En åben snak med komiker ,filmskaber & skuespiller Casper Christensen
om hans passion for musik .
En åben snak med komiker ,filmskaber & skuespiller Casper Christensen
om hans passion for musik .
Music. Welcome to the Museo Locale Podcast. My name is Peter Visti and I have been a musician all my life and I have lived my entire life of music in one or the other way. I am a musician and I have been very young. Since then I have been sleeping with my headphones on and listening to music during my entire night sleep, which I still practice. Music is my passion, my drive, my mood and daily forms of music. And what changes music? Music has a unique ability to express feelings and connect people in a different way. My goal is to find out how different people experience love for music and how it varies in their lives. What is the purpose of the new guest? To talk about their relationship to music and how they live and influence music, insect inspiration and, hopefully, some fun and exciting surprises. Welcome to Museo Locale Podcast. Music Meet Drug. Welcome to Kasper Christensen. Thanks, peter, how nice to have you.
Speaker 2:It's nice to see you again Right away.
Speaker 1:We have known each other for 30 years.
Speaker 2:I think it's the most 30 years since I started with the band. It's a big sight around us. There is a lot of our way to go. Open, bart, yes, not much to do with you now. No, we have had a nightclub together and so on. I have been to a lot of your old nightclubs, but I have moved to a country like this, so now we see each other as much as we have done. No, we write together and we write together, yes, and we invite each other to a different place. That's right, or you do it. They know that I don't hold anything, but that's very happy and now I'm invited here.
Speaker 1:That's also very happy and that's really nice. You said that Because it's about music. Your career is long, kasper. You are one of the people that I have been most fascinated with in my life. Yes, thank you, and in that way also impressed me, because I think you have an opportunity to renew yourself. You have an opportunity to reinvent yourself, which I myself have tried to do my whole life, to get on with it. I think you have been very good at that. I have seen that from outside. You have been very, very impressed. Thank you for that. And there is some music that follows me. I have also noticed that. Yes, and if I start right away with your latest update, I have seen that it is a. I think I don't know where you are. Is it true? Yes, it is.
Speaker 2:It's not sure.
Speaker 1:But there you are between the two percent. That sounds to a huge contrast.
Speaker 2:Yes, morgan Rollen. Yes, I am among the two percent in the world that sounds the most Morgan Rollen, and it also comes back to me. It must be said that Morgan Rollen is extremely big in the USA. He is one of the biggest country standards there is right now. It is more than it is a form of a modern country. It is a mix of a small school, an R&B, hyperbac they sound in between, but it surprised me that I am simply one of the biggest fans in the world Open up.
Speaker 1:Open up, and I think it's pretty funny because it is when you have changed the hamp or whatever you call it, when you have had many changes in your life.
Speaker 2:I have researched a new way.
Speaker 1:I have seen that, and then the music actually has a little bit of it. Yes, a man who goes over the line, also on music.
Speaker 2:Yes. But what happens if you have to put it like this yes, the psychologist has it on, so it happens, and it happens to me once. But suddenly I get grabbed by something new. Now something else is going to happen. And then I am super curious. And then it is right, as he says, then I just go all the way, and then a few years later I will live on a farm and go with copper hats and I will buy a cow and I will buy a pickup truck, and then I will have to sing on a different way to feel the food.
Speaker 2:Yes. And then it is clear, then you start to understand that you can enjoy country. And then suddenly things are right together. So I sit up on the farm there and the sun goes down over the hills, I can hear some horses running in the background and I sit with a Kentucky bourbon in the glass and I sit there with a wife and I just know how to shoot with the drinks, with some guns. So what do you hear? You sit there and say I hear one country for me that doesn't fit me. Then it becomes something country, and then it fits together and he sings about the great feelings. He sings about that. There is nothing better than the city that grew up in. I am the little city and the big city is the head of it and I say that is me. And then they always look for whiskey and food and unforeseen love. That is fantastic.
Speaker 1:It is very, very beautiful, but it is a little bit of a dilemma that you have gone all in on that. Where does the music start for you? Kasper, is there?
Speaker 2:music at home? No, both. My father was still alive, but my father played the clarinet and played it at the music conservatory. He was very active and sought for music conservatory but he didn't come in and then, maybe, like myself, he died of dreams and then he stopped playing and then there was no more music. So I didn't go up to a house where there was actually a lot of music. I always had my parents with me. They might have had ten boards in all.
Speaker 2:I don't know if the boards were expensive that time, but it wasn't like that. They were so expensive, so I didn't grow up with that. But I myself had the great interest in being a musician.
Speaker 2:I would like to be that was good, I have gone to the piano and saxophone which I was given at the gym Because it was smart in the 80s. But with piano I think I have had many bands in the past year. There was a band called Slingtje Band and it was a band that was a friend of mine. So you switched to playing drums and a little bit of all. What other numbers did you just play? And then we wrote our own songs. In the 90s there was a punk band called BOTC. Blow Off the Cockhead. I think that's enough.
Speaker 1:It was a bit more like a revenge show, Fantastic.
Speaker 2:So there has been a lot of music. I don't know what happened, but I think I'm 17 or 18 years old. I still think I should do something with music, but it's so nice that the comedy is much more interesting than the music I have. I have played piano in the playroom, but it was something I had to learn and fight for, and there were many big things all the better. But with the comedy I could feel that there is more on the home side, and so it was called back 2. I would like to be a rock musician. I would like to be a rock star. I would like to have that part of it which is cool, and that's what I would get with the comedy when I was growing up.
Speaker 1:So that's the way. It's fun to sit here and watch some of your old stuff because we were going to talk about it and fall over a safari show when Bubba is a secret guest who has been installed. In the beginning you were on a street and made a blues brother show. It's a real thing.
Speaker 2:They were first stand-up. Yes, they were first stand-up. That's what I came home from the US the little number. I hooked up with a friend, jason, who went to class with me. He had a number where you were a lip sync or miming to a blues brother and that was the first time I could get my own music and comedy. So I couldn't play it but it was fun. And then I was standing on the street with a friend called Thomas and he made a blues brother show and that's what I've been doing for a long time. And Bubba, bubba up there.
Speaker 1:I'm actually going to take it off.
Speaker 2:Yes, bubba is coming. No, but Bubba is coming to Feltit and saying what did you find? It's pretty cool. I'm making a show called Bubba's Coolest Ship, I think, maybe I know. And then we make a 20-minute movie, yes, where Thomas and I drive around in an open car and make blues brothers numbers and stuff. It was a great experience for me. It was the first time I was really far away, so it was a great experience. I'm sorry, bubba, everything.
Speaker 1:Now I know that there are 30 of us, but despite that, it's the first time I see you clip here the other night. Okay, it's a good thing you're standing here.
Speaker 2:It was a local TV show, it wasn't anything, but it was the time when TV was cool and it was cool to make TV, and that's when you got the pleasure of having a TV. There was no phone, there was no camera you could take pictures of, but there was no one who could record a movie, so it was a recording that could send something. It was incredibly exciting, it was a revolution and it proved that something was shown at the TV show Somalallad Alinsstjärning. It's not like it was a day when it was a little easier to get there, so it was a great experience, even though it was local.
Speaker 1:I think so, but I think that it's a bit sad that it's easier to get there with the comic, because you shouldn't do that. But there's nothing. I think through a whole career there's a lot of music when you make movies, when you make TV.
Speaker 2:I have a great love for it.
Speaker 1:I can see some of the movies you've made. There's 100% self-made music in the movie and you're the one who controls it. You're the one who makes a movie.
Speaker 2:There are two things when you make a title movie for a clone. The first thing is that TV station says I don't have the courage to make a movie. I don't know the movie, but here's a catalogue of 5 billion free-cooked music that I can take from. I was quite willing to take 10. My uncle was the one who made the movie and the music almost sounded like a clone. So I found the number we have called Tutti Frutti and I thought okay, it sounds like a 10, and then we choose it. But when we make a movie there's something else Free-cooked music. When we make a movie there's obviously there's a co-bonise about it. I don't have much to do with it. I come up with a suggestion to say we should use folk music as an instrumentation. It shouldn't be too modern to clone, it should be a harmonica, a little bit like the old Danish music. But I choose it and it's always me who chooses it. For example, in the first movie we played the song Chocolog with Dimey.
Speaker 1:As I enjoy playing it on the stage. It's a fantastic song because it's a song.
Speaker 2:when the movie is finished, we have to have something to explain. In time, we had to think about how to make it sound and how cool it was. That's what I choose to do.
Speaker 1:Many of you think that you do it better than the others. I'm interested in what you're talking about. If you're talking about the overall, it means that it's a contusion, it means that it's a great movie.
Speaker 2:It means that you're going over the line. That means that you're doing something in the left hand If you're not interested in all the parts. It's not as good as it could have been. You can do something in the Lord, but it's hard to do it in the left hand.
Speaker 1:I've seen everything with you here the last few weeks.
Speaker 2:I was very nervous. You said you were a little stressed.
Speaker 1:I was sitting here and I saw Dan Dream.
Speaker 2:It was you who saw it, I knew it was you.
Speaker 1:I'm one of you who has seen it. There's a lot of things that the music can feel, the four seasons that fit in. There's a lot of things that the lyrics say.
Speaker 2:You make a movie and then you sit back and forth with a manus. If you get the idea of a manus you can say it's been half a year. You know that every time you cast all the actors You've been with the clip room and the clip. There are sensitive people who take care of everything, but you're in all parts, just throwing music on afterwards. It seems a bit wrong. We know what all the characters think and how they have it. So you can't do anything that someone sings. You have to have a little finger with you. In everything you do there's music.
Speaker 2:I've been with music for a while. I've been working with the music of entertainment. When you get tired of it, I don't know what to say. Sometimes I think it's too much for the music. You can't feel the feelings that we have now, or feel the music more than the feelings. There are some who feel better than me. I'm more on the style. This is the area we should be in. If we have to find a specific number, I'm also on it, so I'm going to let it go. It's still not a random number. Yes, we'll see.
Speaker 2:You can see that the band Drillen, jortzhøy, lassarama and Frank Varm there was also music. It was also bad music, but I remember the first time I heard Lasse find the band Drillen with me. We went out and found something. We only have two and we'll find more, but before that we'll try something. Lasse and I will do a recording. We don't know what we're doing. We've already done a sketch. It's two men who are doing food parks. One of them has breastfeeding on his food. It was really bad and it didn't work. It was a sketch where you make a camera but two men are sitting together Drillen is always on camera. Now there's one who's breastfeeding. The next sketch we made was Dr Bombe. What was it called?
Speaker 1:Something with rice and the lip sync.
Speaker 2:I remember that Lasse was there too. We went up to the stage and we knew what we were doing. It was a talk show. It was a talk show. We knew what we were doing. It was the music. The music was there.
Speaker 1:Do you remember the DVD in the book? Yes, we did.
Speaker 2:We published a CD in the book. It was really big in the radio. Then someone got a part of the CD. Michael Jackson and Acqua were there. We sold it 100,000 CDs the first day. It was something we had to keep. Gendberg, Mats Vangse and Sønd Søndergaard we were in the background. There was some music. There was Peter Belli with her head and leg.
Speaker 1:We played it. There was a dissident compilation with 4 seasons. It was far from Lasse Vegas. It was a bad research. It's not bad. There was one episode where there were 10 episodes.
Speaker 2:It could have been Lasse Vegas, it could have been Wayne, it was really big. It's just on the DVD, it's not bad. The soundtrack is strange. It's so uncool. It's cool to have 4 seasons.
Speaker 1:It's not a fan-favorite, I'm sure the soundtrack is on the DVD.
Speaker 2:We've got the same thing. The DVD and the VHS were the wild west. There were lots of money and some of the money I've seen. I've seen it with the money.
Speaker 1:I've earned. I'm sure it's on the DVD.
Speaker 2:I'm sure it's on the DVD. I've just seen the documentary about Wayne. It's been a long time since Wayne existed. It's been a long time since Wayne existed. It's felt extremely in my youth. I still think it's the only thing I've been a fan of. It was Wayne. It's from the past.
Speaker 1:Maybe 5-6 years. It's nothing. It's impressive. It's the scene you suddenly get on Android. It's a good thing.
Speaker 2:You can tell him that he's a good friend. The secret about his homosexuality is that he's a good friend. He never tells anyone about himself.
Speaker 1:He also likes George Michael he supports him in everything he thinks and does. Without wanting anything. I'm so impressed.
Speaker 2:I've always been the most fan of Andrew Richley.
Speaker 1:I haven't had any of them.
Speaker 2:He's not an individual. I think so. He's not a talent. Now he's a real kid. He has to race and drive when he's done. It's not good.
Speaker 1:Kasper, you're making a podcast. There's no music in it. How do you use it?
Speaker 2:I use it to many festivals.
Speaker 1:I can't remember a festival where you don't use it.
Speaker 2:I was.
Speaker 1:DJ for 4 years.
Speaker 2:I sent you a message last week. You know it well. You know more about music than anyone else. If you're holding a festival, you're just sitting and listening to music. I love playing. I always collect numbers. I put them on some lists. We have a new thing. We're living in the country we're going to spend a few years. We only have a few hours. We only have to play Danish. We only have to play for a few hours. We have to play for a few hours. I'm a big fan of the band. I have a thread. It's called a sms thread. It's called the pearl fish. When you find a pearl, a new number that you haven't heard of, you put it on a long thread that's been running for 3 years. It's something I still don't use a lot. I spend a lot of time listening to music and to play and listen to small things you haven't heard of. There was a period with Christian Rockio, Christian Soul. It's also a fun thing to do. You start to learn new things. You know something about other artists. It's really cool.
Speaker 1:It's super cool and you're again shining with the music. You can't tell which genre it is.
Speaker 2:But it's really important. It's a podcast. I think we need to be honest. I think I'm concerned that when I make TV it costs the box and the bro and the original music. So when I have to find something new, I'm deeply impressed by the music Because every time you do it costs one or the other. When I make All Exclusive with Michael Berlesen, there's a whole range of Michael's comments about the song. We have to pay for that. So it's deep enough, because it's true that you could use more. I could have had more of it, but that's not the case.
Speaker 1:Yes, that's the case. There's a lot of music in this podcast. It's on Spotify instead of the original one.
Speaker 2:You have to play music. Well, they haven't really put me in.
Speaker 1:I had the same line as you it costs a lot of money.
Speaker 2:It's just that. I'm sitting here and I'm sitting here and it's all quiet. I'm thinking that you have to know it. No, that's not the case. We're just talking.
Speaker 1:The music is at home. You have these things Now. You don't have the music at home, do you no? How do you influence your?
Speaker 2:children. Do you try that? It's actually part of the thing. Kajsa is Marvin, who is my big brother. He's 25 or 24 years old now. I can hear that they have received a fairly broad musical performance, because I've heard many different genres. Yes, they give a lot of good meaning to your journey.
Speaker 1:Exactly.
Speaker 2:They both know everything from. They know everything from Meatloaf to Top Skur, firs and Hits and so on. They know a lot what things are. They can sit and they have all kinds of mixed music, which is pretty cool for them. I can feel that I haven't thought about it, but now I have two kids and I'm already thinking about it. I should play some more music and I should play some more mixed music. We have 20 minutes in the car every morning to school and work at home and then we hear music and it's sad, but they get the right answer. I've come up with a suggestion and then I see that it's cool and then you hear it three days in a row in 20 minutes and it's gone. And that's what's cool about it. Metallica, sandman, give it Away, red Chillepapers it's been running for a while now and right now there's Mellmfinger Music. What is it? Mellmfinger Music, and it's out.
Speaker 1:It's Branko.
Speaker 2:And it's something like AMG Sound. It's a big number RDR. They also heard it. How the fuck am I gonna drink it? Or, as Jack says, he said how the fuck am I gonna drink it? No, I said how the fuck am I gonna drink it? They were fucking it, they said it and they're running up and running. I think it's something that someone is saying. He said Røv. He's also John Bay. They're very simple words that they take out. But then they sat still in their Montclair jacket. They were just gangsters. They just sat there on the front seat together with me Because they were the pick-up truck and just ran with the hard Mellmfinger Hardly not Mellmfinger Music, and it's really cool to hear it again and it's pretty cool actually.
Speaker 2:Yeah, it's cool you were supposed to go to Isabellio. My memory is she's the most hip-hop and arm-dead, but she got it together the Spotify. What did she hear the most? She said it was Metallica and then it was Uncle Reyes' production and it fits very bad for Isabell if you know him, but then the kids have that kind of thing to say.
Speaker 1:Because you also have a hip-hop-arm-dead period. I would say, when you meet Isabellio for the first time and all that stuff. Yeah, there's a common memory you want to have.
Speaker 2:You always do that. Yeah, you do that all your life, and then it all gets together and then you learn something new and then that's what we heard and it fits very well. I don't think it fits to the Korean. At the same time with Country Date, I don't think it fits that well. How did you try? I tried it a few times and I think the hip-hop worked really well.
Speaker 1:Is it country or the Korean? I can say it's a long time ago that.
Speaker 2:I've been to the Korean, but I have the conviction that it doesn't taste good for me.
Speaker 1:If it's funny. I thought it was a bit of a surprise for the music.
Speaker 2:No, but I can still do hip-hop, but I'm just not sure. When I'm driving with my clothes in school in the morning I'm a little bit of a clean, and then I still hear hip-hop and that's very impressive.
Speaker 1:I hear hip-hop.
Speaker 2:Yeah, but it's a joy to hear hip-hop.
Speaker 1:When you say that it also affects the fact that music has always been there for you. Is there any time when you're so known as you've been there? Yes, for your sake. Then you get all kinds of other opportunities. You see people, there's music that suddenly has to be made, the film has to be released, and then things like that. Have you ever been on the other side?
Speaker 2:No, but I've played some songs, three songs. Okay, shall we pick them? Yes, okay, it's Harme Fall.
Speaker 1:Well, I don't know that one. It's not on Spotify actually. No, it's not.
Speaker 2:It's the first song I've ever done, but it's the same with Bård Sibbo from Östküst Hossled Shit. You didn't know that? No, and I can't understand that. I don't think so and I don't rap. I don't talk to him, but this is a song from the past. And then there's the beat in the past.
Speaker 1:And it's out on Harme.
Speaker 2:Line. It's out on Harlequin Records.
Speaker 1:Is it about the Harme Line that you're buying? Yes, that's the Harme Line that I'm talking about.
Speaker 2:So you don't know that. But then there's the Line Brown Danlison yes, it's a bank, it's a bank in the park.
Speaker 1:Yeah, like.
Speaker 2:I was before yesterday.
Speaker 1:It's good. Is it something that's numbering? Yes, but it's actually not the worst number that's on the album, because you sing together with Lars Hjortøy. Is that the worst? It was, just like my ungrateful yes I have a friend, Harme Koppel.
Speaker 2:Yes, yes.
Speaker 1:It's horrible. The thing is that the records produced by Lars Huck are yes, yes, but I mean it could be good to hear just a little bit about himself. Harme, who's with Lars Huck, but he's such a record maker.
Speaker 2:I can. Lars and I are contacted by a record and we just say no, yes. So I say it's Lars Huck who makes it and it's some old Danish song that all artists who don't have any unbreakable singing career. And you ask, like in Van Dane. You know, but you were good on your way.
Speaker 2:I was just kidding and then you have to sing it. I think it was very funny. And then Lars Huck was there and it was well produced. It's pretty well produced. There are some real instruments, some horns and stuff. Exactly, it was very well made, but I can't understand what it was supposed to be.
Speaker 1:No, because was it a tag? No, it was a charity play. No charity in that way.
Speaker 2:I don't have a crown, but it wasn't something for everyone else.
Speaker 1:When was it? What's the third? The third is is it the Hampton Bear? It's been a morning Hampton Bear, right? Yes, yes, yes, yes, it's a little clown, I'm a clown, I'm a clown.
Speaker 2:I'm a clown. I'm a clown.
Speaker 1:I think it's a good thing.
Speaker 2:A fucking clown, A fucking clown and it's like that, but it's not like in Unfulder Jeb or something like that. Oh, maybe they are.
Speaker 1:The Hampton Bear? I think so. Maybe it's Jeb. It's a charity.
Speaker 2:So our small band is with the charity play. I think my line has been cut out, but I am, but you are still, I'm still strongly touched by the charity. I remember I just came straight from the band.
Speaker 1:Like Boy George was in.
Speaker 2:We Are the World, was it or something like that?
Speaker 1:Do you really know it's Christmas? Yes, was it a full thing? He came home he flew straight from New York I don't know if he's full, but he's at least got half the chance and goes in and thinks I mean, I say you take where. He takes too long. He takes a bottle of cognac and then drinks. It's good to see. And then he goes in and puts the first line in the full-size in the water. It just puts it.
Speaker 2:It's just a bit of a shame because I've had the strength to do it 10 times Exactly.
Speaker 1:It's something. He's in New York and they see he has to come home. He doesn't, and then they say, now we're all here, now you have to come. And then he takes a, then he flies in, yes, three hours. What's the name of the Concorde? Concorde that time? Yes, exactly.
Speaker 2:It's just a concorde. It's a failure. It's a failure. It was a fantastic week. You went to New York three hours.
Speaker 1:Yes, that's what you have to say. That's what you have to say, we have to change that?
Speaker 2:Yes, but I think it's a shame that you've given up on the idea of a A fast flight.
Speaker 1:Yes, you don't think there's anything with With climate. Climate, yes, now you yourself are Really Big talk about climate.
Speaker 2:No, there's never been any. I feel like I'm happy with the climate. No, but I mean we shouldn't say I'm talking about climate now, but it's not the people who travel in a fast jet over in between who are going to try to get the climate. It's completely obvious that climate is probably the other way around.
Speaker 1:Yes, but it's, it's not that we should talk about that, but no, we shouldn't talk about climate, because, okay, fine one is so aware of the topic. Of course, I've never.
Speaker 2:So it must be for the M&H-hop. So it's really a feeling. But we're talking about flights?
Speaker 1:Yes, and you and I have also had a tour of.
Speaker 2:We've had a tour of the music. Yes, we thought it was a musical safari.
Speaker 1:A trip without you. I must say to Greenland yes, to for us and to Kulet.
Speaker 2:Did you go with DJ or did you DJ? I was there.
Speaker 1:You had a quick one, didn't you?
Speaker 2:I had a quick one where I could hear the sound. What did we do in? Was it Nuke? We were in Nuke, yes, and played a few days, yes, at something called Nuke York. Yes, that's right. New York, you didn't have it in New York. How did it go? Nuke, was it Nuke York, or I can't remember, I can't remember.
Speaker 1:It was a journey. Of course, I can't remember.
Speaker 2:Yes, it was a real experience. I can remember we, I think I'll try to say it, but the music is playing now, it's playing before.
Speaker 1:Yes, and I can remember.
Speaker 2:I must say this because it's the first thing I've been told that we're in New York. Well, you know, you just have to put your nose up. Yes, but we have to find out for ourselves. And then we say I can also just hit someone up. There's no way you'll do it. No, we're both married, thank you, it's not just us. The man says there's no way to find out. The man says we're married, we're happy, but Smokey was last and there was one of them who did it and he didn't do it.
Speaker 2:No, I should have done it you're telling me now it's a joke, man, and now we're thinking about spreading it, and now we're spreading it.
Speaker 2:It's crazy, it's just an idea, but in any case, we played a few jobs there. I remember, for example, that night there was a huge gorge. Yes, and I can clearly understand the idea. It looks great out there, but when there comes a Greenland fisherman who just comes home and he's going on a good trip, then there's a taste. The dance floor was red. No one could stand because there was this gorge that swung back and then we did a job and it wasn't out of the blue because of the bad music we played.
Speaker 1:No, I can't think of it. It was bad.
Speaker 2:I can just remember we just had a pretty fun trip, peter, well, it was a pretty fun trip for us, I think, but we went to. Efterfest, the whole city out of a parcel house, without a book time or something.
Speaker 1:We went out to the Haxa first to get some smoke and spray, or to the house to get some vodka, to get some hospital.
Speaker 2:And then we just saw the house at home and it was a strange built or booked, I don't know when there is. It's far away. And there's the other one, Miss Greenland, Miss Greenland.
Speaker 1:I'm very interested in it. I can't remember. We're going to ask you a few questions. I don't know anything about it.
Speaker 2:You're my real knowledge, as you always say no, it was a very fun trip. It was a fantastic trip.
Speaker 1:It was a fun trip and you were like look what music you can.
Speaker 2:look what music you can it can be for us at Greenland. So a little bit of smokey.
Speaker 1:We'll see if we can solve it.
Speaker 2:Yes, we also have a standard. Where we have to see, then we have to travel. I have to be at Greenland if we have to smoke in the middle of the night, exactly.
Speaker 1:That's fantastic, but you've actually also inside the. You've been on more of these trips, Kasper.
Speaker 2:Yes, but I got a rap-touch at a point where I was going to play the idiotic music and there was a DJ called Helmut Kuhl, who is a difficult guy to kill A nice guy, and we just sat together and it was a set-up that he could play and I could set the mood.
Speaker 1:But it still has to be something you're good at.
Speaker 2:to get to the point I've also played with Karl Tolstrup, a part of the band, because I love music and I can easily find those numbers. I just can't mix them together and I can't really, and I can't read a single goal the same way you can, of course, in the past. But I can easily find numbers and I love to listen to music. So in that way and I love the party, I've proven that several times so in that way I think it was really fun to stand there.
Speaker 1:I had really fun playing with a party and playing in that thing, and is it the same as being a comedian who knows how to drink, who doesn't know much about the music, who doesn't know much about the music? But is it the same as being able to move people?
Speaker 2:in the same way. For me it's the same. I think that when you were DJing even though I wasn't me, I was DJing, but I was just with them it was a fantastic feeling and I think that the way people can accelerate the music makes people do it. It can stand up. There are many things that can. It's the fact that people all have great and all have great voices and there's just a voice of violence, love and something. It was fantastic and it's hard to get at the competition. You've got it like some people clap and think that the mother-in-law is fantastic, but now you can see Frank Vamme, a good friend. He's just been traveling from the museum to Denmark to perform with Hugo.
Speaker 1:Why is?
Speaker 2:he doing that, it's not just because he thinks it's cool to be a mother-in-law. He can't deny that the rock musicians can't be the one who has a feeling of being a father-in-law. I think that's what Frank did. He's been part of that.
Speaker 1:It's all good. It's a fantastic show. They've got great comments.
Speaker 2:When you're tired of all people, you think it was the best to experience it, it can only be good or bad.
Speaker 1:You can both like Frank and Hugo. It's been great. Do you want to cast on the show?
Speaker 2:No, I don't think so, but I don't have my big interest in that. I don't want to be cast on the show, I don't want to be overpowered, so I'll have to work on that. But I have other things to work on. In the eyes of people who are more on stage and live, it's not about the number of people who are more on stage. It's about saying something sensible and talking about something that's a bit funny. It's about telling something about my life. I just work on it. I have to be on stage. There's music that really feels like it's incorporated. I had a great talk with Benjamin Haug here in Govartte. He's a fantastic person. We both found the trust. We said we shouldn't make a church and suddenly we talked about a theme song, for example. The music and the press. It's all the time in my thought process. If I have to make a song, I'll look up. We're making a podcast. If I have to make a song, the music is the first thing I do.
Speaker 1:It's about the music it's about the work. It's fantastic. I still don't know. I just ask once Could you find it?
Speaker 2:It's just this thing.
Speaker 1:Have you never tried to give out any music where you've built it yourself? You need to have some thoughts about what you can like, what you can play, both drums and piano. There are many who take an L-heigh, who most people know from TV and from the comic.
Speaker 2:There's also.
Speaker 1:Oceania Music. One of the guests in the podcast. Have you never had this feeling of being so far away from everything? Why don't I want to be in the music? Is it worth it?
Speaker 2:I don't think about it, but now I'm thinking about it. It's something that accepts that everything takes time. Everything feels great for me when I'm in the music. There's also a great respect for people like you who know something, can something with music. Why would I be in the music when I'm so far away from what others can do? Of course I could have thought about playing myself, but I don't have the courage to give it out. I can sit and wish that I have played a little and write songs. I do that a little bit in between, but it's really weird. It's just for myself. So I don't have the ambition to do anything.
Speaker 1:It's just a joy I can just do music.
Speaker 2:But it's not necessarily that everything I can do well should be pressed down in the middle of the night or in the ears of other people. That's actually very weird. I've had it close to being what I do all the time, but now I think people can promise to be a little bit more relaxed.
Speaker 1:It's the last thing that's happened.
Speaker 2:You can just be relaxed. You don't have to mix music.
Speaker 1:I don't think there's any music. I think it's just interesting, because when you can play and write songs, I'm just going to sing and sing, but I'm just going to climb a bit on a piano.
Speaker 2:Just say it like that. But it's still a bit of a job.
Speaker 1:But there's some output for you.
Speaker 2:But why would I give it out?
Speaker 1:Because of your guilt.
Speaker 2:Yes, yes, yes, as a kid I never gave out music for other's guilt.
Speaker 1:I gave out music because I wanted to get rid of this and it's more than I think.
Speaker 2:I think it was fun to be a DJ. I think the process was really cool. It really was good to sit with someone who can sit and hear. I think it was really cool to get this into the studio. I was very impressed by Rick Rubin.
Speaker 1:Yes.
Speaker 2:The producer who made both Alpha and JC for yes, for everything.
Speaker 2:I think he's fantastic. He can't play, no, and he doesn't even put a screw on the keyboard when he produces, he just puts it down. So I understood. And then he listens to what I'm saying. Ah, there's a fantastic clip where he's in the studio with JC and then they've recorded 99 Problems but A Bed Chain One. And then he suddenly says it's up to hey, hey, jc, it wouldn't be cool if we just started with you out of music and did 99 Problems but A Bed Chain One or out of music. And then I say okay, and then it's up to, and it's like every time you hear it, every time you hear some kind of stuff, you think it's the setting that's being said without the music. He's just got the urge and the feeling of music. That's fantastic.
Speaker 1:I think that's really inspiring, but it's really the same thing you've had before filming and coming here.
Speaker 2:It's no, it's. How do you?
Speaker 1:Instruction is.
Speaker 2:The same thing is that I've understood that what he does is the same thing that I can really understand. This is real. This is not real for me, but what he can do is stick it. It's very, very difficult and fun for other people to know more about things and say, yeah, I think it's cool, but I'd like to have it like this. Yeah, but it's something that we yeah, it's possible. I still think it's a little better when we do this. No, but we want to stick it. I think that's the art of sticking it with the music. And then it's getting harder and harder. Here, I think.
Speaker 2:Now I'm with TV and so on. I almost give up writing to Danish TV afterwards Because I sit and watch and talk with editors who don't work with media but who work with some X-Lag and some Some talks about what they're getting at via talk. What's next? What the new people think is cool, it's not what I see, but it's media that decides. And now I'm telling you, after my 35 years in Branson and a part of it, that this is next. And then it says, oh, it's a bit too narrow, it's a bit too under the bed. And then it says, okay, fine, then I'll go back in time.
Speaker 1:And has it all been the media that you went with? Yes, it's all the media that I went with.
Speaker 2:Often it's hard to keep it all the way through, but when you do it. That's why I often have wanted to make cheap productions, because then there are fewer interiors and it's easier to get stuck. And the things I've done that have gone really well have often also been cheap To make. For example, you don't have to pay for it. I couldn't find any work after making the Darius Joint Because people think Darius Johnson talks so well. It went really well, but good music is good. Yes, good music again.
Speaker 1:You had air before, which was the first time you were familiar with Moon Safari. Yes, they played Sexy Boy. They played Sexy Boy.
Speaker 2:But when you make a cheap production, you get a load of other things yourself and then you have to say I would like to make this, and then you say that's not the right thing to do, but just give me the garage over here and then give me some gold or some red so I can finally make something cool. Or Clown, who has recently made a cheap production in order to make all kinds of other drama series and comedy series. Then you get the permission to make something more.
Speaker 2:Yes, that's right, so it's more of a production, but it's getting difficult and there are many reasons for this. People are very afraid to make something that doesn't hit, and then you do it wrong. You have to ask the future via a number, and it's not like the products are never original, and that's what we see.
Speaker 1:But that's what I think has been impressive about you. You have always been the first mover in many things, I think when we talk about comics and TV and movies and stuff like that. But for me you have also been a bit on the music side. But the things you have made, as I just said, in Safari, are in there is John.
Speaker 2:we are Excuse me, there is John.
Speaker 1:There is John what is it called? Are in, and I can remember one of the first numbers. The first time I heard Daft Punk, I think I heard it through Tess Geholt, where he plays Around the World. I would have liked to see it, I think.
Speaker 2:But it's not. I just mean, it's not just one thing you have.
Speaker 1:It's not Kasper. There is some music in you that I don't know why I'm so worried about it.
Speaker 2:No, it's not because it's about music, but you have an ear for it too. Yes, yes and thanks for that. I live after that show and if I think it's cool then there are probably some others too. I think that has always been my show and then it's. And when you find a number that's cool, people should hear it. And then you insist and you say we should hear it because it's Daft Punk. You just hear it. You should play it twice a row, exactly.
Speaker 1:And we insist on it.
Speaker 2:And I can remember when we made Daft's joint playing. What was it called? The Moon's Affair album Sexy Boy what is it called?
Speaker 1:Yes, it was Sexy Boy, it was Air Sexy.
Speaker 2:Boy and the Moon's Affair album. Yes, yes, I was actually in the top tier today, because I can promise you it was a fight with TV2, because the number is five minutes long and that's a long time. All other numbers should be three minutes long, so we should be able to take it out. And that means it was a fight to get the law to play it in its entirety, and it's good to be the one who sees it. But now we're sitting here 25, 25 years later and can be called air, and I think that's pretty wild. And that's only because some of you have been interested in it. Yes, it's good to be. It seems to be a problem for everyone right now. Just wait, this is a milepale and we've played it ourselves.
Speaker 1:It's a huge milepale because even if I go up in music so much, I don't agree with what you're saying.
Speaker 2:You're sitting down in the old wine and wine. Yes, the old wine and wine.
Speaker 1:And the same experience I have with playing Daft Punk. It could be me who has outdated and not been fully aware of it, but I'm happy to be someone who has, so I just think you've had a good experience from that too. Yes, thank you, but the things you've done, and being a band member, some of you have been more interested in it?
Speaker 2:Yes, but it's. I think it's less and less because I have the work I have now and the life I live now. There's not so much of it as much as I've done, and I can also miss it a little bit. And you know, my playlist every year is a little less and a little more unique.
Speaker 1:But isn't it also getting harder to find it? I think it's more accessible. I actually think so.
Speaker 2:But you have, you're completely, you're a fucking fan of finding music.
Speaker 1:No, I don't have that. But I have someone who is quite good at buying records, who is good at finding what I can like. That I don't like myself.
Speaker 2:I think it's always been impressed by One of your knowledge of music and your newness and your love. But you insist on keeping in touch to play something that you've never heard before, and I remember you telling me a story that I've never understood. Why don't you just play a different game? You tell me once that you're at a music festival in the south and right before you get there there's one who plays all that you've ever heard.
Speaker 2:Well, I have it in the background, but then you have your task where there are these things that are completely different and then you can keep in touch. That's where it is. In any other situation you've been trying to make it the same way, but you can actually recall some things, you can be interested in something new and at the same time you're not just making it the same way. So it requires great, great collections.
Speaker 1:I can remember that episode because it's actually down in the background on the political society where I signed up, where some people called it Aerobrain, which you probably heard. It's just before they get really big, so they actually warm up to me when they get really big after all that. But that's a discussion we've had at home, because I use oceanic money on the boards and expensive boards and rare boards and stuff, but the first time I think that it goes up for my wife. That's why I do it, because they play the same programs that I've got and that means that just out of ten boards I've had the same tasks if I haven't had any other.
Speaker 2:So you're supposed to buy boards for several thousand kroner because there are only three of them and they're only in New Orleans.
Speaker 1:That's how it works otherwise it's not for the foreign companies. Why should I put myself in here? And I'm going to play the same music, but they're not there, so it's good that I could do it a little better.
Speaker 2:There's probably not many people who would notice.
Speaker 1:So for me it's been a lot of things that I've collected, music that the others haven't had, that make my sense, but that's also something cool.
Speaker 2:It's also cool to find some songs we've forgotten. I still love it. I can still remember from the eight or nine years I sent you Ice House with hey Little Girl and I can't remember the reason. It's because it's a number of songs, but the first time you put it back it's a cool number, I think. I think I just found out. Yeah, yeah, yeah, but the one that I had a feeling of that you forgot in a short time.
Speaker 2:Yeah yeah, I've forgotten so many things. I've forgotten most of them, but in a short time.
Speaker 1:I had forgotten, but I've played it since it was new and it's a number.
Speaker 2:I really like. It's a fantastic number.
Speaker 1:Because it has electronic elements and it has timeless elements. And then it fades in and fades out. That's quite a lot of fun. It's very, very fun, kasper. I think we should close it a little. We could talk about it today as a musician.
Speaker 2:Yeah, it's really fun.
Speaker 1:I have one thing that I really like to ask you about, and that's the sport you're most about. Should there be a comic or music for your funeral?
Speaker 2:Okay, but there should be music.
Speaker 1:There shouldn't be a comic, and I'm curious to see what you can play, yeah, but I could think of a few things to ask, because now you've changed the style so many times, so I'm very curious about whether it's about love with a cocoa or whether it's a pink sun of the sky with your transformation. So do you know what to play?
Speaker 2:I do, and it's something I've decided to do a while ago, just a few years ago. It's a Red Hot Chili Peppers song. It's called Road Tripping Road Tripping with my favorite allies. It's a song that I love and that I just love. It has a melancholy and, at the same time, an adventurous song that I think is suitable for the Chinese people.
Speaker 1:Fantastic. Thanks a lot for being here.
Speaker 2:Thanks for coming.
Speaker 1:Thanks for joining us at this US Music Museum and Local Podcast, Music mid-druck. I hope you've enjoyed the music of the Transylvanian Universe and found inspiration for your own musical journey. If you'd like to listen to today's guest list on the youth number, you can find the list on the Local Podcast on Spotify. I look forward to exploring more aspects of the music's leadership in the upcoming episodes, which can all be found on Spotify and Pottymove. So until next time, let the music continue to be your most trusted leader. If you'd like to hear good music and good news in the real world, you can find the local music right under the Nightclub Museum in the little king's garden in the København region.