#12 Lars Hjortshøj

En åben snak med  komiker & skuespiller Lars Hjortshøj om hans passion for musik .

Transcript

Passion for Music and Musical Influences

Speaker 2 0:03

Music . Welcome to the Museo Local podcast . My name is Peter Visti and I love music all my life and I have lived my whole life of music in one or the other way . I am a musician and I have been very young . Since I was a child , I have been on the phone and listened to music during my entire night sleep , something I still practice . Music is my passion , my drive . My mood and daily forms change music . Music has a unique ability to express feelings and connect people in different cultures . My goal is to find out how different people experience love for music and how it varies in their lives . What is the purpose of the new guest ? To talk about their relationship to music and how they live and influence music , insect inspiration and , hopefully , some fun and exciting surprises . Welcome to the Museo Local podcast . Music , my drive . Welcome to Lars Jortzhøi Many thanks , it is nice to see you , lars . In a way , we go back to the two of us .

Speaker 1 1:09

Too bad . It is more than ten years . It is another year thousand .

Speaker 2 1:14

It is completely different than thousand . We meet each other for 30 years . I think yes , it fits so much . We meet each other pretty well in the city and we are pretty good friends .

Speaker 1 1:27

Our questions are good friends . It is all filled together .

Speaker 2 1:31

Yes , yes , there is a little economy , but we meet each other . I would actually like to have the money , but it is a bit of a chat . At the other point , lars , I have been invited because the Museo Local podcast is about music and passion for music , and I know that you have . Where are we , lars ? Are there genres of music that you love the most ?

Speaker 1 2:00

Yes , that has been . I think I have had the same musical roots as many other people and I can't say to myself that we are many who have been stagnated at some point . That happens often . But what fills most of the pure musical is soul music , it is funk , disco , and that has not really ended . I think something is based on . The middle of the 80s was a student , exchange student in North Carolina in the US . There we are , in South Pole . I came to class with many foreign Americans and of course some of my good friends were not so young . I was grown up in Jylland . We had one color range that was from Korea , but that also means that I was introduced to black music , and here I am 16 , 17 years old and a lot of artists that I have not grown up with at home . In Jylland we did not hear Stevie Wonder and Marvin Gaye .

Speaker 2 3:39

No , we were back in the 80s and now I do not know if there was music in the band at home with Lars .

Speaker 1 3:47

I think about what happened . There was no over 10 , 513 . There was Danish top music and there were also LP records , but I do not remember that music was put on , and if there was something , then maybe my father had something James Larsd and then everything was at the time . Then , later on , these Swedish dance bands , swedish top , were they ? Yes , they were here , but I do not remember and it must not be played high . No , down from hell you find out .

Speaker 2 4:31

Yes , we actually got away .

Speaker 1 4:33

So that was not something that felt like . I remember it .

Speaker 2 4:39

And our performance is also , of course , denmark Radio and very much all on TV . We are just as old and big , and it is John Milius who also presents for the most , and it is very popular .

Speaker 2 4:55

Fantastic experience to have him present , but it is a very , very wide part of the music . Therefore it must have been a great change to the USA and to hear the soul and the whole black part of the music , yes , and as many of them as I know were played musical people singing in choir and church choir and so on .

Speaker 1 5:20

So then I would go and hear them in the local Baptist church on Sunday and so on , and I was completely blown away by the cold . So they had a band in the church and so many of them were there . The girls I went to school with I sang in choir on Sunday and they I have never heard gospel and saw them sing inside , so scream out . It was nothing more tempered , I think , than we were up there .

Speaker 2 5:50

And more cold maybe ? Yes , I think so too , because the music in the church is at home and I know that we on the national radio have a lot of jazz and a lot of cultural music you can tell beforehand . And Jørn Milus without being a hate on him , I look up to him a lot . Yes , I can understand that , but it is the wide pop music he introduces to Denmark and I just think that it is very German English hate list .

Speaker 2 6:23

we go after it is rare that we hear anything from hate lists in the US . As I remember it , can you remember some numbers Now ? You said Stevie Wonder , something like that , marvin Gaye can you remember anything else you have been presented that has been set up ?

Speaker 1 6:41

Yes , it has been set up , because I lived in the US in the year of the year and at the same time the MTV came out and I think it is difficult to explain what the revolution was and what it meant , but at the beginning it was a year where Prince Madonna , michael Jackson it is a violent year . It was completely normal , and Michael Jackson was so after violent criticism , the first , you should have a little kiss in the back man . Why are you sitting there ? The hell with it .

Speaker 1 7:20

He was the first African-American artist and they play . Yes , that's right , With great pressure actually , yes , it was violent , because at the beginning , as I remember it , it was only white artists we saw .

Speaker 2 7:35

I think I have seen a documentary about MTV's start where it is simply it is being pressed into the last because a guy like Rick James , who has big hits at the same time , is completely not on MTV before . It is Michael Jackson who would have lived it completely .

Speaker 1 7:52

Yes , it is quite violent . So Michael Jackson will come to feel a lot and it is also what I am up to , his whole background . And then you start to break the hole in the soul music . You also find out which thread it is pulling and the shoes we had there . We heard something at home . Yes , I also heard Kim Schumacher . I heard him on the show .

Speaker 2 8:19

Yes , he was also incredibly busy with the whole thing .

Speaker 1 8:22

And he has introduced a lot of new music for me , yes .

Discussing Music and Radio Experiences

Speaker 2 8:28

Lars , now you say that there was no music at home . You have made many things , but let me just get you home For D . You have two grown-ups . Which have you ever played them with music ? Yes , I have .

Speaker 1 8:47

Have you ever tried to play them or at ?

Speaker 2 8:48

least give them the chance to play something that you might not think about that time .

Speaker 1 8:55

Yes , I can remember that it wasn't many years ago that I had to play with my vinyl . I can remember that they were magical because there was music on both sides and a big piece of plastic .

Speaker 2 9:10

Yes , that's fantastic . I still look at them I don't know how many years after and wonder how the hell it came out of the vinyl . It's magical , it's a wonderfull miracle .

Speaker 1 9:24

I can remember that I did a lot of things that would have been known , that my children would have such basic things . I remember that Rocken came out of blues and blues was the music of the slavs , and so was there the gospel . I can remember that my dad would have a country to give up in school and there was also a country with a text analyser and so on . She chose A Reader , Franklin of Respect , because we could find a country with a number , with a political message as a name from our birthday .

Speaker 2 10:05

Yes , that's probably from 1967 .

Speaker 1 10:07

Yes , that's a good one . My dad still hears a part of R&B and soul music , so something like that is down there . But often you have the most counter reaction .

Speaker 2 10:25

Absolutely . One child should have their own revolution , as he said .

Speaker 1 10:31

It's so loud to hear what we hear , and they also have something that I hear that is a very aggressive funk . It's something that you can hear when you hear it .

Speaker 2 10:42

They don't know what it is when there are no examples .

Speaker 1 10:47

I don't know what it is . It's something just for you . It's something aggressive funk .

Speaker 2 10:54

They will try to stop when we're done with the aggressive funk .

Speaker 1 10:58

When I was in my childhood , something that meant something was that my brother had a cassette bun with Earth , winter and Fire , and that's what I meant . That was completely wild . I had a little cassette bun .

Speaker 1 11:16

I mean , my brother had a rack in connection with a confirmation or something All the rumors have had a rack , I think , and behind another one the glass-head was red and I don't have to be stupid . And then there was Tesch , who was one of the three older brothers . I've had so many hits , you know your brother well . And then I found out that when he wasn't at home I could cut myself in and put the cassette bun on Earth , Winter and Fire . And then I remember to put the cassette bun back and put it where I had taken it . But that actually meant a lot . I heard a lot of that .

Speaker 2 12:00

It's clear because I remember that . But I have a little funny story about that . You say you cut yourself in because I had a little sister who was three years younger than me who made a list of my works and you don't have to be so stupid . I don't know why I was so stupid at the time and she just didn't . And she just found out that at the beginning you don't get the same blade on , or you don't get the right job , or it's on the bottom tier on the record or whatever it is on the amplifier . But then she just thought now I should just sit right there when I can't be at home . It should be perfect for the bridge . And then I remember the time when I came home and then I go into the interview . They all sit there and say you have something to play again ? No , but I can see that you have no . Then you don't .

Speaker 2 12:53

You have 100% to say but you can't see that Because it's a maxi single that's on and it runs 45 . It doesn't run 33 , as you hoped it would . It was an LP you just put on because you heard it an LP before , so I caught her right away . It was a big phenomenon in our room that you don't get the same blade on the other channels .

Speaker 1 13:16

Yes for help , but Lars Öfwinnafeier means a lot to you .

Speaker 2 13:23

This has never been the 20th anniversary . No , I have . And the show you heard comes from your big brother Castlebond . Yes , I think you have made a lot of things in your time it's over 30 years as a stand-up comedian . It's a TV show . There are many films actually , it's true , but then it's actually been a lot of radio , yes , and actually all the way back 20 years , I think , on .

Speaker 1 13:50

Radio 100, .

Speaker 2 13:51

can it be yes ?

Speaker 1 13:52

And before that I was on the show for many years . Yes , I was on the show for a while , yes , and before that I actually made Satire on Sunday , did you hear about it in the morning , the morning heard was on Radio 100 .

Speaker 1 14:09

And it was Radio 100 . Yes , it's true , and I was actually , I don't know , normally at home it's something you can only use to find out what you should be , what you shouldn't be , but I was actually at home on Radio 100 . Yes , and I could really really like that , even if it was almost a week where I was going to put the blades in the alphabetical order . Yes , so I just got promised to sit with you and do something like a night radio and say something in radio . Yes , fantastic .

Speaker 2 14:39

It was just fantastic .

Speaker 1 14:40

Yes , I can understand that , but that means all the years I was on the show . At the same time , music management came . Yes , yes , you can explain that here .

Speaker 2 14:53

Well , music management is just that there is a man or there is a predetermined on what you should play in the show , which is the most boring thing in the world to be promised , but now go up in music in any case . Now , I don't know . There are also many worlds today that do something different than go up in music . Yes , which is satire or whatever .

Speaker 1 15:15

Symmestri or whatever .

Speaker 2 15:16

Yes , but then you can say you have been a bit on the back of the mind because you have both comic books Overrated to be , but you have . It has not only been for the comic books , you have also been for the music . Yes , from poker and if I just have to name the show which I think is most suitable for your birthday party , with Balabeng , yes that's right so you had it on how many years did you have it ?

Speaker 1 15:41

I had it five years on P4 . Yes , and then I actually insisted that we ourselves should have influence on the music . Yes , and then we got a small dispensation from the music section that we wanted to do . We had been given the task it was for . This is what I have been doing for 10 years , since the program was born , and at that point P4 was also going through a transformation that now you have to get away from that . Something fell with the sound tab , where there were programs like one hour of pregnancy , and then there were show friends , and then there was heavy rock , and then there was a civil part after that and then there was out in nature and so on , and we got to the task that we should make the sounds and therefore think then the music should be included as well . Yes , and we also got the task to see if we could store the female sounds .

Speaker 1 16:39

Yes , and that's sometimes how do you do that , yes , but you can do that in the elections . Sometimes they change it immediately with the music because there is I don't think so on something like that of some of the big art forms . No , some might want to admit that many women might have a little more to the pop side , but I don't really know .

Speaker 2 17:04

No , I don't think that's right , it fits . But I can see now , if I have to take the nightclub part , which is the one I have the most understanding of . I don't know if I can make a radio , but there they are enough a car that the girls are really happy with . Yes , that's what some girls like , where it's a little more hard electronic music because there are as many girls as possible , but it is perhaps more driven than the girls , or somewhere else . Yes , but I think it's fun to keep that in mind because we went on long , long tours under Corona and sometimes a bit too long , yes , sometimes not really at home .

Speaker 2 17:46

But where we have discussed a lot of music and we have talked a lot of music , but we are really , really worried about what is good .

Speaker 1 17:57

Yes , I think that's really really fun , yes , and then somewhere we can meet well , but it can be just as much as you say , because in the evening or he has his own reference and , as you found a piece of music , you have a reference on it , so you don't have to play for someone else , you just hear and it's not really that good . Yes , exactly , but you don't . But you are completely right , I got enough in those long , long periods where I made radio . I got enough of such what can you say ?

Speaker 1 18:33

An average pop radio hit an average playlist , and that actually means that I have not heard music for a few years when I was free , because I sat down and sent a radio . Send on the radio the sound waves in three hours and it's so massive . And it irritates me because I have not really lost that . That is the excitement of the elderly , because now it was just about trying to make a certain kind of connection or flow over a time . And you know well , now we have just had the insight . I am so clear . Maybe not with that and so on . You just try to .

Speaker 2 19:14

But you want to say do you want to lose it a little ? Because it was music that was chosen , you should play .

Speaker 1 19:21

Yes , and that it is the same , that it sounds the same , it's the same , it's the same , it's the same it's the same , but it works . Basically it works in the radio and it pays a lot , and that is the task I was given in that respect , that you get out on large , broad , people-like media platforms , then I know well what the task is .

Speaker 2 19:53

Yes , it is a task I can completely put myself into that . If you are directed with music , then it becomes much harder to play , to develop , than if you yourself get to choose a little whole . And that's just what I mean . That's why I want to keep that part of the bench , because I actually feel that you got a lot more and that was much more than you , than maybe you made later and the other things .

Speaker 2 20:18

That's why it's like you got a lot more from your soul funk . You got to get all the things that were played Exactly .

Speaker 1 20:28

the version is different and something that I started with was about peace and I also wanted to have something that was energy-based , fit to that time or mood on the week , and peace after-midi is connected with a solution , a turning point for the weekend when we start to get a little bit up and we have to go to the city in the evening or there is a bit of peace of mind .

Speaker 1 20:55

Yes , there is another tone . I think of a peace after-midi at some point at the same time , and I think that you should respect that and with all the respect for Tina Dickov , I think that it could be a little bit of a peace after-midi . I might put it a little higher .

Speaker 2 21:21

Yes , I don't want to clean up .

Speaker 1 21:25

But because Tina Dickov is really good , it needs peace . No , there is only one . I had it because maybe it wasn't for a peace after-midi , Exactly . But I think that on all occasions , at some point in time , the tone works out really well .

Speaker 2 21:37

But I think it's really interesting because I'm very interested in music and I can get into a restaurant or a shopping center if the music isn't right . I can't abstract it and therefore it's really fun to think about

Music and Mood

Speaker 2 21:56

that . Peace after-midi this number doesn't fit to peace after-midi because most people that you really have done something out of it and put it in . What is it that I should deliver at this point in time ? I think that's really important in music .

Speaker 1 22:11

I have experienced sitting at restaurants where it is almost as if it overcomes restaurant experience A lot If the mood isn't right , the musical mood where , if I have slept enough , we have had some good food at the taillights and we should also have a glass of wine .

Speaker 2 22:31

I really like what I have done here and it applies to everything . I simply don't understand , and I know it's 9 out of 10 , maybe just like that , but I just think that it gives a whole time in an experience . I think that the food is getting better . I think that the place is getting better . I think that if the lights are wrong , it's also wrong . It's what all the senses should be stimulated with . That's why I think that it will be that there is something about the TINADIC . But I can feel that peace after-midi . You are on your way with the car it's the final weekend you are on your way to meet your colleagues and you have to have a peace of mind . It should fit well for that . I think , like tomorrow , you should also fit .

Speaker 2 23:21

I have become sensual when they start out with a full-time water-village around 6 am and they put me in the car .

Speaker 1 23:28

Because there is not someone . There is , but it's simply dictated .

Speaker 2 23:34

Those who are there . They should at least go home . They should stay . It's clear that you are very involved in radio and TV . Have you been involved in music ? How in the stand-up , have you used the music the same way in the stand-up ? I know you are good at doing it . We will talk about jazz later .

Speaker 1 23:57

I have used it in some of the bigger One man shows because I can have an intro or something like that . There is a tempo out there . Your intro , for example , for this one is a small too fast for the people in the talk tempo , but you can see that that's right . You can see that , if you could , if I can put it down in the tempo , yes , or have I done something completely different ? Yes , no , but I think that you already have , because it's pretty good . Maybe you are good at it .

Speaker 2 24:34

I know what you mean , but it's because , if you are going to use .

Speaker 1 24:38

I have used the big One man shows . I have made something . The intro it should look cool when you come in .

Speaker 2 24:44

But I have actually in that team people are waiting in the hall also insisted on deciding what people should hear yes , and that's actually what I want to go to , that you build up to something .

Speaker 1 24:55

Yes , because I think that's important . Yes .

Speaker 2 24:58

Have you made a playlist like that ?

Speaker 1 25:01

Yes , and I'm going to play it to the local soundman in the cultural or music house where I'm performing .

Speaker 2 25:08

Yes .

Speaker 1 25:09

And he says that you should play it in the team .

Speaker 2 25:11

When are you going to do that ? It's important .

Speaker 1 25:13

That's if I want to put the whole mood on . I have a huge respect for people who are coming out and see me perform . Yes , I know what they have been through from the kids and there should be baby-sitters and we should park and someone will come from the scene to work and we should maybe go out and have something to eat first and I really take people's time . They do so enormously . So it's not necessary that the experience starts at first that I come in at the scene .

Speaker 2 25:46

No , but it's also quite important that you get the most correct mood it's like that .

Speaker 1 25:52

Yes , you can manipulate it . That's what it is .

Speaker 2 25:56

But I'm thinking about it . But when it comes to you , because you have a long , long stand-up career and many shows , is it the same ? Is it the first show or is it a long journey ? After a few years you say I can get the show to get better if we have a team's music first . That fits the show .

Speaker 1 26:16

I think it will come very late .

Speaker 2 26:18

Yes , it goes off in that it has meaning .

Speaker 1 26:23

I don't think I noticed that .

Speaker 2 26:26

I've played before you several times .

Speaker 1 26:31

I've played shows , but I had a stand-up .

Speaker 2 26:34

I remember that we were very much in the mood . The mood was set for people to get drunk .

Speaker 1 26:42

It wasn't important to have a party , or people thought they were going to dance .

Speaker 2 26:47

So we did a lot of things and I can remember , or can .

Speaker 1 26:53

I Were we also alone in that . No , I don't think so no , you didn't just decide .

Speaker 2 26:59

They did a lot with our unity . We were much more united and I made the most decisions . That's you . Who's standing ?

Speaker 1 27:07

behind . It's quite general . It's not just because of the uncomfortable conflict With me .

Speaker 2 27:13

Or just general General Bill Wethers , I think he was called , had a collection album With all of his best . It was a net of soul . I can remember that we used it , incredibly , to just drive , and I can remember the record job in Seltibor . I sold five copies every time I had a stand-up . That was a lot of fun . It was really fun . So it can be Okay , lars , I've had visitors to Kasper and we just need to record it . What does he say ? He says a lot . He's very musical . He's very musical , yes , and I think that's really interesting . Are you musical too ?

Speaker 1 28:03

Not really . No , I'd like to , and I also think that's what's important . The thing that stimulated me to make a stand-up was that I found out that I couldn't play anything . I grew up in Aarhus in the 80's where everyone was a musician , and I've also gone around with Tom guitar and Kasper , because the guys thought I was a band member .

Speaker 2 28:30

So , but there was .

Speaker 1 28:33

I didn't know that I went to that gymnasium where I I still have the box . I didn't know that it was a long line . I was like what the hell did I like ? I also had a long pane hat that went down over one eye and then it went a little depressive . I thought I liked a fierce pop icon .

Speaker 2 28:58

You did that too . I have my own picture of it .

Speaker 1 29:02

I like an elderly lady who lives in a corner . I had a cotton coat that I had bought from my parents . They were supposed to throw it out . He used it in the summer house . He said no , that must be cool , and then it went down a little .

Speaker 2 29:20

Is it a good thing or is it just the time , because I have the same story for myself . I had a little musicality , but I also had my parents' old jacket and something hard that I didn't do on one eye . I grew up in a whole family , did you also ?

Speaker 1 29:36

have a hat .

Speaker 2 29:38

No , that never happened . I had a hat in the period .

Speaker 1 29:42

But that means that in that gymnasium where I went there was Claes Antonsen and Pelle Torb who played with Helmi the time before . The score was Torb In Broddes and then three fourths of Michael Löns to Rock went to the Parallel class . There was this enormous music environment in the house . It was a violent press , it was completely wild . And then I thought I've tried to play some drums . And then I found out that if I could be a hamster , I was just French , so you were just following along . Of course I was just following along . I could see the curiosity , the music and the fact that there were gymnasium festivals .

Speaker 2 30:37

It's something that has spread all over the place .

Speaker 1 30:40

It's just Open , bart , and you also found out that no , I had a bit more to play with .

Speaker 2 30:49

I wasn't at the gymnasium , but I have more than just names that I have mentioned that the music was actually more full of maybe not so much impressive music , but more of what was full of pigs yes , all around , so it was said in a way . Some said it more directly .

Speaker 1 31:13

It's all around yes , all around . So it was a success for me to be . I also had a audience . It didn't have a label at that time . If you could say something funny , people would be very welcome . Something like that .

Speaker 2 31:32

But despite that , Lars , Despite that , I would say , and it's a talk with Kasper about it you've also played a song produced by Lars Huck .

Speaker 1 31:40

Yes , that's right , he must have worked with it .

Speaker 2 31:43

Which sound ? Which sound is completely fantastic . Yes , he must have worked with it . Yes , you too . Yes , I have , but it was just very impressive .

Speaker 1 31:53

It's a duet with Kasper C and we haven't really .

Speaker 2 31:57

I've called it the worst thing that could happen last year . I don't think so .

Speaker 1 32:04

We haven't really heard from . I remember it as if Lars Huck had stopped his career a short time ago that he had worked with us there was a break . I don't really feel like he came from his time . It could also be because he came from a different life-long stage Of course it could be that he was broken

The Combination of Comedy and Jazz

Speaker 1 32:24

up .

Speaker 2 32:24

Do you think he simply got it done because of the stage you were playing on ?

Speaker 1 32:31

I think he got it before , otherwise it would have been . No , he got it . Can you take something ?

Speaker 2 32:37

from him . I don't know , but maybe he got it on his plate .

Speaker 1 32:42

I've met Lars Huck several times and we both went through it a bit . What the hell was that ?

Speaker 2 32:51

I can't go to the plate because I've done some research on both you and Kasper , which I hoped to find something I didn't lose .

Speaker 1 32:57

But it's true , we've been really into it . I'm sorry to tell you we've been into it . I have my horse , I have my lasso . Yes , as a member of Spotify .

Speaker 2 33:10

I'm willing to make a top-10 list of fine songs that you can like . We'll be on Spotify and we'll think of one way or another to put it in there as you have the chance .

Speaker 1 33:21

It's a brass band , I'm sure of it . If anyone is waiting for an amenable decision , I think it's a bad sign . It's a blizzard .

Speaker 2 33:33

It's a blizzard it's all but , lars , from the fact that we could talk , comic and TV , those that you've made in a hundred years , you're the first to become a dance master in stand-up . Yes , in 1982 ? Yes , that's right , but right now you're on tour . Yes , with Benjamin Koppel .

Speaker 1 33:58

Yes , who you're known for . Jazz . Yes , he's saxophonist , and probably the other one too , but the prime one was saxophonist .

Speaker 2 34:06

Is it the passion for music or comic that makes you mix a little bit together ?

Speaker 1 34:12

It was a bit under the , it wasn't really a meaning . You could say . We've learned each other relatively late , late all , and at a time like this . It was also very fun to work together . We had a lot of things to do how to find comedy and jazz , and then we had some conversations where we found out that there is a kind of a relationship between these two genres .

Speaker 1 34:40

There are improvisers who both are jazz musicians and the dyktistcom . They don't use . Yes , there is a huge importance of timing , yes , and then where both jazz and comedy I think work best is if you , if you go on a new path , you can say in most of the I'll just say , pop numbers . I don't have any way with that . I love pop music , but it has a certain versatility , both in structure but also in we can sometimes sit and draw what is a chord that comes next time , and that's what jazz musicians are doing . They play all the chords in the whole world at the same time In that way , and that's also why there are many . I understand that people hate jazz . They have a lot of fun and it sticks in all directions and they play a solo over each other , but it sounds like a stand-up with instruments .

Speaker 1 35:50

It's because it takes a few times the course . You go out of a country sideway and find out that there is something that is fun here , and then you go back and forth and the way a joke is built up is that we should be surprised , that it's just like a trick , that you try to take your audience with you in one country tank-wise and then surprise and you can say that you see it the same way , jazz musicians use it that they also try to play a well-known theme from one jazz standard that they play in the solo from something else . So it has a whole time .

Speaker 2 36:42

I'm surprised at the element and what I think of both of them is that they are surprised at the same time . I think there must be some timing , in that the solo is right and improvisation is there , but also the timing with your joke . There are two people who improvise . Which two should break the same climax in some places ?

Speaker 1 37:05

And when that's successful it's magical . It must be difficult . When we go out and perform we think each other and the others , and we always have guests from the comic world , one from the music , a soloist , and we have some of Denmark's best jazz musicians . So I can say I've met Alex Riel , a big name . I was Starstrucked .

Speaker 1 37:37

So it all started as an experiment . We decided to make three afters at Cecil in Copenhagen , a smaller and more playful place , and then we saw that someone came and that's what we did , and suddenly it took the fate and the spirit to spread and then it meant that we could take it to tour around the country . And then we came out to a audience where typically half of them have never been to a jazz concert before and the other half have never been to a live comedy before . So there's a strange combination in the audience and we try to take people in our hands . The best example is that it actually succeeded .

Speaker 1 38:29

The combination of comedy and jazz is Jörn Ry , the most famous and fantastic comedians , but before that it was a much better trumpet player and I can say that I can hear his way of delivering a joke is too much jazz . He intones and makes his own pressure and the most comedians don't want to do it . We know how to build a tone with their performance , but he's totally in the lead . I've only experienced one thing in Denmark , and it's myralynne . She works with me in Klavn . She's also in the lead .

Speaker 2 39:19

We can't always hear myralynne when she's done , but it's not always good to do it and it's probably interesting to double it . It's a great surprise .

Speaker 1 39:35

You can really take new places , so it's a huge price .

Speaker 2 39:43

But you're also a big jazz man . I've experienced you in .

Speaker 1 39:51

I've experienced you in a dance goal .

Speaker 2 39:55

That's what I've been told . I don't think that's the case . I think everyone knows I've been to a live jazz concert for some years . It's been 10 years , I don't know if you can remember . We're in Indraby .

Speaker 1 40:14

We're in the middle of Mathias . I've been to a jazz concert in Silkeborg .

Speaker 2 40:22

I've never seen a person like you . You run around the whole concert . We all sit down and enjoy our music , but you run from Jörn to Jörn .

Speaker 1 40:34

You're very impressed . You're a net-up-sitter .

Speaker 2 40:42

You were all the way in and clapping every time Peter Hamler played the piano . Peter Rosendegel .

Speaker 1 40:55

He's fantastic .

Speaker 2 40:59

I've never seen anything like him . I've never seen a rock concert . I've seen you dancing on the streets . I was impressed . Do you hear jazz at home ? You're a big fan of food .

Speaker 1 41:18

I could do that .

Speaker 2 41:22

It's like the real car .

Speaker 1 41:23

I've learned a lot from you . Jazz people around me are hot , so they should be playing in the home . I don't like that . I don't like that . It's often when I'm in a long car trip .

Speaker 2 41:41

Yes , do you use it for a trip ? Can it be a meeting or a stand-up show On the way to work ? Is that your mood ?

Speaker 1 41:55

If I drive 4,5 hours to Jylland and Optra , I know that there's time to get deep . I don't do that with music at home . I don't put an album on and sit and listen to it in the air . I make something else . Then you scream around in the kitchen or make something else at home , but in the car there's not much of an end .

Speaker 2 42:19

I've noticed that your Spotify list starts from your phone number 3 in your car . Yes , that's true . Like it's something of the first .

Speaker 1 42:30

It's the most true .

Speaker 2 42:31

So you have a strong passion for the music there ? Yes , I have .

Speaker 1 42:35

It fills a lot . I was at the beginning of the show and I was trying to say that many of us go to the stand , but then what's it called Musicians in a country where we peak in life ? Often they say there's never been a good time for a beat .

Speaker 2 42:57

I think you're saying that between 15 and 18 years old , what you've experienced as a young man is the sound you actually hold in the rest of your life . It's quite true , and there are some who only hear it , like you and I and many others who are deeply involved in music . But what you actually hold in the rest of your life is what you have in those young years , from 13 to 18 years old . But it's said with a clear mind to go to the stand .

Speaker 1 43:24

Absolutely , I'm sitting at a huge price for my grown children . I'm being presented for something they hear . They say you can hear it or you can like it , or I think , try to check this out . Or you introduce me to someone else Because you know a little bit how to play and you can go to the stand .

Speaker 2 43:53

We try to send each other to a different place . Here's a cool vocal .

Speaker 1 43:58

It can be a little more electronic than you play , but try to hear it , I think that's cool .

Speaker 2 44:04

It's super fantastic . It should be scientifically true that you stop your development there .

Speaker 1 44:12

There are also some who say that there are a lot of things that are in the way you remember to play music , but I read that it's a new thing . You think that when you play music , you connect to the people you were with when you heard the music .

Speaker 2 44:31

Okay , you have a lot of memories . Yes , you have a lot of memories . I can remember the Madonna's record Like a Prayer . I can smell it that day . You can smell the record . When I find it , I can smell it . And then I can smell it from the 1999 or the year it was released .

Speaker 2 44:54

It's completely insane . I have read that you have something to experiment with . There are some who have done it in a different way From perfume on the plates , also in the cupboard . So you also had a smell experience and just that album . The smell is completely the same as the one I was in the Barbarian cellar in 1887 . Until now , until now . Until now and that's why I'm reacting to the music in a restaurant . It's our sense that it's becoming a real effect .

Speaker 1 45:33

I think that both the smell and the music are far stronger than the ones in Hukom , something that is visual . Okay , you knew that it can be learned in a completely different way . I have a smelly taste . I remember my late grandmother . I have a lot of scents I connect with her Hygmose , for example , sunburnt tea .

Speaker 2 46:02

How is it Urine ? No , it's from the past . After she died , but . It was fun to learn how to end with urine and death . It was very poetic . I could think about learning if there should be music in your mind or if there should be a dead sick stand-up .

Speaker 1 46:33

No , I actually thought I'll try to put it in my hand . I actually thought I should connect my cup to play some jazz , Because I know many of those who sit in the church hate jazz . So they would say Lars is just better than us right now .

Speaker 2 46:55

I think it should be the end of the day and a lot of fun and joy . I'm not looking forward to that day .

Speaker 1 47:04

You can play .

Speaker 2 47:06

You could have played well . The risk is that I won't be able to play . I didn't think so . We could have done it as a double show .

Speaker 1 47:16

We could have done it as a double show .

Speaker 2 47:19

Yes , I'm looking forward to it . Thank you for today . Next time , let the music continue to be your most trusted lead series . If you want to hear good music , and good music in the real world , visit the Musaea Lokal at the Musaea Lille Kongensgade in the København .