En åben snak med dj Fedty om hendes passion for musik .
En åben snak med dj Fedty om hendes passion for musik .
Music. Welcome to the Museo Locale Podcast. My name is Peter Visti and I have been a musician all my life and I have lived my entire life of music in one or the other way. I am a musician and I have been very young. Since I was a child, I have been sleeping with my headphones on and listening to music during my entire night sleep, something I still practice. Music is my passion, my drive, my mood and daily forms. And what changes music? Music has a unique ability to express feelings and connect people in a different way. My goal is to find out how different people experience love for music and how it affects their lives. What is the purpose of the new guest? To talk about their relationship to music and how they live and influence music, insect inspiration and, hopefully, some fun and exciting surprises. Welcome to the Museo Locale Podcast. Music, my drive. Welcome to Maria Barfod or Fetti. Yes, thank you. What do you suggest?
Speaker 2:I think I have been quite happy for Fetti Also, because it is just a nickname that my best friend calls me. Yes.
Speaker 1:I am very proud to be called Fetti, because we know each other not very well. We have met before and we have met at the time of Fetti's birthday. Yes, also, and of course, a little bit of a nightlife. You are DJ and I follow you on Instagram and you play all the time.
Speaker 2:Yes.
Speaker 1:How did it start?
Speaker 2:It is a long, long story, but I will try to make a code. You have to take the full time you want, but I have loved music since I can remember. I can remember in my childhood there was LP at that time and then I got promised so soon that I could be okay with moving vinyl and I have been around for about five years or so. I have been promised to sit and ring the doorbell.
Speaker 1:Wow.
Speaker 2:Set the pick up, quiet and calm down to go through my mother's music catalogue. She was not a queen in the dark in any way, not really but her brother, my uncle, started to give me LP in July. I was little and it was not something. I wanted to have a job, but he gave me Whitney Houston and all these soulful things and a lot of female energy too, and I do not know if he has thought about something I think he should learn. And in that way I came into music very early, or at least found a love for it, and then I started dancing.
Speaker 1:Yes, because you are a sprint dancer. I have actually noticed that there was some kind of a DJ-allegation of videos. Yes, but we took the time to start.
Speaker 2:I was a dancer for many years and also had a dance experience, but it is difficult to get hurt. So, as 23 years old, I was going to find a new scene and I had stood on a stage Since I started dancing. I was 6-7 years old and started to be in music videos. I knew there was 14. Since I was 23 years old, I had taken a nice dance experience Because I thought about the future and that I could teach.
Speaker 2:And then there is one of the others, but then I just clicked the film for my body. And then I was going to find a new scene, and I would say it was not a simple year. I didn't know what direction I was going, so what I did was I knew it was going to the night club. How old are you? I am 23 years old, but I remember coming to the night club since I was 14. I had the VIP card to NASA when I was 14.
Speaker 1:Wow, so just before we could meet another, because I also had a A personal party.
Speaker 2:I was there with a little shirt. I didn't wear a shirt, I only came to dance At NASA, there was X-ray, there was electronic music. So every time the Jean-Franc Barton, who also started dancing. When they had a break, I got permission to put them up. And give them gas in those 5 minutes.
Speaker 1:Just in the toilet.
Speaker 2:Fantastic. So I was a clubber To what I do. I go from the dance stage to the club and it gets very festive, very alcoholic and very completely there. It's a bit destructive, I think. When I was going from, I thought I had a vision and a plan that it would be like I should just find myself again.
Speaker 1:I can understand that. Because if you have been a dancer, you have been Something with a lot of training. And such a lifestyle.
Speaker 2:I also did 12 kilos in 2 months, which was just unparalleled, because I was used to training 7 hours a day, exactly. But that did not make me. I know the former club environment but then there is always a place and a day at a club called Kat which Gula, and I had that time. I say all kinds of names that I do not know if people know, but you know who it is. There was a DJ that did not meet up and then I stood with my friend. We were late because there was a free drink at the beginning.
Speaker 1:Like today, like today, there is no use there at all.
Speaker 2:And then he just said Pia, here is a stock CD and you have played with CD. That time we set it on we had a zero idea about what to do. He was just like come on, so we go to this DJ pool and we have a lot of buttons, when you can see them, and we start to try to get where you see the buttons and we can see that it is a big play button, so press on it.
Speaker 2:So there is music coming out of the speakers and we had two pretty tight pears so we got a dance goal. The music stopped in between the numbers. We had the energy and we had the power and I had the dance performance, so we just go with it and then it ends up in the 14 days after the call we would like to book.
Speaker 1:Where we were like what for you will be a little curious who it was that didn't go up.
Speaker 2:And you know what I can't remember? No, it was just too much.
Speaker 1:But it was good. I thought you could give a little thank you.
Speaker 2:It could have been your life afterwards. And then it was so nice to know people and to know people, and to know people. In Kälv 12-strupps-Legend and he says so here we are going to build up and then, he sits in there. How do you make a set and what time is it At, day or evening? It gives us a lot of cool tracks so we can come at once and then it starts.
Speaker 1:He was simply so good at helping everyone. You just have to say that he was our all-time godfather, if you have to keep that in mind and then help everyone around. He was the man I really liked. And then he just helped me a little with music and stuff, because there can be a difference. You get Whitney Houston in the children's play and then the music club, so there was a big gap in between. But you have that a little bit from dance time, exactly.
Speaker 2:Because I started with a jazz ballet and then hip hop came a little bit into music. So then my dance style changed. I actually changed to be a modern dancer at the end and then you can say it's a classic form of dance, but you actually need a lot of electronic music. So it also comes under the hood in that way.
Speaker 1:And then you suddenly dance for artists and in videos.
Speaker 2:Yes, I started making music videos In the 90s. It was what you did. I had MTV in the car all the time. It was just my big dream to be a new Madonna.
Speaker 1:That was my plan, that was also mine. No, no.
Speaker 2:It was a clear plan. That was what I was going to be, but then I have been dancing for everyone and then you have my little statue of物 like my home music studio, music studio, hotel room. So it's all that 95's music. There people are playing with the Danes.
Speaker 1:And is it there that you start to play, or is it that, or is it not that helped? And then suddenly you know, because you have been interested in music all your life.
Speaker 2:I always felt that I had a good hit-hook and that's why I've always heard many different genres of music and thought I could take part in the club, and that's what I'm still doing. When people say what can you do best to play, I can say that I can manage a lot of places because I love a good Gdint pop dance, but shit, I love to stand on a very dark nightclub and hear, I mean, play really hard to get to, I love it.
Speaker 1:When I see you playing, it's a lot of different things. You play and you play, and I'm sure that today is your job. You also have a little influence on your job. Can you say?
Speaker 2:Yes, I don't thank you if I think there are brain-workers who are right for me, but it's not a focus.
Speaker 1:So the main goal is to play music today, right, 100%.
Speaker 2:So that's why you have to pay some money.
Speaker 1:Can you say so? It's just a new thing. So stay still today. I don't take the jobs with me where I'm going to play for something. I've played many clubs in my time and things like that and I can't keep it up anymore. But can you keep it up or do you do it for money?
Speaker 2:I don't play so many clubs, so to speak. I'm very selective. I have a price which I don't go under.
Speaker 1:I have a price I don't go under, so I don't want to go there.
Speaker 2:I can say it. I can say it for love, you know. But I go into it. So I sit down with the brain-worker, do a little of their story, get a selection of their youth numbers and then I simply build something up at night for it. But I also look at them. Let's say it's a bridge I'm coming out to. I don't take it against wishes, because it's not a good evening for me. As a DJ, I would like to prepare for many hours at home, but at night I have to do something and then I take more on my music journey, but of course, influenced by, I have to listen to a song in a meeting.
Speaker 2:This dance in Bitsalle in 1999, we also have to go with that. So there is a story in it, but out of it I would like to build the evening, and that's why they pay me. I think so. Instead of having a drink too much, I want to hear.
Speaker 1:Elton.
Speaker 2:John's third time in a row.
Speaker 1:And Germle's limbo. I've been out for a few times. It's also a bit cute.
Speaker 2:But I don't do that. I feel I have done my job. So now, if they want to have me, that's what they get.
Speaker 1:And do you always do what you have to do? Do you always prepare?
Speaker 2:Yes, and what does that mean? It's fun. People think that DJs come out and get a glass of champagne in their hands, and then you have a lot of time at home to just put makeup on and take a cup of tea and then you just smile all the time in good mood, and you just have to be able to comfort all the people in the whole place and then you go home and sleep your sleepy sleep. Yes.
Speaker 1:But it's a really nice job to be an DJ.
Speaker 2:It's really nice, but I would say I use the time to find new music. If I go into a cafe and buy a cup of coffee, I always notice what's in the book. If I see a movie, I always notice. You can get inspiration from where you go, when you're just aware of it. And I've been listening to it all the time. So there are administrative things and there are also the promos and things. Yes, so there is a lot of work, you don't see?
Speaker 1:I think that's part of the point. I know that there are a lot of people who don't know, but there are a lot of people who don't know. But what I find fun in the process is that people still play with new music. I've been in the 6-7 hours of the process of setting up a set for a 4-hour set and the whole week. I start to see some jobs and I remember that the same way you do it, absolutely yes there is a whole time.
Speaker 1:So the preparation for the work is important, but if you don't have the other word it's difficult to do.
Speaker 2:I do exactly as you do, so I just do it digitally. But, go to Hammapa where I gather in and have great libraries with all the voices and mood and do you take it all with you For me.
Speaker 1:I've heard a task and that's what I play, at least when I'm out and about. If I play here or in a city, I also have a task, but I only take it with me which I want to play, Do you have it.
Speaker 2:No, I have more. But I have a task called, for example, the bridge set. It's a special technique where there is a part of a different task. But it's also a bit dangerous to say here, because now you're so eager to come Because I just say that I don't have it.
Speaker 1:I know that in London you have a stick called a bridge set. I've heard it on a podcast. So, I know it's good. You can play it. Yes, but it's always difficult. I could think of a way to know. Can you remember what it was you heard at home? Your mother's play?
Speaker 2:It has been good classics. It has been a lot of Elton John, Hullio, Eglésias.
Speaker 1:Yes, yes, but it's a small thing.
Speaker 2:Often FM is called sky radio, If you remember. It's a very warm, lovely pop-like song.
Speaker 1:So your performance is pop, can you say? Yes, it is, and where do you find the electronic part? When did you first get to know it?
Speaker 2:Well, it's actually through dancing and my last one like that, and I don't think there's any. When you say, what genre can you like? Well, it depends on the mood. I'm always at home in the morning with some music, for example, but it's totally based on the mood. I would say, at 10 am I hear jazz. Yes, because then it's just sitting on my shoulder and I can just find out who I am today, but then it can be in all directions.
Speaker 1:You can find it well. Now I'm just taking the starting point myself, I can't hear radio. I'm not even trying to hear radio, I have to be in control of what I hear, so that my voice is heard, because I'm getting nervous when I hear it. You can get your voice out and create your mood.
Speaker 2:It's the first three quarters of my day I make other decisions and the rest takes the wind.
Speaker 1:You make other decisions.
Speaker 2:It's just the opposite.
Speaker 1:It's fun because I don't go to a restaurant without irritating the music. If it's bad, I don't have any genre, I can just like I think it's good music. I can tell if it's metal or if it's tech or if it's a couple of bars. I also buy in all directions. I just buy something I think is good instead of. Can you abstract yourself when you are so passionate and you do a lot of things in the same way? Can you abstract yourself from what is bad music? Can you abstract yourself from going to a restaurant where the music just doesn't fit perfectly?
Speaker 2:In no way, no no, no, no, I can be hissy and I want to comment on it. I can't go over the personal side, because it's not their fault, but I use them 100%.
Speaker 1:If you know how many restaurateurs I've called up. You can't be so simple to do anything with the music. It's not something.
Speaker 2:That's a Spanish restaurant where you play Italian music or the afternoon it's the end of the day, I'm completely right you can't let it go. It's also where I feel, and you feel it a privilege to be alive of our hobby, in a way. Because it's not like where you say now I'm free, I'm never free and I'm not free at all. It's a lifestyle, it's a lifestyle.
Speaker 1:That's why I'm thinking about you. What's the name of the? Now you're starting to hear music at home at your mother's house. You're still a son at 11 years old.
Speaker 2:Do you pray for him? I am a little bit mature to feel that I was a little wrong in many things, or too much, or for one or for the other. So I am very aware that I want to give my son opportunities, but I don't want to pray for him. He has to find out who he is.
Speaker 1:Yes, that's what.
Speaker 2:I mean it's quite funny that he is the one where you hear hip-hop. But he has certainly been a part of the music industry and his father has also been involved in electronic music. He has heard a lot of melodic techno, most of his sped-up.
Speaker 2:He has heard a little Danish hip-hop where he went to the kids, he started to go to American hip-hop and I think it's a bit funny. I was playing that for the first time when he started playing some songs and I said I will play them right now in the club and he said, ok, I will play them on my iTunes because I will tell him a number. And then we sat for a while, but 20 minutes.
Speaker 2:When I just played a little for him and got it right, he said that's enough because I don't feel smart in his part, but I got a great feeling about it because I thought if this continues, we can have this together.
Speaker 1:Yes, that's fantastic, but they find it so sensual. My son Tiktok. He finds a number and comes with it and says do you know this? Many times I don't, because I maybe just play it and then I get to the club, but then you get to the club and hear oh, that was it Exactly when I just came through the main room I knew it was good and that's what he talked about.
Speaker 1:he was like there's something crazy. Yes, it's hard. You have, besides your solo DJ thing, you have a little ensemble called Havsfrager which plays hard things or melodic things. We can play hard. I love to play hard.
Speaker 2:We are all in the same direction, right? Yes, what did it go on about? Well, it was actually Suss Wilkens and me, scarob, who started Havsfrager, and then they took me over because they thought we should have more power here, and it was actually more about getting some diversity into an electronic scene, because it has been dominated, man-dominated in this and then we were like, hey, we are here too, and now we have to be self-serving, because there are not people who come and break into the school in this industry.
Speaker 2:So you have something to give, power and show that you have something to be, of course, and that you can do something, that you can create something, and all these things. And I would say and I think we have achieved a lot of great things with it yes, but we also we started a new journey. Yes, suss has taken a break now, okay, and focused more on the acting, which is his interest, and me and I, who live under the music, we just gave it an extra shot and how do you do that?
Speaker 2:Yes, how do you do that?
Speaker 1:You don't make music, do you? No, we don't.
Speaker 2:No.
Speaker 1:It wouldn't be the next step. It's quite a bit.
Speaker 2:I would say there's a little issue with these things, okay, and it is that I have difficulty being quiet on a chair for life. I would say that I have produced some music before a while. We have just been together for the last year. We have been together for 8 h only. Okay, it's completely meaningful for us and why we are so good friends, because we sit and talk in the East and West together.
Speaker 1:It's the same level as last year.
Speaker 2:Yes, but yes. So I don't know if that's what we're going to do, but we have a meeting in the board this month. Yes, we have just taken a break from December and have been developing thoughts all over the country, and then we have to fight together and say where are we going?
Speaker 1:Yes, I just want to say, for my knowledge, it's what I did when I came to the country. I think it's incredibly difficult to be booked just because you played well. Yes, of course People judge me for doing it alone, but it was first that there was a start to be a surprise, that there was a tension out there, and then there was a tension if you want to say it in a word. So I think it's a way to get some tracks out.
Speaker 2:Yes, I have actually been lucky as a fan of playing abroad completely. I've been in Paris, but it has also been a bit of a moe-ur.
Speaker 1:You are a bit into moe-branch and have been, and I've also been a corporate for many years.
Speaker 2:I've been a chef for four years and worked as a stylist On the side of the music right.
Speaker 1:Yes, because when I see the moe-ur you play 58th place, I think.
Speaker 2:Yes, I've booked 10 days here in Strelia, and then this month is over.
Speaker 1:Yes, that's pretty cool. Good thing about me.
Speaker 2:I'm looking forward to it. Do you like the good taste of fashion? No Music master. No, well, if you're going to say that, then I'll say the last place. No, no, no, I also say that to them.
Speaker 1:It has always been a big problem Because it's so insane.
Speaker 2:when I've been with a designer they've said, I've said I've heard it was like wow, they're three years old, here they're playing and they're done with it on the spot. How can you name?
Speaker 1:them.
Speaker 2:No, I'm not so good at putting my enthusiasm on.
Speaker 1:Oh, that's nice.
Speaker 2:But that's also why I think I don't give money, for a reason. But let me hear about it. What if now I can go to the thought box and say this has a little bit of a shuffle or this has a little bit of a heiler, what about that? And how can we incorporate these things? Just to take this number and do it. If it's almost the kids' time now, how can we do it?
Speaker 1:Do it a little cool so it fits into the theme instead. Yes, yes and so on.
Speaker 2:And that's also my job, to get it to that.
Speaker 1:Yes, because I've played quite a few of those things before. I've always thought hold up, man. It's also quite simple, isn't?
Speaker 2:it. But it's also a little attitude, because now I also have, for example, I can say, a roadside, which is a really cool brand, and they love the old R&B that is the Halftime, or Justin Bieber and all this fluttering, and then you can say that's a bit too old-fashioned. Or the closest one to the other where he's like, ah, it's time for me to go, if you form the evening right and you just give yourself back to this music then, you can just simply drown it completely.
Speaker 1:That's also the first time you've been played together, and that's also in DJ's set.
Speaker 2:And it's also DJ's. I think that's a relief, because one DJ can play just a beeper in one way or another. If they're looking down at the audience and think, how is this overlapped? Then people can feel the gold. But if I'm looking up and actually can feel the text and just feel it and go completely into the scene, then they can also feel the gold.
Speaker 1:It's clear. But you pray for them to stand above the audience. That's why you stand there. Well, I think it's fun with the question of whether there could be something there.
Speaker 2:There could be something. I don't know. We'll find that out, because I can't really talk to myself right now but I can actually say that I myself, as a fan, have been able to do some music.
Speaker 1:Oh yeah, what does that mean? It means that I have to do everything at once in my life. Yeah, all the things I've wanted to say. Good that you got that.
Speaker 2:And I've always had that feeling of being close to starting. But I thought I was going to be the new Madonna. I've found that I haven't really wanted to be, but I actually want to go out and do some music in the other name, yeah or Fiti, which is my favorite name. And then I thought, okay, I've had the opportunity to learn and produce for so many years because most of my ex-girlfriends and men have simply been producers or musicians, so I've always had a home studio. I've looked at the gold and silver, but I simply can't beat the music.
Speaker 2:So now I've linked up. But really good producers, yeah, and we have also made two singles that we go and nutter a little bit.
Speaker 1:But that was fantastic. And what do you think is going to happen with them? Are you going to give them out yourself or are you going to try to sign them?
Speaker 2:I want to do a mega label and stuff no start. That's my dream. I want to be a hero on a big label, I think.
Speaker 1:And there are some that you can do all the way.
Speaker 2:Yeah. No, that's not what you're going to say. I don't want to jinx it. I think it's enough of me to say this high now.
Speaker 1:I think it's super cool. Oh, that's what you're going to say. I think it's super cool. I think we're missing a little bit from me. We're missing a little bit in both Denmark and the whole thing, but also in the world where you have to stand up. Well, you're good at it and you want to do something with it or something else. I think that's a lot of years to accept that I think I was good at this and that Also, that my music was actually okay, that it was actually good that someone could do it, because it takes a hundred years right, it does, and you're also scrappy, because it's oh, you're scrappy, it's a part of it that's easier to play other's music, yeah, because you don't have to stand on the ground. So much for the whole thing.
Speaker 2:But you have to stand on the ground that day you stand cool on it and someone has yeah, that's what I'm thinking about, singing Wow, or I'm singing yeah, so that's what I'm working on the last year, so the production has been like I'm going to the Cali.
Speaker 1:Yeah.
Speaker 2:And John, who I work with he's a really good artist really went into it. I did it and then I've been to both writing songs Wow.
Speaker 1:And then I sing a lot. That's great. And what are you doing in that? Are you doing singing?
Speaker 2:Well, no, I've sung a little, a little choir for one of the oh, but I didn't know. No, it's because it's not something I'm a world champion for.
Speaker 2:And I simply have a hard time with. I've been a little bit at home since I was a little girl. If you're not number one, you're a loser, and it's hard to hang on to much knowledge and do it all the way. So I have a hard time when I don't feel like I'm the best to anyone. But that's what I'm thinking about and I'm going to go in and say I've always had the passion to try and make my own music. I'm growing up now to put my name on it and see where it takes me back. But I do this for myself and because I feel I have something on my head. I don't do it because I just need attention. I do it because I think I have something to give. That is not for now.
Speaker 1:Yes, and it's also a run-up to something before you, isn't it 100%?
Speaker 2:Because I've always written. It's just not something I have to share with anyone, because it's something I've had to use for not to learn myself, but to put my body in it.
Speaker 1:And do you have something to do with psychosis? Now we call it a psychosis but a diagnosis?
Speaker 2:No, I don't think so Out of the question. I always thought it would be tough to explain myself that there wasn't something that could choose me. But before that there is a very soft, soft, soft little pie.
Speaker 1:It's not better when you get a child, is it? It's not that special and very hard? I don't think so.
Speaker 2:No, just because the world is extreme. I haven't seen the new side since I was born 10 years ago. I'm very selective about what I take in, because I can't understand that I almost choose to get a child in this environment. If I look at each of my eyes. So I have to. I'm obviously putting myself in politics, in what's happening in the world and all these things, but I have to say today I have the opportunity to do it in my own way. It's not everything I can do.
Speaker 1:No, I've been teaching in 2004. When my father died Because he's gone through all the hardships I've played football with In the 90s, did you play football? Yes, we won't go into that I played in Silkeborg.
Speaker 2:I played in Silkeborg from 49 to 53.
Speaker 1:And then they win. Over the years I've been playing, so it's really a good game. It was a great effort. It was important that I was in the team because they could win.
Speaker 1:But he's gone through these and 10 years later I've been reading. I've always bought newspapers every day and read and then I just updated. It was the same thing that happened 10 years ago. It was some other name, but it was a rocker and it was someone who was a smoker and it was a politician who was a dumb and it was a rise to war in some places. And then I said I don't need my time and then I said I haven't read until the crown. Then I started doing it again Because it was so important for the boutique, what happened and things like that.
Speaker 2:It started to get a little bit.
Speaker 1:But actually in 20 years I don't feel with it at all. I think it's so uninteresting. I'm more in music instead. It's much more interesting. It's much more interesting. Exactly this is my woollen snappiny peaches. I can also think about a little joke about when you play and when you collect the boards. Where do you buy boards?
Speaker 2:I have different things I look at. I have beatport when it's electronic DJ City, when I try to find some commercial remixes.
Speaker 1:It's not a bad thing.
Speaker 2:It's also a little new to me. I've used it for the last three years. It's very Americanized. It's the newest hits in some main room remixes. There are some funny things, but it doesn't take two minutes to find one. You have to go through really bad music. The clubs in the US play really bad music after my taste. But there are funny things to do. Sometimes it's fun to play something else than just radio hits and then find a little funny mix and stuff. Then there's SoundCloud.
Speaker 1:So that's where you get inspiration from.
Speaker 2:No, I get inspired from where I go.
Speaker 1:Do you have any DJs? They play the same thing as me. They always find something that I always look at.
Speaker 2:I feel like there are a lot of DJs, but actually there are a lot of electronic ones, even though I don't play as much electronic. I don't feel like there are a lot of commercial DJs, because I think I have them somewhere when you have to have the new technology, where you don't feel like there are a lot of commercial stuff, where you have to have a feeling of where the hits are and can I play them longer?
Speaker 1:Yes.
Speaker 2:But I want to see my Instagram. It's a big set. What's it called? Djs or food subscribers?
Speaker 1:Good planning. You know, it's the same food we actually said. I talked to Thomas he was just on Instagram, but it was also DJs he filled and then there was a lot of food. So those were the two things that were interesting for him Food training.
Speaker 2:I can also see a lot of food training on Instagram I actually train every day where I can't work. At the time I also trained when I was online and the shock of my body was just stressed. I have one of the over-doing things, so three hours of sleep I was up and running. It's not good for some. So, I got a point of knowledge that I was going to sleep, so I'm going to sleep.
Speaker 1:I've been good at it. It's nice. We talked about being a bit powerful women, or at least being able to play women, because it has dominated the world a bit. But DJs in the world are also general. How do you feel today? Is it getting better? Is it difficult for women to be DJs at night?
Speaker 2:I think I'm happy to find myself in that form longer. I have the same desire as everyone else. If there are people who are looking at things, they are just there to try to look good. I know well what I can and can't, but I think there has been much more space. I would say that I have worked hard as a booker at a nightclub, the Cypherbillion, and I have worked hard to find female DJs.
Speaker 1:It's hard to find. We all want to hire women in Sweden Because they play something more lovey-dovey than men. Some people play a bit harder and give a different voice, but it's hard to find.
Speaker 2:I have a problem with the younger DJs. They choose one genre and they stick to that one genre. When I say I'm only playing Afro-bill, I can't keep up with our genre for 2,5 hours. You have to be able to find your own voice. I think I have the passion for music, so find a genre and find out what I like about this. You don't have to play top 40.
Speaker 1:But find out what you like.
Speaker 2:I also think I'm doing a good job as a DJ, but that's also because I can play different things.
Speaker 1:If you only had one job to play at Coldture Box every time to techno, it would be hard to live with.
Speaker 2:It's hard to have a job at the same time. That's why I have to spread out. But I can't play music. But I'm a nerd and I go into different genres to find out what it is. I don't think the younger DJs I'm doing now. They have a lot to do with me being like this.
Speaker 1:Are they female?
Speaker 2:I think they are, but I have to say that I think they have a lot, so I have a hard time finding a job. I have to take over my place If I want to start doing some jobs. I have a hard time finding a job.
Speaker 1:I understand that I'm a nerd. We only talk about the money. There was nothing. It was not from my side. It was more of a experience. It's hard. That's why I was interested in being a woman in this environment, because it always has when I played in 1943, it has been very man-dominated and it's also happening. I've been a bricklayer in a night club before.
Speaker 2:But I have to say that I'm really good in this environment.
Speaker 1:You have also had a hard time, as you said.
Speaker 2:I have always had many male friends and I have always been able to work best with men. So for me it's just that I have landed on the right place. I don't know if it's the need, because I don't feel like there is someone who says you have to have a certain amount of time or be quick in the scale Because it's one or the other. Now I can also see that night club. I work with more men than two women, but I tell you how I feel about it the days when I'm blind in it, and I find a lot of inspiration in my feminine role as a mother and as a possible other in my colleagues. It's also something I just remember being as I am.
Speaker 1:It's just a bit different. It's fun, as you said when I started playing for four years ago. It's a bit different than you are.
Speaker 1:We played from 10am to 5am One man I think there is a big difference in the way you play for two hours. I actually don't try that myself, and I think I have something to do with it. I think that if you want to play Afrobeat or techno Because you can do that well, you can play for two hours, but it's the worst that you can play for seven hours a day, which is really interesting, and I think that's a huge difference in the world. Are you going back so far?
Speaker 2:Yeah.
Speaker 1:How do? You do it today Is it only two hours or half an hour? I know you've been here too. I've always been here for hours.
Speaker 2:But then you continue to work in the other club. I open one club and work in the other. Sometimes I have up to three or four jobs in the evening. I don't want to say that I do it all the time, but I'm not done after two and a half hours. I mean zero percent.
Speaker 1:But I would say that I've never done two jobs in the evening. I can't do that because I'm so dedicated to what I'm going to do. The rule is more than two hours. Even if I only have two hours of work, I only take a little. How do you prepare for four different jobs in the evening?
Speaker 2:Well, I prepare a little every day and then the day after I go to work or the jobs come and I sit down more and more dedicated. So it's not just about the number, but I know that I think I'm doing what I have to do, but I don't feel tired because the music is playing and I fall apart.
Speaker 2:I don't feel tired running on a job. I don't do that, but I'm a little familiar with that. If I'm standing in the club where I work, if I have an opening set and I don't have a locker on another club or a back-up, then they won't get out, or what? No, they just say, oh Maria, come on, just go down on the back-up. What did I do last week? And look at the last time I played and looked at the wall. He was like one, two, three. There was her.
Speaker 1:There was her. He was so good, it was a big deal. I had a friend. You say that you first noticed it back in the 80s you drank a lot. I don't know why. It makes you feel better. Yes, it makes me feel better. It also makes you sound a little bit better.
Speaker 1:But I think you drank a lot and I had a friend who could play and it sounds a little bit scary, but he could play and his mix was there all night. And when he hit the record player he threw up Wow, I didn't see anything and two seconds before, you know, he was driving all the way. And then he threw up. I was completely unconscious.
Speaker 2:I would say, so far I don't know.
Speaker 1:But it's not more than that.
Speaker 2:It's in the bottom group.
Speaker 1:Yes.
Speaker 2:Shit.
Speaker 1:Maria Maria or Fadi Fadi Maria. What about the music? What's going on? Do you have a living status as a woman? I'm here as a 56-year-old man and I still play. I don't know how old you are. You know what you can do it's 42 or 43. It's 43 now. Do you have a living status? We're standing on a night where people want to share the peace. I've personally moved down to the local because I feel that I have experienced my time up here.
Speaker 2:People tell me that you have it and that makes them happy, without asking about it. Yes, okay, and maybe a little more like a woman again, it's something with appearance and so on. I can really see myself right on the club.
Speaker 1:I think it's nice.
Speaker 2:I can't see why I should be. I can't feel the desire to stop. I can see myself changing a function. I can't see myself stop playing, but it can be good. That's why you can play pre-party even if you're 65 or so.
Speaker 1:I know a lot of people.
Speaker 2:I can see myself as the club mother. She runs around with a big pulse and long nails.
Speaker 1:From the 54th grade?
Speaker 2:Yes, and still knows the young promoters. She just sees who to talk to. She needs a glass of water. She needs a glass of water. She doesn't know who she is. She's responsible for all the good things. She smiles and creates a certain mood. It can be a bit of a home-made look.
Speaker 1:I always do that afterwards.
Speaker 2:It's not every day that I'm 5 on my wedding, when I feel something in my mind that I'm missing. I create it myself. You're also missing. It's just to say I'm missing and I'm doing well. But if I want to be free or feel something missing, I have to create it.
Speaker 1:That's what I'm really interested in. There's a reason for me to have a nightclub, because I'm not interested in making music. I remember that 10 years ago I made the last play. That's why I always wanted to find a new one. It's always been a nightclub. I've had a nightclub in 30 years. It's a real lifestyle. It's also the lifestyle you want to have the rest of your day.
Speaker 2:I think so. I see possibilities, I don't see limitations.
Speaker 1:No, you don't need to.
Speaker 2:It's strange, you're a child now.
Speaker 1:I think it's really privileged to be free. You can do what you want with your child. He's not up there when I work. I'm there in the morning when he wakes up. I think you have an incredibly privileged life. Many people think it's a great night. I think it's fantastic. I'm happy about that.
Speaker 2:I think I've found a really good form. My son has a UAPT. I work through the years. I don't have him. When I have him, I'm just 100%. It's not all parents who can have the opportunity.
Speaker 1:It's the parents' fault.
Speaker 2:It's negative with the club environment. You should be finished. What do you say to the teacher who has a night shift?
Speaker 1:I don't say no to any other jobs.
Speaker 2:There are a lot of people who work with night shifts. He can do that.
Speaker 1:I'm 100%. I want to try. I'm a little older than you, you can always say that.
Speaker 2:If that's the case, you can always say no, Maria Felly.
Speaker 1:last but not least, do you play music for your band 110-120% Do you? Have any thoughts about what it should be?
Speaker 2:If we go back to Kälte-Holstrup. Do you remember the last time you were together? I?
Speaker 1:remember it was love-synnias.
Speaker 2:I mean, I understood the cold-synnias when you were just getting closer. It was so much love when you went out. Yes, I was just touched.
Speaker 1:It was a little sad.
Speaker 2:I think a little bit. My first impression was to take the Nirvana number. I felt it was my intro in a way. I couldn't do it myself.
Speaker 1:You're not the first one to do it. I've asked everyone about it. You're not the first one to do it, you're not the first one to do it, but that's what I do.
Speaker 2:in my DJ sets I can take a little bit of the public's touch. That's what I do.
Speaker 1:well that day.
Speaker 2:I did it for a summer time when I played Mariah Carey.
Speaker 1:I did it for a summer time too. And in the fall and the fall it was so much fun.
Speaker 2:People were standing in the short tank tops and singing Christmas songs.
Speaker 1:I think that's really fun, I agree, and it's so rewarding.
Speaker 2:If I could have a number, have it ready for my funeral where people were like what the hell is going on now. That's what I did, well, and otherwise I could have been dirty dancing. I had the time of my life.
Speaker 1:I could have been a good person.
Speaker 2:And I was hoping that people would like to dance to me. And to run to the other person. I agree. It sounds like there's a lot of time, but there are a lot of good suggestions.
Speaker 1:Thank you so much for being here.
Speaker 2:Thank you for being here.
Speaker 1:It's been such a pleasure. Thank you for joining us at this USMUSAO Local Podcast, music Mitdruck. I hope you have enjoyed the music of the Trillen universe and found inspiration for your own musical journey. If you would like to listen to today's guest list about youth songs, you can find the list on the Mosao Locales Spotify list on Spotify. I look forward to exploring more aspects of the music in the upcoming episodes, which can all be found on Spotify and Potimo. So until next time, let the music continue to be your most trusted leader. If you want to listen to good music, and good music in the real world, you can find Mosao Locales right under the nightclub Mosao in the little king's garden in the København region.