En åben snak med skuespiller & musiker
Lars Ranthe om hans passion for musik .
En åben snak med skuespiller & musiker
Lars Ranthe om hans passion for musik .
Music. Welcome to the Museo Locale Podcast. My name is Peter Visti and I have been a musician for a lifetime. I have lived my entire life as a musician. In one or another way, I am a musician and I have been very young, I have been on the phone with my head and listened to music during my entire night sleep, something I still practice. Music is my passion, my drive, my mood and daily forms. And what changes music? Music has a unique ability to move emotions and connect people in different cultures. My goal is to find out how different people experience love for music and how it varies their lives. What is the purpose of the new guest? To talk about their relationship to music and how they live and influence music, insect inspiration and, hopefully, some fun and exciting surprises. Welcome to Museo Locale Podcast Music my drive. And welcome to Lars Rante. Thank you, peter. I have a lot to talk about how he presents you. You are a good person. I have said it before. We met for the first time. We met at a festival.
Speaker 1:You were also a G1. Yes, it was 50 years. Do you remember what I said to you? No I thought fuck a great DJ. Why the fuck do I not know him? I?
Speaker 2:was walking right behind him. You were just about to cry.
Speaker 1:No, no, no. What did you say?
Speaker 2:to me. I said to you that you were Denmark's best actors. Keep it up. It's a big word.
Speaker 1:But that means I should. Why I'm a huge fan. I'm also a fan.
Speaker 2:I'm really happy for you to join us today, cool man.
Speaker 1:I'm one of those actors who makes a lot of different things. I have a. You might think I have a broad mind because I haven't been a fan. It's been great to work with many different things, many years of loss in the US, because that's what you need. You need the opportunity to lose weight, whether it's acting or music or whatever. If you don't get on the hold, you don't feel good in your mind, you don't feel better, no I agree, my presentation is very good.
Speaker 2:It was from the Danish master in breakdance to nominated actors to now to be out as an actor and actor. What was the name of the artist?
Speaker 1:It was just a musician who made a record. You know I've said you've been interested in life, exactly.
Speaker 2:I think there's a long journey ahead. It's mega cool, it's a great journey. It sounds like you've been led by your passion.
Speaker 1:I've been interested in music all my life I've been. I've really improved music and that started when I had children's legs, when I was out at home and sang and danced, when my father saw Ray Charles on or whatever it could be. But you could say, when my mother went to London where I was a child, she always bought the latest Maxi singles at home.
Speaker 2:Wow.
Speaker 1:And I remember I was at the Christmas party at the Folkeshus that's called VEGA, today it's called Folkeshus. In the old days you were at the Christmas party every year with my mother. She worked on the king's performance break and every year you got a hit 1999 hits and that time there wasn't all that every day. So you had the same access to popular music. So every year you got the album with the 25 most played songs that you could write all the way through the world.
Speaker 1:And then you went home and the whole country was out on the stage and you just listened to scams. And that's when you know that you're young and all the dreams are there, and then you get the extreme feeling of the connection with music and the music you listen to. So that was a place where you couldn't have the dreams gone. But what was it called? The numbers were fantastic, it was just Born to be alive. And pop music with M, which was fantastic. So it was like there was a start, and it's clear that I started in 1943 or 1942, when you first heard the hip hop over in Sumbia. No, let me say it like that, it's the hip hop where the hit is like Malcolm McLaren, buffalo Girls and the whole electro scene, africa, bombata and all that stuff. And because I was a gymnast, at the same time you could dance to Breakdance and there was a music that was so new and something you never heard before Because I hadn't been on punk music.
Speaker 2:No, you were just a few years younger.
Speaker 1:So you were in the year of 1964.
Speaker 2:Yes, I was in the year of 1967. It's not our revolution. It's punk, it's a little hip hop. It's our revolution.
Speaker 1:So I was totally moved there, and then I met all these fantastic DJs around the city Face5, what was it called? Kotfather Ken Larsen the Duke and not least, TNT Jörn and they also came from Jörn and the Duke's brother Benny. They had played on NICE and Dattys so they had a new wave, so some of the DJs that I was fascinated with. They also had an electro-new wave from Disco Background, which gave it a little more than just a row around the MC.
Speaker 2:So that's where the electronic is mixed in, in pop music, you could say, or somewhere else. And the other wave on, Dattys are you going to go to Dattys?
Speaker 1:Yes, of course I just got there. They have a big reunion now. Yes, I'm really excited to go there.
Speaker 2:I also cleaned up when I was passing by to hear it. And then Is it a dream as a child, as a young man, with the music Lars, or what is it?
Speaker 1:No, I mean I have to say the hip hop and the DJs, and I start to buy a lot of Maxi and it's completely different to find Maxi in New York American press and all that, which is a total of 33.
Speaker 2:Yes, exactly 45. Maxi was to Greece. Yes, that's so nice of you in the story and it was completely different.
Speaker 1:45 was not a big deal.
Speaker 2:No, it's true.
Speaker 1:So I gathered it and then it happened that the hip hop was a little bit off when I was 16, 17 years old. Then the next big music revolution came. It was the beginning of the Mon Martre, yes. And to hear the DJs there was a name there and the guys there and it was just like coming to school, because some of the things that were cool about the hip hop music were that it was anchored into the soul and funk and into jazz as well. And then you come in and hear all the cool soul and funk in the cool.
Speaker 2:In the real original rock.
Speaker 1:The original rock was released from the 40s and 90s and 60s, which DJs were there to roll. It was the best of both worlds because I also had a dancer and then the funk in music there.
Speaker 2:Yes.
Speaker 1:It was like what I did myself, DJ, because I had collected a lot of hip hop, but then I started collecting all the Mon Martre things.
Speaker 2:You know you have been DJ too. Yes, it was cool.
Speaker 1:I was DJ for many years within the group of two, something called Alexi Bar, yes, which was a bar that was lying in the corner under In the corner of the corner under what was it called Alexandra Pizza. My old friend Janis' father George had these pittories in Copenhagen at the beginning and the balking of these, for example, and Pebbles Pizza and stuff. And then he had a bar in the corner like another one in Egypt and over two, and then I started working as a DJ and I was there in a two-story room and I was there for many years. I remember that and then I was able to develop my own style and I had some whole old school to finish my initials. I finished everything with Dan a Den Lissies still in love with you.
Speaker 2:Yes.
Speaker 1:So when I had been there and played and I played, I was the first DJ to play what was it called the Emissioning Car in the Absinthe. That was also fast. I have also played that.
Speaker 2:Yes, and you know this was back in the 80s.
Speaker 1:And it was just mega-cool to drive a crowd and to drive a mood up For people down there. It started to be fun with some things and the mood was just like and then you drive a goal up and stand there and control it.
Speaker 1:It's mega-cool to be a DJ, it's an art. And when you meet a good DJ like I heard, you or I was at the party in the center of the group where Fatman played where it was just like fuck, what the hell is going on. You couldn't simply skip the goal. And every time you think, oh, now I can't put an Afro on it or a Brazilian, where you just had to dance.
Speaker 1:And it was so flavorful and so lovely. He had so much feeling out there who was on the goal and what the mood was. That's what it's about. You are a musician. You are an extraordinary musician who works with the audience.
Speaker 2:Yes, and you have to feel the room and where we are going and where we are going. And maybe I talked to someone else who said it was a very special experience to be here with. It was actually Kasper Christensen who has me. I have had some DJ tours around where he just had a snap and then I played music when he said that he was here as a co-maker or as a skater. It was just the way you could move the audience as you can as a DJ. It's a very special feeling.
Speaker 1:But you have a lot of power. You have a lot of power for 300, 400 or 500 people.
Speaker 2:How many are there?
Speaker 1:Of course, and what was it called the world's most special and happy? If there are people in the audience and there are people on the floor, on the floor.
Speaker 2:Yes, that's the best life.
Speaker 1:So it was a great time. It was a great time to be a DJ, but in the past, when my mother and my own DJ career went to hell, I started to stay in Alpern and be a skipper, so I thought I would come home to my mother's world, the shack out there from Amaraj yes, which I had danced with, and then I heard Thin Lizzy for the first time.
Speaker 2:Yes.
Speaker 1:Which he had heard over at the IFG in Icelandic, yes. And then I heard Phil Lange for the first time. It was like I had met my own big brother. He was the adult man in a way, I had a brother who had a soul as a black horse and then he had a folk music, a big text universe, and then he had a drama. It was very dramatic and the rock and rock.
Speaker 1:So it was like that, because I also went to my actors in the movie, so it was like it was all falling into place. He was my rock poet and he was also my own. When you get 16, 17, 18, 19 years old and you get a little out of the box, so it's cool to have someone else. What was it called? Fat figure?
Speaker 2:One you can say I would like to be like that and in that connection, because I have been to the same place.
Speaker 1:Then one day I took a guitar and said I can play the dancing in the moonlight and I thought, oh, that's cool, let me try it. And then I could feel it Shit, it can also. And then I was like sold. Then I started playing the guitar and then I got long hair over at the gym and heard Lise playing the guitar, then I was also a rock star.
Speaker 2:So DJ Stjern and then rock star, and then I played a lot and still do it.
Speaker 1:I always have a guitar in my hand at home. But then I went from being one who listened and one who was DJ to one who suddenly thought God, I can play for myself. And then in that connection I just played on a violin and with what it was like to sing and so on, and then I came in to pay for the school and then it was like playing the violin it was, but the music was still playing all the time and I played all the time, but it's a little off the bat right.
Speaker 1:Yes, it's playing Because the violin is playing and fills a lot when you come to the school.
Speaker 2:It's 27, 27, right. And is it 8 or what? I went out and saw it.
Speaker 1:Yes, so there was just like that. And then I met my wife back after the actual school and then we got kids and so on, and then there were also 10 years there. So I was both going to have two children and play a violin career. But when the air came in I could feel that I had played the violin a lot and then I thought it was really up again.
Speaker 2:Yes.
Speaker 1:It was nice to go up in there in the meantime where there was the net.
Speaker 1:Yes so all those old days you could run to the guitar and play a song at home, but suddenly you could sit and hear it, those things. And then in that connection I met a guy called Anders in my summer house and we talked about music like we do now, yes, and then he said, yes, but I had some old guitars. He would like to try something. So I said, come out in the evening, we can play a violin. And then I started playing with him. He was playing at the Estonian project out in the.
Speaker 1:Eichensagt, and then we played there in time together with Janis actually, who had had that bar there completely yes, in Skinnergaard yes exactly, and one of them was Jack.
Speaker 1:And then when we had played some time, anders said we could also try to make music ourselves. When you say I always had a good time writing and writing with words and stuff Because also for my time with rapping, I also grew up with Montreux and Rieselund, yes, you know, and I was also happy for Strumpet and some things, so there was something with Lyrik and rap and stuff. And then I wrote some texts and sent them to Anders. So I tried to write texts. I gave him half an hour's song.
Speaker 2:Okay.
Speaker 1:I sent him a text and sent him half an hour's song. So he said I never tried to write texts that much and create songs. No, and how much.
Speaker 2:And those are the songs we see today that are out of the box.
Speaker 1:Yes, they are here and I have taken an album with me. Is it really? No, it's fantastic.
Speaker 2:It's more collected at the moment.
Speaker 1:Well, I'm happy for a thousand days, everyone is excited about the album.
Speaker 2:And the number has actually just heard today, which I enjoy completely.
Speaker 1:Yes, I could mix it together with something else on a floor and it would be pretty fun.
Speaker 2:And it could be really, really fun to remix it. Yes, in a very, very old version. Yes, it could actually. Yes, it's actually very electronic.
Speaker 1:Yes, just the number. And then I have a number called May, may, may, as I have also heard.
Speaker 2:Yes, exactly so actually they were my two favorites.
Speaker 1:Well, yes, yes, but I have heard more. Yes, of course, I think I have heard them five or six times. And some of them are a bit more luxurious things, life and beauty and stuff. Yes, and I also have something in particular where you don't write as much as you go to the city and go to the dam, but maybe more write something about what is touching you?
Speaker 2:Yes, exactly.
Speaker 1:But bottom line is otherwise I got to make this music together and it was quite. It was a quite creative and free process and then we decided to actually To be with and like to hear or like to go out and try to get a paid contract and stuff, because I think I've got it. But you know, we would like to stand for it ourselves.
Speaker 2:Yes, and do 100% control. Perhaps.
Speaker 1:Yes, also because I am in my job as a musician and all the time I have to do the same thing, All the time I play another one, and there are always people who have a hold for it.
Speaker 2:Yes.
Speaker 1:So here we just had to do what we have to do. So that's why it's a combination of some different songs, but when we listen to them I am very proud. That I am very happy and, yes, the great work we have done with the album. But some songs we can't stand on the ground for. It's fantastic and you're not in the middle of it. Yes, thank you.
Speaker 2:How are you now, when you have so many great actors? Have you faced great prizes and things to say?
Speaker 1:no-transcript. Have there been people who have hoped that you would reach this? Yes, I have not. Yet we have been a little in the radio that we have been no longer in our uders beforehand.
Speaker 2:No, we have just sold us the album in a named way, rather personally. Here the stage is A sense ofução and a reputation gå ra Ianner Skywar. I'm not talking about you, but I'm talking about the audience, the media. Has there been anyone who has hoped that you would be here?
Speaker 1:No, we have been a bit in the radio and we have also been in the TV industry. But there is just If you are not a part of the big music industry, then are you a nobody.
Speaker 2:Yes, especially in our own rooms. Young people should be in the middle of the music. I'm not a young pop star, I'm an old man you should have just been thrown out. It's a simple joke. You should have changed the water with the gin. Yes, exactly.
Speaker 1:You know how good it is to be after 5 gin.
Speaker 2:Yes, both ways. Well, I'm just thinking that it's just.
Speaker 1:But would you be, peter, when we? No, in that way we haven't been hit with it. But when we come out and play our song, people are happy. Especially if you play a little more in the public opinion, then they can do well. I said, kef, are there some nice texts? And where is it cool? And you know, that's where it's supposed to be right, exactly. And I also went there and thought, oh, now the commander, the commander, the spearhead, the spearhead, everything. And then there was just a nobody to give himself and it was just like that and it wasn't just a part of it. But on the other hand.
Speaker 1:It's also a Was it also cool, you know, just because you've done some films. And then, of course, there are no doors open and it can also be very good. You just have to. You just have to, like, just pick it up from sleep.
Speaker 2:Yeah, but it can be. Yeah, exactly, but it can be a hard process to get from successful films that you've been involved in and what's it called the school career, career at all, and then you say now I'm doing something else, and now it's me, and now it's myself I'm picking it up.
Speaker 1:Fuck you. It's a very interesting thing.
Speaker 2:I don't know what you're doing it requires a bit of.
Speaker 1:It requires a bit of courage, I think, and it also says yeah, that's what the fuck do I want to grow up with. Right, if I didn't do it, I mean I don't want to live with this or hang my hat or my identity up on it. I'm also super privileged I have a cool career.
Speaker 2:I'm healthy and it's all good. But isn't it nice to get the output for it? It's nice, man. I'm so happy. You're really happy.
Speaker 1:We were at the festival. I was at the festival. You were so different because when I went down to the river and with a lot of tears, we played it and screwed it up completely and then we were just mega happy man. We had two years of playing and you know I'm super happy and we're playing a bit of the game and what's the name of it. Should we play some more songs? Yeah, and then we'll do a tour with where we'll set a dream and give it a real ass. That's fantastic, it's really cool.
Speaker 2:I could think about it. I know that it's something, that's not. It's not a joke, because you've been playing all the time at home and stuff like that, but is it because the actors' careers are over-exaggerated? And is it also something? Now you have kids. Are there two kids you have? Yes, two kids, yes, and one of them is also a actors.
Speaker 1:Yes, she's been playing with it at least. Right now she's at the Apple Tower Film School. I think she should be a teacher. She's with the class.
Speaker 1:Yes, she's with the class and she's with the one who's called a whole family With her father who was the trans queen. Yes, she didn't play any of the girls. She's a really good actress, but I think she wants to be a try and be behind the camera and be more in the production film, and I think that's really cool. It also has to be a bit of a top-notch. Having two parents, which I think is also a success, and then being able to stand in the shadow of them.
Speaker 2:I can think about her, but she's also doing her own thing when you are the first mover right, yes, I'm the first mover and it's a bit fun because I have a son who makes music. He's super successful, but more like a producer. He started out a bit by himself, but now he's back in the middle of the stage where I also have a try to see what it's like to be me.
Speaker 1:He's completely different.
Speaker 2:It's pretty fun if it's a influence we give to our kids in a little different place.
Speaker 1:It's probably something we've just taken. You've taken the Brallerøy place you've put the turntables back and.
Speaker 2:I've got a club here. You've talked a lot and it drives you.
Speaker 1:And then you think, but I don't have the place.
Speaker 2:I have it.
Speaker 1:I'm going over here to the left. You would actually like to be free from here. Yes, exactly, I don't have to, so. I think it's really cool, it's fantastic.
Speaker 2:You were just asking. My question was just that when you get kids and stuff like that, then there's also some economy, when you have to buy a house or a car and there's data and you have to suddenly get that passion for music, which is a good actors' game and also a very insecure game if you don't get success with music. But it's also a bit of a different music because it's a bit difficult to get money. So is it also a choice? You're also saying that music is a bit of a shelter or is it a actors' game that you're most interested in at the time? No, it's always been actors' game.
Speaker 1:I'm a born actors. I'm an actors' game, so it's never been a 20-year-old. If you're talking about sound, then I'm an actors' game. But that's why you can also have love for something else and I like that. Music is a hobby, but it's just as nice when we're standing in the corner and playing. There's also some incredible joy in not living it.
Speaker 2:There's freedom in not going out and saying oh, should we stay again you? Have to have a hit now to get some out and play.
Speaker 1:It's really incredible.
Speaker 2:I'm really happy about it.
Speaker 1:It's not that way, because I love all the music. I love going to concerts. It's great fun and also a hard job to keep up with it. I agree it's.
Speaker 2:Did you use the music in your acting career?
Speaker 1:I feel like a musical person when I work.
Speaker 2:It could be a thing where you prepared for a role that you've done. I've played music once in some shows.
Speaker 1:I played most of the plays, played guitar, saw the music, but I think the music is just, it's a part of me. I know there are some actors who it's your love one. My old friend has a name for her. She always had that name. When she had her pissed off at the actors, she always had that name. When she had pissed off, she put some music on and then she touched the joint and then she tried to say all the replicas While she I don't know what I'm talking about.
Speaker 1:She found the music, the role, the music and another, I can say more sick opening to the story. In that way you can use the music in your acting career.
Speaker 2:Yes, I'm just a musical person.
Speaker 1:I listen to music all the time. Do you do that?
Speaker 2:every day, music all the time.
Speaker 1:And that's a natural development. My father listened to jazz when I was young and then I started to listen to it again the last 15 years. I've always had a little bit of a listen to it, but there's a journey back to something fundamental about blues and the soul and the funk and something that jumps out of jazz. And then I've become older and I've had a summer house where I've put myself in a really cool place with vinyl. And then I've, I don't know.
Speaker 1:I've been looking at buying old first press. That's the problem when you've been old together. I can't just buy a new one, a blue note. I have to have the first press in the lowest condition and I have to send it from New York. And then it costs 1500 kroner, or what is it now?
Speaker 1:Or what it has to be or what it has to be. Trust me, but I would also say that the old analog games with the old Neumann microphone and what it was called are the old ones that they had on the blue note. The most legendary producer that was up 2, what the hell I don't know. But I think that the bottom line is that they sound really good.
Speaker 1:So I've got a big tree house with a high-end loft and some really big cool dynaugeo-high-tales and some name-strengths and so on, and then it sounds like so damn cool. So I take a lot of that up and listen to jazz, and then I only have jazz up.
Speaker 2:And can you get the wife in the summer house after you've got big high-tales?
Speaker 1:Yes, but I have the world's best wife and I have the world's best wife. Yes, but then we have number 1 and 2. So let's get to the top. But Kristine is not a fantastic woman who doesn't care about the interior and the furniture and stuff. I can buy a wooden chair and sit in our living room, where you will never be able to do that. So I've been given the opinion that the bed is just lovely, so she's never commented that there's a big high-end loft in the summer house and there are 300 jazz-vinyl on the floor.
Speaker 1:She's never said that before.
Speaker 2:What about all the old boards you bought? Did you have to pay for them? No, I have 35,000. I'm okay.
Speaker 1:I have my entire maxi-single and old hip-hop maxi and it's a whole old school from 59 to 46.
Speaker 2:So I stop getting interested in that.
Speaker 1:So I still have all of them and I don't really care about them. It's a bit annoying that they're not used to being used, but then I can take some old Tommy-boy boards on or profile or whatever it is and sit and listen to them and have a total of options, and at the moment they also have to continue. So I can't really defend that they're not being used. But I don't know. I'm also wondering what they're up to and you have a bit of a collection of genes, don't you?
Speaker 2:I've been reading a bit about guitars. You know you use money on boards and you use a little money on guitars, and you use a little money on guitars. How many guitars?
Speaker 1:do you have? Well, ten pieces, right, but there aren't really many in the real world but I also have a bit of a.
Speaker 2:When we talk about, you say it's only a person, it's not a living thing. So I think I'll have ten guitars like a real one.
Speaker 1:Yeah, yeah, yeah, but there are many guitars you need. There are just some different guitars you need. You need a freter, a t-shirt, a less poor one, and you also need a P-95 guitar. If you need a P-95 guitar and you also need a hollow body, a semi-hollow one, then you're quickly up right.
Speaker 2:Definitely I'm much better than you.
Speaker 1:Yeah, but that's the thing. We're out of it. But then I just have, because I also have good old stuff. I bought old 60's guitars instead of new ones.
Speaker 2:But you can hear on the boards you're not so fond of those things that have been re-given. What should I say? New productions, the things that are original, you're interested in, both on the guitar side and on the boards, and it's totally far out of place.
Speaker 1:It's just some kind of a trickery but I'm always interested in. I also look good in containers. I've collected old furniture and as a child I was an archaeologist. I looked at it a bit after the porcelain forest and old coins in the open-plan. I always upgraded the earth. I've always been fascinated by the quality of things from the past days. I can't say what it is if it's romantic. You have it yourself. You can also go and buy original stuff. Yes, yes.
Speaker 2:I can and it's completely different. It's completely different because you can buy a record for 34,000 kroner that you can buy for 99,000. But that for 99,000, can actually be mastered today and through the point and actually sound better and maybe be at 140 grams of vinyl. But there's something in it. But I never consider myself as a collector because it sounds completely different when you have 35,000 records I've made. But I have completely said it's my job and I don't buy a record for it to stand.
Speaker 2:If I buy a expensive record for 5,000 or 10,000 kroner, then I have a record player where many of them I know, then they'll take it on USB because it's not allowed to be read because it's an investment. I only buy something that needs to be used.
Speaker 1:I don't buy anything that just needs to stand at home. It doesn't matter. I also play with all my old guitars. Take them out and play. It needs to be used in order.
Speaker 2:I think so, or it could be just as much as that. No, I don't want to. I don't want to be a collector. Have you tried to play jazz or something? Have you tried to play music or have?
Speaker 1:you done it? I have really tried to do it. They are a completely different generation so they had no choice. They didn't really listen to my father when I tried to play the piano or what I tried to do in Denmark, but I can hear the rhyme. Now All of a sudden, some of them play the piano and hold the festival with other people and all of a sudden some of them start to listen to the style of Denmark, because there is some quality in some of the things from the 90s, 60s, 60s etc. Which is not too much.
Speaker 2:And then they actually get updated. I have noticed that I have a son, both of them at 26 years old, and then I have a son at 11 years old who comes and plays the flute.
Speaker 2:And you don't have a chance to find that, but via TikTok and playing and things like that it becomes very common, so many of them still do not have the old things, which I think is wild in the Netherlands, and he can come and say but it's also cool because they have good songs, it's a fantastic song and it's super quality. And we also have to say now you're talking about yourself. You yourself have been able to play the piano just to get through NANR, a different.
Speaker 1:You have to be like Hammond, you have to see them.
Speaker 2:And then it's not me as a product. We also have to say that in relation to the music today, I don't know if you could have been able to play something, press something, but you certainly didn't have a system to be able to play through in the 60s, 90s, 90s, etc.
Speaker 1:You had to go over the law and go through the piano, but in general they also had a chance to improve. It was early that the band was able to make three records before they got a hit. It doesn't matter, if they don't have a hit single, they're just out.
Speaker 2:And a hit single is one minute and 60 seconds a day, just on the hook line just with the same thing.
Speaker 1:So you know it was just something else. So therefore, there has been some quality things and the pop songs had many more fun chords and that's why when they're young they hear some stitty dance or they hear RUMOS with FLITBUTE MAC. They can hear it well, and there's one thing that's really cool.
Speaker 2:People can really sing and play. You can play and sing. Yes, that's what I'm saying.
Speaker 1:There's something, talent that's not for you and you're not doing anything before you could right, no, no, and there were many more. There were a lot more. There were a lot more to play and since the orchestras, I had a thousand jobs in the packaging and I was still up, but now here at the Dupy Brothers.
Speaker 2:FLITBUTE.
Speaker 1:MAC and all those things, and Jazz I mean, comes up on a stage. When I hear John Coltrane and she's just been something, I can only hear it. You know what's it called? Jc and Beyoncé. Just like all the others, and now you're like that. Yes that's really cool. That's what it was for us.
Speaker 2:It was the same as we heard. You know, in any place.
Speaker 1:We also tried. We didn't hear our parents' old song and when you get to the other ones and you should hear this one by Ray Charles, when one doesn't actually hear it and you're playing it yourself. You're playing it with his music. You had your own knowledge right.
Speaker 2:You could share it with people you didn't know anything about it. It's really. It's fantastic, and I'm very impressed that you still buy records and things.
Speaker 1:I think so, and then you always come with In the old days you could only buy on eBay and then you could only be five rows through the 12th. And it's just like a real system. Everything is sold out and you can buy everything in England. So I would say I really have the reason for my when did you buy it?
Speaker 2:On the internet?
Speaker 1:In the discox, if there was something I wanted to have. And then, in terms of jazz in the old days, on eBay you could really find a lot of great stuff.
Speaker 1:And all my old hip hop. I was like I was filling up my collection. I bought it on eBay 15-20 years ago or whatever it was, and then you could really find stuff. And then of course I also bought the raw boutiques and in the old days, slav Ailow, a long, dark flat boutique. There was this guy who had he had bought some New York containers back in the day with Maxi Zinkler who was some kind of left-over, and then he opened two flat boutiques in Camarion called Slav Ailow, where there was just 100,000 copies are American and Maxi Zinkler from the 60s or from the 90s and the 80s. And then we found the oldest old breakbeats and the oldest Maxi Hip Hop, maxi and Electro and Funk and Soul and everything else and that's still a lot. It was really fun. It was really the goal-dinking we wanted.
Speaker 2:I need to ask you this because it's one thing I've never had. With 33 and 45 on Maxi Zinkler, what the hell did you find out? Do you remember? Why were you so wild to be the American Maxi Zinkler on 33? Because I think the sound is better and it's faster to drive.
Speaker 1:I think it's been more scratchy in relation to having it up in the air again. Maybe, it was also something with German Maxi and something with 45-inch-scoffle-like and Americans, and it was also the only place that was plastic. So, you could see if it was American, it was warm and it was plastic around the plate.
Speaker 2:It was fun.
Speaker 1:But I don't know, it was something I don't think we knew better, because 45-inch-scoffle-like is better.
Speaker 2:Yes, it is. I've never been up in it, but it's the first scene where I found out that a lot of people went out to see what the American should look like, because the others just went out and drank 33. You were out playing music. How did you use it today? Did you hear it when you were cycling in to me and we were talking all day? Did you hear music in the daily life?
Speaker 1:Yes, I heard most of my car and then up in the summer house and then I tried to be with it all the time and have headphones on.
Speaker 2:In my own way.
Speaker 1:I can enjoy when I'm out in the world and listen to the world and orient myself on what kind of cars I'll be driving and hear the streets. I can see it smiling in and look into my own music video where you go around. But I try. When I'm cycling and walking I don't hear music, but also because it's dangerous. But when I drive my car there's a lot of stuff on Queens. It's now Queens' Downage and you know it's what I think is cool. It's what's ruined. A rabbit hole. Suddenly you hear a country orchestra sitting there on YouTube and then and then he produces it. It's updated, for example, yesterday where the producer had produced Rocket with Herbie Hancock where he actually produced Red Hot Chili Peppers' Mother's Milk and Higher Ground.
Speaker 1:There's a new Yorker-type sitting there with electronics and he also made the Black Hole Son. What's it called Sound Garden?
Speaker 2:which I also love, on the floor.
Speaker 1:So suddenly he went to make Hip Hop to Red Hot Chili Peppers, to make Sound Garden, to Korn and stuff. So you sit and dive and suddenly he's produced more and you suddenly hear a country number and you're like, wow, that's cool. And then you need three days to dive back. So you need music a lot to go to the gym yes, because you're very good at your music.
Speaker 2:you can say yes really a lot. That's what I do myself. I don't have a genre, I'm just sitting in a good song and I'm playing something or a good song, but it's a good.
Speaker 1:I have to say it's a good record that works, that's what you're happy about, and if it's one of Latin jazz, heavy hip hop, danish, whatever, if it's a good song, then it's a good song. You can't.
Speaker 2:Yes, I'm completely alone. I remember you said it was Phil Linnert that you became a big hero, or should?
Speaker 1:I say Is it? Still that yes it is still that, but right now, because he died, I had a long transition with what's called a Chris Cornell. I have something with poetic rock songs, with big music with a lot of drama in tune with tough guys, but also with a soft fire in a way. And then he died. It's hard to say completely finished.
Speaker 1:But right now I have to say the one thing I love the most about Nullivne is Josh Homie from Queen's the Stone Age Ginger Elvis he is. So. The orchestras are so fucking great, they are so hardcore, they play so cool and it's like some old New Yorker-dream. Some of the musicians who played with James Addiction. They have been so much weaker and stil and he is so cool.
Speaker 1:He makes some it's a completely different sound and cool lyrics and it's rock'n'roll-ed in a slightly punk-ish way, in a slightly scrapped way, but with so much attitude and so much. So. Queen's, the Stone Age and Josh Homie are what I really want to say and up through your life.
Speaker 2:Nullivne is the youngest one you concentrate on among others. He has said what they think is the most important, and you become a little more like that.
Speaker 2:I think I'm generally, but have you ever felt that your life would go on in a compromise that you were? Did you have such a thing with music styles and your own desires? What you think? Because I have now I'm, you, have been in Copenhagen all the time, but I have lived in a small town where there are both 3000 people. There was a young man, there was no one interested in Africa, so I can promise you that they think I was a little unimportant. If I have to be completely honest.
Speaker 2:Did you have any allies? All the reasons that young people also had.
Speaker 1:I had some allies when I was in Thomas P Heile where we heard hip-hop and I played there with Montmartre Music. But I can clearly feel if I myself was DJ, if I would play for myself in the evening, then I would play at the beginning of the end Funkin' Nasa and I would play a lot of those old break beats and then a lot of up-score things and at that time I was DJ.
Speaker 1:There was also a sense of attention to whether you played something that was a little edgy, but it still should be something people know a little, but also it must not be too underline, no, no. Therefore, I went to the company in that understanding and I thought well, I know I could put three numbers on it. I would have a total of two years but the gold would be top and people would start to leave the child.
Speaker 2:So you know you get like, and that's what makes a good DJ. You're not only one sign right.
Speaker 1:That's exactly how I have gone to the company, but otherwise I don't think. I think I feel with my heart and feel with my heart and ears, and then I go after that and I can go on. I have never decided the genre myself or anything like that. There are many who are so, for example, hip-hop, and then they're so when they're 16 or 14 years old. It becomes their day of hate, and then they go around in hip-hop and listen to hip-hop, and I think I've never.
Speaker 1:I'm very one who's looking and I love that, and then I am that, and then it's suddenly jazz, and then it's. Latin, and then it's there. Do you go overland when you're like that, a little bit of my problem is.
Speaker 2:I'm a little bit overland, I'm a type that's like.
Speaker 1:You know, you're a bit of a rocker and I think that's just cool, because I've always done things completely different. I mean, I'm good at learning and I'm a beginner and I've learned what it means to train because you really need to learn. So when I start to get interested in something, I'm really interested in it.
Speaker 1:And that's a new thing. And that new thing is the one that if I had to go overland one of my biggest, the one that I'm the strongest, that I want to go overland myself. That's my new thing. I love it and I'm really cool Because God's wills are also an anxious and self-reliant neurotic person. But my curiosity forces me to open my heart, my soul, my ears, my eyes, and that makes you do something new all the time.
Speaker 2:And my curiosity is something there are two things that I have always been afraid of and missed, and that was curiosity, but also naivety. It's something the most dangerous thing I missed, because when you have tried it, you think it's. It's a little bit like guilt.
Speaker 1:But it's also when I met someone like you, I experienced a way, a way, a way of saying hello to the smallest, the most naive person. You come down with big eyes and say, hey, you're just so good I think so too. But you try to say it, you try to be humble and go with your feelings, go with your heart. That you feel you don't stand and think I should also keep myself. Now I also have to be a cool guy that he can, like you, react it just feels.
Speaker 2:What I do today I'm not going to be like a young. I'm very, very. There's a lot of little things going on in me. I'm young and very nervous. There are no people who think I'm nervous. I'm very, very nervous and very nervous. But you learn, the more success you get, the more you stand on your own. And then I've learned too many years ago that what I'm doing now, writing to you, we've only met once. Then I'm up after you a couple of times on the golf course on Royal where you play golf and I do. But I can only get it no. When you wrote to Kerala, you could have thought of being in my podcast. I can only get it no.
Speaker 1:That's of course.
Speaker 2:And that setting can be quite good. It's been a great power of drive in many things for me. You say what is?
Speaker 1:the world's greatest event, that's, you get it. No, it can be good to live with, but it requires, so you get it. Yes, yes, you actually do it when you're yourself, it's normal anyway, but it takes a long time to understand that, because, when it comes to being exposed, it's about not being able to like me, it's about being yourself and everything. When you're young, you think that no means we can't hate you, you're not part of the group, and as an adult, you find out that no is just no.
Speaker 1:It has nothing to do with me bad people. You take some time to get to know each other. It's crazy hard.
Speaker 2:I'm young, I think we're. You can say that I think I'm wrong, but that music I've heard. I've been with all the others. I think they're just as wrong. Where do you come from? I come from a small town. I feel like a old town, completely burnt, but I've moved to something that has no connection between a self-sacrifice and a cast if you say something about it A mid-medium yes, that's it when there's no progress whatsoever.
Speaker 2:Fantastic growth that's not it. And my best friend is still with me today, but I have a lot of alienated in the music.
Speaker 1:When did you start getting interested in it?
Speaker 2:I've done it from. My grandmother had a yarn direction when I made I'm totally confused, is there any music when I made the bubblegum out of these yarn things, and that was completely fascinating. And then I had a sort of orange-colored band that I used as a drum set and that was completely. My grandmother told me that I was already in the band, the one that was crying yesterday and sang to a band that my best mother had, that I had just been locked out of Open Park where it was Over the Kiss. But who? The band's name? The?
Speaker 1:one that's supposed to pop in.
Speaker 2:Yes, that's exactly it Over the Kiss, Over the Kiss. It's been years since I've been interested in music. So I have always been interested in music, but of course I'm just fascinated by it. And then my father was fascinated by Ölman. In the beginning I was with him on tour when we were in the house of the world there were playing.
Speaker 1:I think it was completely it was a bit, because it was a visit, you didn't start playing music.
Speaker 2:I have actually been playing the whole band all my youth.
Speaker 1:Okay, so you have played.
Speaker 2:Yes, but I was not I was okay with music. I can play the piano because that's the way you play the piano for today, but I couldn't. I mean, you look at this. It's like in your time, in the beginning, firsson was crying a little and getting a piano contract and writing some good songs. And the songs I wrote in Firsson. They weren't. They weren't really good, so it was more of a DJ thing. I was very, very impressed. Okay so, but did you write songs that young?
Speaker 1:No, I wrote a little for the teacher and stuff, but you know there is also a. It was something wonderful I wrote.
Speaker 2:But so there is also a so what?
Speaker 1:Yes, but I can't. It was a wonderful song, but I can't explain it. No, okay, but it was. It was. It was, yes, but there is a kind of a calm that I don't have in music. I had a lot of that when I came into the music crisis. Of course, I never had the chance to be you, because I also have always learned some wild things to know.
Speaker 2:I have read a bit about it and heard some other things, because I will try to put myself in there before we talk. You are actually a bit out of Nicolae Stén, and you were also a skibum.
Speaker 1:I know all kinds of talented people. I have never felt like someone who could be a musician. When I started writing songs, there was a feeling that we were talking about but not good enough, a feeling that I am not good enough. You have to understand that I started to be interested in music. I was at that time with all the music fusion and stuff. It was something like US Pat Mathini and it would be very nice.
Speaker 2:I love it. I love it.
Speaker 1:All the old music, old ECM records they are really good. They are man for the record. They are really good.
Speaker 2:There are a lot of good records. It is completely wild.
Speaker 1:You also hear the Danish record company Steeble Chase it can't be. There are really good bands. There are some live-up bands from Montmartre, from all over the world. It is a fantastic live-up band with all the big bands Gården, Tjert, Baker, Massé, Menüep. It is really high quality. I have never thought that I was good enough. I don't know. It is not that complex.
Speaker 2:Is it a little dream in you, in me, that the others are much better? Yes, of course.
Speaker 1:And just when I was playing. I have never thought that I was good enough, but with all the other things I have a hard time. I also do a lot of exercises. I have a self-criticism also in a bad way, which makes me but it also drives me to get better and better and better at exercises. I can really do it. I also play sometimes.
Speaker 2:So you are just a player as a talent? Yes, of course.
Speaker 1:I am very happy that I am a player. I am a talent in the acting, but music is the key. I also have an orchestra that I am out to play with when I am working, when they have the use of extra. So you are a Stin-Lisi orchestra where you really play. Stin-lisi is a special, very, a very good guitarist, a woman who is out to play. You really have to.
Speaker 2:You can't just stand and sing.
Speaker 1:You have to work hard. So when I am out to play, you say I am out to play, but I can't just wing it. I have 3 million jobs in the bank, so I am out and I can do it, and that is also a quality.
Speaker 2:You have to get out to play there.
Speaker 1:Yes, I really am in the bank. I am completely self-criticised and I am not good enough. I am completely lazy, I am making a mistake and as soon as we drive, I forget everything and I just stand there and have a party.
Speaker 2:Have you ever had that in the school game? You haven't. You haven't been afraid to make the mistakes. It is fun to have it there. I have played some super-lickered football in my time as well and I was very nervous that time Always. And I performed well for training, but not particularly well when it was cold. In the DJ world, when it comes to music, I never. I am not nervous.
Speaker 2:I am, of course, excited when I am going to a big job, or when I am going to a big job when I was out, my son is playing music there. I was in the States to see it for a while and he is playing football up to the age of 17, on the elite level, and I was very nervous when I saw him play football. If he makes a mistake or if he sees my son, you know, like you had. And when I stand there and see him play, I am not nervous. When he is playing wrong, it is like he has gone into music. Do you understand what I mean? He was like is it okay? How did you get into it? I think it was a pretty cool thing and you had the same music. You were afraid of making mistakes, you could not do it properly, but in the game you were so busy and time is the coolest thing.
Speaker 1:It is when the mistakes are up. You make a wild save and you have to find something you could not afford. And time is really interesting. But I say more when I play, I get more and more relaxed and like the mistakes of the mistakes Also because I get more and more bored to know where I am. So you know, it is also something more, something more to find experience. Yes, 100%. That makes things worse, the world does not make a mistake when I play wrong.
Speaker 2:No, exactly, I mean, there are not any who come to boomer. No, no, no, you have experienced, when you have just chosen to play I played a little bit with this what I saw you play, or what I saw you play.
Speaker 1:No, it was a mountain there.
Speaker 2:But how with cover bands? You have people up there. People think what the hell is that it is?
Speaker 1:not him from the movie that is up there. It is the foregoers. Yes, yes, it is.
Speaker 2:How do people react to that?
Speaker 1:They think it is mega cool. Could not you have played so cool guitars? No, it was wild and that is super cool, but I think it is cool. When you play music, you are the one who gets the music. Yes, it is not about me. It is about the music we play and about the people who have a good experience. So I just think it is the grins that I also play. Well, we did not know that. It is fantastic. It is cool, I love it.
Speaker 1:I want to have. I want to have had the permission to make this, to have the permission to come out and play.
Speaker 2:Yes, that can also be.
Speaker 1:And I get every single time I get a little more happy and more comfortable thinking that they should go. It is okay that I am here.
Speaker 2:It is 100% okay, you are.
Speaker 1:And also the music. Thank you. It is me who is in charge of that, I hope you are so nice.
Speaker 2:Just recently I thought you said at the beginning there could come a record with something. Is it something? You have it come to over-shoot, over-shoot in the game no, it could not.
Speaker 1:No, I do not know, it could not come. No, it could not.
Speaker 2:But I just think that when you get older you get more sat, and now the children get bigger and things like that.
Speaker 1:So it could be that you just suddenly think I mean, the most realistic thing is that people do not know how to play with a game. So I get down to play some music. So it will be down. Yes, it is exactly Because it could be that one's career. I have been extremely privileged many years to be able to make a lot of music and suddenly it could be that people should not know how to play that idiot with him and everything. And then it could be that I have nothing to do and then I hope that the music becomes, instead of sitting at home depressed and angry at yourself.
Speaker 1:I just think about the cool man. Then there is time to make music. That is what I hope for. So it would be fantastic if there is a natural overview of time for that. But now we have to see. I do not try to put any doubts down or any doubts about it. It should be sensual, and when there is a new song they come as a rule of the word, and I know.
Speaker 1:You write as a rule best they have, also sometimes when I have some phases in my life where I do not have have it so well again. So it is as if there is more to the larger emotions and it becomes more important to put something on the word, and I think that the songs come. I do not write especially many songs. Do they have it well? I write many songs. Do they have it bad?
Speaker 2:There is something you should agree with the pain you come through in some way Fantastic. Finally, I have asked everyone if there should be music for their funeral. Yes, but not for theirs, but for yours. Should there be for yours? Yes, it should be. Do you have any other things you would like to be?
Speaker 1:I can not imagine what it should be like in a year, and then there should be Peter 2 up next. From the song that is called something about which is his half Dan Rasmussen song, a number called Kraft, where he gets down and where the power of nature comes from. What is it that makes flowers such a flower, and flowers make children and we as humans down? I think that I will choose Peter 2 up next, maybe Kraft.
Speaker 2:A very overseas artist. He is the coolest I have three records.
Speaker 1:I will write them down. In one of them it is Peter 2 up next. The one that had something about where he plays acoustic guitar, sings half Dan Rasmussen song tries. There you can talk about one of the good the Blues. It is insane.
Speaker 2:Maybe tomorrow is there a song about that. No, yes.
Speaker 1:Yes, but I do not know if it is about that record.
Speaker 2:No, I do not think so, but there is a number called, maybe tomorrow, that is called Alphonse Vissier, or something. Yes, yes, he is completely insane.
Speaker 1:He has also made a record with Tom Kristensen. It was called the journey to China. Yes, and Emil Overstrup, it was not a super-real artist. It is difficult to know. You know how he shares the Ben Ho trio with Rudolf, ken Goodman and some of those you would like to have two cases of elephants and four kilos on stage.
Speaker 2:So he has a really thirsty he is completely clear.
Speaker 1:He is a top thirsty. It is not too funny. It is called the Ben Ho trio. No, but Peter 2 has to be completely clear. He has to play to my pleasure and then I have to fill the line and maybe put a loop into the duo. Fantastic that.
Speaker 2:I could also tell you, I think it will end with that Cool. Thank you very much for being with us.
Speaker 1:Thank you, peter, it was a great pleasure.
Speaker 2:You are a lovely person and I am looking forward to working with you today.
Speaker 2:Yes, we should. And again, you can beat me in the golf. Yes, I can do that. Yes, it is pissing me off. Thank you for that. Thank you for listening to this week's Musiak Music mid-druck. I hope you have enjoyed. The music of the spezie feels like a special time to enjoyed, but I mean, who don't know how? I look forward to exploring more aspects of the music's journey in the upcoming episodes, which can all be found on Spotify and Pottie Mode. So until next time, let the music continue to be your most trusted lead series. Do you want to hear good music and good music in the real world? Can you find music local, right under the night club Musee in the little king's garden in the København?