Musik mit drug
Dj Peter Visti inviterer gæster ind til en åben snak om kærligheden til musik og hvordan man bruger og nyder musikken i museo local podcasten.
musik mit drug.
Ny episode hver mandag kl 08.00
Musik mit drug
#18 Trentemøller
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En åben snak med producer Anders Trentemøller om hans passion for musik
Musical Journey With Anders Trennemöller
Speaker 2Music . Welcome to the Museo Locale Podcast . My name is Peter Visti and I have been a musician for my entire life and I have lived my entire life of music in one or the other way . I am a musician and I have been very young . I have been sleeping with my headphones on and listening to music during my entire night sleep , something I actually still practice . Music is my passion , my drive , my mood and daily forms . And what changes music ? Music has a unique ability to move emotions and connect people in different cultures . My goal is to find out how different people experience love for music and how it varies their lives . What is the purpose of the new guest ? To talk about their relationship to music and how they live and influence music , insect inspiration and , hopefully , some fun and exciting surprises . Welcome to Museo Locale Podcast Music , my drive . And welcome to Anders Trennemöller , tejsker Ray .
Speaker 1You say welcome to we are sitting in your studio . It actually makes me happy .
Speaker 2I am happy for you to be here .
Speaker 1Of course it is always nice to have a music studio . It is my great passion .
Speaker 2And to live the way for the Tejsker . Our journey has been going on for 20 years . I remember it better than you .
Speaker 1I remember a remix . It is a bit late .
Speaker 2We met the first time you played with Thorsten and them playing bandside in Riedehus in the overhouse .
Speaker 1I can't remember that . Yes , I can .
Speaker 2We played a Danish music . It was a CD for electronic music in the outhouse in 2003 .
Speaker 1In my stools . I remember it in Miami .
Speaker 2We played with . Røggetid and me with . All Night . I don't know what it was . You are a bit shy .
Speaker 1Yes , I can't remember that . It was a bit blurry . I was sitting at home playing music . Suddenly I was attracted to some things . I was signed to a German company called Pokerflat . It was very electronic . I gave out some EP's . I made my debut album . It was very electronic . I remember that time it was cool to make something that wasn't only Danish music . I had so many other ideas that I didn't want to be shy . I got the opportunity to make a studio album with some EP's .
Speaker 2I could show you some other things .
Speaker 1It was a bit different . It was melodic and not so club-oriented . It was 18 years ago . It made me feel that my music was playing . I had friends in Copenhagen and Snedik . It was my first studio album . I had some songs that I had missed . It was six years ago . I had some songs that I had not played before . I couldn't play them when I was out , I was on my way there , it was not there .
Speaker 2It was not there .
Speaker 1I remember that the number was taken up . It was a quiet number . I was very proud of the number I made in the night . It was a melancholy , but a fine melody . I was happy that the number was taken up to the moment .
Speaker 2It was a moon that was made in the other remix .
Speaker 1It was fun . It was a simple number . It had a melancholy sound that I still remember . It was played in a different version . It was still a number . People have memories of it . There are great feelings in the whole world .
Speaker 2I remember that we were used to the first things you made . That was the first thing you made .
Speaker 1We had to use it as a DJ . When it came out it was on . Was it MySpace ? It was on Facebook at the beginning .
Speaker 2It was on Facebook in 2006 .
Speaker 1It was on Facebook at the beginning .
Speaker 2I think it was MySpace .
Speaker 1I got a lot of hate comments . When it came out I was like what the hell is this ?
Speaker 2We don't have time to talk .
Speaker 1I'm actually sad because I hadn't seen myself as a artist .
Speaker 2One song and then two .
Speaker 1I hadn't seen myself as a club artist .
Speaker 2It's a song I'm very fond of . Today . I'm also fond of it . We play .
Speaker 1Mischo , we play Tick Min Toe . Skin Månen is a different version . We play live . It's a record that has filled me . I remember making something with it . I remember making something with it . I remember making something with it . I remember making something with it On 1 course .
Speaker 2I'd seen a lot of botanical dramas about you .
Speaker 1We played drums in the old .
Speaker 1Radeahusen , the old Martin Rosbøl , who was a journalist who had a lot of influence in electronic music but also in underground music . We were invited to play drums in the old Celeste , a little tango instrument that was used by the symphonists , and I sat there all night and played some guitars . At that time I was wondering if there was a live instrument that I could always play because I was coming from the background and playing bass . It came back to me that God had a lot of good red thread from the old record to where I am now .
Speaker 2You hear it clearly that it's finally a pozi . Now I'm going to play autop . There's more vocal now .
Speaker 1Yes , of course More finished singing .
Speaker 2But I was waiting for a half-six in the morning . The grids .
Speaker 1No , no , no . It was fantastic With that daydream Like a daydream .
Speaker 2Thank you . What is it about ?
Speaker 1It's about the number that was written quite fast , the number where I quickly come up with themes and melodies .
Speaker 2Where .
Speaker 1I keep something intuitive , something spontaneous in a way , and then it's easy for me to work with . So I always write the melody first and the chords and everything , and then I also started writing the sixes . So , I wrote the sixes for that number .
Speaker 2That's why .
Speaker 1It's just a daydream for me About being in a relationship and sometimes you want to . Sometimes it just goes up in practice and the kids we have a son and stuff . But it's about going back to the past , how it was to be new and loved , and just dream away and throw away everything . And that's not because I've had it for a long time , it's just because it's different .
Speaker 1But for me it's quite exciting to go back to the basic feelings I don't know if I can say back , because there are just feelings that are in me as a person , I think , for some reason . And then the music is just for me a very cool , bright and very cool output to visit the feelings , because time can go up in a very practical way . So I love to be there and to sit with the music . And then I just went in , I just fought a lot with text .
Speaker 1Because , I didn't expect to write texts . I had some ideas . It was quite scary Because it was the first sheet where I tried to cast me out and write texts . And then I was really out of my comfort zone Because what I have made has been sound and production and composing . I wrote the song and put the texts . It was so nice . I wish about it Because I thought maybe I should try , because I had some ideas Like next level .
Speaker 1Yes , and I worked with some fantastic artists and other artists on my plate and it was really big , but sometimes I wanted to . If the texts now had , maybe I should be thinking about it . Sometimes I can like to write texts open and I can put your story in there . I like the ones in the frame , but there are also . I like to be , I like to be classed to that you can .
Speaker 2Find your own thoughts and that's why I live in Morse . It's around 6 . And then I wonder what the texts , or the texts or the music that made it , because I live up with a feeling that you have been away from each other , you have come back and you have had each other In the meantime , and that's what I like . I have to go back and hear it once . To be sure what the texts were .
Speaker 1It was a pretty cool experience , but it's what it's about . It's what it's about . Music can be different . I have always been moved by music . I have never heard the first texts ever .
Speaker 2The music has never been changed , and it's also because I have never registered . I have never , so you haven't noticed . The mood has done something really good .
Speaker 1Yes , it hasn't , and in that way I can open the music and it's a scene For the whole number yes , 100% . And then I start to write texts , quite a lot with my scenes . I think it's fantastic If the music can hang together and raise the number .
Speaker 2Higher .
Speaker 1But it's still music and it's the one that's breaking me first , and where does it start ?
Speaker 2Did you grow up with music at home or did you get up there ? Yes , I was there for three years .
Speaker 1I was a potter and a telephone booth To the drum set . I played to what was on the radio . I bought my parents a piano . I was four years old . That was completely finished . But I sat there for hours and hours and I had a lot of music .
Speaker 2Yes , because I had a hearing .
Speaker 1If there was a pop number on the radio , I could actually play the number . If I heard it , sometimes I could play the number on the piano . So I sat down . I actually don't know what it was like to be on a show , but it was just live . It was really fun . I could sit in a team . My parents told me that if we had been on vacation I would have remembered myself . Then I would have been out on a trip and then I would come home and I would turn on one of the doors , not with a light , but with a light to the piano , and then I would play for like three or four hours to get those experiences out . I remember that I had influences and sometimes I felt like I was playing in a hurry . It sounded wild , but it was just a channel .
Speaker 1I was just talking to myself and I was just playing a little , and it wasn't something that , as a child , you don't think about whether it's good for you or whether I should do this . It was just fun . It was just fun . And then my parents came to support me . They didn't play any instruments themselves , so they just played a few things like a cymbal and a gassolin .
Speaker 2It's like we all grew up together .
Speaker 1Exactly , but they actually bought drum sets for me there . I was like seven or eight years old and they had sleep habits right when I was in my world and I started playing drums . Around seven in the morning there was something called the Sunday Quiz . I remember I loved the theme melody that was for it and I just went with it . It started around seven in the morning and then I remember sitting and playing drums until it was a Sunday morning there .
Speaker 2Fantastic , fantastic . I myself had drum sets in the same way in the same way or around the confirmation or sitting and playing drums .
Speaker 1And it gives me a feeling . I don't play drums anymore , but it gives me a sense of rhythm . I think I have a feeling . But it was very clear that I was involved in the melody . And then I started quite early where the Borg Music School had a fantastic teacher , henry Christensen . David Davit , there is a guy who is burning for you in a lake right . Yes , he has to get up to .
Speaker 2I give some advice to get on with it .
Speaker 1Exactly , and he didn't have any collaboration with me . He had a collaboration where we played together on the stage and there was a lot of tunamers playing in Cashmere and one called .
Speaker 1Søren Kock , who also played with Peter Bellig and so on . But there were quite a lot of us in that position who later came to work on music . There was also a guy called Thomas who also plays classical
Musical Journey and School Performances
Speaker 1guitar . Now it was quite a wild thing . It was just one transition to that little position in Votingborg and we all were completely taken away by the music . We had it in the foreway , the passion , but he was good at shooting on the head and again it made it to a stage and we didn't have to learn anything . No , we Well , it was a lot of the guitar chords and that's what we did .
Speaker 1But we got permission to remember something more , to turn on the lights , and then we played instruments and then I played bass , and then we got permission to play the guitar and some played and there was better guitar playing and then suddenly I suddenly thought , and then we were out playing with that band and I remember we were in the right music studio . That was also wild .
Speaker 2Wow , that was cool .
Speaker 1I was so nervous , you remember we played , it was coming number . It was a 20-year-old number we were supposed to play . We had a little keyboard solo and it went crazy . I actually had a feeling at home . I didn't have a keyboard myself , but I played it on the piano .
Speaker 2But when we were supposed to , pick up the red button and play the solo .
Speaker 1I was nervous , but just that I was standing with a cassette tape behind me and that's what I found out . Okay , that's pretty cool . It really is . It can be anything .
Speaker 2I had to experience it in the same way . It's also that we had someone who played a lot of other things today also and made everything for Johnny Madsen and Lars Lillehold and things like that and had a studio with us where we played our young band and things like that and guided us , and we also had a teacher at the school . We had played together and it was just , it was the only thing you could do . It couldn't be after school , it could be enough .
Speaker 1No , no , no , I had it in the same way and I can remember what was so wild when I was it was actually the fifth grade . What was the fifth grade ? On that little school I went to in Nyråd , the little town outside of Votingborg . They were supposed to do school media and I was mega-genius as a child and I was very much involved and I think that's one of the reasons , you know . I had a lot of music as my room and go in , so I was pretty generous and I didn't go out and I couldn't overdo it . I was supposed to stand on a stage and shit man and remember .
Speaker 1I had to do some dialogue , so I got a sportsman class teacher because we were supposed to do the Aula Frysnapper and I made music for that lecture . But then I asked could I perhaps promise to make some new music for it ?
Speaker 2because I thought I just do that , because then I just let it go and I said we can try that .
Speaker 1Do you think you can do it ? He was a little skeptical about it , but then I actually made new melodies for the teachers and then I fell super soft because they were actually quite catchy . And then I remember when we were like , when we were supposed to perform it for all the parents , I just played the piano and the marimba and then the other students got a bouquet of flowers and I was like what , I'm happy because I was just sitting down and playing . But then it was like , can you ?
Speaker 2pay for the cut .
Speaker 1Yes , I would
Musical Journey and Self-Discovery
Speaker 1like that . But then it was more for me that , wow , I got seen , you know , and they thought about me that it was also a sight that I had made music for or something . I had mostly seen it as a thing to be able to come to the stage . So it was quite the rush in a way , and the teachers also clapped at me . And then there's something .
Speaker 2I'm good at in a way . So it's there . You're up there maybe and get a little self-sufficiency it's actually just that .
Speaker 1I think that's more . It actually happened before I started in the music school there , so it was quite clear a nod to the point in my life where I just thought , oh okay , that's actually pretty cool and I think it was actually fun to make that music and it felt so nice and it was fantastic .
Speaker 2It's a pretty fine story because it's very , very smug and it's also because , as you say , that you're afraid of being a little bit back-handed or nervous and starting a little bit of a exciting situation .
Speaker 1I remember my parents . They just came with a video camera or they just wanted to make a movie . They really didn't want to make a movie , but I was very I mean , I was very excited about it . I just didn't want to have it filmed . It was not up to date . I don't know what it was .
Speaker 2I think I got stressed over it but it's that red-climbing thing , or maybe there's something else .
Speaker 1I don't know , I haven't heard it . I can actually remember one of the melodic stages . It's so deep in my head but it's actually called the morning in the morning .
Speaker 2Yes , exactly , and how do you get into it ? And then you go on to play the bands after all these school works , or what else do you do ?
Speaker 1Yes , we play with , we make a major mass , we play in the cashmere , there in the mass of Tunebjerg , we make a band that has the cool name Quadratic Picnic which we don't have to have any fun names with .
Speaker 1It's twelve years or something and then the next thing I really think about is that I just want the rest of my life . We actually make our own songs . We have four in the band bass , guitar , drums and my book but we don't have any songs , so it's instrumental music . And then we come to a young music festival called Varme Rohre , which is from Nykøbenfaldström , which is for us , that time , the shit .
Speaker 2So it's a responsibility to play on orange or on pink .
Speaker 1And then we simply get a promise because they hear we send a demo-band into it and then we get a promise to end it with a song on the last slot , which is around eleven or seven times more like , and then we went over to it so much and then I just stood there standing on stage and playing . You play both for the audience but also for many of the other bands that have been on it , Because it's a lot of young bands from both music schools and after school and also just the young ones who make their own bands . Yes , and I remember standing there and smelling it . It was the first time I thought about the smell of a vacuum cleaner and it was just great .
Speaker 2And I remember standing there and there was someone who was making light on us .
Speaker 1So after that I really started to . I haven't played music and it feels really good , but then I wanted to be a musician . That's what I wanted to be .
Speaker 2Yes .
Speaker 1And then short to a few years when we were playing with it and I met some people . Then I finished with the gymnasium . There was a whole blue wall where we also took some unknown blues numbers and then we actually got jobs in the so-called Red Hood crown which is now called Mojo , which is actually hardcore blues . Blue Sted was called Mitchell and played in the band Sandman . He's so dead now but he looks at it and thinks we're pretty brave . So he also started to look around Denmark for us where we play all kinds of strange places when we take around Because we play blues . We play some Morty Waters , some Johnny Hooker things and some more unknown things . And a little bit after that there was some Gary Moore . It couldn't be more clear . No , we wanted a sort of old cool blues that wasn't always just 4-4 . But it was a bit weird . So it really taught me a lot to sit in a high-pitched and just play in the band .
Speaker 2You get tired of it . You don't do that , you learn so much .
Speaker 1It's hard to work in . You get tired of it and you have to be out and play , and when you're done you have to park down again and then you have to go out and play and then you have to go out and drink .
Speaker 2It was mega fun .
Speaker 1It was a bit of a dream at that time . Yeah , that's it . But then I found out that blues music isn't that way . I like it , but it's not that I'm burning , I'm burning completely . And then Britpop just started coming , and then we made a band together with Søren Kog , who sang and played guitar in the band called Flow . We actually got a deal on Virgin Records where we released our first album . So that's something . I came in and sat on the Virgin contours and we were very much on blues . It was a bit of an OS-like start . We were a bit on blues , the more Beatles-like vibe in a way . I don't remember the original number we made , but we're allowed to make one album there . So I went out and banded . I remember I was inspired by Manchester scene with Happy Mondays and Stone Roses .
Speaker 2And .
Speaker 1Happy Mondays , who also wrote break beats in their music . I think it's pretty cool to mix rock things with something electronic in a way , and they're a bit different . They do an R-Ride Sampler etc . It doesn't work . No , it doesn't . I went out and banded . They get a flat contact on the number 2 sheet . It's in Tamarind Studios in Sweden , but I can feel it doesn't work If I think it's that way .
Speaker 2There's something else .
Speaker 1And then I think why should I use the sample and just use it myself ? I'm tired of standing in a studio . No , I'm standing in the practice room . We practice so much , Five times a week almost , and then the drum teachers forget the roundabout .
Speaker 2And then they sing nice , play bass and sing wrong . We don't take it seriously . We take it seriously , we don't take it seriously .
Speaker 1I think it was exciting to be able to make my own music on an old computer . It was a machine . I remember it was a max . But to be able to program drums and play all the instruments myself was fantastic . It was a bit like electronic music . I remember Porteset and Prodigy . I was in England at a studio tour . It was still in the gymnasium . I was down there listening to a sheet music . I heard Porteset , the first sheet . I thought it was so cool Because it was a bit like electronic music with the sample drum . It had a really good melody . It was really cool Melodically . It was super strong . And then there was Prodigy , who was also cool . It was more power and it was a cool energy thing and it mixed really well . But in a way it was like wow , they are cool .
Speaker 2It was more artistic . Maybe it was a trip-hop thing .
Speaker 1It was just me , because it had a melancholy feel .
Speaker 2I always liked melancholy music .
Speaker 1You are sitting in a leather chair . I'm sitting in a jolly-wissens . It's an old man .
Speaker 2It's an old man in a black coat .
Speaker 1It's a black coat . I thought so , yes , but then it is . You can't let go of it .
Speaker 2It's the most important part . It's fun because you are a very , very what is it called Smiling ?
Speaker 1and happy people . Yes , it's pretty fun , because when I do foreign interviews , if there is a new sheet , then there are some people behind the station . We had the idea that you were a bit connected , but I have always seen it like this , because I have the music and I have the ventile that we are talking about , so I also have an output , for the more it's a heavy feeling , but after thinking about it and I'm not afraid to go into the layers , both through my music but in the whole sense there can be something beautiful to open up for that seat in itself A lot . I always had that . I remember when the school was a bit messy . Then there was something like you have to be so cool .
Speaker 1Outside , there is the same with other outside
Musical Journey and Competition
Speaker 1.
Speaker 2That's how it works . You find it in your own way .
Speaker 1Yes , but it was also the way I started to do the tracks . There was also a street running around the corner , or it wasn't good for football .
Speaker 1I was just sitting there waiting for the ball to come out . So I think I get some feelings about my music Because it's so intuitive and tender for me . I could also paint or do something else . It's not good for singing , I can't do that , and then you have to check it out and then it gets a bit late . But it's not the same for me . It's not the same little output as it is for me to write music . It just depends on the way I'm writing . I have things that blew into it so I can't really do anything about it .
Speaker 2Yes , but it's your output . There's no difference . It's the way you come in with things .
Speaker 1It's not like that .
Speaker 2Especially if you've had , like many others in the youth , that you've been a little bit shy , like you say , to start with a little ball . It was a bit of a shame to start with a little ball . It was a shame .
Speaker 1It made me feel like I didn't get my sister's permission . If I had an ISE , I could go and order it , because I can't get over it .
Speaker 1I'm standing there . I was really embarrassed . And then I had , of course , a telepathic go that made it . It was in the 90s . I was born in 1982 . He was born in 1989 . He wasn't a telepathic go , he had some time to think about it . He was a telepathic go at the school and I remember he said he came down to the classroom and told the others here is Anders . I mean , they know me , of course , but Anders went to the telepathic go . I just wanted to know if he was a stoner or if he noticed . So every time you say something else , you have to be a telepathic go and keep your eyes on the stomach and then the others got angry .
Speaker 1It was a telepathic go and it was the dumbest thing .
Speaker 2It was almost the worst you could do it was because I was more special and unique .
Speaker 1I was really embarrassed . I wasn't good at answering again and such . There was a bit of a back-up in that way .
Speaker 2It was a trauma at some point . But it has also become true that he did it , and it was .
Speaker 1And it was fun . I can notice when I have to do interviews in English . I start again . And it's enough , because there is something in the language I can press in a way , and it can also come if I'm tired and stressed . So it also comes in some places a little bit , but in a slightly different way . That was a hand-fight once , I can say in a certain way , but in that I could also feel it . It came in waves . I didn't always get it because it was a psychosomatic thing .
Speaker 1It could also come with tiredness and some things , but I was sure it did it better that the child was also super rough .
Speaker 2But it was so hard to keep up .
Speaker 1In the school district . It was just hard .
Speaker 2And then you have it with you for the children .
Speaker 1Yes , but I think it's pretty wild . I have actually thought about it . I have thought about it . Now my sons are 5 years old , but he has to start in the school and I hope to not give up . I know that the opening is still a big thing and now it's also been pushed over to the social media and stuff .
Speaker 2Exactly .
Speaker 1Exactly . It's even more outside the parents' home and it's also difficult to get them up for it . It's just that it's in the children's nature to compete and to be out of the frame . It's difficult , but I can try to give them some value , to say that it shouldn't be fit and be up .
Speaker 2I think it's better in the school than in the school . It's completely different now and then .
Speaker 1It was not that there was anyone who was talking about it .
Speaker 2There was really no tolerance for that kind of thing , but I have always had that when they have had a big and small child . And now they finally gave birth and then they turned to school , and then they went to school , and then they went to the big classes , and then they went to the gym and they were too old for me it's a new thing .
Speaker 1I also got an introduction to the competition , because it's really serious . There can be something happening . I'm getting stuck in the loop . And also just small things . I have it well in the back room . I have it so all the time . It's really good . But there is , of course , that competition that has put a new layer and I have heard people talk about it . I have also been late . I have always had so much respect for the answer .
Speaker 2It's a real answer . It's the biggest answer that fans have .
Speaker 1It's your life's way . Of my musical sense , I have also waited for my child to be born . We have been together for a while , but both because I had a good time in music and we toured a lot , but also more than that , I tried to be a little bit scared . But then I will say that I am really happy for you now .
Speaker 2It's the most impressive and awesome thing , but it's one big competition .
Speaker 1It's coming back to me that it's so much . I can't imagine when he would start to go out first time . Alcohol , and no , I will get it back , I will get it back .
Speaker 2I take it with me there has been a hell of a nightclub .
Speaker 1So I stand and can hold my eyes .
Speaker 2I am not the one who knows all the parents of the children .
Speaker 1I have seen them before . It's not over yet .
Speaker 2It's going fast . Do you pray with music ? What do you say ? Do you pray with music ? Do you pray with music ? Both with music and music .
Speaker 1I think it's important to come to him , even if he doesn't want to . He is super interested in music . He is really interested in music . He has been sitting with his phone . He still knows how to get into a spotfire playlist . His number is called the Gloming . It's one of my latest plays . It's not something I know .
Speaker 2I don't know if you hear it .
Speaker 1I try to give him some old Bamsa Killing .
Speaker 2He loves the number .
Speaker 1He is really interested in music , the Gloming . It's really fun . He doesn't know me . He has a lot of rhythm . He starts with a number . I have had him in the studio . He has played drums . It's a really good thing . I hit something . He stood here and put the microphone up . He put the label on his voice . At the beginning he was scared .
Speaker 2He heard his voice . I think it's really fun .
Speaker 1I don't think it's that good when I sit in the studio all day . When I come home , I don't hear it . There is a lot of music . I'm sitting there , I hear a lot of talk . I sit with music all day . We hear music . I have heard a lot of things . I have a lot of music with a Swings , jazz , jan Johansson . He is fantastic . He is a great musician . I hear him when I come home . He can feel it .
Speaker 2He will surely pray . He will surely pray . He will surely pray , he will surely pray , he will surely pray .
Speaker 1I have a lot of music , a lot of music my life . I have a little home studio .
Speaker 2The killer where he also does the tidigun . Fantastic , you are standing over a big tournament . Yes , you have been at many world tournaments , both solo . You have a big and big idea . It would be for me To warm up . It suits me , it was a wild thing .
Speaker 1We were supposed to be on tour again , is it true ? It is a bit embarrassing . We got a whole week tour In Madison Square Garden , but it was just so many jobs , so I said no , even my old idol or me , you are a bit different . It was really hard .
Speaker 2First we went to some jobs and then it was fine .
Speaker 1It was a good thing . It was fine . 20 jobs I think it was a lot Mexico and USA , but then there were even more jobs . I could just see with my son , my girlfriend and my son , the architect , who is really tired , how she would do it . I would be away from him for 3-4 months .
Speaker 2There was no way to go home there were only 3 days , I could be home one day .
Speaker 1It was hard and then we did it . I knew it was a big machinery , it was fantastic , but then I could see it would be too many jobs . We tried to hear their managers . If we could play half of the jobs , it was a bit sad . I don't think it was a good thing .
Speaker 2I said no , and then we tried to go back there was a square garden .
Speaker 1I just wanted to play . It was so fun to play . We got a message from Martin Gore . He was really angry . I talked a lot more about it when we played the last tour . I was shocked but the manager said it was both my American book . There was more him . He is so close to the manager but I think he is also 4 years old .
Speaker 2He was supposed to live in Ambrice .
Speaker 1It was a bit sad . It was very sad . It could have been cool . We were so far away . It was so difficult . My guitarist and my bassist they were just getting better . I had to find a place Both on bass and guitar . Our singer Could not get any jobs . She lived in Iceland and went to some exams . She would read to the cyclists .
Speaker 2They just wanted to be there were too many no-go's , it was a big experience .
Speaker 1I remember playing in Berlin the huge stage . We were so lucky . People were really good at our music . I was excited Everyone was coming . It was a big warm up . It was really good feedback . People were really on . It was a bit funny . We did not have to play so high , we only played 98dB . We did not have to use light . It is a big band . We only had a big band . We just had to play overshadow .
Speaker 2We just had to play overshadow .
Speaker 1Exactly . It was great to see how many great hits they made how they made the audience . Martin Gård has written the most popular songs . What we gave him is a fantastic showman that must be seen . The stage was always there Every time there are so many classics . We stood and saw the concert . We were so excited . It was fantastic to see the number I grew up with . It was a great experience .
Speaker 2How different is it now that you have to be there ? I think there must be more pressure . When it is there yourself , when it is the passion mode , I think there is a state that is filled . But to fly to the USA , I am sure there are more than 1000 people you have to sell all the tickets . How is it ? It ?
Speaker 1is a pressure . Sometimes it is hard . We had a lot of people after Corona . It was hard . People went less People bought tickets . We had jobs in Italy . They were closed . In Denmark we had been in a European tour . I remember people were standing with masks . It was only half filled . They were coming from . There were hundreds of people . They died .
Speaker 2Yes , In Italy there were special trains . It was really slow to buy tickets .
Speaker 1It really was good . The same with the USA . It was hard . We had always been healthy , we could make games , we were out and over , but this time it was only half filled . We didn't know that it was with all the artists , but you were a big pop idol , it was just like that . It was a bit up and down . We had a lot of people . We had a tour . It was really close . It was open . We came back . We made our second part of the tour . We started to close in Europe . Then people came again . Now we have . It was still a tour . There were not many people . There were people . Before we hadn't played for five years . I thought have I lost it now ? No , no , our book was really cool . Many artists have done it together . Who is it now ? People should come back to the game . I can see that the new one sold really well . I think we are old now .
Speaker 1It is a press , it is a band . It is my own music , it is me playing .
Speaker 2I do interviews .
Speaker 1We have a show after a while . That way I feel more pressure . It is also nice . It is a part of the game . After a tour I have a year or two to do the next album . It is a fast rhythm . I just play . I love it . It is really fun . I am not a pitchmode . I know the name .
Speaker 2It has a fantastic opportunity .
Speaker 1It has a great catering . It is a long tour . I have played it for half a year . They have been at home for three weeks , but it is still With a private jet . Some things are still . You are on stage Playing together .
Speaker 2I love it .
Speaker 1I could take a break One year or two and play it , because both parts are important . I am also a bit sensual . I am sitting here alone in the studio , so it is nice to come out and play .
Speaker 2Exactly . You are quite . You have to say that I am wrong . I am not wrong , no , but that's how I think
Remixing Music Industry Insights
Speaker 2. I remember that we're going back to the old night in 2009, . I was on a stage in Belgium called Eskimo , where Casper Björke was , and then we went out with this song and said who should I remix it with ? And then it was Henrik Schwartz who would do it . What about the trendy music ? I said it could be super cool if he did it .
Speaker 1So I said you can't get on . You can't get on . It's all too much .
Speaker 2It's not what you do already in 2009 . And then we play out in Köepvin . I play with Kelt , I think , the one where you're just out there , and then I've heard this song and you get to see it more .
Speaker 1I would like to say that it's what Casper Björke likes . It's not about the record label .
Speaker 2It's more about artists .
Speaker 1You get to see it , but I've actually done quite a lot of it .
Speaker 2It's a total sight for someone who's lying down so far down here compared to you .
Speaker 1It means a lot to me .
Speaker 2It's fantastic that you're here to to get rid of my music because he's down on the record . I think Anders would really like to say Hello , kelt , I'm proud to be here . I've actually done it with artists .
Speaker 1I've made a trick remix for two or three years ago because he's the one who's been doing a remix I loved his stuff I'm telling you about Porta , Set and Tripop and it was a great number he had done , but instead of me we were sitting here , we were going to run through the record label and the manager said I need to get the money for it so we could maybe just do something about it and then I made a number for him because I was a single .
Speaker 1That came out because I had the opportunity for it . I can enjoy it with some time and it was also because of your number .
Speaker 2I think it was great there was a great sampling of old gospel music .
Speaker 1Yes , and if you can see the music , that's great . Why not do it ? I've always remixed some big names , but also the unknown names , and for me it's actually good and it opens up some doors to remix a big name . But the most important thing for me is a great number . I actually had a remix of the Pitch Mode and it was called Wrong because I honestly don't think the number was super strong , and it was one of the only times when I thought maybe it's actually a no , because I've always had the rule for myself that it should feel real . But then I immediately felt that there was something I could use to wait for my own sound , but I was sure about doing it . But I also sang the same thing with my label and said no , you have to do it .
Speaker 2It's a Pitch Mode . You said no at the first time , or what ?
Speaker 1Yes , but I actually asked if I could get another number , but it was a single and it was like that . But I just know that for me , if I have to , when I have a remix , it's not just about new drums . I can also do it in a certain way , if there's a melody , and then make some new chords and then make it completely , just say the next convocation and then maybe a little theme .
Speaker 2And if you have made some watery , watery remixes , I think , like Røyxop is still not the day today full-size watery . Yes , it's also glad that you've played French 40's in the last few remixes .
Speaker 1Yes , I was actually a Grammy nomination for that .
Speaker 2That time I was quite wild .
Speaker 1Did you go there ? No , because I knew . I mean , I knew I had . I must have really understood what that Grammy was .
Speaker 2It's never really heard of no , no , I was so much with the other world that time .
Speaker 1And then , simply , you became a Grammy nomination in the USA and I was like , oh , that was cool . I thought it was a party like I don't know , it was Røyxop . And then I won . I swear to God , but it was just . It was , of course , a super-flexible gift and I was happy for it . It was not that much , but it was just . I was just another place , I think , and I was again through my music world and so on , right .
Speaker 1But I also found out when I made remixes . I really use it a lot , I use it as long as I do my own songs and therefore I actually , a little after the French 40's and a few years later , I said no to really really much myself , big , and also to myself . I think it was cool because I think it took I mean , it took me so long to work with my own number . I think that's where the impression is the most right .
Speaker 2Yes , that's why I'm good . And you actually use it as an idea from a song to yourself . Can you say to another background , right ? Yes , but it's what he's saying .
Speaker 1And now , I have things . If there's been a remix , oh fuck . If I just mute the vocal here , then it's a cool new name because I've obviously made a melody line in the local but now it still makes it a simple start .
Speaker 1If there's something I really think is cool , right , and then I sometimes do it for free , or I made it for some , a cool band called Place to Burry Strangers , which I really like , and they asked me and they make some fantastic guitar pedals . Oliver is a musician and guitarist and I asked him instead of getting some money , because I know you don't have any money so . I just stick with three cool pedals and I was like , how cool is this ?
Speaker 2I don't want to do that I don't want to do that . I think it's a really cool relationship to the whole thing because you have to be there .
Speaker 1But that's the music .
Speaker 2That's why I've always been there right , I think today , when I'm about to book something for the club . And you've been there , you've been there and come down and play , and you've also been in a single fire or just been in and out and you can't tell which people are thinking what the hell is going on .
Speaker 1I can remember there was a pub and you'd say is it ?
Speaker 2any different . It's not that different . I've been in this little bar where there are 50 people but if we're to book a young artist , I can't call myself , even though I know someone who's out there . If I call myself , you have to talk to a manager . You have to play three acoustic songs on the terrace . It costs 100.000 . It's where it's stuck a little bit .
Speaker 1I don't know about that but it's where it's stuck a little bit . And it's also where it's stuck a little bit because it can also be hard . But come on , I'll just play a little bit and I'll be free . I also have the feeling that there's no money for it , but it can also be , on which Now I can see the entire indie scene , for example , and Jazz scene , because Jacob , who I'm part of , is a studio mate who we're sitting in now . He is a fantastic piece of jazz drummer and they're really good at helping each other playing on each other's boards , and the same is with indie rock . I think in Copenhagen there are really I mean , people help each other you know , and now I'm just a part of the electronic scene more .
Speaker 1But I had a little , I think , that time when I was I had a little leg in it . I think we were so good maybe .
Speaker 2It was really bad for them .
Speaker 1Yes , it was very competitive .
Speaker 2Especially that period from 2003 to yes , I have to say , 10 years from a certain point where I looked a lot at Noe with Prince Thomas and Tartaria and they were helping each other helping each other on their own and at home .
Speaker 1it was one's own fight , yes , and it was a lot . And then you were what was it called ? Resident on one club and then you couldn't , you couldn't play anywhere else . I mean , I don't know , it's probably different now , but I could just say , on indie scene has there always been a different openness Also because that was the way you overlaid , I think , and it has the same amount of money . In that genre . I can also see what I'm doing now . I could probably pay a lot more if I made some music that was in a different way . But I'm just doing what I want to and it's just that there's not the same amount of money that we get to help each other , and then it just doesn't get better .
Speaker 1No , no , it's just that there's also something creative , that there's just a cool vibe at it , sometimes if it's something you do or don't want to do because of the money . But of course , if there's a great festival that says , would you like to play there ? And maybe some of the others don't play my style , so I'm really happy because it's good money . It gives me some freedom and stuff . We don't have the big art , no exactly . They also have houses here and kids that need to be able to live .
Speaker 2It's also one of their lifestyles . I think it's okay . It's okay , anders . What's going on with Anders Trenlemøller in the future ?
Speaker 1Right now , as I've actually just sent my record to Mastering in New York a hip-hop group called Hibaketry , which is a fantastic mastering woman who has made Slowdiver Björk and Afex Twin and stuff . She's really talented . Who just puts her last hand ? Mastering is the last step before the record is pushed , so I've mixed it up and produced it , but she gets too close to me that there's something with the bottom that needs to be trimmed up and the top is a bit too hard .
Speaker 1So this is a bit of a shame , because I'm working on it Actually one of the hardest records I've made because we finished with the last tour in November . We played at Iceland , where our last job was , and I started working on the record while we were still on tour , when we were at home again . But I was super inspired in that way because it was just through the hole , so it came out as the fastest record ever because it was just nearly gone . I think it was the second record , I think it was .
Speaker 2No , it was the second , it was the second year , or the 23rd or something .
Speaker 1Yes , it was the 22nd year , but the record says it goes on for about three years before the next record is released . So this time , or I've released it now I'm thinking about the music video and all that . I think it's a bit boring . I just want to make music and I've already released it . I've released it yesterday and I'll release it tomorrow with a new record for the next record . Oh fantastic . Yes , I've just been sitting around with this so much so I've always been on my way to make something new .
Speaker 2And have you made your style ? I remember in the old days you sat mostly at night watching the day . Now you have children . How does it work ?
Speaker 1every day now . It's completely different now , but it was actually also before I got the child . I've been more and more morning people in that way so I sit over there . I asked if we could meet at 9 or 9 , or whatever .
Speaker 2Yes , that's true .
Speaker 1It's because I have something to see with myself , but I've been sitting here for about half an hour already and then I've got my child and we're talking about the shift . When I talk about it , I talk about it around 8 or 9 , I'm not even before 9 , but I can enjoy it . I'm actually the most fresh , maybe in my old days . Do you think that's why you're so excited about the record ?
Speaker 2Yes , it can be good , but I'm more focused maybe .
Speaker 1I found out that I have it here at 3 , so I have this window and then I can't . I mean then I can't get any more , because then I have to get my son , and it's actually been pretty good for my creative process , I think . I've also been sitting there at night just driving out there . But I also do it sometimes , I promise you that , but it's mostly there . I mean after 12 or so , I think it's 30 .
Speaker 2So I'm the best here in the morning you know , yes , but I started going at 9 in the morning with the bed and then at 7 in the morning , but with my life I haven't done it all my life . It's fantastic , you have a whole other energy , I think .
Speaker 1And then I can also relax in the morning because there are no calls , no emails . I have to get up to the point now , and then I can sit there doing the business , control-like aftermiddling , just where I am 30 , head down , and so on .
Speaker 2And then it should be possible for Evid to make music right .
Speaker 1Yes , I think so , because it's If I get tired that day I have to stop . But I have almost gone . If there has been a real hard time on tour , I have been tired , and sometimes we have played around 11 to 12 , and then we have had a flight around 4 , because we were supposed to at least remember Istanbul , and then we had to play in Switzerland after a while and so on , and it's the hardest . Some of them , where it's really tight pressed , I thought , fuck , now I'm just in the studio and I don't want to tour anymore .
Speaker 2But then I miss coming out .
Speaker 1Yes , it's a bit of a mess . Yes , it's my big passion . I will always be with it .
Speaker 2I think so . No one has ever had a time where you were tired ? No , but I've had .
Speaker 1I had a really great Writers' Blog . I was really not able to get through it . It was really terrible and I have done that some time .
Musical Reflections and Reminiscences
Speaker 1I'm sure I'm coming over and I'm just making sounds just one and boring , but I'm a little bit of a challenge for me . I want to be better at playing other instruments , because when you have another instrument in your hand that you can't go to , then you have the same overview and that can actually be really cool the point is that it's a bit of a surprise because it's like with keyboard .
Speaker 1It's the same way I take chords on my ears that you've become good at yes , and then sometimes I can be completely lost by some of the lack of self-confidence . I have a lot of that in mind . But then I'm also lost . And then I get to know I think I've been lost for too long . It kills the love . It's a pretty good thing and I've been better at it . I've been better at it . People like me . I can still be lost . We get lost and say there's something in this idea and that's there , but sometimes it just needs to be lost . And then I do it . I'm losing it . So people ask me I've been sitting around for a long time and then I get so lost and I've tried everything and it won't work out for a year and it doesn't work out .
Speaker 2I've made music , I don't have anything to lose . I don't have a gift to give , because if I don't lose , it's just getting lost . It's only what I think is lost and the rest is just getting lost . Do you still make music ?
Speaker 1No , I don't , I think .
Speaker 2I have something that's where I could and I think that's a pretty cool recognition and say I have something with that you're doing pretty well . I think you're also very willing so you don't miss , you still have the passion for music you still have the passion , you still play , but you make music . I don't think I was so good at it .
Speaker 1I think it was good . You also made some cool edits and you also did that .
Speaker 2It felt pretty fun , but that Bruce Springsteen we didn't have anything to talk about , it was actually good I did it .
Speaker 1It was actually something I did because I played on the weekend with Thomas . We had the early slots . We didn't do so well , we just had a total party and that's what we did all the time . So we were just standing there warming up and then I can just go with Bruce . He's called Nebraska , he's a cassette player that I have in the studio and a lot of things are recorded on it . So it's very minimalistic . It's just his vocals and the guitar and that's it . And then there's a number called St Trooper , which I think was pretty cool . It could be fun . Maybe you could do something with it .
Speaker 1But it's not an instrument , it's not a rhythm so I was going to sit and play every time it was two in the evening , it was just something I did , or an afternoon something I did before we started the week . I was in the afternoon and then I was at 7-8pm or something like that , and then I thought you just had to go down to the show and play for Thomas . I was surprised we played in the evening and it turned out really well that we played it . And then there are some references he has used it a lot to the stage that I have been up to since Suicide , which I am completely wild with . There were some early pioneers in electronics . I have some kind of a punk electronic thing . There was Kraftwerk and Suicide for me .
Speaker 1Suicide is more of my style and he actually played the number . While Suicide played their game , oumbo , he played Studio 1 and then he played Studio 2 as a demo thing and then he heard I have a little Elvis where he roars and that's what he does on this number . I think it was pretty cool that there was a connection to Suicide that I like , and then there was just a number in a way . So I overstepped his vocal a little and put a big drum down under some keyboards and then it didn't happen anymore with that . And then there was one other thing . I don't know how it ended . I actually didn't know myself , but I gave it to some people .
Speaker 2I have also been so cold , and then there was this thing that was on YouTube and stuff .
Speaker 1I hadn't been allowed to do it . And then there were some years and then there was a mail from Bruce Springsteen's advocate and I thought , oh , that's a lawyer . When they had got news about this remix , because there was a French movie called the Russian Bone , a pretty fantastic movie which I would like to use a number in a pretty long scene it was actually three minutes long scene without dialogues , where they just use the number under a pretty wild scene , and it's one of those hundred slavs words I remember . And then Bruce Springsteen has never known anything like that . He has probably known a certain thing an edit or a remix but right with this , he's really happy about it as a single person and it's been a single person for the last time he's actually known that they can use it for this movie . So we would like to use it for this movie .
Speaker 2Is it good ?
Speaker 1I said yes so even if we can give it a try . No , he's not fresh about it . He's not fresh about whether the head is made of edits or other artists going in and , like you , might as well make a cover of a number but not his voice . That's what the politicians have to say , but I was just happy that we didn't get any say on the topic .
Speaker 2So it's simply that movie there .
Speaker 1It's not that movie but it's a pretty fantastic movie . The Russian Bone French movie really really cool movie . So I was also proud that it came along there , and it was actually a movie that I couldn't miss out on Some fantastic instructors also did so when I heard that it was that movie where I was like yes , it was nice .
Speaker 2And we weren't shocked , or I wasn't shocked . Fantastic story , I would just have it on the spot , but I really went out with it Otherwise , to the end . I have asked everyone when we die at some point , we will look at it closely .
Speaker 1But I still have hope .
Speaker 2I hope it's long-term . Do you want to be a ?
Speaker 1musician for your funeral . Yes , it's worth it .
Speaker 2I have a question about one number , If you want to know more Actually whether it's you who has to decide or the family who has to decide ?
Speaker 1Yes , but I still have a question about it . But there is a number that I think is incredibly beautiful . It's called Intodust . As a massive star , I have always thought if I have to choose one number for my funeral , then it has to be that number , because it's just the most beautiful number . It's an acceptance that we will be big and earth . It has both a melancholy atmosphere but also some ending , in a way in a very beautiful way , except that it gets too heavy on the head . I'm just a huge , massive star . I hope you'll like it .
Speaker 2It just wants to fit well , so it's a number all the time .
Speaker 1Yes , that's what we are ?
Musical Exploration and Inspiration
Speaker 1I don't really think so . I think it's scary . I also have some feelings that I have not had much as a living place . I'm still thinking damn , it's 80 years . Now it's closer to me when I'm afraid , I take my phone , my parents or my mother or something so in that way , I'm a little overconfident .
Speaker 2You don't think so . It's not that we hope to still live for a long time .
Speaker 1Intodust is also very beautiful . You can also be a massive star . Thank you for being with us . Thank you very much for a nice conversation . Thank you very much .
Speaker 2Thank you for joining us at this week's Music Local podcast , music Mit Druck . I hope you have enjoyed the music of the Trillene Universe and found inspiration for your own musical journey . If you would like to listen to today's guest list over the youth songs , you can find the list on the Music Local Spotify list on Spotify . I look forward to exploring more aspects of the future episodes that you can find on Spotify and Polymob . Until next time , let the music continue to be your most trusted lead series . If you want to listen to good music and good music in the real world , you can find Music Local right under the Nightclub Museum in the little king's garden in the København region .