Rearview Mirror Chronicles
Keith Hockton, FRAS, is a writer, publisher, and award-winning podcaster based in Penang, Malaysia, with a deep passion for uncovering the stories that shaped our world. As the Southeast Asia Editor for International Living magazine, Keith explores the intersections of history, culture, and modern life across the region.
A dynamic lecturer and storyteller, he speaks internationally on Southeast Asian politics, economics, and history—bringing the past to life with clarity, wit, and insight. Keith is also a proud Fellow of The Royal Asiatic Society of Great Britain and Ireland and is on a mission to make history not only accessible but genuinely entertaining for everyone.
His published books include:
• Atlas of Australian Dive Sites - Travellers Edition (Harper Collins Australia, 2003).
• Penang - An inside guide to its historic homes, buildings, monuments and parks (MPH Publishing, 2012; 2nd Edition 2014; 3rd Edition 2017).
• Festivals of Malaysia (Trafalgar Publishing, 2015).
• The Habitat Penang Hill: A pocket history (Entrepot Publishing, 2018)
• Alana and the Secret Life of Trees at Night (Entrepot Publishing, 2018)
• Penang Then & Now: A Century of Change in Pictures (Entrepot Publishing, 2019; 2nd Edition 2021
• Bersama Lima - Five Together (Entrepot Publishing, 2022)
www.entrepotpublishing.com
Rearview Mirror Chronicles
Masterpieces and Mysteries - The Garden of Earthly Delights (Part Two)
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There are paintings you admire… and then there are paintings that quietly take hold of you, refusing to let go. The Garden of Earthly Delights is firmly in the latter camp.
Set within the shadowed grandeur of the Museo del Prado, this extraordinary triptych unfolds not as a simple artwork, but as a riddle that has haunted viewers for over five centuries. In this episode, we step into Bosch’s strange and intoxicating world, a place where paradise feels uneasy, pleasure feels dangerous, and hell feels disturbingly familiar.
From the watchful gaze of Philip II of Spain, who once kept this painting in private contemplation, to the modern viewer standing bewildered before it, the question remains the same: what exactly are we looking at? Is it a warning, a fantasy, or something far more unsettling, a mirror held up to human desire itself?
This is not just a story about art. It is a journey into the boundaries between sin and innocence, order and chaos, meaning and madness. And like Bosch’s masterpiece, it offers no easy answers, only deeper, darker questions.
Because in the end, the most uncomfortable realisation may be this: we are not just observing the painting… we are somewhere inside it.
For books written and published by Keith Hocton