En åben snak med skuespiller & instruktør Paprika Steen om hendes passion for musik .
En åben snak med skuespiller & instruktør Paprika Steen om hendes passion for musik .
Music. Welcome to the Museo Local Podcast. My name is Peter Visti and I have been a musician all my life and I have lived my entire life of music in one or the other way. I am a musician and have been a very young person who has been on the phone with my head and listened to music all my life, something I still practice. Music is my passion, my drive, my humor and daily forms of music. And what changes music? Music has a unique ability to express feelings and connect people in different cultures. My goal is to find out how different people experience love for music and how it varies their lives. What is the purpose of the new guest? To talk about their relationship to music and how they live and influence music, insect inspiration and, hopefully, some fun and exciting surprises. Welcome to Museo Local Podcast Music my drive. Welcome to Paprikasteen, thank you. It's just so nice to see you. Just like that. You are completely busy.
Speaker 2:Yes, I am busy and I have to host.
Speaker 1:You are the only one who is allowed to rest.
Speaker 2:Yes, if you want to.
Speaker 1:Paprikasteen, I also like to ask people where their love for music comes from. You grew up in a house where I thought there would be a whole music, a little bit.
Speaker 2:As much as the ones who were not musicians in my childhood. That was my mother and my stepfather. The rest were musicians. Some of them were in the King and some of them already.
Speaker 1:Yes, because we have Kim, who is your big brother, who has produced everything that was good. He is said to be in the 80s. He was a guitarist in Hellmi's band. No, he was not a guitarist in Hellmi's band.
Speaker 2:He has been a guitarist in a band that was semi-big in the 80s called Bugiamas, and then he played with guitarists with Kasper Winding I can't name all of them, but it was among the others and he also had some bands. And then he became a producer. It makes a lot of money after a while and then he made Nanna's first few records and Hellmi's first few records, and then he continued and then he produced.
Speaker 1:Africa's song. That's what I know.
Speaker 2:And they sang Paprika as a cue chord instead of Africa. And then my little brother, nicolae Sten, who started playing drums when he was 5. And then he started playing piano. Every time I was going to play an instrument and try to go to the underweight division, he would also want to play it and he would prefer to go to the Ackmer. And then I tried the new instrument and then I took it. So he has. This multi-band drum player was his starting point. He has also been solo and then he was a producer and produced everything and he was with Saint Salemund in 25 years and also produced Knacks. I know that's TV2 and everything.
Speaker 1:You've been around all the time, and your father is also a musician.
Speaker 2:My father is jazz musician and he has played with. He has lived in Germany and also played piano, but mostly also arranging music and directing big bands, and has also been around the world. I think he thought it was when he played with Kambasis Big Band down in France at that time, and then he also wrote texts to TV satires and stuff.
Speaker 1:He is also a little over-round.
Speaker 2:And then I have two step-brothers. One of them is Svær Avedad, who is called Klaus, and Mikkel Norsø. Mikkel Norsø we know him from. He made a pop-wise was it a sneaker? In the 80's? All the bands he has played with, all Since he was 13-14 years old yes, exactly, and it also made Klaus Norsø a percussionist. So I can be well known and in our home there will be Namely the young musicians Aske Bensson and Kassel Vendeng and others, Ben Bishakov and I can sit and play a drop here from TV.
Speaker 1:They must have been a hell of a child and then interested in music Because they were all there.
Speaker 2:They were all there and it was much more. They have sat themselves part of the music, so I was, of course, a great musician. I should at least listen to that. So, of course, I heard it at the start. I love the number at that time, but I didn't give up. I could go sweet and they were purple. I didn't give it up Because they should at least not play more Samba for me.
Speaker 1:No, you have to get it now.
Speaker 2:And then it got a little bit. There was the whole school period where I was young. We went back to IWON, tina, charles and everything I love to love. And then I got older and then we had to go home. There was something called Musicaften when everyone came, both friends and family, but also all the young musicians came to play what they had now done or something new they had heard that they wanted to play for us. And then Kassel Vendeng came with the song called Keer of Life, stevie Wonder. And then my life changed.
Speaker 1:At the beginning.
Speaker 2:I was just looking at the record. I think I just heard it. It was the one that opened up.
Speaker 1:All the soul music maybe.
Speaker 2:My choir for music. I think Before my brother was a little happy for Abba, for example, I wouldn't touch him for him to go to the college, so he heard that I was not at home.
Speaker 1:I was also in our film.
Speaker 2:I was a top.
Speaker 1:You still haven't heard it.
Speaker 2:And then there was also a play with Earthman Fire, the first with the shining star pose With Helda Guilinrøm. I think it was super cool, but that was Stevie Wonder's song, the Keer of Life. Then Michael Jackson started and then it all started. Funki Motown thing in many years.
Speaker 1:So it changed a little bit.
Speaker 2:I often go back to Stevie Wonder.
Speaker 1:It's good when I play. I like it. It's one of my favorite songs.
Speaker 2:I Wish, if you want to dance, I can almost find a better dancer number. I agree it's very beautiful, it's fantastic, it can get all the components.
Speaker 1:I don't know if you know, but you are DJ. You have been cycled with DJs. It's the most free time you have had on hobby plans and it's actually where we meet for I think 10 years ago.
Speaker 2:Yes, it's good.
Speaker 1:On our old bar in the past.
Speaker 2:I think it was Sunday. No, just the old one.
Speaker 1:Yes, that's right. We met for the first time and then we left the country a little better to know each other.
Speaker 2:You know the whole family. It's not bad, Both the old and the young it was something with my age and I know them both.
Speaker 1:I have also set up your son in the weekend.
Speaker 2:Yes, that's nice.
Speaker 1:How do you get along with the pub? We know each other the most as actors and instructors. You are also a singer. You have sung a lot of things. I was in a check yesterday that you have over 2 million streams, one of the first numbers you have participated in.
Speaker 2:What I don't know, I have never seen it before.
Speaker 1:It's a lot of your use, but I think you should talk about it Is it me familiar, or is it the phone? It's the phone.
Speaker 2:It's the phone. We made the grass mousse and they wanted to make it where we sang. But they wanted to have another one. They wanted to see what was later turned into a, but we made something called God's Blinn Eye on the Cafe Tater where we were younger. So they wanted to hear us all four Filming there and then we said, why don't we sing ourselves?
Speaker 2:That's what we want ourselves, and it was also a little new for them that they wanted to sing themselves. So it was like that when we sang ourselves, and then it ended with that. There were different composers on it, but they were Kreuzfeldt, which is one of my big idols and also me. It was also Kreuzfeldt in the 80's. I was very much on my matra and that side. Then there was him. He was also a fantastic kid.
Speaker 2:I was very afraid to sing on a matra. I had sung to our shows there, but it was just too much fun. I was not. I was surrounded by so many talentful people when I was nine years old Because there was music in my house. Then I heard the song of the Sailmuntz and she was 15. I don't remember how old she was, and then I thought, as nine years old, my daughter Anna-sen-G so good a year I wouldn't be, then I would be a playboy.
Speaker 1:So it's time you drop it. Even if it is, you get close to stop-feet and music things at home.
Speaker 2:Yes, yes, it was not a thing at all, and everyone has musical talent.
Speaker 1:Not at all in the whole family.
Speaker 2:Yes, I also heard a lot of Gasselin. I'll tell you, I was 13 at Gasselin concert.
Speaker 1:I was 10 years old at first. Not for us to go over 10 years? No, but I was 10 years old at my first purple concert.
Speaker 2:Wow, 9 years old was 8. He was at least 7. But no, I think I was 12. 11. In UAE. How do you say that?
Speaker 1:You said that because we talked about that you were stopped-feet and music at home. Yes, and my own music and my own way of singing.
Speaker 2:There was more than in the popular genre. Yes, so that's what I thought. I was very shy because I knew that there were so many that were much better than me, so I didn't have any self-sacrifice about singing, and then I was paid to go to school in 4 years where you sing and where you sing and where you learn to sing, which just hurts, I think, because there is one sound that is not good, because you should do it in a certain way.
Speaker 1:You should be a musical way.
Speaker 2:Yes, opera and music and such, and that took a bit of my self-sacrifice and I could really find my own voice.
Speaker 1:You have been completely lost in the youth Musically.
Speaker 2:They are lost in the funk. No, it was more. No, they were. They all said I should sing and such, but I was like I don't want that. I couldn't get it to end, so I didn't want that. I don't know what it was. I think I was very happy to tell you about it.
Speaker 1:It was something like that too. It was because you didn't sing well. Yes, it was great, but I don't have any.
Speaker 2:I think there was someone who taught me I could just say it, and maybe my brother taught me to sing where I was. Yes, so that's the voice I have. And then everyone why don't you sing? You sound so sweet when you sing, like I always play some bitches, so people get like this all the time. Oh, when they hear me sing, that's a good idea.
Speaker 1:That's what I'm into. That's what I've learned now Exactly. Paprika, how do you get into the game? I know it's a lot of music, but I can also just listen to it. How do you get into the game?
Speaker 2:In Denmark you get potato school. I've been playing for a long time. I started when I was 18. I was 22, 23.
Speaker 2:I played for a long time. I think I had a bit too much will. I don't think my charm came that far Because I just wanted to be a little Like my underlying competition, which is I don't know. I feel it in a way, but until then I had been 100%. After I was playing, I was 19 years old. I danced a lot. I went to the concert. I got to cut myself into a theater hall when you should be 18, but I was only 14. It was just what I wanted and I had to clap. I went to Paris for the time. I went to New York for the concert. I was 18 years old. I couldn't control it. I was in the city.
Speaker 1:That's what I've been up to.
Speaker 2:It's been up now. It's been 5-6 years since I've been dancing. I've seen you dancing once. You're not very old now.
Speaker 1:No, you're very old, you look very good.
Speaker 2:Thank you, you can say that on radio.
Speaker 1:And have a Facebook video. That's why it's funny. I think it's so interesting that when there are so many people who make so good music, it must be First. Your father is a great fighter. He's a great fighter and we're through the FIA, so he's not naked.
Speaker 2:It must have been hard to press.
Speaker 1:You didn't have to make music, but it's all the time. What do you have to use your life for? Because your mother is a fighter too.
Speaker 2:She was a fighter.
Speaker 1:And she just got up to play with me.
Speaker 2:She has a little role.
Speaker 1:I didn't know that she looked very different than me.
Speaker 2:She was dead, she was American. She had black hair, black brown eyes and a little lord.
Speaker 1:You know her very well.
Speaker 2:No, I know her when I'm talking about her, but she also likes. She likes Bulgarian or Romanian. She's very Roma-active. You can say that.
Speaker 1:We don't know. We say what we want. But that's why I'm thinking, if she's a good player, your father is one of the biggest jazz musicians. He's on the far side, he makes things and says and builds your bridge, the top players, with everything possible. For me it must have been a great press. That's probably not the case.
Speaker 2:So no, because they made something else, and I think my half American growth has made me very proud of them. It has made me happy. That they were so good and so brave. I don't think I've connected so much with them. I think my own journey was so different from theirs. All the problems I had with myself it was my own. They were never aimed at them.
Speaker 1:No, they were not aimed at me.
Speaker 2:And I was called Paprika, so that's not to be famous.
Speaker 1:I was just.
Speaker 2:You didn't go with it.
Speaker 2:I was the first to know who it was, and I was a part of the Kymar-Augustin-Apolliv. I was 14 years old, but I never drank or took drugs. I was young, I never took drugs, but I had to drink alcohol first when I was 20. I tried it a bit, but it wasn't me. I went to the city with the dance and that made me a lot. In the 90s and 80s I went to the city for I went to hear bands and a lot of music. I went to a lot of concerts or I went to dance.
Speaker 1:Or to stand on the sidelines and chat. I still think so. It started as a dance, so you were standing on one side of each other. You could think it's fine, it's fine.
Speaker 2:You can, just it's fun.
Speaker 1:I love it. I love the Stevie Wonder. What did you have there? Öffrünnen Fire.
Speaker 2:Michael Jackson.
Speaker 1:Michael Jackson 5. So it's basically that sort of music. You're a lot of Something like Prince, but it came a little later.
Speaker 2:Prince was first. What's his name? I think I came in 98 and I'm the first prince when my brother made a surprise concert On something called when he sings a little red corvette. I've never heard of that number, so I've been there since I was 23 or 24.
Speaker 1:Yeah, I started 24 and then.
Speaker 2:I was like, and then you can't believe, I was happy for Prince, especially the ones I played and the ones with Raspberry Barre, the old ones.
Speaker 1:I thought it was super cool. I think he's the biggest Maybe. It's hard to go against those who have been.
Speaker 2:Jomansson Funky. I think he's too wild. I think Stevie Wonder His melodies. That's not really More, I'm really old, but it's very rare To hear melodies and more tracks and A little more monotone Melody line. That goes he really made a song, yeah.
Speaker 1:But it also made a long groove Because I think he loved the Danish music. Can you say that he has a lot of tracks In the 90's With long versions?
Speaker 2:Of disco and things like that Papakab. But it's just to say our whole life. And I don't know how it is with the young people, maybe a little bit my son, but the whole density was built On music. That's what it was about A small toy with a primary music. Who do you hear? If you hear it, it's the band and not the band. Then you're not friends.
Speaker 1:Is that because you're there With punk disco and that kind of when it's really really old-fashioned?
Speaker 2:It was really cool. It was very interesting. It's a lot of stuff. When I talk about it, I didn't have any respect for people who couldn't stand under, but it was really radical. I worked on something called Floss. That was a real punk place and I had my copper chairs and my slidde copper box and my big hair and a lot of stuff. I didn't put it in the wrong way, because it was a piece of cake.
Speaker 1:You didn't put it in the right way.
Speaker 2:No, I had so many discussions About music and I still don't know the people. I've been with One of them, actually, I've actually shot two of my films in the year of 2000 so I thought let's talk about music. You want to talk about him? What's the name of it? It's really fun when we talk. So I have oh, you can only do a new order. I'm calling it the code and the joy division and the nickname is Nick Cave. It's a certain group Intellectual journalist. There are people who want to be deep, and then there was me who listened to all the music and we had discussions about what was wrong.
Speaker 2:And then I said who's the worst? The ones who listen to something that makes them happy or the ones who want to cure their pain? I think I'm the worst. It was like it was so identity, the terms.
Speaker 1:And I don't think that's right.
Speaker 2:I think that's the same way.
Speaker 1:I think that's the same. When I see my elbow in the ring, then the casket should be turned and the boxer should be back and the shoes should be the same. But they're dead. I think they're inspired by hip-hop.
Speaker 2:Everyone listens to hip-hop, everyone listens to his music and you're more Christopher than you are Gilly.
Speaker 1:It can be.
Speaker 2:But it's not the same way it was close.
Speaker 1:It was close.
Speaker 2:When you flip, you can like that. You're a punk.
Speaker 1:You were very. It's so funny when you say that Because all your movies you're Instructing and writing Are pretty melancholic, like the music you didn't like when you were younger.
Speaker 2:Yes, because I'm not very good at writing.
Speaker 1:I can be more or less what's called melancholy.
Speaker 2:Yes, with all of you, it's my brother who's interested in my musical development Around Nirvana, which is one of my childhood, because I'm constantly changing, I'm a little funky and then Nirvana we need to make. An interesting remark Dave Grohl, who was a drum teacher In Nirvana there's some of his all-team tracks and Reelsman. He says that his His drum feel On Nirvana is taken directly from Disco.
Speaker 1:Music.
Speaker 2:And he plays examples from Cool Gang, the Gab Band, and then you hear what he plays on that was fun. You could google it, because it gives meaning to me. I heard Nirvana once. I said to my brother it's just a lie, I can't hear it again.
Speaker 1:And then I was totally lost.
Speaker 2:You could catch it and the era. There was a parallel era with Tony Brackston when all the rappers were very sweet and how much money they had. I'm a high school hip-hop when there's more humor in it when it went too much. Then it becomes a bit Champagne and dams.
Speaker 1:Yes.
Speaker 2:I can also like A pair of 50 cents, but it's a big deal.
Speaker 1:I'm not that much involved With what people think, but it's not natural, it's not something to do if you don't Do it all the time and then you turn back.
Speaker 2:I think you just need to know that at a point of time you can't get more information. You can hear the number. You think it's super cool and who is it? I started hearing when I was young. I remember, I remember I remember the designer he once went to see Ross Never Sleeps.
Speaker 1:I'm so sad. I was a little older To feel, so there was a long period With that, and it's what I'm thinking about With your film, that it will be the melancholy part, maybe a bit more German.
Speaker 2:It's also hard to think you remember.
Speaker 1:One man's scene.
Speaker 2:Out of it. I want to use the Overseas in my last film and it cost a million.
Speaker 1:It dropped.
Speaker 2:I'll use.
Speaker 1:So there you go. It's also one of those things how do you choose the music you make?
Speaker 2:I have. On my first two films there is a lot Of a composer's writing and in my first film I was very much paid to be a new man it was all at that time so it was a bit of an inspiration. My brother made it. He made it to my number 2 film and he says it's the hardest job he has ever had To work with his sisters. There is a hysterical perfectionist or the detail oriented, but he made it super cool, super cool. So he made it to my number 2 film and he had a clip called. I think you should talk to him. His library was for you, just with classical and film music, everything. He clips a lot to music and it's a great inspiration. Sometimes it's a bit loose. If he clips too much Then he can't get away from it. It's a special process To clip a film. You clip after a number.
Speaker 2:And then take it out, because sometimes it's too expensive to buy it. If you put something on it, then it's all gone. But he has a tone.
Speaker 1:Like I have.
Speaker 2:He has taught me, for example, with my Christmas film. That time he was very much on. Oh my dear, I forgot. I have to go now. No, the second he made a lot of Ninorota music Because he said it should be A bit loose, not too loose. So I got a cheque to make the score, which is so good there are a lot of numbers. But Jacob found a number.
Speaker 1:Yes.
Speaker 2:Which is completely unpaid, but he found a number that wasn't so well known, so he had Elvis. Presley.
Speaker 1:Yes, that's nice.
Speaker 2:But you couldn't tell me that Elvis was never a fan.
Speaker 1:I have nothing to do with the story when you first learn what people have done.
Speaker 2:When you get older you don't go up that much In the genre. And the next film, fader and Möder, it was a huge kaleidoscope Of people and moods. So Jacob came up with something, some scenes when it's more of a montage. It's quite hard to find.
Speaker 2:And then I just looked At all kinds of soundtracks and found some good tracks. Yes, I found Jacob, found Me. Thanks for watching. I'm fine with that. It's early in the morning. What's your name? I don't know. I can't remember Maze. Come on a little bit more. I really can't remember.
Speaker 1:That's because I'm scared to death. I feel a little bit of a fright.
Speaker 2:Anyway, he found it super cool.
Speaker 1:And then I found Like us who have been good, I'm in that one and who fit in the fake one. I can see that you're scared.
Speaker 2:I'm just like the other one, sifian Stevens, I found it. It's something you use in TV series. I would like to have James Taylor. It costs 200.000. It's a little bit of a shock.
Speaker 2:There's Mike Gang and then I got inspired from that and then, among other things, with the Dorsen number. I played it when we played the scene where everyone gets filled with water around a boat and it goes completely silent With all the mud and dry mud and dirt in the water. And then we played the scene. We got a sound box. The first one was Wichie. It was supposed to be a pop like when you're at your club. That's what I know from here. I don't know anything about it.
Speaker 1:I have it all on.
Speaker 2:And then it was more like the overflowing scene when it started to get really full and full, and then we played the Dorsen. But that could be something I didn't use. So it ended with. I can't remember why Calinka came in. I think Jacob had used the other link, and then I thought I'd try to put it on, and then Jacob clipped it in a way. So, it was a good idea. It was fantastic. Sofja Stevens and Macy Starr. Macy Starr, it's also a bit quiet. It's not something you play, macy Starr.
Speaker 1:Macy Gray.
Speaker 2:No, it's a band.
Speaker 1:No, okay, it's not on, no, but it's really cool.
Speaker 2:It's a bit more quiet and super mood-filled. I'm going to come home when it's time.
Speaker 1:It's been a while. How did you experience the film with Lex and Klatten? It's a bit of a joke, it's also hard.
Speaker 2:I've made satires on the D-R. I have a leather D-R. That's where you did it that time In the early 90's, and then we made. I had no work and then Peter came and said should we do something fun? So we started out completely small. I had Martin Brückmann and I and Peter and then Linnie Knutson who was just giving Martin. So he wrote we were down at a cafe in Live where you could sit for 50 people, and then we went to a coffee cafe where there were 40 people. So you went out and went.
Speaker 2:And then there was Rasmus who saw it and said should we try to do it as TV shows, as a sketch show, and then we made them for no money. It didn't look so great, but I was completely different. At the same time, we made Hannibal and Jerry.
Speaker 2:And then, Maybe it's the big I was and I was, I was, but it all came down to the legs Hannibal and Jerry, and the legs and the legs. It all came down to a couple of years, so I couldn't tell you. I was just a little bit more. And then I worked on both the King and Dante. Dante was one of the two very popular theaters to be on, so I had a five year old where it just looked up and then you had to sing in the back of your head, but it was really fun.
Speaker 1:We had a day to take a taxi home together.
Speaker 2:You and I were the only ones who could rap.
Speaker 1:You were the only one who could rap.
Speaker 2:I was to a party with Susie Wilkins, who wanted to rap spontaneously, but I remember we were at.
Speaker 1:Birgis.
Speaker 2:Festival. It was Birgis Festival and I said I can't remember. She could remember completely. I just stood back up. It went a little away with everyone. I can remember a taxi tour where I couldn't drive past you before we took home.
Speaker 1:Where you could go all the way home, and it was really fun. Maybe it was a player. It was a good thing.
Speaker 2:But it was clear to me that it was with the rap, because there was also a beef with Kasper Christensen stand up. We had the part of the break and there was really good music and we had a lot of Kasper side.
Speaker 1:We lived together for a year. It was not a lot of scenes, but it was about the rap and the other two. We went all the way to the court.
Speaker 2:And we could also meet because we were two girls. And we were in another group and we thought it's really fun. We were hard. When I heard it today, it was very hard, but also fun. I think it was a little touching. Kasper said I can't remember. I remember the one where he was like thanks for the coffee, but it was.
Speaker 1:And they sell a lot of tickets. They also sell boards.
Speaker 2:What kind of we were in the theater.
Speaker 1:We were not in the theater when you were in the theater, was it the first point you came out?
Speaker 2:Yes, it was not the theater, so they wanted to call us and we had a little bit of a fight. We had to say it.
Speaker 1:There was a little car and you were also a little different.
Speaker 2:I was more on the royal side. I think it was more social. It was so cool so I went out.
Speaker 1:I have a story to tell and I mean it myself. I don't know if it's right, but now you can say it. And it was because I didn't want to tell them. No, no, no, no. The brown point had such a big success. A couple of songs. So every time Peter Fordin had been given bottles. No, the bottle was broken, they were stone-dried, I don't get a crown for that, the stone-dried at the brown point.
Speaker 2:I have always been very. I have always gone out and said, no, I think there will be great stars. I have never been rich and it's been so sad and painful. But Peter is really fun. Every time I had a premiere of something, he came with a envelope with 100 kroner and a bottle of wine. It still does. He still writes a letter to Lykke. He writes Well to Lykke with the premiere, unpersonally, and then just a bottle of wine and 100 kroner.
Speaker 1:That's how it was I was in the history of the art. I have always been good at stopping before Then, suddenly, I see yes, I see, I live in a house all over the world and I still don't just lay in a different place. After my three years as a super-league player, Valdeha has stopped himself and won the first in the DMD Awards. What year are?
Speaker 2:we, we are in. Are you in the year of the year? It's summer, we are in the year of the year we are in the year of the year. It was terrible. I can't talk about it.
Speaker 1:But I have chosen to do it so that I always see myself as a player. If this was the way it was supposed to be, then it was the way I stopped, and that's what you have to use yourself. No, no, it would have been even bigger if I had been with you Exactly, and I think we would have won more if I had been with you.
Speaker 2:We have to tell ourselves.
Speaker 1:Yes, we will need that when we are sitting here, I think there was a big difference in the way you used to play.
Speaker 2:I know people who play the same thing, but if they, there is a big difference. I think it was a super-league and both things are good. But it took a lot of different things, but it was in you and, I think, lexa Klatton and Gasslin.
Speaker 1:Yes. Then we got that on the spot, paprik, have you? When you yourself, in the family, have had so much music, you don't need your son as a superior to you, which is Cochilade. Yes, was it a pleasure, and that I see something more than you. Yes, that's what I've done before. Yes, it's nice. Have you tried to work with music?
Speaker 2:Yes, but not. There's also something that I've had so much music in my life that I've seen a little bit down and in many years when I've only heard T-Ratio, but then again I forget how happy I am when I hear music. So there came that child on a time machine called O&APE. Yes, he played a lot with him before him, but then we also started playing with Michael Jackson, but he found it himself. He was a great Eminem, which I also love. Yes, me too, great for me. Yes, eminem and Michael Jackson and Justin Timberlake were fans for two years. He found it himself. He stood there for two and a half years in front of a spider with a CD with Justin Timberlake on his side. I said, okay, I already know, I can see that. And up until he was 12 years old, he played drums, sang, rapped, danced, played. He had a great performance. And then he came up to the stage and said and then you know it, it's hard.
Speaker 2:But it's also a kind of creativity to be a cook.
Speaker 1:Yes that's music. It requires so many creativity, but he has a lot of music.
Speaker 2:He really hears a lot of music at the time. I also think that it's again that with the elderly, because you get a little bit of a headache in your head, but I have. No no, no, but it's also because you work with it. I have a period where my mother, for example, who was American, she played primal Bach, hintle and Jimi Hendrix. It's not a mix, man. Yes and my stepfather. I forgot to say he was painter.
Speaker 2:He was painter, artist painter, and he heard music all the time when he painted and he heard everything from Jimi Hendrix and jazz, and then Swedish hearing choir and African. There was everything. He heard everything. He was the least photo-photographer he heard he couldn't go to the police. He could love talking heads. I can't call them police.
Speaker 1:It's also a red-red.
Speaker 2:But I love police too. There are a lot of people who come up suddenly.
Speaker 1:Could you do talking heads?
Speaker 2:No I wasn't that much. That's true. I could love it, but I was ready for more music than talking about it.
Speaker 1:I can hear that it's cool. Have it come now.
Speaker 2:Yes, but I think I remember it. I've never been into talking heads. No, should I be honest?
Speaker 1:It was my story about my first concert film in 1984.
Speaker 2:It was also super cool it was a full-time record. I can tell you how cool it was, but I never got into it. I tried to make it into a song with a string because I lived with a girl who heard something like that. She heard it too. I can't believe we were young. She heard John Armour Trading. She heard Johnny Mitchell, who I was very happy with. That's cool. I can tell you that.
Speaker 1:There's a lot of music.
Speaker 2:I've heard a lot of music.
Speaker 1:I've been very defined by it. Do you still do it?
Speaker 2:I think it's hard to get a lot of music to go through because of streaming. There was something else we had to do to hear the record finished. Now I can just choose the number I want. I play it four times. It's a bit difficult. I'm too old, I've been too old to playlists. I don't have any playlists. My story goes down all the time. I'm not that hard. I play music. In between I get so happy I forget that I play music. But it's another thing to go out and put it on, to go in and find it. What was it?
Speaker 1:There's a more comfortable experience with covers If it's a vinyl or a CD, and there are people who have written some pictures. You can also look at them. There's a difference in streaming. Today my little son Bitteson he's still at 11, he's watching via TikTok. I've had some other friends who know him. He had a friend who told me that he knows everything about Instagram and TikTok. Tiktok is our MTV for today.
Speaker 2:I can see that, but it's only a short time.
Speaker 1:The number has been short again, only a minute and a half. The depth of the number is still there.
Speaker 2:I've heard the most the last part of the time it's Back and hip-hop At the same time. It's blended Old school hip-hop. What does it do?
Speaker 1:with the back. Does it make you feel it? Is it the ear or what?
Speaker 2:It's just smug. My mother and I had a long hip-hop. I lived in New York where I was studying for DJing. I really wanted to. I was the first one to buy a DMC as a single. When I came home with Sokka no one knew?
Speaker 1:Did you have a boyfriend on the USA?
Speaker 2:I thought so.
Speaker 1:I could. You have something with rap.
Speaker 2:I have. There have been many different raps. I didn't want to do hip-hop, but there's something I'm very happy for.
Speaker 1:You said you hear these two things. It doesn't feel like a lot of music, it's just being when. I work.
Speaker 2:When I'm free, I listen to more music. I can feel, when we talk about it, how much it has filled my life.
Speaker 1:I also think of it when you sing. It's so cute. It's also because if you give out music, there's no point in singing. I've heard you sing well. There's nothing like that. I think of it with the musical family. I've never wanted to give out a album.
Speaker 2:I've wanted to, but I've never been there Because of what I think I was good enough In relation to who?
Speaker 1:I don't know, I don't know, I don't know. It's the worst, it's the best.
Speaker 2:I think I'm done, I've wanted a thousand times my life I've done it before. And I'm sorry, really yes, but I've had enough of it in the same way.
Speaker 1:It's not always cool to do more things. No, it's a trauma for me. I could play football music. I could play music. I had a desire to choose the whole thing. Sometimes it's not as much as it could have been.
Speaker 2:You know what my brother has? Everything. He's also written and directed a movie. He did the same thing with music.
Speaker 1:There's a lot of stuff there. I'm not going to say anything. I'm going to say anything, but you're going to play music again.
Speaker 2:He doesn't know, he doesn't give a damn, but he can't just be with a little. He plays music and plays a lot of music. He also plays guitar, but I'm also Sometimes I'm in the middle of culture. I've had so much culture in my life. For example, if you imagine that my brother was 13 years old, he was 56 and 20 went to the concert every weekend.
Speaker 1:Yes, yes, I thought. Yes, you get to feel it. I had periods when I couldn't keep music out. I thought I was so fascinated and loved it so much. But there are periods in life where you think, now I can, I don't have enough pressure.
Speaker 2:I admit I have to be overstimulated, but would you like me to think about it? No, dj.
Speaker 1:That's reasonable. I thought I would be a good DJ. I would say that now I have experienced several times where I play, there is no doubt that you would like to mix in that. I am the most up in the pool.
Speaker 2:Yes, you can, and I am the most into the pool and this has been me several times. And I noticed now you should play it Now. You should not play it Now. You are in that mood, Now the pulse is there and you should not suddenly go down there and you are actually quite good at saying no, not there.
Speaker 1:I mean, there is nothing there. You don't hold back from some time.
Speaker 2:No, I just think that I no, but it's a bit like when you hold a party. I have good to make a living.
Speaker 1:Yes, I have good to arrange. Do you think so?
Speaker 2:No, it's just that I know that he has a good living plan. I mean that's what I arrange so people have it well and kind of know the room. I know that well you are. But it was just to say I have been a little. I was radio on something called P4 on B1. It was a young radio, but then we were going to do that electric bar meter but there was music I could not listen to, okay. There was something like that. It was always that black and that.
Speaker 1:That it was too dark or something. So in between I said Before we hear this.
Speaker 2:So so Then we hear what was hit the same year on this day, and it was always something like Michael Jackson, michael Jackson, michael Jackson, fireball, and so on and so forth, because we could hear something else than that I should have.
Speaker 1:I should have been happy, yes, but there was something like that. There was something like that. There was something like that.
Speaker 2:There was something like that. There was something like that YouTube and so on, youtube was the most popular. There was a lot of people who were on the channel, but then it was something like that. I did not care.
Speaker 1:It was the bottom, the bottom Sad.
Speaker 2:It's funny.
Speaker 1:Yes, but you just. I really want to give you a chance down on the bar if you want to. I think so, dj. It was not a bad idea, but you need to be there.
Speaker 2:I do not know how to do it.
Speaker 1:I just want to. You can sit on the phone or whatever, or you just have to put it on.
Speaker 2:At least a few hours could be fun, but we have to do that.
Speaker 1:Yes, 100 percent.
Speaker 2:Then I can just say that it was something I knew. Yes. Then we'll just say that it was on the spot Just for a moment, just for a moment.
Speaker 1:What does that mean? I'll bring the film back afterwards, that can be, you know yes. Perfect, I think it's time to hold it. Okay, I think so. Now the music does not mean much to you. What they say about Not so much, no, not so much. I know it's still not working. I think it's important to ask everyone if they should play music for their funeral. Do you have anything to think about it?
Speaker 2:Yes, I don't think it's going to happen. I think it's going to be a family matter. Couldn't you think about it yourself? I didn't think so myself. Those who are there when.
Speaker 1:I'm dead.
Speaker 2:No, I'm not. What do you mean? When I die one day, I know I'm dead.
Speaker 1:If it doesn't, then it's now.
Speaker 2:I think my son and them know that they have to play. It's important to ask them what it means to them. It's what I mean to me.
Speaker 1:It's just that they don't have the history.
Speaker 2:They just don't play the game. If they don't play the game, they just do YouTube, and it's called love, no thanks.
Speaker 1:Where people just jubilate instead of crying.
Speaker 2:No, I think it's going to be like my son wants it. Yes, I'm sure there's going to be music because it's a tradition. Some people will come up to my mother and die. It's so strange. You'll sing them. That's got you give them. That's not. That's not. I can't remember anything today. God bless the child. My mother English was called smile Chaplin's smile.
Speaker 1:It's fantastic.
Speaker 2:The kids were born. They were born with a lot of hair and hair. It was very cute. I think it's going to be there for a carol. There are some who have support for that.
Speaker 1:It sounds good. I'm not looking forward to that day, If you ask me.
Speaker 2:it would be great to play with the langtine spirit.
Speaker 1:Yes, Then you should have had the influence on your life, so it ended with a good song.
Speaker 2:People smile a little.
Speaker 1:It's very strange, thank you, for being with me.
Speaker 2:Thank you, it was a pleasure.
Speaker 1:Thank you for being with us on this week's Mosaical Podcast, music mid-druck. I hope you have enjoyed the music of the Trillen universe and got inspiration for your own musical journey. If you want to listen to today's guest list over the youth number, you can find the list on the Mosaical Spotify list on Spotify. I look forward to exploring more aspects of the music's leadership in the upcoming episodes that can all be found on Spotify and Potty Mode. So until next time, let the music continue to be your trusted lead series. Do you want to hear good music, and good music in the real world? Can you find Mosaical Local right under the nightclub Mosaical in the little king's garden in the København?