
NYPTALKSHOW Podcast
NYPTALKSHOW: Where New York Speaks
Welcome to NYPTALKSHOW, the podcast that captures the heartbeat of New York City through candid conversations and diverse perspectives. Every week, we dive into the topics that matter most to New Yorkers—culture, politics, arts, community, and everything in between.
What to Expect:
• Engaging Interviews: Hear from local leaders, activists, artists, and everyday citizens who shape the city’s narrative.
• In-Depth Discussions: We unpack current events, urban trends, and community issues with honesty and insight.
• Unique Perspectives: Experience the vibrant tapestry of New York through voices that reflect its rich diversity.
Whether you’re a lifelong New Yorker or just curious about the city’s dynamic energy, join us as we explore what makes New York, New York—one conversation at a time.
Tune in and let your voice be part of the dialogue on NYPTALKSHOW.
NYPTALKSHOW Podcast
Lord Jamar sells out, Lil Wayne’s album is trash. The Davis brothers and Nahir
The boundaries between loyalty and opportunity take center stage in this dynamic conversation about hip-hop's biggest personalities. When discussing 50 Cent's career, the hosts honor his remarkable resilience, having restarted his journey from scratch multiple times while consistently putting money in others' pockets. This leads to a poignant tribute to fallen stars Chinx and Stack Bundles, whose promising careers were cut tragically short before they could fully impact the culture.The debate heats up when examining whether Lord Jamar's return to Vlad TV constitutes "selling out" or simply represents a savvy business move. The hosts dissect what truly makes someone a sellout versus someone who's simply evolving or reconciling past differences. This thoughtful examination reveals how frequently we misapply labels based on emotional reactions rather than understanding the complex realities of the entertainment business.Tyler Perry's filmmaking formula comes under scrutiny as the crew acknowledges his business acumen while questioning his portrayals of Black men and repetitive storytelling. Meanwhile, Lil Wayne's "Carter VI" receives a brutal review, with the hosts arguing that the album lacks cohesion and innovation, suggesting Wayne has been coasting on reputation rather than delivering quality content.A nostalgic journey through Philadelphia's hip-hop legacy brings personal stories about Major Figures, Beanie Sigel, and other Philly heavyweights, demonstrating the hosts' authentic connections to the culture. The episode concludes with a fascinating breakdown of Keyshawn Davis's boxing controversy—a cautionary tale about how ego and poor preparation can derail even the most promising careers.Don't miss this raw, unfiltered conversation that balances cultural critique with genuine appreciation for the artists who've shaped hip-hop. Subscribe no
Fit, Healthy & Happy PodcastWelcome to the Fit, Healthy and Happy Podcast hosted by Josh and Kyle from Colossus...
Listen on: Apple Podcasts Spotify
NYPTALKSHOW EP.1 HOSTED BY RON BROWNLMT & MIKEY FEVER
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peace, world peace. Bro, how you doing, it's your brother, mikey fever. We got my man shawny in the building. It's the nyp tuesday hip-hop show, news entertainment man. I was just bobbing up some old, I ain't going to lie, that's my favorite artist?
Speaker 2:yo he, not my Fisher Price artist, right, like you know, my starter kid artist. But as far as favorite artists go, as far as laying a game plan down and following it step for step, you know, as far as big ambition is concerned, as far as putting money in other people's pockets is concerned, as far as starting it from nothing, starting over, twice starting, over twice. That's a fact. Money in other people's pockets is concerned as far as starting it from nothing, starting over twice.
Speaker 1:Starting over twice, that's a fact, right, that's tough yo, he started over two times.
Speaker 2:He came back from the Jam, master Jay. Debacle Rest in peace.
Speaker 1:Yeah, rest in peace, jam, master Jay you know what I'm saying.
Speaker 2:And then he went away for a little while before he went to do the movies and so on and so forth. He came back, dropped um animal and it gives you the motivation. That's nice, macy, I like that. That. It gives you the motivation. That's nice, macy, I like that. It gives you the motivation, like you know what I'm saying, like he motivated me to get up and make it happen in that moment in my life, like you know what I'm saying.
Speaker 1:So big shout out to 50 man shout out to the whole unit man, there's one more person they don't speak about. There's two people they don't speak about as much like I don't see New York. There's two people they don't speak about as much I don't see New York really celebrate them. Rest in peace to Chinks and rest in peace to Stack Bundles.
Speaker 2:Yeah, but you know what that is. I think it's the time when they came. You know what I'm saying. You came along at a time when all this was in and all this was out. They almost was the start of all this dying on the reg. They was almost the start of that.
Speaker 1:Yeah, unfortunately they both had promising futures. I used to be around them, around Chinks mostly. Shout out to my brother Ten City. Shout out to the Coat Boys Brock Droop Cheese, chinks mostly. And shout out to my brother ted city um, shout out to the coat boys, brock droop cheese. Right, you know all the red big shots, red mcfly, you know what I'm saying? Yeah, definitely yo watching chinks grind man, he was yo. That album, his mixtapes alone were killing them. But that album, that person working with jf people just don't take no for an answer.
Speaker 2:You know what? I'm saying and I'm not the biggest. I'm heavy on lyrics. I'm super heavy on lyrics. I'm not the biggest fan of neither one of them individuals musically, but you from the town and I always respect ground, you know what I'm saying.
Speaker 1:And even to level it out.
Speaker 2:I feel like that about Chris Rock too.
Speaker 1:Just to level it out, I don't think Chris Rock funny, chappelle and George Carlin George Carlin was my dude.
Speaker 2:Yeah, now George Carlin. George Carlin educated. Comedy is a beautiful thing. It kind of like is the essence of comedy like a lot of people forget why we laugh. You know, a lot of people have been trained to laugh for escapism and forget that we laughed at comedy because of how true it was, like it resonated with all of us and that feeling we found funny, you know what I mean.
Speaker 1:That's a fact.
Speaker 2:So yeah, that's why I think it's a difference between people who tell jokes and actual comedians. It's a difference. You know what I mean.
Speaker 1:Most definitely Trev. What up, bro? What's poppin' Trev.
Speaker 2:What's good Sean, how you doing Fixed a mustache man, I'm a heightie as soon as I can get the stash right, I'll be a height, you know okay now you got me a trip to the barber yo yeah, I know I'll be on my wolverine type. You know what I'm saying? I'm a caveman, bro.
Speaker 2:I don't mind I'm a viking, I'm a viking, I don't mind it you're on your brawny man chopper yeah maybe I need to start selling paper towels. I need a new hustle around here anyway, man. Maybe I need to start selling some paper towels. Man, Maybe I've been doing the wrong thing all this time. What's?
Speaker 1:going on, Trav. What are you doing? What's up? How you feeling, man?
Speaker 3:I'm good, I'm good, you know, I maintain it.
Speaker 2:Y'all look like you got no rest man.
Speaker 3:Say what, yo, you got no rest, no rest. I got a four-month-old baby yeah. I take naps, I take naps and then, before you know it, you got to get up, run around, go to work. So that's just life right now. Yo.
Speaker 2:Fever. You got the applause soundtrack over there.
Speaker 3:Give him a round of applause.
Speaker 2:He making things happen yo.
Speaker 3:It don't make a difference.
Speaker 1:Now you got it Terrible right.
Speaker 4:It's cheap, it's cheap, it's cheap, it's cheap, it's cheap.
Speaker 1:Work. Some consult up and don't work. It was one clap.
Speaker 2:You got it you got it, you got it. Hit it like a thousand times for you, man. Yo congratulations, trev, because you yeah.
Speaker 1:You get this for him.
Speaker 2:Okay, I'm reloaded.
Speaker 1:Yeah, word, you reloaded Trev because you are an example of what it takes to be a father in these times, man.
Speaker 3:Thank you, I appreciate it, but I do have the eye patches that I've been using a lot the.
Speaker 1:TikTok shop joint the gold joints.
Speaker 3:Nah, nah, nah. Before TikTok was selling all that stuff, I was buying it. That's not new. And plus, when I go to my mom's house my mom's got the one that stay in the freezer. So when I go to her house I put the joints on my eyes and it takes the swelling down a little bit. So I got a matter of fact, I might add that to the wish list.
Speaker 1:So with baby Taj? You feed him every three hours. Yeah, I feed him every three hours. Yeah, wake him up. I remember those days, yo, with my daughter, Three hours. Yeah, I miss those days. So let's get it popping, my fellas. What's going on with this? Lord Jamar selling out? I have been hearing this.
Speaker 2:Yo, you know what I'm going to be honest with you. You know, I tried something different this week, right? I kind of like stayed out of everything because I really wanted to hear y'all opinions first. So I blacked everybody else out. I heard nothing, I don't got my own opinion or nothing. I'm trying to see how well y'all can sway me one way or the next man.
Speaker 3:So I'll be ready for some questions. Let me start it off Now. Okay, see, I'm always going to. I'm going to play Devil's Advocate, I like it. So we're talking about Lord Jamal right Now. Here's the thing Lord Jamal was like a featured guest on Vlad TV right? Yep, I don't know where they went and had their little argument, and it was on the outs, right.
Speaker 2:But Mr Wilson.
Speaker 4:What up Jeezy? What up Upset stomach y'all.
Speaker 2:Forgive me.
Speaker 3:Diarrhea Pepto-Bismol.
Speaker 4:You need that pepper? All right, yo, I need that pepper right now, fam, I ain't eating that pork God. It wasn't pork, god, I had Caribbean food, god.
Speaker 1:Oh, shoot what you had oh yeah, All them spices.
Speaker 2:I had some. I had some. Yo them spices tear you up.
Speaker 3:I sell my four trap. Go ahead, keep cooking. Let me come to you Pause.
Speaker 4:Pause, pause, pause. I had some.
Speaker 1:I had some. I had some.
Speaker 4:Escovitch. I had some Escovitch, listen. Listen, I was in the bathroom looking like a homie from Dumb and Dumber just now. So you know. But if I calm down, if I mute myself, just know it's on, I want to run I want to run g so yo.
Speaker 1:We always talk about lord jamal, so I know trap was going in. So go ahead, let it go Trev.
Speaker 3:Continue on, bro, continue Trev. I feel like this. I know Lord Jamal. First of all, lord Jamal is very opinionated nowadays, right? I feel like him and Vlad are a great match Because, for one, lord Jamal ain't gonna he's not gonna hold back. You ask him anything. He ain't one of those dudes that you can ask something and he's gonna put himself on a, let's say, on a chopping block. I don't know where it went out on the house, I don't know where he. I think people saying that he was selling because he went to black, but I don't know where else to go. If you want to tell the story, you know what I'm saying. I don't see the sellout part.
Speaker 3:I'm not going to just say everybody's a sellout because they go to black, because me, I'm going to play devil's advocate. We all need a decent white person in this industry that's going to get us through the next door. I'm just saying the bag, not even the bag, just to get you to the next level. It may not even be the bag, but we all need one good white person in our crew to just do things that we can't do. You know, what I'm saying and I think Lord Jamar and Vlad is that I don't see the sellout part. Because I don't see Lord Jamar as a sellout, I see him as a truth teller. First of all, he's a legend. He's from Brandon Lugia. You got to respect that.
Speaker 2:You a flat earther too, you a flat earther.
Speaker 3:I don't care.
Speaker 2:What shape the earth is. No, I'm just asking you. I'm just asking you, you, a flat earther with him.
Speaker 3:If I ever get somebody to go to space and see if it's flat around for us, I'll let y'all know when I come back. You know what I'm saying.
Speaker 2:You can make that trip Go ahead, Cliff.
Speaker 4:George Martin sold out when he said the Earth was flat.
Speaker 2:Nick. Hey Cliff remind us how long ago was that? Was that a while ago? I think that was a while ago too.
Speaker 4:Well, that was like two years ago. He started it, he kept going on with it and he kept trying to make facts about it with his hypothetical theories and I'm like, all right, that's cool, fam, but none of like the way the world works and the way that access works. You know how if you want an airplane, you can your sound, your sound your sound guys.
Speaker 1:It's a little my sound muffled. Yeah, it's fading out a little bit. Go ahead now All right, my fault.
Speaker 4:When you're in an airplane, if you look outside, you can see the curve. Yeah, and, like in Horizon, you can see the curve. I don't know what planet he's been on. Your eyes can see the curve. It's completely different when you're high up in the airplane than when you're on ground level.
Speaker 2:That's a fact. You can't fake that yo. You can't fake the curvature.
Speaker 4:I don't think he's a sellout. As far as going on Vlad, I'm not a sellout at all. I think he's a. I think he reneged on his original statement saying he wouldn't go back on Vlad, right, but I don't think he's a sellout, because what did he actually do that sold us out, right?
Speaker 2:I don't think that he's a sellout for them sakes, right? Is that the argument? Is the argument? Is he a sellout because he keep? Going flat, that's not the nah, I don't he's not a sellout for that, but I also think he's on the art of dialogue too.
Speaker 3:He's on that joint too and he be talking matter of fact, when he was saying about what Michelle Obama, who he was talking about- oh no, not Michelle Kam Obama, who he was talking about. No, not Michelle Kamala. He was talking about Kamala. He was on the Art of Dialogue. They were going off.
Speaker 3:Yeah, I still didn't know that he had an outspread with Vlad. But to me it's just like if you got a beef or let's say it's not a beef I don't want to use that word but you had a disagreement with your man, y'all ain't talking. A month, a year, two go by, and then within that year or so, you think about, like yo, we didn't speak, for what? Oh, because the pizza was cold. That was the argument. You know what I'm saying. It'd be something simple like that, where you think about it and be like yo, my bad yo, you know what I'm saying. So I, you know what I'm saying. He's definitely not a sellout, but I just feel like when they get together, we're going to get a lot of good content.
Speaker 1:They run up numbers. I believe Lord Jamore has a podcast right.
Speaker 3:The Godcat. That's the name of it I haven't seen him promoted in a while, did he?
Speaker 1:have a Rod Digger that was it Cool.
Speaker 2:If that's the argument there, I don't believe that's enough to call a man a sellout.
Speaker 1:Yeah, if he reneged on the action that's totally different.
Speaker 2:If you said one thing and you went back on it, we didn't say that, you know what I mean. But that's a totally different terminology. And then we also talking about the bag right, like so, him not being there, that's like a daily check. And then you already know with Vlad, right, you don't get paid for the first interview. The first interview is supposed to generate interest and then you get paid beyond that. So if you already put that work in and you've been running it up like that, I can see you being in, go, I can see you going back, I can see you let enough time go by, enough people forget, and then you go back to getting the money. But to be called a sellout for that, that's really a lot of people misuse words nowadays man, I believe I could be wrong for this.
Speaker 1:I know the guards are probably going to jump on me for this one. I think they see it as him being a sellout. They're probably like you should have stuck to your word. Your word is your bond. You say you wouldn't rock with him no more, so now you're going back to him. Nah, it's a sellout.
Speaker 3:That goes to say as far as the argument and what happened. Now you say I'm not going to mess with him because he's a rapist, he's a pedophile things like that, ooh, I get it. But if you're arguing about who ate the last cookie and who took my candy or whatever, something like ridiculous that you can go back and rehash and be like yo, you know what my fault? Or yo, I was tripping, I was bugging, whatever. I don't see that Yo, but my fault man, no man, yeah my bad.
Speaker 3:It's like where would the sellout be if you went back? It's not going back on you, bro, it's like yo you gotta relax.
Speaker 4:I have a question.
Speaker 1:What's that?
Speaker 4:So they're saying Lord Jamar's a sellout for going back to Vlad, but are we sellouts for watching Vlad?
Speaker 3:I'm not a sellout. I like Vlad. I mean for me personally.
Speaker 3:I'm reloaded and Vlad is one of the people who you're going to get an interview from. He may not even give you content regarding everyday struggles or whatever, but he's going is one of the people who you're going to get an interview from. He may not even give you content regarding everyday struggles or whatever, but he's going to give you something that we can go back and look at, because he has a specific thing that he does. I don't even like the whole he's a cop thing because it's like he's not asking you nothing. Where you can really, if you answer incorrectly, can really if you answer incorrectly, that's on you he does ask quite incriminating questions from time to time.
Speaker 2:I don't know about calling him the actual police but with some of them, questions that he be asking. I don't know. Yeah, some of those questions, some of those questions that he be asking um, are quite leading, but no, no, people say sellout right, I want to. I want to. I want to know what is the general idea about sellout. When you say sellout and not say that you're calling him a sellout when you use that terminology, what were the actions that caused that you got?
Speaker 3:a great point this is a real thing.
Speaker 2:I'm explaining to you the difference between being a sellout and then being a renega or just somebody that people disagree with right. You can't be a sellout until you sell out of a market. Once you sell out of a market, then you have to do different things to get into a new market right.
Speaker 2:He's been in this podcast space for a while now. So when people say sellout, I don't at that part, like what are we actually discussing? And I just wanted to know like what definition do you guys go by? Are you going by the textbook terminology of it, or are we going by the emotional terminology of it?
Speaker 3:because I think that's what a lot of people are doing.
Speaker 2:They're going off an emotional situation. It doesn't have anything to do with their pockets, okay.
Speaker 1:I'm reloaded, that's a fact go ahead and then where was y'all?
Speaker 2:where was y'all when he got? Didn't he get into a debate and he got chewed up, right? He got into a debate, he got chewed up, then right.
Speaker 1:He did right, I believe, with that Tyson, yeah, yeah.
Speaker 2:So like, why not there? Why wasn't the? If we was going to say anything, why not say yo, you've been. You can't even back up all you've been talking about. Are we going to talk about a sellout? Maybe we go that far back and see what led him into that and say maybe he sold out of the music market and it was no longer profitable and so he bought into the black conscious market. If that's the case, he's definitely not a sellout because he's still dealing in that. It's a podcast space now.
Speaker 1:I see what you're saying. Hold on my bad, trev. I see what you're saying, though, in the sense that emotionally, the people are saying that he sold out. One thing about our people and I'm learning over the weekend too we tend to put people on pedestals where they can't make no errors, like yo. You got to be the way we view you. You got to stick that way. I don't care what it is, but you represent for us because we put all our hope into you.
Speaker 3:But the man we forget that people are human.
Speaker 1:You know what I'm saying and.
Speaker 3:I feel like, first, we're talking about Lord Jamal here. I don't consider nobody from brand new being a sellout. Right, these, these, these. If you look at the group he comes from, if you look at his, his cloth that he's cut from, it's no way that you could say put sellout with him or any other members of Brand Newbie. They still travel, they still get paid. First of all, I'm going to go sidebar real quick. Sadat X has a 9 to 5. Yes, he does. He still tours on a daily, still goes to Europe and be on Instagram every morning talking about yo. I got to put in my vacation time because I'm about to go on these tours. You can't tell me these dudes are sellouts. I shouldn't even go with their names because for one to me, they're true to self. Now, outside of there's a whole lot of people we can say sellouts that really took from the culture and didn't give nothing back but some turkeys on Thanksgiving and toys on Christmas.
Speaker 3:There's not one block you can go on or go to and say, oh, I'm supporting, oh, this building is owned by Sean Carter, let's, you know, let's support this brand. There's not one artist, there's not one record label that's fully powered by all black owners, staff, anything like that. And I feel like a lot of those people are sellouts because when they got to a point it's like, okay, cool, I'm going to do what everybody else do. Thanksgiving, come around. You want turkeys, I'll give you turkeys. Everybody's copying Nino Brown. You know what I'm?
Speaker 3:saying it's like sellout. Will Nah, lord Jamal, can't be no sellout.
Speaker 1:Nah, I don't see it. I don't know the.
Speaker 3:BET award was a sellout.
Speaker 1:Talk about it Trash the BET award.
Speaker 2:The EBT award. Oh, no, no, no, okay, so now you want to talk about it. Now that's a sellout, right? Because Homeboy took that kind of fall. He took BET, I guess, as far as he thought he could take it, then he sold it. Now that's selling out. Now, what I understand things to turn out to be sometimes is somebody might say someone is a sellout, but that person doesn't understand a game that's being played sometimes.
Speaker 2:And they don't understand that they're the one being played, and the person that they call in a sellout is the person who took the time to study the game, and now their ideology is no longer match up, so there's, there's a lot like there's a lot.
Speaker 1:So it's like we Like there's a lot.
Speaker 2:So it's like we talk about the music, right, and you might come in as an artist saying I want to make meaningful music, right, you can get to a label and the label is like well, that's not what we pump, that's not going to get you no money, that ain't it. And you like what word? Yeah, that ain't it.
Speaker 1:so now you do right.
Speaker 2:So now you start doing what they yo, this is how you really gonna get to it. All right, we'll bet. Now you start doing what they do, right, what they say do what's successful. A lot of other people are going to be like oh, you used to make soulful music. But let me ask you this right, if you guys were supporting that soulful music, would that artist have had to go to a major?
Speaker 1:label Never, never.
Speaker 2:Right. So then I think it's that part.
Speaker 1:My man.
Speaker 4:Yo you look like six pounds lighter.
Speaker 1:Ha ha ha looking happy bro.
Speaker 4:I'm relieved for now me for now don't give him the reloading.
Speaker 2:He don't need the reloading. Don't give him the reloading.
Speaker 1:Yo, what Sean was saying is so true about the sellout thing. All right, as far as we're talking about the music sellout, we say the EBT awards was trash. I'm going to say something clear here on NYP podcast, I got love from my black brothers. I support what you're doing. I respect your plight. But, tyler Perry, I am tired of your same narratives, bro, I'm tired of your work is nasty out here, bro.
Speaker 4:I don't have an issue with Tyler Perry outside of one thing why all the dark-skinned brothers gotta be foul and why all the boys cool jokes.
Speaker 2:Well, yo, I tried to yo, he don't like us bro.
Speaker 1:He don't like us and somehow she always fall in love with a dude. You're the picture of dudes in a hood.
Speaker 2:Not all of us wear bandanas bro, you're the picture of dudes in a hood. Not all of us wear bandanas, bro yo nah, but you know when he did the light. You know when he did the light. Skin brothers dirty, though, and oh, and, four little girls and four little girls, he did, yeah, he did the brothers dirty. Why tell this story, bro? Who's paying you?
Speaker 3:to tell this story. No, let me say this that last movie he did that straw. If y'all didn't see it, that's a dope movie. That's a dope movie. And I get what you're saying, mike, and you're just saying because I've watched. Let me tell you real quick my sister made me watch tyler when he was on at the weekend. She had it when he had it, right. But I'm going to say that straw movie is fire, right. But the fact of the matter is he knows how to play on the vulnerability of black people and women.
Speaker 1:And the Christian theme.
Speaker 3:Right, of course, of course, a Christian. I don't even want to, I don't even want to be scared by saying anything about Christians, but he just knows when it comes to the vulnerability of women, especially black women, he knows where to go. Now I'm going to applaud him for buying that land to start his own. That's fire, you know what I mean. That movie Straw. If you haven't seen it, I'm just telling you, fellas, sit down and watch it and give it an honest opinion what else has come from that Tyler Perry studio?
Speaker 2:I'm going to get that joint a shout out yeah, all that, sisters, and everything that divorce court everything that's for BT.
Speaker 1:BT is all Tyler Perry. You see, I'm more Spike, I'm more Spike Lee, I'm more with Spike Lee.
Speaker 3:I'm a Spike Lee I think it's a page from Spike Lee's book, because remember, when Spike Lee first came out, spike had his studio in Brooklyn.
Speaker 4:Yeah.
Speaker 3:And Spike was using a lot of the same actors and actresses in his movie. It was just that those actors and actresses were a little more well-known. They had already had hollywood credentials behind them. You know, I'm saying so. When you get spike lee, you get. Spike lee normally takes books that was already written and he um remakes and does a movie for it.
Speaker 2:He did Closet what?
Speaker 4:do Tom and Perry?
Speaker 2:do this. Anything like Everything that he writes is along the same lines. It's never nothing different.
Speaker 1:What'd you say? Trevor, st Kate to the church.
Speaker 4:Yeah, kate to the church, Kate to the church folks. Of course, that's how Perry's market.
Speaker 2:Yeah, let's be honest, that ain't no hard set of people to sell things to.
Speaker 1:Not hard at all. Because you got them by the belief by the Bible yeah, you got them by fear, fear alone.
Speaker 2:I don't want to go to hell, I don't want to not support anything. Jesus, you got done by fear alone.
Speaker 1:Or he needs like three old lords and hallelujah, and that's it. I'm watching that movie.
Speaker 4:When he first started, his plays was basically performance art and then it would turn into a whole choir gospel choir in the middle of the play, and that's how he gathered that audience. So a lot of his movies came from that audience, which helped him do his first major film with Dia, I guess Black Woman's Diary, or whatever. I hated that damn movie. You know a movie with Dia, I guess Black.
Speaker 1:Woman's Diary or whatever.
Speaker 2:Hated that damn movie. You know what movie he did? That was fire. Though I ain't gonna lie, why Did I Get Married? Why Did I Get Married Part 2?
Speaker 1:Woo.
Speaker 4:It still was like that those was fire.
Speaker 2:I just don't like the fact that Janet Jackson ended up with the Rock at the end of the movie it's all about the toxicity you know what I like about that with the Rock, though he calls himself Don and you give it the Rock the fire part about the Rock in that movie. Right is, that's the first movie that he got to check for being Dwayne Johnson in. Like, listen to me, Every movie before that it was the Rock, the Rock, the Rock. Now, mind you when you the Rock, you got to split that brain with. Vince McMahon.
Speaker 1:Vince.
Speaker 2:McMahon been running that gambit for years now, bro he let two people get away with that, and after that he ain't let no more people get away with that, bro. He let Rowdy Roddy Piper get away with it and Hulk Hogan, and after that nobody else gets away with that.
Speaker 1:You know what, brother? How dare you take my paycheck?
Speaker 4:Yo, I'm trying to laugh too hard yo.
Speaker 3:Yeah, I feel it, I feel it.
Speaker 1:Y'all gotta watch Straw. Y'all gotta watch Straw. Straw is a dope movie.
Speaker 3:I ain't gonna hold you no on your word On your word I'm going to watch it.
Speaker 4:Sinners is a good movie too. I don't know if y'all saw that yet.
Speaker 1:You been saying that.
Speaker 2:I ain't get a chance to peep it yet.
Speaker 1:Sinners is dope, bro, very dope. A lot of messages in that movie. A lot of messages For those with esoteric eyes. Occultism, you catch that, but being that we're talking about messages.
Speaker 3:Is it a sellout message in sinners?
Speaker 1:Sell out.
Speaker 3:Is it a sellout message in sinners?
Speaker 1:Yeah selling your soul stuff like that.
Speaker 4:Yeah, it's a lot of messages in sinners.
Speaker 1:Let's talk about this trash-ass album, the Carter Six.
Speaker 2:Oh, tell me all about it. I'm ready to listen.
Speaker 4:You want my proof?
Speaker 3:Yeah, me too, because I got my own opinion about that.
Speaker 4:Carter III's been trash. Carter IV's been trash. Carter V's been trash. The funeral was trash. Carter VI is trash. Like what a way. He didn't do nothing different than he did on the last seven albums. He just rambles on the mic a bunch of nothing. People finally woke up and realized that he wasn't talking about nothing. He was just rambling.
Speaker 1:I know.
Speaker 3:You know what I think he did. I think he tried to put a bunch of songs. First of all, the songs sound like he found some old songs and made about four new ones right.
Speaker 3:And he was like you know what I'm trying to get on every genre on the charts. That's why you got the Bono record. That's a so-called pop record and he's just trying to see what hits. Because I feel like this I feel like this album for 19 songs, the first 20 seconds of each song is catchy and then it's like just enough to get a stream and go 19 songs. Yeah, it's about that, that it's about 19 songs, but the intro to each song is like a lot of the intros. It is catchy, sometimes the beat and get you, and then it's like okay, then you go all the way left. So I feel like he's just putting something out there because he hasn't been out in a while and every time he do an interview he sounds stupid. So I think the Carter seven I really think he should stop calling it the Carter, cause we were done with that. I just think that the next, I think this album is just to get people talking.
Speaker 3:So when the next album, come we can get, it'll be another. I'm going to say he put 10 songs on here and those would be the songs that he really wanted to let go of.
Speaker 1:They try to hype up. They try to say that you know he was supposed to supposedly dissing Kendrick on the album, like you're trying to pull some traction using Kendrick's name. First and foremost, I'm not being no glazer. Lil Wayne cannot see Drake. I'm being honest with you. I mean not Drake glazer. Lil Wayne cannot see Drake. I'm being honest with you. I mean not Drake, kendrick, it's not going to happen. You will lose the last four dreads you have in your head will fall off. Bro, you cannot out-wrap Kendrick.
Speaker 4:It's not that you can't out-wrap, kendrick, you're on drugs.
Speaker 1:You sound like a lawnmower. You see, on TikTok they say you sound like a lawnmower.
Speaker 4:A drugged up mind is not gonna a doped up drugged up mind is not gonna be the sober mind.
Speaker 3:At all. I don't care how creative y'all think we get when we high and shit like that.
Speaker 2:Who's featured on Wayne's album? He has any features? Who's featured on's album? He has any features? Who's featured?
Speaker 3:on All the new people. Big X, the Plug Mano.
Speaker 1:That's it.
Speaker 3:It's no.
Speaker 2:Young Money.
Speaker 3:It's nobody from his camp no Nicki, no Drake, none of that. It's all new artists, it's all these new mumblers.
Speaker 4:This would be the perfect time for him to do a Cash Money song. No Twist.
Speaker 3:Nah no, twist Manny Fresh got a little joint on there, okay, so where does?
Speaker 2:the majority of the production come from Everywhere.
Speaker 3:It's no in-house, it's all over.
Speaker 2:So what does it like? What does? The general vibe sound like.
Speaker 3:That sounds like everything. I think he literally put a song for each genre or tried to put something for each genre to get every song streamed at the same time. There's no.
Speaker 2:That sounds about right Trev there's no cohesiveness to the album.
Speaker 4:It's all over the place and that's the problem. But to me that's been his See. He got by off of hype and marketing for a very long time right, he had cash money.
Speaker 3:Now he buys out. Yeah, you had a team behind him.
Speaker 4:He had cash money Now he buys out.
Speaker 3:There's nothing behind him to say let's promote Wayne. It is what it is. I'm not saying his run is done, but that best rapper alive since the best rapper retired is out the window. See you later.
Speaker 1:What'd you say, Clint?
Speaker 4:He was never the best rapper alive since the best rapper retired, but he's never had any cohesiveness. He just had a strong marketing team and a label behind him that was making him look bigger than what he really was, and everybody fell in love with the quantity of work that he was doing, not the quality of work he just cranked out a lot of people.
Speaker 2:Let's run it back, because I like where you're going with this, so I kind of want to run it back. I like the first album.
Speaker 3:I like the singles.
Speaker 2:No, no, no, no, no. What was it? 400 Degrees? What was his album?
Speaker 3:No, no, no, no, we're talking about back. No, no, no, no, no, we talking about Wayne.
Speaker 2:So the block is hot right Block is hot, yeah. Because, we talking about Wayne, so we got to go we can't start at the corner.
Speaker 2:We talking about Wayne with the corner Block is hot. Yeah, we going back, because Clip just said something. That's very, very the marketing scheme and I think that plays a role. But I also think that early Wayne was not to be trifled with, like early Wayne was. Hold on, hear me out, hear me out.
Speaker 2:The Black is Hot single is crazy. It is a depiction of down south life that we was hearing up here that we had no idea about and it was very descriptive. So, yeah, I, I was, I was, I was jacking that right. And so now we have the young representation of black life down south that we're not, we're not used to, that just right off the back. Aha and all that. How I went crazy, for Aha is not lyrically tight, but it's what he was saying. That was relatable, but still different. And I'm looking at Wayne in the same light. Right, so now here comes the marketing part. We street them up more, we throw flags on them, you know. Here comes the extra marketing part. Right, okay, we get you in this, in this lane. Okay, we push you in this lane and then, okay, now we're gonna put you in this Harlem lane. So it's like all these different lanes that they was putting Wayne in along with the consistency of the work, right.
Speaker 2:And then after that, when he went to college and he came back and he had that whole new writing team and was just eating track after track after track, it was like he became the forefather of these new kids. But it was just a blueprint. It was the other artists that they put behind him, the Young Thugger, because you know, young Thugger used to write for Boy 2. Young Thugger pen is crazy. I don't care what nobody say. Thugger could write. Thugger could write Twist. Got style too. What's the Harlem dude? You know the other writer, mills.
Speaker 3:Mills Jay.
Speaker 2:Mills. There's a lot of work that went into the Lil Wayne brand and I see what you're saying about that?
Speaker 1:How about Gilly?
Speaker 2:Mm-hmm, gilly. Well, you know they're static about that, right? Because they claim Gilling ain't do nothing. But why was he over there? Then you paid him, or you did pay him, but why was he over there? If he ain't writing nothing? Why would he say he did that if he ain't do it? And Gillian was the 80 carat kid? Come on B, come on man.
Speaker 1:I love being a gangster. Major Figures was crazy.
Speaker 4:You think so?
Speaker 3:I hate it, major Figures, really. Let me tell you something.
Speaker 4:How do you hate it? I don't like being a gangster.
Speaker 3:Yo, I didn't really like I don't want to say hate it I didn't really like Major Figures. What? First of all. I like Am Together. I didn't like them. I didn't like them together. What happened with Major Figures to me? Beanie Seagull. Beanie Seagull got signed the same time. Major Figures came out with that Beanie Seagull. Oh, yeah, that song I hate it.
Speaker 4:Yeah, that song. I'm in of money.
Speaker 3:now, when that song came out, Beanie Seagull got signed to Rockefeller. That's when Beanie Seagull freestyled over a band from TV. Right yeah, in Philly, yeah Yo, I have yet to hear. When I heard Beanie Seag single, there was no more listening to Ab Lava, Major Figures, Ducks and Spades, the chick that looked like a cat.
Speaker 4:I didn't want to hear Wow.
Speaker 2:I like it.
Speaker 4:I like it. Before we get into this, let me salute to my Philly people. I got home right here, trev my guy, hold on Trev, my guy. But I don't agree with Trev, right? I'm going to just keep it over there.
Speaker 2:He pointed at you too. Trev my guy, trev my guy Don't get it twisted that guy down there.
Speaker 4:He's pointing at that guy. Trev is my guy. I don't stand with him on this as a native New Yorker. I'm sorry, I was listening to Dutch and Spade. Yeah, I was listening to Kid Lava Bianca. I was listening to Major Figures, the weakest part of the album was Yen S Us. Everything else was on Spade.
Speaker 3:When Beanie Tingle came out, that was Philly. To me there was no. You couldn't get me to listen to nobody else. You wasn't listening to.
Speaker 2:Dutch and Spade In they day.
Speaker 1:He's a dead man walking and you're like damn why I'm in this costume.
Speaker 2:And no, no, 80 carry kid Like that was, that was the DVD. I was like, damn, why I'm in this costume. And no, 80-carat kid Like that was the DVD era. Like that was, those was the guys that put Philadelphia street rap on the map. And then you know what's so crazy After that, it was like there could only be one. That's what was so ill about Major Figures, because after that you never really seen like Philly people line up Like you had the Rock, you had State Prop.
Speaker 3:But they like just a bunch of dudes that they threw together.
Speaker 2:Like they not even from the same sides of Philadelphia. They don't even know each other.
Speaker 3:But I think for me, I'm speaking for me, right right. When I heard Beans, because I remember when GSS was on BET, I remember the jersey. I remember Gilly with the chain, I remember all of that. I remember theilly with the Gilly chain, I remember all of that. I remember the DVD era. But when I got, when I got Beanie Sigou the freestyling, I was like there was no more listening. I didn't listen to anybody else at the time.
Speaker 1:You remember?
Speaker 3:this rap.
Speaker 2:I was listening. I was listening to see when Remember when that joint came out with that Rockefeller. Do you remember that Rockefeller teaser that was out that had Diamonds in the Rough and Beanie Siegel? Who else it had? I think Christian. I think Rel was on that.
Speaker 4:Rel was on it. Rel was on that, rel was on it. Diamonds in the Rough Christian the Rangers, beanie, siegel, the.
Speaker 2:Rangers I still got that TV Bravo. You still got that teaser Bravo. You still got that. You got a copy.
Speaker 4:You got that teaser and I got the I got that teaser and I got the what's it called. Do you remember when Hard Knock Life Volume 2, I mean Volume 2 came out right?
Speaker 3:It had a double CD.
Speaker 4:It had a double CD and it was an extra.
Speaker 3:CD.
Speaker 4:When it had the Beanie Seagull Freestyle. It had the things people played when they was sending Mad Subliminals to Mace Bravo. Copy. I still got the original original copy when it was on Freeze Records.
Speaker 1:Yo people don't remember that. Had the gun on the CD, I still got it. Yo people don't remember that, bro Classic.
Speaker 3:I remember that.
Speaker 1:I remember that. Let me ask you this you got all the clue mixtapes.
Speaker 3:You got heavy components.
Speaker 1:I need the heavy components bro.
Speaker 3:Let me ask you this though Since Billy the Kid, how many albums did your Bob hit I?
Speaker 1:bought all of them. I bought the one, the King of Philly joint. I remember when he did some Benny Siegel to that beat the 357 beat, I mean the Mac, he went off on them.
Speaker 2:I remember them being in the same studio together freestyling and Gilly getting up out of there.
Speaker 4:I remember that During that time I was going to Philly, so I was out there you know Greek Fest and all of that in Philly. I was going out there, you know Greek Fest and all of that. I was going out there. Philly rap to me was like you know what I'm saying. I was into Philly rap.
Speaker 2:I still like Philly rap I still like. Philly rap.
Speaker 3:Me personally. I think Nelly portrays something that I think he's too animated. I don't want to say he portrays anything that he's not. I think he's too animated. I don't want to say he portrays anything that he's not. I think he's too animated. I think Wallow is more Rilla than Gilly. I think Wallow is more.
Speaker 4:I think they both is dangerous, because Gilly was a stick up kid and he was a hospital. I think that's just who Gilly is. Gilly is just an animated dude. He's a very talented expressive individual. I think that's just who he is, gilly's just an animated dude.
Speaker 2:He's a very talented expressive individual. He raps very well, he plays basketball, he podcasts, he knows how to entertain people.
Speaker 3:I think he's just that kind of an image and I give him that. As far as the music goes.
Speaker 4:I just think he's overly animated when it comes to it when they came to philly rap ab lava was my god come to find out he was ghostwriting for dr dre for a while.
Speaker 1:A lot of people don't know that, I didn't know that.
Speaker 2:Wow, shout out to that baby having yo jay be having them ghostwriters on the live he's getting paid. Nice too. You get a nice check. Yo, you get a nice check, man I, you get a nice check man I remember, Ab Lago, when he went to me.
Speaker 3:he seemed like when he left Philly and went over to Viet Whips.
Speaker 1:yeah.
Speaker 3:Matter of fact. You know what my man, Roscoe P Colchang.
Speaker 4:Oh, he was a problem, he was a problem Roscoe P. Colchang. He was a problem and there's a problem and I'm so mad that they didn't do it with him.
Speaker 3:I don't know how much time he got, but I remember that video him Cliff's Ab Lava that mesh that they had.
Speaker 1:Had a thing called Family right.
Speaker 3:Yo and Roscoe P Coltrane killed that bird. He did the best.
Speaker 4:That was during the week.
Speaker 3:I don't know what he did to go to jail but free Roscoe P Coltrane Matter of fact him and Booty T were my two favorite artists.
Speaker 2:You know what's crazy Like? Philadelphia, when it introduced itself to hip-hop was really latin. You know what it was like. This is how we live out here in israel. Okay, that's what's up. I respect it, right? Thank you for telling me the story. And then it did another hip-hop thing. Right? This is philadelphia we talking about. It did another hip-hop thing. It produced Cassidy, who became an ill battle rapper of the time. Yo yo you, I get that, but I'm Cassidy was he's to get busy that's but that's what I'm talking about.
Speaker 2:I'm talking about the spark when he started, but that's what I'm talking about though. I'm talking about the spark when he started. That's exactly what I'm talking about. I'm not talking about present time. I'm talking about the switch over from Philadelphia being real hard to Philadelphia showing that we could do real hip-hop. I'm talking about that part. You know what I'm saying Because it went from the raw expression.
Speaker 4:Me personally, right. I never looked at Philadelphia as not doing know what I'm saying because but I went from the raw expression real hip-hop. Me personally, right. I never looked at philadelphia is not doing real hip-hop.
Speaker 2:No, no, no, I, I didn't mean that, I mean not, I mean the mainstream from again, not from a realistic standpoint, but from a bar you down standpoint, like from a battle rap standpoint, from a entertaining standpoint. That's what I'm talking about with cash, you know what I'm saying. And then with um'm talking about with Cass, you know what I'm saying. And then with Sicario, on the other side, you know what I'm saying. They ain't doing anything, they ain't doing nothing. And that little back and forth between the two of them when they was going battling over the telephone for supremacy, I mean that's very hip-hop, you know what I'm saying.
Speaker 1:That's very hip-hop Hungry bars to hit you on the phone. Yeah, hungry bars.
Speaker 2:I think that respect for that was the push, because after Wow coming out of Philadelphia, it was only one artist at a time. After Major Figures, it was one artist at a time until State Property.
Speaker 1:Right, I think we had Cicero. Cicero was dope.
Speaker 3:You're talking about Shawnee. I think if they would have focused on, if they would have put a little more focus on KeeDee Crack, keedee Crack would look like.
Speaker 2:KeeDee, keedee, keedee, keedee, keedee, that's my Jeezy.
Speaker 3:I know, but I think he could have been that, because when he did that Neo joint, that's a classic.
Speaker 2:That PD Crack for President I call it. At first I thought that was one of the meanest album titles I had ever heard in my life PD Crack for President. Then he had the red, white and blue posters in the street with the stars on it, with the PD Crack in red. I said hey, and then now for nothing.
Speaker 2:Nah, that's my Jeezy. I got to open up for him in Delaware a couple of years ago on New Year's. You know what I'm saying. It was a really nice turnout, really nice event. He showed a lot of love.
Speaker 3:He showed a lot of love. He got that Crack Fouse mixtape thing, that he did, that compilation Yo, I fell in love. I was like, oh, he still got. And then when he was on the Smite DVDs, going crazy he could have been, because he had everything.
Speaker 2:He was like to me, the LL Of Rockefeller I think the only problem with Petey at that time Was the rocket fuel. Yeah, too much rocket fuel.
Speaker 3:You know what I mean.
Speaker 2:He don't fly, no more. He don't fly, no more, he, he don't fly, no more.
Speaker 3:He don't fly. He said he broke that Neo joint off the Wiggles. He said he broke that Neo joint off the what.
Speaker 2:He don't do that no more, like even that night. Now he travel with his son.
Speaker 1:So even that night his son don't let him drink. Yeah.
Speaker 2:His son be on him, bro, his son care about his dad, bro, like real. So he got good. So he must be a good father. You got a good son. You must be a good father because he really looks after his dad, very right, but yeah, not for nothing, because he, he did a. His last project that he did he did with my man, man DJ Sincere, 8th Wonder. You know what?
Speaker 3:I'm saying DJ.
Speaker 2:Sincere, that's my man. He was spitting my mixtape for me and all that. That's the last project that they did. That's how I even got to open up for him. You know what I'm saying.
Speaker 1:You got to bring your music up here, God. You got to bring your music up.
Speaker 3:PD's son used to do was engineering a lot of his mixtapes and all that.
Speaker 1:Keeping the family.
Speaker 3:I don't know if he taught him how to do that, but his son I don't know if he's his oldest son, but one of his sons was literally his engineer. He'll do a song, his son will clean it up for him. That's how he said. Yo, I got cheap labor here.
Speaker 1:Being that we're speaking about families, what's the deal with these Davis brothers and the?
Speaker 2:here this, right here that, right there Yo. This was the ultimate fumbling of the bag bro, you know what?
Speaker 1:Give him one of these. Listen to this.
Speaker 2:Yeah, because yo, as a boxer, right first, you have to invest a lot of money into yourself, right? So you got to pay sparring partners to come out. So let's say you're training for, let's say, two months for a fight, you gotta pay multiple sparring partners, you gotta fly them out, you gotta take care of them while they're out there Exactly Right, you have to promote the fight and you also have to sell tickets. You gotta do all of this. You know what I'm saying. Now, mind you, this fight is in his hometown, this fight is in Norfolk, virginia. You know he got his brothers on the card. He got his two other brothers on the card. This was supposed to be a really, really big event Like this was supposed to bring eyes to his brothers. Abdullah Mason was also on the card. It was a really nice, up-and-coming card.
Speaker 2:Now, yeah, all right, was on the card, he been, he been. They got like this new fight lead. That's like on the side where you might go get like two, three rounds, and you know what I mean, just keep your skills sharp, and all that. He's been doing that, right. So when you look at it, you know you done put up all this money. You got all the little clubs that's in the area. They ready to celebrate with you. They done spent extra money. They got extra alcohol. They done did extra promoting. They got extra food. This is a lot of extra money being spent. The the arena was sold out, 10,000 seats, 10,000 people was coming to see you fight. 10,000 people in your hometown, big eyes for your brothers. It's time to put everybody on the stage.
Speaker 2:He's fighting Edwin De Los Santos. Edwin De Los Santos' last fight was against Shakur Stevenson, right, and you know. Shakur beat him like he does on points, did his little feet thing, got away from him. You know how he do it, right. So Edwin, looking for a real fight now. You know he's been laid off 18 months. He ain't had a fight in 18 months. So he's hungry, he hungry. He come in prepared for this fight.
Speaker 2:Keyshawn comes in four pounds and a half overweight. Now, the thing about that is you're supposed to come in weighing, weighing around the same weight, and then you know you get to rehydrate it fairly. You know what I mean. So if you come in four pounds overweight and then rehydrate after that, you're looking at putting on an extra 10 pounds. You're going to be an extra 10 pounds heavier than this man. So you go back to the renegotiate and yo, you know, we give you this for the extra poundage. De Los Santos camp says, no, right, because boxing is about small battles. Do we win the weigh-in? You know, yeah, we win the weigh-in. You know, yeah, we win the weigh-in. Um, how do we win the money? How do we win this battle, right? So delisanto's camp says nah, we not fighting. Guess who gets paid to guess who don't get paid. So delisanto's can't get their whole purse and keishonwn Davis camp gets nothing.
Speaker 2:So all that money that you put out, all that money that your city put out right, the money that your promoter put out, all this money you just blew your next opportunity because of how you handled it, not to mention after the fact, his big brother, kelvin, he get beat. See, look, everybody thought the fix was in. When you know, when Keyshawn was fighting, we all thought the fix was in. We ain't putting no money on. No Nia, albright Right, nia end up beating life out of Kelvin. Then they jumped him in the locker room as brothers. They jumped him in the locker room, brothers.
Speaker 1:He jumped him in the locker room. He jumped 9-year Albright.
Speaker 2:After 9-year Albright beat Kelvin Davis, kelvin Davis and Keyshawn Davis go into his locker room and they jump him right. And then you know what Keyshawn did he grabs his 2-year-old son in the middle of the mayhem and puts him on his chest. So now you done started this beef and this man can't even get back at you because you got your son on your chest, damn. So I need no brown ass.
Speaker 2:Yeah, so the second time he comes up today. So it's like where do you go from here, right, because nobody's going to put no money up behind you after that debacle. That was your big, big opportunity man. It's a big opportunity and it's down the drain and that could be it for his career. Like the trajectory that it was going on, it's definitely going to plummet. He's definitely going to lose value as a fighter and that's just so sad to see somebody doing so well and then get in their own way, get a little too big headed, believe they a little bit better than what they're actually doing. You know what I'm saying, and he's young, so sometimes we need situations like this to run into, to learn humility and get us out of our hubris and that's what I'm praying that this situation is for him.
Speaker 2:I hope he comes all the way out his hubris and just learns a little humility, respect the sport more. Young man man.
Speaker 3:Respect the sport more.
Speaker 2:You know, that's all I got to say about that one. But Saturday for New York, we got Richardson Hitchens fighting George Cambosos. You know what I'm saying. So I think I'm going to back Richardson. I think I'm going to back Richardson, you know what I mean. Go Brooklyn.
Speaker 1:Go Brooklyn.
Speaker 2:Center Time for the city. No, man, this going to be in the garden man, this in the Mecca, this in the Mecca man. So he's got to put on the show. You know he's got the door for Brooklyn. No disrespect to nobody around the world, man, but you can't let somebody from outside, you can't let Ozzy come into our city and take the belt out of our city.
Speaker 1:He's going to get jumped, don't get dogged.
Speaker 2:You better hold it, yo, bro. Listen, if the Davis brothers is jumping people, you understand you can't let him leave America with the belt man. I'm with you on this one. Richie, brooklyn, stand up, man.
Speaker 1:With that being said, man Hold on hold on.
Speaker 4:I be trying to understand that this Friday we are getting a Slick Rick album.
Speaker 3:That's all I'm going to say Okay, While we're going to say that my man sent me some Supreme Clientele too.
Speaker 1:Next week.
Speaker 4:Supreme.
Speaker 1:Clientele and some more people you like that last Ghostface album that came out.
Speaker 2:You like the last one. Yes, I love it, I like it, I like it, I like it, I think that was way beneath Ghostface caliber. No, I love Ghostface.
Speaker 1:I know I didn't say I don't love Ghostface. I love Ghostface, but that was beneath his caliber. The one before was better.
Speaker 2:That one wasn't it.
Speaker 3:Yeah, that one wasn't it Before we get out of here. You've got to say Rest in Peace to Sly Stone.
Speaker 1:Yeah, rest in Peace. Most definitely my bad Sly Stone. Rest in Peace is Sly Stone 82 years.
Speaker 4:He blessed us with some of the most greatest music we've ever heard. Go get all that music.
Speaker 3:Go, get all of that. You're going to hear your favorite favorite artist samples from his music. Rest in all of that. You're going to hear your favorite, favorite artist.
Speaker 1:samples from his music it's my people. Do not listen to these fake activists. Do not get your ass beat out on the street Saturday at these anti-ice protests.
Speaker 3:Don't let them march you up for the role. I need to know what happened with my son.
Speaker 1:My son. He had everybody, he wanted everybody to join the fight. Yeah, go fight, go get involved. I hate my son.
Speaker 2:Wait, wait, wait, wait. From what side? What side is he preaching for? Is he preaching for the people who step first here?
Speaker 3:First of all, New York ain't never been like LA. La has always been an on-site state. You have to remember the Watts Riots. La has always been about that action. Whenever it goes down, they are really about that You're keeping it a buck.
Speaker 3:When it was on-site it was like Watts Riots is on-site. Did you see how they took Homeboy out his own truck, beat him, had him on Oprah, LA, had him on Oprah. Don't go over there thinking that you're going to really participate If you're not from LA. Stay your ass out of LA during this time.
Speaker 2:Shout out to all those activists over there.
Speaker 3:Shout out to all the yellows, the browns, the purples, the blues, everybody but the whites. Shout out to all you over there.
Speaker 1:You know what? And with that said, we are out. Thank you for watching my podcast. I appreciate you people. Peace and love. We out.