEAKER_08:

I'm glad that you God, I live. I love when you froth like that. I thought he was gonna be the one frothing. Frank, I freaking love you, dude.

SPEAKER_02:

And Frank, wrong again. Napkin tell us.

SPEAKER_08:

Napkin when you drool? I'm sorry, I can quit interrupting. This man had an effect on my life. Frank, thank you. I am so channel Frank in my life. I swear. Same kind of stuff. Thank you very much.

SPEAKER_02:

Would you look in the counter and tell them with a straight face that you think the founding fathers had in mind the kind of garbage you sing and write when they drafted the Screw you. The kind of garbage amendment. Do you really believe that, Mr. Zappa?

SPEAKER_15:

I don't think it applies. The founding fathers one thing kept slaves, and take a look at what Benjamin Franklin used to do over at the Hellfire Club. But you have repeatedly. I think they had some good things in mind. But we have a document, the letter of the law. Let's use the letter of the law and interpret the wheel.

SPEAKER_02:

It is irrelevant because you have repeatedly, in opposing even ratings for rock music, you have repeatedly cited the Constitution and the First Amendment. Do you think the Founding Fathers really had the First Amendment? That they gave us the First Amendment to defend songs that glorify Satanism and incest and suicide? You're absolutely you really believe that?

SPEAKER_14:

Yeah, I believe it. You're an idiot, then. You're an idiot. Mr. I'll tell you what, kiss my how do you like it? I gotta hear that again. Absolutely. You really believe that? Yeah, I believe it. Oh, you're an idiot, then? You're an idiot. Mr. Tell you what, kiss my how do you like it?

SPEAKER_08:

I love you, Frank. With that, let's play some of that sinful music of Frank Zappa. Here we go. See he puts that little humorous twist on that, and he's a serious do-up guy. Pat's peeps 393, as I'm indulging myself in some of my favorite artists today, just for fun, and it feels good in my headphones. Let's go to my third artist of the day, and this artist here is way, way on the opposite end of the spectrum. Uh this guy had dies at the age of 29. And to hear his fifty-five singles that reach the top ten of the Billboard Country and Western bestsellers chart. Five of those released posthumously. Twelve of these reached number one. Think about that. And he died at the age of twenty-nine. Twelve number one fifty-five singles. Anyhow. Born and raised in Alabama. This is a guy when I bought my 54-Ford, all I can think about, man, is I I was so into listening to this that I had back in the day, I had my CDs and I had his whole collection. You have to buy like a two CD set just to get some of his songs. He had so many good songs as I played for you. Got it. Might have even been a couple of days ago, actually, now. Luke the Drifter, his alias. Hank Williams. Born and raised in Alabama. Learned guitar from African American blues musician Rufus Payne. Rufus Payne and Roy Acoff significantly influenced Hank Williams' musical stylings. He won an amateur talent contest and then began his professional career in Montgomery, Alabama. This was in the late 1930s, played on some local radio stations, and in area venues, schoolhouses, movie theaters, local bars. Along comes the drifting cowboys. He formed this group, which was a backup band. His mother, Hank Williams' mother, managed the group. He drops out of school and devotes his time to his career. Unfortunately for Hank, he suffered from alcohol. Alcohol as an alcoholic, alcoholism. So he becomes kind of known to be unreliable. So he gets fired. Then he gets rehired several times by this radio station, WSFA. He had trouble replacing several of his band members. They were drafted during World War II. Anyhow, this guy had a ton of hits. He is, in my opinion, the king of country. There's so many. Johnny Cash, whoever whoever you might think of Marty Robbins, whoever it might be that you think is the king of country, maybe it's someone more contemporary. But for me, Hank Williams is the king of country. At one time he was shunned by the grand old Opry. There's a million songs you could play from Hank Williams.

SPEAKER_13:

How's about cooking something hook with me?

SPEAKER_08:

In my hot rod Ford truck, I have a plaque on the roof on the inside. And in the plaque, I have a two dollar bill. Cause it's my hot rod Ford and my two dollar bill. And I do have a place right up on the hill, by the way.

SPEAKER_13:

I got a hot rod Ford and a two dollar bill. And I know a spot right over the hill. There's soda pop and the dancing spree. So if you wanna have fun, come along with me. See good looking. What you got cooking? How's about cooking? Something up with me.

SPEAKER_08:

It just transports me into a different place. I don't know, man. It's just music is so powerful. It's it ex accentuates your mood. Here is some rare Hank Williams Sr. doing a radio interview.

SPEAKER_12:

Say Hank, how was this overseas trip you took here a while back? Oh, that was a fine deal, man. We went to where did we go, honey? You went with us. We went to Berlin, we went to Vienna, we went to Wheatbaden. Particularly went to Wheatbotton. That's uh we went all over the occupied zone over there where there had any boys at all, we went to see 'em. And by the way, on the 19th, me and the boys are going to Alaska and see all the boys up there. Wanna go up and uh pick them a few things. That is if we can get thought out enough. Well, Hank, that's mighty fine. I tell you, there's uh another thing too I'd like to ask you right now. How is that uh young fella Randall Hank getting along? You mean Bo Zifas, huh? Bo Cas, is that what he is? Yeah, I got to call him Matt when he was first born, and I thought he got to where he won't answer nothing if. Well, Hank Williams, it's uh been nice being with you once again, and I'd like to tell you that I still think that you're number one in friendliness and the number one hillbilly artist today. It's a pleasure to play your records because you are such a nice guy and because the records are so good.

SPEAKER_08:

I love how they call them a hillbilly artist.

SPEAKER_12:

Anything you'd like to tell the good folks in Alabama. Yeah, that's awfully kind of you, Bob. You know, Alabama's my home as always, uh let's quote our homes. My wife folks come from Alabama, and we're sort of partial to the folks in Alabama, and in fact, we always talk about Alabama everywhere we go. I get back down to Montgomery about, say, every two or three months, and see my mother, she lives down there. My wife's people live down below Troy, Alabama. We go around quite often, we stay in pretty close contact with Alabama. Let's say thanks to everybody for requesting these tunes, and uh we really appreciate it. And every time you buy one of these records, remember it's not that I need the money so bad, but the folks I owe need it awfully bad. Thank you, Hank Williams. And Mrs. Hank, mighty glad to have had you with us today, too. Thank you, and I was glad to be with you. And we'll be looking for those records you're gonna make. Thanks a lot.

SPEAKER_08:

Thank you for listening to Pat's Peeps 393. You know, I was gonna play another song. I'm gonna save that for another day. I like this. Somebody go out with this. Appreciate you guys very much. Have a beautiful Friday and a beautiful weekend. We'll see you on the radio.