
Baron Sordor's Theatre of the Doomed
Baron Sordor's Theatre of the Doomed takes you back to a golden age when live radio plays ruled the airwaves and Orson Wells’ Mercury Theatre convinced an entire nation they were under attack by Martians. Paying homage to 1960’s classics like the Twilight Zone and The Outer Limits, The Theatre of the Doomed features performances from a bevy of incredible Australian actors as well as Jeff Martin from The Tea Party as Baron Sordor himself!
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Baron Sordor's Theatre of the Doomed
The Broadcast
A brilliant scientist stands on the precipice of a world changing breakthrough as he prepares to test his greatest invention. But when a message from the future warns of an impending disaster he must fight against time and his own sanity in a bid to stop armageddon.
Starring - Kristian Schmid - Felicity Jurd - Jeeves Verma - Sep Caton - Lilly Bader & Special Guest Star Jeff Martin as Baron Sordor - Produced - Natalie Harvie, Lilly Bader & Aaron Harvie - Recorded at King Sound Studio - Engineer - Nick Bird – Casting - Citizen Jane Casting - Music - Il Terrori Notturni - Written - Aaron Harvie – Directed - Natalie & Aaron Harvie
Let the Baron know what you think of the episode... he's dying to hear from you!
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BARON SORDOR'S THEATRE OF THE DOOMED
EPISODE 1: THE BROADCAST
Written by
Aaron Harvie
Copyright (c) 2023
RALPHUS
There’s an old, decrepit theatre down
the end of a dark, deserted alley. On
the thirteenth night of every month
Baron Sordor throws open his theatre
doors to the lucky few invited to see
the show. The crowd are slowly
ushered inside to take their seats,
whispering in nervous expectation.
Then the music starts to rise and the
red velvet curtains are drawn aside.
A dark figure strides to the edge of
the stage and the audience gasps in
hushed anticipation, because when the
clock strikes midnight, it’s time for
Baron Sordor’s Theatre of the Doomed.
BARON SORDOR
Thank you dear Ralphus and good
evening honoured guests, I am your
host Baron Vladimir Sordor, welcome
to another night at the Theatre of
the Doomed.
BARON SORDOR (cont'd)
I hope that you are prepared for what
awaits you, for our show is not for
the faint of heart. Tonight we will
be travelling back in time to the
1950's for an atomic age account of
technological terror. But be warned
dear audience, you must grasp hold of
reality tight, for if you don't,
tonight's tale might reach into your
very mind and peel back the layers of
sanity till you are left but a
simpering, snivelling shell.
BARON SORDOR (cont'd)
(evil chuckle)
Get ready for a journey into mind
bending madness that will push you
past to the edge of reasoning and
understanding... I present to you,
dear audience, THE BROADCAST.
SCENE 1
NARRATOR
The Davis Air Force Base was a twelve
thousand square mile military
facility located deep in the Black
Rock Desert of Nevada, fifteen
minutes drive from the sleepy town of
Dead Horse. It was designated top
secret. Now the base itself wasn't
top secret, everybody knew it was
there, I mean you couldn't hide
something so big, it was visible from
space. But what went on there was.
Officially it was listed as a proving
ground for USAF experimental
aircraft, dozens of hangers and
landing strips housing some of the
most cutting edge military aircraft
in the world. Almost 2500 personnel,
both military and civilian, lived on
the base in a sprawling housing
facility known as Edge City. But none
of them knew what was really going on
at David Air Force Base or that they
were there merely as a diversion for
prying eyes. In fact, only eighteen
people, including the base commander
knew about the highly classified Site
R Laboratory which was located deep
within the Bedrock Mountain facility,
situated in a remote corner of the
base. Bedrock Mountain was a triple
peaked granite monolith that rose
almost ten thousand feet above the
surrounding Black Rock Desert. There
was only one way in or out, through a
set of 25-ton blast doors designed to
deflect a 30 megaton nuclear
explosion. Now the other laboratories
buried beneath Bedrock Mountain were
all top secret, they housed the
governments research into cutting-
edge military technology including
ultrasonic weaponry, thermonuclear
bombs, energy weapons and space
flight capable vehicles. But Site R
was the most clandestine of all,
deemed Compartmented Clearance, the
highest clearance possible. This
facility housed a project designated
Hummingbird.
Hummingbird was charged with the
creation of the world’s first time
machine, a machine known as The
Westcott Device.
SCENE 2
NARRATOR
Wednesday the 1st April 1955. The
control room for the Site R
laboratory was impressive to behold.
It was a sixty foot long curved
concrete room, lit from above by rows
of florescent lights which gave the
space a cold and futuristic feel. The
low hum of a massive machine droned
somewhere deep beneath the floor like
the heartbeat of some unseen colossal
contraption. It was unsettling. The
normally bustling room was all but
empty today. Most of the space was
occupied by the state of the art
Wells 1 Supercomputer, a massive
machine of whirling tapes and
flashing lights and banks and banks
of interconnected racks filled with
vacuum tubes, circuitry and magnetic
cores. But what was most impressive
was the viewing gallery. The inside
wall was a floor to ceiling window
with an array of control panels and
workstations before it. Outside the
massive window, a cone shaped capsule
was suspended by a series of gantries
above a concrete lined shaft that
seemed as if it were bottomless.
NARRATOR (cont'd)
Dr Vernon Harper stood before a small
group of dignitaries who were
gathered at a long table in the
centre of the control room. They were
the base commander Colonel Desmond
Harris, General John Pickett, CIA
Director Nathan Booker and a special
envoy from the office of the
President Shirley Gibson.
NARRATOR (cont'd)
Vernon Harper was in his early 30’s,
tall and rake thin with receding
slicked back black hair and a pencil
thin moustache. There was an air of
confidence about him, and despite his
young age, he seemed totally at ease
heading such an important government
project.
VERNON HARPER
You are gathered here to witness history, quite literally. Ten years ago our country fought a war against fascism and imperialism, a war that engulfed the entire world and cost the lives of tens of millions of people. To end that war we had to win a race to master the atom and thanks to scientists like Oppenheimer and the men of the Manhattan Project we were able to ensure our freedom and our way of life. But now there is a new threat. Communism, its insidious tentacles are spreading across the world. Right now, in laboratories just like this one, scientists are scrambling to master a new type power, a temporal power, in a race that may become our greatest threat since World War 2. Project Hummingbird is how we are going to win this race. This project is the culmination of 20 years of theoretical and practical work that sprung from a paper I wrote in college when I was 15 years old. I present to you today, The Westcott Device, the world's first time machine, an invention that when tested here in four days time, will change mankind forever.
NARRATOR
Dr Harper motioned to the grand
machine outside the viewing windows.
The gathered dignitaries seemed taken
aback, they fidgeted and cleared
their throats uncomfortably. Air
Force General John Pickett was the
first to talk.
GENERAL JOHN PICKETT
Let me get this straight? We came all
this way and you're telling us that
you built a time machine son?
CIA DIRECTOR NATHAN BOOKER
Like something from a science fiction book?
SFX
(general laughter)
VERNON HARPER
Is that so hard to believe Director
Booker? If I told you ten years ago
that we could make a bomb so powerful
it could light up the sky like the
sun and vaporise an entire city you
would have laughed and yet here we
are.
CIA DIRECTOR NATHAN BOOKER
Well, that's different now isn't it?
Bombs, they're a real thing, but
this, I mean it all sounds like a
children's story. No offence
intended.
VERNON HARPER
None taken.
NARRATOR
The gathered dignitaries look
anything but impressed by the
fantastical nature of the project.
Only Special Envoy Shirley Gibson
seemed interested in hearing more of
what Dr Harper had to say.
ENVOY SHIRLEY GIBSON
Gentlemen, we've come all this way to
hear the man speak. I'm sure the US
government isn't funding this project
without a little faith. Can you
explain to us how this works Dr
Harper.
VERNON HARPER
Of course, in layman's terms, the
Westcott Device is essentially an
energy generator that draws its power
from the electrons in the atmosphere.
It focuses them to create an
incredibly high powered discharge
that will bend space/time and allow a
person to move from one point in the
temporal field to another.
NARRATOR
The General John Pickett nods and
smiles at this.
GENERAL JOHN PICKETT
Go on. I started out as an engineer
before I become a pilot.
VERNON HARPER
Our experiment is simple. The
Westcott Device is built into this
mountain. Beneath our feet is its
power source, which consists of four
stacked ‘engines’, if you will. Each
engine is a 2-mile ring of plasmatic
resonators that fires electrical
energy into a high voltage electro-
magnetic capacitor that you can see
at the bottom of the shaft outside
the window. This capacitor stores the
charge till it reaches 1.21 billion
Joules at which point it fires a
plasmatic burst at a single point, no
larger than a nano-particle. This
focused energy will form a gravity
well so dense, it will be similar to
a black hole, creating a singularity
that bends both space and time.
Precisely 18.188 seconds before that
charge is released the capsule you
see out there is dropped down that 1-
mile shaft. As the capsule nears the
bottom of the shaft it will be
travelling at an approximate speed of
392.77 mph, however, when the
singularity is formed it will
accelerate the capsule almost
instantaneously to a temporal
velocity of 186,000 miles per second
propelling the craft forward one
minute in time.
NARRATOR
The assembled dignitaries looked at
each other in dull eyed bewilderment.
CIA DIRECTOR NATHAN BOOKER
(laughing)
Sounds like science fiction to me.
SFX
(laughing)
CIA DIRECTOR NATHAN BOOKER
Okay, lets pretend I fully understand
what your talking about.
SFX
(more laughing)
CIA DIRECTOR NATHAN BOOKER
How the hell do you know that thing
is going to go exactly one minute
forward in time? Is there a pilot in
there navigating?
VERNON HARPER
That's a good question Director
Booker. Unfortunately this is a one
way trip. The craft itself cannot
generate the power needed to recreate
the space/time singularity and
return. So for safety reasons the
craft will be manned by a canine test
pilot named Patsy. In answer to how
we navigate, it's pretty simple. The
time displacement the capsule will
experience while it's exposed the
temporal singularity equates to
travelling roughly 700 years a
minute, or about 11.6 years a second.
So, to move forward in time for one
minute, we would need to create the
singularity for approximately one
picosecond, which equates to about a
trillionth of a second.
SFX
(impressed murmurs)
CIA DIRECTOR NATHAN BOOKER
Can you move backward in time or just forward?
VERNON HARPER
Well the past, present and future all
exist at the same time, so it’s just
a matter of accessing the proper
point in spacetime.
CIA DIRECTOR NATHAN BOOKER
What the hell does that mean?
VERNON HARPER
It is my contention that that
universe and life within it is not an
organic thing that’s constantly
changing and morphing, time doesn’t
pass or flow like a river, but rather
everything is ever-present, all at
once. Everything that ever was, is and will
be is already out there. We just have
to know how to find it.
CIA DIRECTOR NATHAN BOOKER
That makes no sense whatsoever son.
ENVOY SHIRLEY GIBSON
So, if this machine can travel in
time, can it change the past? Can we
go back and kill Hitler and stop the
war?
VERNON HARPER
An infinite number of worlds and
possibilities exist all at the same
time, and without contradiction,
because everything that can happen,
has happened or will happen. So in
short, the answer is yes, but the
debate about the morals of how this
machine should be used is for another
time. Nevertheless gentlemen, rest
assured that successful development
of the Westcott Device will ensure
that we, as a country, will continue
to experience a bright an fruitful
future unfettered by any foreign
entity
SFX
(Murmurs of approval)
CIA DIRECTOR NATHAN BOOKER
The stuff you eggheads do makes my
brain hurt. How do we know this thing
is safe? Ten years ago I remember
Oppenheimer saying he was worried
about setting the atmosphere on fire.
VERNON HARPER
I assure you, there is no chance of
an accident happening. Unlike the
Trinity test this will be a
controlled generation of power with
fail safes put into place to control
the experiment during ever phase.
Each engine is installed with a
coupling we call a flux inhibitor.
VERNON HARPER (cont'd)
It will automatically trip and shut
down if the energy output is deemed
dangerous, so that any surge in power
beyond its designated 302,500,000
joules will instantly be detected and
the experiment stopped. Furthermore,
the capacitor itself has a separate
kill switch which will ground all
power it is storing if it exceeds the
1.21 billion Joule charge. In short,
the Westcott Device presents no
present danger and if our experiment
is successful will ensure our
countries continued place as a
superpower among the nations of the
world for generations to come.
ENVOY SHIRLEY GIBSON
Well in theory your experiment sound
very promising Dr Harper, but we will
expect to see a successful test come
Saturday morning. You deliver us a
working experiment and I guarantee
next round of funding will be
approved. But if you deliver a dud,
well, the Pentagon isn't in the
business of second chances. Are we
clear?
VERNON HARPER
Crystal clear, ma'am.
SCENE 3
NARRATOR
Vernon Harper stepped off the bright
silver shuttle bus and out onto the
dusty streets of Edge City. He was
hit immediately by a blast of
afternoon desert heat, it was like
walking into a furnace. Edge City was
a sight to behold. It was as if the
government had picked up a suburb and
dropped it in the middle of nowhere.
There was street after street of
picturesque houses with manicured
lawns and white picket fences, each
home painted a different a shade of
pastel. There was a school a church,
and a diner, a little shopping centre
and even a bowling alley and a
cinema. If it wasn't for the never
ending expanse of desert and the
explosives tests that happened like
clockwork at 10, 12 and 3 you'd swear
you were in any small town in the USA
and not on a military base.
NARRATOR (cont'd)
School was out and the sound of
playing children filled the air.
Vernon took his time walking the
three blocks to his house, his mind
still back at the lab and going
through the seemingly endless
checklist of tests, diagnostics and
calculations he was going to have to
perform before the experiment on
Saturday morning. Vernon was happy
how the meeting had gone today but
was disappointed that they could only
see his creations value as a weapon.
The Westcott Device represented so
much more for humanity, it was a
chance to create a utopia, to unite
the people of the world and usher a
future of prosperity, peace and
discovery. He wished they could see
that. But that was the irony of doing
business with the military. They were
the only ones that had the budget to
fund major scientific breakthroughs
but they were not interested in
scientific breakthroughs at all. They
only wanted weapons. Power. Means to
control.
NARRATOR (cont'd)
But Vernon was smarter than them.
He'd seen what they'd done to
Oppenheimer after he gave them the A-
bomb, how they'd called him a
communist and taken his work then
tossed him aside. If the experiment
worked on Saturday he was not only
going to ensure he was an integral
part of the the project moving
forward but also that he was one of
the people who decided how it was
going to be used. Otherwise he's make
sure Westcott Device was never going
to work again.
NARRATOR (cont'd)
Vernon rounded the corner onto South
Mesa Street and walked towards his
house. It was the third on the left,
a small, unremarkable Ranch style
house painted pale green with a
neatly trimmed lawn and a white
picket fence. Vernon didn't drive, so
unlike most of the other houses on
the block, there was no car in his
driveway. When Vernon wasn't working
he liked to spend time in his garden
and the front of the house was
adorned by a magnificent bed of
sunflowers. He stopped at his front
gate to check the mail, and smiled
politely at his neighbour who was
watering his lawn, then proceeded to
walk up the path towards his front
door. Then the strangest thing
happened. There was a burst of light,
so bright it was as if a camera had
flashed before his eyes to take his
picture. Vernon stopped in his tracks
and gasped at the sensation, his nose
filling with the smell of burning
ozone... it was metallic, like
chlorine. Then he felt a deep,
concussive blast issue from somewhere
very far away. It shook through the
earth and vibrated up his legs to his
knees. He noticed there were
butterflies dancing in the air around
the sunflowers. They were glowing in
the broad day light. He stepped
towards them as if in a trance.
NARRATOR (cont'd)
The butterflies swooped and glided
through the air, their orange and
black wings following the whims of
the spring wind. They were surrounded
by St. Elmo's fire, a flickering blue
halo engulfing their delicate bodies.
Amazed, Vernon extended his hand and
watched one alight upon it. It sat on
his finger for the briefest of
moments, opening and closing its
wings as the azure corona surrounding
it intensified. Then all at once it
burst into flame and curled and
wilted like an autumn leaf before
crumbling into dust. Vernon fell to
his knees, cradling the perfect,
ashen creature. It held it's form for
a moment before disappearing on the
wind.
PREM DAVALI
What on earth are you doing?
NARRATOR
The sound of the voice behind him
snapped Vernon out of his trance. It
was Dr Prem Davali, the second in
charge at Project Hummingbird and his
closest friend at Davis Air Force
Base. At the sound of Dr Davali's
voice Vernon stood up and wiped the
grass from his knees, smiling and
trying to hide his embarrassment.
Prem Davali was almost six feet tall
with a dark complexion and even
darker eyes. Eyes so deep that you
could lose yourself in them. He was
one of the most brilliant engineering
minds Vernon Harper had ever
encountered and a natural leader.
They had worked together for the past
5 years on the Westcott Device and
Vernon had come to rely on Prem more
than anyone else at the base.
VERNON HARPER
Oh, uh, nothing. I thought I saw a
butterfly.
NARRATOR
Prem smiled at Vernon and he felt his
heart skip a beat in nervous
expectation.
PREM DAVALI
How did the meeting go?
NARRATOR
Prem was covering the evening shift
at the lab so Vernon could get some
rest.
VERNON HARPER
(clearing his throat)
They were resistant at first, just as
we expected...
PREM DAVALI
Did they understand the presentation?
NARRATOR
Vernon glanced over at the sunflowers
again, expecting them to burst into
flames again. But they didn't.
PREM DAVALI
Vernon? Are you listening? Did you do
the space/time demonstration with the
folded paper and pen?
VERNON HARPER
Hmmm? Oh, no, I forgot.
PREM DAVALI
You forgot? Come on, we rehearsed
that Vernon. They're military, not
scientists, how on earth do you
expect them to understand?
NARRATOR
Vernon shrugged, still preoccupied by
the sunflowers. He looked over at
them again. They were normal. The
butterflies were normal. Everything
was normal. He couldn't understand
what had just happened.
PREM DAVALI
Vernon? Are you listening? Please
tell me you didn't tell them that the
past, present and future all exists
at the same time...
VERNON HARPER
I can explain.
PREM DAVALI
(frustrated)
I can't believe this. We agreed that
attempting to explain the mechanics
of a many world block theory of the
universe was tantamount to
professional suicide.
VERNON HARPER
(defensively)
It just came up...
PREM DAVALI
I don't even know what to say.
VERNON HARPER
You don't have to say anything.
They've already approved. We get the
funding pending a successful test of
the device.
NARRATOR
Prem's eyes lit up and a smile
cracked his face from ear to ear.
PREM DAVALI
(laughing)
Really? We got the funding?
VERNON HARPER
(laughing)
Yes, we got the funding.
NARRATOR
Prem laughed out loud and grabbed
Vernon and hugged him, whooping
loudly. Vernon breathed him in deep,
savouring the moment.
PREM DAVALI
This is incredible. Congratulations
Vernon, you deserve it.
VERNON HARPER
I deserve it? This our project Prem,
we deserve it.
NARRATOR
Prem glances at his watch and his
smile fades.
PREM DAVALI
My bus will be here in a minute. I've got to go.
VERNON HARPER
Alright. Remember to check the lag on
engine four, okay? I'll see you
tomorrow at noon.
NARRATOR
Vernon watched Dr Davali run up the
street and disappear around the
corner towards the bus stop. He
lingered for a moment, very disturbed
by what he had seen. Hallucination
could be a sign of anything from
schizophrenia to dementia or
Parkinson's disease. But, he was
under an enormous amount stress,
maybe more than he'd ever been in his
life. And the mind had strange was of
coping with stress. 'Yes, that was
it', he thought to himself. He just
needed to some rest. Vernon nodded
uneasily and made his way into his
little house. By the time he'd walked
inside he'd put the strange event
completely out of his mind.
AD BREAK
SCENE 4
NARRATOR
As soon as Vernon walked inside he
put his briefcase down at the door
and made his way into his living room
and started working. He'd converted
it into a home workspace and filled
the room with blackboards and books
and papers. Vernon worked like a man
possessed until exactly 6pm when an
alarm sounded and snapped him out of
his trance. He made his way to the
kitchen, selected himself a frozen
fried chicken TV dinner from the
icebox and put it in the oven to
cook. Then he went outside, unfurled
his hose and went about watering his
lawn and flowers. By the time he came
back inside it was almost seven.
Vernon retrieved his dinner from the
oven, gingerly peeled back the foil
over his dinner and savoured the
smell of chicken, whipped potatoes,
vegetables and apple cobbler. He made
his way to the sitting room at the
front of his house, sat in lone chair
in the room and turned on the dial on
the large wooden radio that sat on
the table nearby. It hummed gently
and came to life with a warm glow and
a white hiss of static. Vernon
followed the same routine every
night, unless he was working. His
favourite radio show aired at 7pm and
played some his favourite musical
pieces. Tonight was one he was
especially looking forward to, La
Notte dei Mille Maniaci by Innocenzo
Graziano. The radio warmed up and the
static faded into the first strains
of the cantata. Vernon settled back
into his seat as he chewed on a
drumstick and let his thoughts drift
away with the music. He had just
taken a mouthful of whipped potatoes
when a burst of static jolted him
from his tranquillity. He tried his
best to ignore it, distracting
himself by poking at his apple
cobbler, then noticing with some
dismay it was still frozen in the
centre. But the static only got
worse.
NARRATOR (cont'd)
When he could ignore it no more he
set his tray down with some annoyance
and leaned over to tune the radio.
There was another burst of static as
his station dissapeared completely.
Vernon tuned the dial back to the
frequency is his station normally
broadcast but there was nothing. He
moved the dial to another station but
it was static there too. Then, all of
a sudden, a man's voice burst through
noise.
NEWS READER
We interrupt your regular programming
to bring you this (static) report.
(static)
NARRATOR
Vernon leaned in and carefully tuned
the radio, trying to get a clearer
signal.
NEWS READER
There are unconfirmed reports that
(static) a huge explosion (static)
NARRATOR
Vernon felt a cold chill run down his
spine. Was there an accident here at
the base? He didn't hear an
explosion.
NEWS READER
(static)early reports indicate a
massive blast (static)
NARRATOR
Terrified, Vernon ran to the window
and pulled open the curtains. It was
calm outside, the last brushstrokes
of twilight lingering upon the
horizon. Cars drove down the streets
and families walked and chatted
merrily along the side walks with
their dogs like it was any other day.
Vernon turned back to the radio, his
eyes wide with fear and confusion.
NEWS READER
casualties (static) 60000 people
(static) within the hour (static).
NARRATOR
The hiss of static rose sharply again
before it gave way to the performance
of La Notte dei Mille Maniaci he had
just been listening too, as if the
news broadcast he had just heard had
never even happened.
VERNON HARPER
(worried)
What in the world is going on?
NARRATOR
The events in the afternoon with the
butterfly flashed in his mind.
Something was wrong. Something very
wrong was happening. A dark and
terrible explanation for these
inexplicable events came into his
mind but he dismissed immediately, to
scared to allow himself to even
consider it to be true. Instead, he
picked up the phone and called his
laboratory.
OPERATOR
(phone voice)
How can I connect your call?
VERNON HARPER
(stressed)
This is Dr Vernon Harper, ID
334063610628525. Secure line.
NARRATOR
The phone went silent, then started
ringing. Dr Davali answered on the
third ring.
PREM DAVALI
This is Dr Davali.
VERNON HARPER
(stressed)
Prem, it's Vernon. Is everything
okay?
PREM DAVALI
Everything's fine. Why? What's going
on?
VERNON HARPER
(stressed)
The device. There hasn't been an
accident has there?
PREM DAVALI
An accident? No. We just finished
engine diagnostics. Green across the
board.
VERNON HARPER
You're sure?
PREM DAVALI
Yes. What's going on? Is there a
problem? Should we shut down?
NARRATOR
Vernon breathed a sigh of relief.
VERNON HARPER
No. Don't worry about it. Just
checking in. I'll see you tomorrow
morning.
NARRATOR
Vernon hung up the phone and peeked
outside the window again. It was
night time and the neighbourhood was
peaceful.
SCENE 5
NARRATOR
Vernon Harper spent the night in a
fluster. He searched obsessively,
tuning up and down the radio dial,
trying to locate the phantom
broadcast to no avail. He listened to
every newscast he could find for
information on the explosion. He even
rang the station, but no one knew
what he was talking about. Then he
went door to door and quizzed his
neighbours, including Prem Davali's
pregnant wife Priya, hoping someone
might have heard something. But no
one had. Vernon even tried to use his
security clearance to glean more
information from his contacts in
Washington, but no matter what he
tried or who he asked, no one seemed
to have any knowledge about the
mysterious explosion. There was no
rational explanation he could think
of for what he'd heard. It was if the
news broadcast had never happened.
Around midnight he decided to get
some rest. Vernon tried again to pass
the strange events off as simple
stress but this time his mind would
not be so easily dissuaded. He spent
the next few hours tossing and
turning until he could take no more
and got up and dressed for the day.
He spent the rest of the early
morning before dawn working
obsessively, desperate to focus on
anything other than the gnawing
feeling of dread in the back of his
mind.
NARRATOR (cont'd)
Vernon Harper arrived at the Site R
laboratory in Bedrock Mountain a
little after 11am Thursday morning.
The time displacement experiment was
less than 42 hours away. His full
team were present in the lab
including Dr Prem Davali. Today they
were testing safety protocols and
performing a dry run on the engines
and capacitor.
NARRATOR (cont'd)
Vernon felt on edge, frayed and
unravelling like a snagged thread of
a jumper, and his mood with his co-
workers was prickly and irritable.
They began their testing by firing up
each one of the engines, the 2-mile
long rings of plasmatic resonators
came to life with a powerful ethereal
hum, the frequency rippling out
across the laboratory floor. Its
sound grew slowly in intensity, as if
a titan had awakened from a deep
slumber. Suddenly bright light
flooded the shaft outside the viewing
window and started to oscillate
intensely. Vernon watched the control
panel carefully as the power output
grew.
SFX
(machine humming)
VERNON HARPER
(whispering)
Slowly... slowly.
NARRATOR
The floor beneath Vernon's feet began
to vibrate, the shudder so intense it
felt like pins and needles in his
legs. As the power grew, languid
tongues of plasma curled out across
the void beyond the windows like a
carpet being unfurled. Then all at
once the engine hit its limit of and
lightning flashed intensely again and
again between the capacitor and the
resonator. With each successive
return, the strikes grew faster and
faster, until a dazzling ribbon of
pure plasma formed outside the
control room.
SFX
(lightning strike)
NARRATOR
As the engine discharged into the
capacitor Vernon ordered the next one
to power, each in turn delivered
their charge, till the capacitor was
at it maximum limit.
NARRATOR (cont'd)
At that precise moment Vernon ordered
the capacitor to ground its charge
and the engines to be stood down. The
hum slowly died and the lights
outside the viewing window fell dark.
The lab erupted in cheers at the
successful test and Dr Prem Davali
rushed over to congratulate Vernon
Harper.
SFX
(cheers and
congratulations)
PREM DAVALI
Congratulations my friend. The test
was a triumph. You must be thrilled.
NARRATOR
He looked in Vernon's eyes, they were
bloodshot, dark and troubled. He
looked like someone on the edge of
their sanity.
PREM DAVALI
Vernon. Are you okay? You concerning
me.
VERNON HARPER
I'm fine. It's the stress.
NARRATOR
Vernon tried to smile but couldn't.
He mind was still troubled by the
events of yesterday. He couldn't
could stop thinking what they might
mean. More than anything he wanted to
tell Prem what he had seen, but he
couldn't. Not yet anyway. Not until
he'd figured out what was really
happening.
VERNON HARPER
I didn't sleep well last night,
that's all.
PREM DAVALI
Alright, that's it. We're taking a
break.
What do you mean?
VERNON HARPER
(surprised)
AD BREAK
SCENE 6
PREM DAVALI
You and me, we're going out for a
drink. You need to unwind. You look
like you're going to have a panic
attack.
VERNON HARPER
(protesting)
We can't leave, what about the tests?
PREM DAVALI
It's going to take till tomorrow
morning to correlate the results. You
and I being here isn't going speed
that up.
VERNON HARPER
(unsure)
I don't know if that's...
PREM DAVALI
Come on I brought my car, I'm parked
up in the lot.
NARRATOR
Raymond's Bar & Grill was the only
bar in the town of Dead Horse.
(MORE)
NARRATOR (cont'd)
It was an Air Force bar and
frequented regularly by most of the
base personnel. Vernon and Prem sat
in one of the far corners of the
room, the space lit by a few dim
bulbs that cast long shadows across
the peeling wallpaper. The air was
thick and musty with smoke and the
smell of stale beer and a jukebox
played crackling jazz records in the
corner. The table they sat at was
small and wobbly, it surface sticky
from spilled drinks and remnants of
cigarette ash.
PREM DAVALI
How's your drink.
NARRATOR
Vernon picked up the Manhattan that
was siting before him and sipped it
nervously as if was out of place in
the dinghy bar.
VERNON HARPER
(meekly)
It's good.
PREM DAVALI
Have you been here before.
VERNON HARPER
No, this is my first time. I'm not
normally much of a drinker.
PREM DAVALI
Well, are you ready now or do you
want to have another drink before you
tell me what's going on?
VERNON HARPER
What do you mean?
PREM DAVALI
(chuckling)
Don't play coy with me Vernon, I know
you too well. Ever since I that
meeting yesterday with the military
brass you have been acting positively
certifiable.
(MORE)
PREM DAVALI (cont'd)
First I find you in your front yard
on your knees swatting at invisible
butterflies then a few hours later
you called the laboratory sounding
like a madman and wanting to know if
the machine had blow up. I'm not a
fool Vernon, I need to know what's
going on.
NARRATOR
Vernon's head swam. The lack of
sleep, the stress and the alcohol
were making it hard for him to
concentrate. He wanted to tell him
what had seen but he was worried how
Prem might react. He wanted to tell
him a lot of things but he knew he
couldn't. Lying was the best course
of action.
VERNON HARPER
(sighing)
I'm worried about what the military
might do with the machine if our test
is successful.
NARRATOR
At least that was true he thought to
himself. He was very worried what
would happen when they got their
hands on his creation.
PREM DAVALI
That's totally understandable Vernon.
But surely you must have thought
about the possibilities of that
before you created a working temporal
device.
VERNON HARPER
I did. I suppose my egotistical
desire to see if I could build the machine outweighed my moral compass to decide if I should build the machine. Now that it is upon us I think they are now coming back into balance.
NARRATOR
Vernon finished his drink and waved
to the bartender for another. Prem
lit a cigarette stared at him
strangely.
PREM DAVALI
Are you sure that's what's worrying
you? There's nothing else I need to
know?
NARRATOR
The bartender brought Vernon his
drink and he took a deep gulp. He
felt flush and tired and happy all at
once.
VERNON HARPER
I promise.
PREM DAVALI
Tell me Vernon. Why did you want to
build the Westcott Device? What drove
you towards the idea of time travel?
It seems so out of place for a man
like you.
VERNON HARPER
(amused)
Why. Why is it so out of place for a
man like me?
PREM DAVALI
It's so impractical and you are not.
This is the work of a dreamer, not a
man of science. It is as if you are a
rancher who woke up one day and
decided to wrangle a unicorn.
VERNON HARPER
(chuckles)
I'm a dreamer. I think everyone is if
you give them the chance. For me it
was the thought that there was a
world out there somewhere where
everyone could be free. A place where
there were no limits on a person and
who they could or couldn't be in
their lives. A place where everyone
could be themselves.
NARRATOR
He smiled at Prem and gazed into his
dark eyes hoping he understood what
he'd always wanted him to know, but
was never brave enough to to tell
him. But wasn't just about being
brave. It was dangerous to have a
secret in this day and age with
McCarthy and his witch hunt.
NARRATOR (cont'd)
The Red Scare was real. Being a
communist could see you unemployed,
blacklisted or in jail, no matter who
you were. Being gay was even worse.
VERNON HARPER
What about you? Why did you come to
work on the Westcott Device.
PREM DAVALI
To work with you of course. Your work
is brilliant and I only ever wanted
to work with the best.
NARRATOR
Prem smiled broadly at Vernon and he
reached out for his gin and tonic.
Vernon's heart beat so loud in his
chest and on an impulse Vernon
reached out and touched his hand. As
his fingers touched Prem's he felt
them almost spark, reminding Vernon
of their wonderful machine being able
to drawn electricity from the very
air itself. And it was electricity
for one perfect moment.
PREM DAVALI
(uncomfortably
clearing his throat)
It's getting late.
NARRATOR
Prem withdrew his hand from Vernon's
and folded them neatly in his lap.
Vernon was left exposed and
venerable, his hand extended in mid-
air across the table. Unsure of what
to do he smiled at Prem and reached
for his cigarettes nearby.
VERNON HARPER
Do you mind?
PREM DAVALI
Not at all. Look, we should probably
go. Lot's to do in the morning.
SFX
(coughing)
NARRATOR
Vernon lit the cigarette and inhaled,
coughing and choking on the smoke.
He'd never had a cigarette in his
life. They paid the bill and Vernon
reluctantly followed Prem outside,
shame, regret, and self-consciousness
all crashing down upon him in a tidal
wave of emotions. He felt feverish,
his heart pounded and his knees were
weak. But more than anything, he felt
stupid.
NARRATOR (cont'd)
It was near dusk on the the main
street of Dead Horse. The road was
dusty and unpaved, lined by a small
grocery store, a gas station and a
few homes all constructed from wood
and corrugated metal. A flatbed truck
was rumbling its way out of town past
a cowboy on a dun coloured horse. In
the distance a little girl played
hula-hoop with her friends. Fear
started to grip Vernon's heart. If
Prem told anyone about what happened
he'd be ruined. Vernon quickened his
pace and caught up to explain.
VERNON HARPER
Look Prem, about what happened. I'm a
bit drunk. I was just reaching for
the cigarettes. I-I didn't mean to
touch your hand like that.
NARRATOR
Prem smiled like it was no big deal
and turned to him to say...
SFX
(sound of lightning)
NARRATOR
There was a sudden flash of light,
brighter than the sun itself followed
by the sound of rolling thunder, much
louder and more terrible than
anything Vernon had ever felt before.
Shocked, he stopped and turned
towards the base. Time seemed to slow
to a standstill. All at once the air
was sucked out of his lungs and an
immense heat scorched and blackened
everything around him. He tried to
cry out but could not even drawn a
breath.
NARRATOR (cont'd)
In the distance he saw the shock wave
of a great concussive blast expanded
out towards him, rolling across the
desert like some terrible cloud
front, the noise building to a
crescendo so deafening he felt his
ear drums explode and bleed. The air
became like fire and everything
ignited at once, the houses, the
truck, the cowboy and his horse and
the little children, even the air
itself became an inferno. Vernon felt
the skin on every part of his body
shrivel, then blister and burn in an
instant while before him in the
distance a great firestorm rose into
the sky like the devil itself before
blasting out in all directions and
consuming everything in a ferocious
inferno of destruction until there
was only desolation left.
PREM DAVALI
Vernon, what the hell are you doing?
Snap out of it.
NARRATOR
Vernon woke up from his trance like a
child wakes from a nightmare. He was
on his knees in the dirt in the
middle of the street. People were
looking at him.
PREM DAVALI
You were screaming. What's going on?
VERNON HARPER
I don't know. I don't know what's
happening.
PREM DAVALI
I think we need to get you to a
doctor.
VERNON HARPER
No, I just need to rest. I have not
slept in days. Please just take me
home.
NARRATOR
Prem helped him to his feet and back
to the car. Gone were any feelings
embarrassment. All Vernon could feel
now was impending doom.
INTERLUDE
BARON SORDOR
Salutations honoured guests, I trust
you are enjoying your evening at the
Theatre of the Doomed. While I'm sure
you are eager to discover the cause
of Dr Harper's apocalyptic visions
and the source of the mysterious
radio broadcast we are obliged at
this moment to offer you a brief
intermission. For those of you who
have been gripping your seats in
white knuckled terror we implore you
now to please take the time to imbibe
of a strong libation, or perhaps,
chase the dragon if your so inclined,
anything to calm those frazzled,
jangled nerves. But be warned, what
is about to transpire is not for
milksops, or those with delicate
constitutions, for you are about to
face the cruel and paradoxical world
of temporal travel when we return to
Baron Sordor's Theatre of the Doomed.
SCENE 7
NARRATOR
Vernon opened the front door of his
house and walked inside a little
before 7pm. It felt like he was
having an outer body experience, like
he was watching himself from afar. He
stood in his hallway for several
minutes, unsure of what to do, his
mind racing through a million
possibilities to try and explain what
he had just seen. Then he looked at
his watch. It was almost 7. He
wondered if the broadcast would
happen again. Vernon raced over to
his sitting room and turned on the
radio, sitting before it on his knees
and tuning the dial, listening for
something in the static. And then,
just like the night before, it
happened.
NEWS READER
We interrupt your regular programming
to bring you this special report.
There are unconfirmed reports that
(static) shortly (static) 5:00 am
Saturday morning (static) a huge
explosion (static) David Air Force
Base...
NARRATOR
Vernon felt his face go slack.
NEWS READER
(static) engulfed (static)
surrounding towns (static) Details
(static) coming in but early reports
indicate a massive blast (static)
enormous 100-mile wide fireball
(static) Initial casualties have
been estimated to be up to 60000
people (static) within the hour.
NARRATOR
Vernon turned off the radio. His
worst fear had come true. There was
no other explanation for what had
happened. The butterflies, the news
reports and what he'd seen on the
street of Dead Horse, it wasn't due
to stress or lack of sleep. There
could be no denying it any longer.
NARRATOR (cont'd)
Vernon got to his feet and walked
over to one of the blackboards in his
living room, scrubbing off the
complex work, then scribbling
mathematical equations furiously in
yellow chalk until it was filled. He
did the same with the next board and
the one after until all four boards
in the room were covered, front side
and back with an impossibly complex
theorem. When it was complete he
stood back from the blackboards and
read his work again, looking for a
mistake, hoping against hope that
something was wrong with his
calculations. But they were correct.
It was true. And he wept like he did
when he was young, tears tumbling
down his cheeks, his brow furrowed
and lips trembling, unable to draw
breath as he howled like a frightened
child. It took him close to ten
minutes to pull himself together.
When he did it was close to midnight.
He picked up the phone and called
Prem Davali.
SFX
(phone ringing)
PREM DAVALI
(sleepy voice)
Hello?
VERNON HARPER
Prem, it's me. I need you to come
over to my house.
PREM DAVALI
(sleepy voice)
What? What time is it?
VERNON HARPER
Prem, I know it's late...
PREM DAVALI
(sleepy voice)
It's almost midnight Vernon... I...
I'm asleep...
VERNON HARPER
(urgently)
I really need to speak to you. It
can't wait.
PREM DAVALI
(reluctantly)
I'll be over in fifteen minutes.
NARRATOR
Ten minutes later Prem was sitting in
Vernon's living room, bleary eyes,
his hair dishevelled and still
dressed in today's clothes. If he was
annoyed he didn't show it, instead he
seemed genuinely concerned for his
friend.
VERNON HARPER
Thank you for coming Prem. I know
it's late.
PREM DAVALI
I'm worried about you Vernon.
VERNON HARPER
(deep breath)
For the past two days, I have been
having visions.
PREM DAVALI
I knew that something was wrong.
Vernon, if you need to speak...
VERNON HARPER
Please. Let me finish. For the past
two days, I have been having visions.
Visions of the future. It all started
yesterday when I saw a butterfly
catch fire in my front yard then
disappear as if nothing had happened.
That same night I heard part of a
news report on the radio about an
explosion that killed thousands of
people. At first I wrote it off as
stress, as a nervous reaction. But
this afternoon I saw that very
explosion with my own eyes and when I
got home I heard more of that same
news report. Then I realised. I am
not having visions, I am seeing the
future, echo's of what will be when
we test the Westcott Device.
NARRATOR
Prem looked at him with bewilderment,
struggling to comprehend.
PREM DAVALI
I don't... I'm sorry. This is very
hard to understand (laughs nervously)
Are you saying that you are seeing
the future and that the test of the
Westcott Device on Saturday is going
to fail?
VERNON HARPER
I'm saying the test is going to
result in a catastrophe that will
kill 60000 people.
PREM DAVALI
And you're saying this because you've
seen the future. (laughs nervously)
Wow. This is... this is a lot to take
in.
VERNON HARPER
I understand your scepticism...
PREM DAVALI
Can I ask you Vernon? As a scientist,
have you considered that perhaps it's
you that is the problem? That you
might be having some kind of nervous
breakdown or something? I mean in all
fairness you have been acting
extremely erratically over the past
few days and I...
VERNON HARPER
The maths doesn't lie.
NARRATOR
Vernon guided Prem through his
equations, walking him step by step
through his theorem. At the end he
turned to him and said...
VERNON HARPER
The many world block theory we have
used to construct the Westcott Device
relies on the existence of every
possible outcome of the past, present
and future co-existing
simultaneously. Everything that
would, will and could ever be,
everywhere, all at once.
VERNON HARPER (cont'd)
It seems that by simply using this
device on Saturday we have somehow
created a nexus in these realities, a
converging point if you will that has
allowed other dimensions to spill
over into our own. The theorem I have
shown you explains how this could
happen, and because of it, I have
seen the future. I have seen what
will happen at 5am this Saturday
morning when we test the Westcott
Device. And it is real. It is real,
unless we do something to change it.
PREM DAVALI
To change it? If an infinite number
of futures exist then how can we know
that this is the one that will happen
when we test the device?
VERNON HARPER
We have seen the future...
PREM DAVALI
(interrupting)
You've seen the future Vernon. All I
have is your word. (quiet for a
moment) What are you proposing?
VERNON HARPER
If you believe me or not, there is a
simple solution. Delay the test. Come
with me tomorrow to see Colonel
Harris and convince him to delay for
24 hours. That's all I'm asking. The
news report said the accident would
occur 5 am Saturday. An extra day
would give us the chance to recheck
our work and make sure it's safe.
Please, 1 day. That's all I'm asking.
NARRATOR
Prem rubbed his face in frustration
and got to his feet.
PREM DAVALI
Okay. 1 day, I'll give you that. But
that's all you get. If the tests come
back green on Sunday, we go. Agreed?
VERNON HARPER
(happy)
Agree. Thank you Prem.
PREM DAVALI
You don't have to thank me Vernon.
We're a team. But if you see anything
more, or hear any news reports after
Saturday you have to promise you'll
tell me and let me take you to a
doctor.
SCENE 8
COLONEL DESMOND HARRIS
So you're telling me that you want to
delay the test of a 1.6 billion
dollar priority government project
for 24 hours, but you can't tell me
why.
NARRATOR
Vernon Harper and Prem Davali sat in
the office of Colonel Desmond Harris,
the commander of Davis Air Force Base
and the head of Site R and every
other clandestine project operating
at the instillation.
VERNON HARPER
Yes sir.
NARRATOR
Colonel Harris laughed and chewed on
his cigar, leaning back in his chair
and enjoying the cool air as his desk
fan oscillated slowly across the
room.
COLONEL DESMOND HARRIS
Is there a problem I need to be aware
of?
PREM DAVALI
Yesterdays engine tests have given us
some reasons for caution. We think
that a round of additional
diagnostics should clear up a
anomalies we've encountered and
guarantee a successful test of the
device. We estimate we can have the
system ready for full operation by
5am Sunday morning.
NARRATOR
Colonel Harris nodded and mused what
he'd heard for a moment then looked
at Vernon.
COLONEL DESMOND HARRIS
Do you concur with your associate Dr Harper?
VERNON HARPER
I do.
NARRATOR
Colonel Harris grinned broadly and
puffed on his cigar then picked up a
file from his desk and held it up for
the two scientists to see.
COLONEL DESMOND HARRIS
Seems we got some confusion. Cause I
just read yesterday's output report
from your team and they say the
device is a-okay and ready to go. SO
is there something you're not telling
me gentlemen?
NARRATOR
Colonel Harris leant forward on his
desk and smiled.
COLONEL DESMOND HARRIS
In case you two forgot we got the
biggest swinging dicks from here to
Washington out here ready to see you
boys put on a show in less than 20
hours. So unless you start giving me
a real reason to call off this test
we are going ahead as scheduled.
NARRATOR
Vernon started to speak and Prem
grabbed his arm.
PREM DAVALI
(whispering)
Let me handle this...
VERNON HARPER
I have seen the future Colonel.
COLONEL DESMOND HARRIS
You what?
VERNON HARPER
This test is going to result in the
deaths of 60 000 people unless we
stop it. It's up to you, right now,
to change the future Colonel.
NARRATOR
Colonel Harris's grin faded and he
removed his cigar from his mouth.
COLONEL DESMOND HARRIS
What the hell are you talking about
son?
PREM DAVALI
(to Vernon)
Vernon, please... don't...
NARRATOR
Vernon shrugged Prem aside and got to
his feet imploring Colonel Harris to
listen to him.
VERNON HARPER
(talking over)
At 5am Saturday morning the Westcott
Device is going to explode with a
force 100 times larger than the blast
over Hiroshima. It will wipe out half
the life in this state. We have one
chance to change the future but only
if we act now...
NARRATOR
Colonel Harris nodded and smiled,
indicating for Vernon to sit down.
COLONEL DESMOND HARRIS
I hear you. Dr Harper is it?
VERNON HARPER
Yes. Sir, I know this is hard to
believe...
COLONEL DESMOND HARRIS
(interrupting)
It's alright. So you're in charge of
this test, is that right Dr Harper?
VERNON HARPER
Yes sir, I am.
COLONEL DESMOND HARRIS
And you Dr Davali... do you agree
with colleague Dr Harper here.
PREM DAVALI
I do. I know it sounds far fetched,
but all we're asking for is another
day sir. Dr Harper is...
COLONEL DESMOND HARRIS
(interrupting)
That's all I need to know.
NARRATOR
Colonel Harris pressed the intercom
button on his desk.
(MORE)
NARRATOR (cont'd)
Dr Davali tried to continue talking
but the Colonel held up his finger
for him to wait.
GINA
(intercom voice)
Yes Colonel?
COLONEL DESMOND HARRIS
Gina, can you send in Corporal Ellis
when you get a moment.
GINA
(intercom voice)
Right away Colonel.
COLONEL DESMOND HARRIS
Gentlemen. I gotta say, what you've
told me today has got me real
concerned about the safety of your
project.
NARRATOR
Both Vernon and Prem look and each
other and let out a sigh of relief.
COLONEL DESMOND HARRIS
So here's what I'm gonna do.
Effective immediately, you are both
hereby relieved of your command of
Project Hummingbird.
VERNON HARPER & PREM DAVALI
(in unison)
What? Colonel you can't do that...
VERNON HARPER
Colonel please.
COLONEL DESMOND HARRIS
Furthermore...
VERNON HARPER
(interrupting)
You don't understand the...
COLONEL DESMOND HARRIS
(talking over him)
Furthermore, your behaviour is such
that frankly, I question your
intentions gentlemen. And you
allegiance.
COLONEL DESMOND HARRIS (cont'd)
As the officer charged with the
security of this facility I am
concerned that there may be some
outside influence involved in your
decision making.
VERNON HARPER
(warning)
Tens of thousands of people will die
unless we stop that test. If you go
ahead with this Colonel I'm going to
make sure that everybody knows that
you're responsible for what's going
to happen here tomorrow.
COLONEL DESMOND HARRIS
Is that right is it? Well, I don't
take to kindly to threats son. How
about this, I'm confining both of you
to your quarters until after the test
on Saturday, at which point, I'm
gonna recommend you face a formal
investigation for acts if treason
against these United States.
PREM DAVALI
No sir, you've got it all wrong. I am
not a traitor...
NARRATOR
Colonel Harris nods at the large
military police officer standing
behind them to escort the two
scientists from his office.
COLONEL DESMOND HARRIS
Get these two out of my sight
Corporal.
VERNON HARPER
Please sir, don't do this. You're
making a huge mistake.
CORPORAL ELLIS
Gentlemen, if you'll please come with me.
AD BREAK
SCENE 9
NARRATOR
The black Nash Ambassador sedan sped
down the dirt road away from the Air
Force base towards Edge City.
Corporal Ellis Sat in the front seat
driving the car while Prem and Vernon
sat in the back, their eyes glued to
the blur of the desert outside the
car.
PREM DAVALI
What the hell are we going to do?
VERNON HARPER
I don't know, maybe we can call the
Colonel. Get him to reconsider about
the test.
NARRATOR
Prem looked over at Vernon in
complete disbelief.
PREM DAVALI
(in disbelief)
Are you serious? Do you have any idea
how much trouble we're in? This will
ruin me.
NARRATOR
Vernon continued staring at the
desert out the window, his brow
furrowed in concentration.
VERNON HARPER
You're right. He'll never reconsider.
We need to take matters into our own
hands.
PREM DAVALI
(keeping his voice
low)
What the hell do you mean?
VERNON HARPER
Sixty thousand people are going to
die tomorrow morning unless we do
something about. Their blood is on
our hands unless we act now.
NARRATOR
Corporal Ellis glanced up at the
rear-view mirror.
CORPORAL ELLIS
Is everything alright back there?
PREM DAVALI
(nervous)
Everything's fine.
NARRATOR
The sedan began to slow as it
approached the t-intersection up
ahead. To south was Edge City. To the
north was Bedrock Mountain and the
Westcott Device.
VERNON HARPER
(whispering)
Just trust me, alright.
PREM DAVALI
(whispering urgent)
Vernon please, whatever you're
thinking about doing... I beg you to
reconsider...
NARRATOR
The car slowed as it reached the
intersection and Corporal Ellis,
indicated to turn left. In one swift
movement Vernon lent forward in his
seat and pulled Corporal Ellis's
pistol from the holster on his hip.
CORPORAL ELLIS
(surprise)
What the hell?
SFX
(screech of car
brakes)
NARRATOR
The young MP slammed on the breaks
and started to turn to grab his
pistol from the prisoner behind him.
He froze at the sound of the hammer
cock.
PREM DAVALI
(shouting)
Vernon what the hell are you doing?
NARRATOR
Vernon had the pistol levelled at the
back of the Corporal's head.
VERNON HARPER
(serious)
Don't try it.
CORPORAL ELLIS
(begging)
Please, don't... don't shoot me...
(continues in the background)
PREM DAVALI
(desperate, disbelief)
Oh my god, what have you done?
VERNON HARPER
What needs to be done.
CORPORAL ELLIS
(begging)
Please, I'll just let you go... get
out here... I won't tell...
VERNON HARPER
Corporal, I need you to drive north.
We're headed to the Bedrock Mountain
facility.
CORPORAL ELLIS
Sir, I don't have the clearance...
VERNON HARPER
(cutting him off)
Just keep your eyes on the road and
your mouth shut Corporal. I don't
want to hurt you, but I will if I
have to. Sixty thousand people are
about to die, I'm prepared to give my
life to make sure that doesn't
happen, are you?
CORPORAL ELLIS
(upset)
I don't want to die sir.
VERNON HARPER
Good. Then get moving.
PREM DAVALI
(begging)
Vernon, I beg you reconsider, please.
I've got a wife and child, I don't
want to go to prison.
VERNON HARPER
(angry)
Jesus Christ Prem. They'll both be
dead if we don't stop this test Prem,
we'll all be dead, don't you
understand?
NARRATOR
Prem nodded and swallowed hard, his
hands shaking in his lap.
PREM DAVALI
What are you going to do? If you
sabotage the machine, they'll just
fix it.
VERNON HARPER
What happens if the test is a
failure? If the machine doesn't
create the temporal portal?
PREM DAVALI
How could that happen?
VERNON HARPER
Each engine is built to deliver
302,500,000 joules into the capacitor
before they earth to create the 1.21
billion Joule charge that will form
temporal portal. If I rig the flux
inhibitors and the control panel so
it looks like each engine has
delivered its full charge but in
reality it's significantly less, say
20 percent, they won't understand
what has happened. The output on the
instrumentation will be correct but
the experiment will be a failure.
They won't know why. You and I are
the only two people with the working
knowledge of the machine, without us
the experiment will be shelved. The
Pentagon is not going to keep pouring
money into a time machine that
doesn't work.
PREM DAVALI
And how do you know that?
VERNON HARPER
They told me as much in the meeting
the other day.
PREM DAVALI
Do you think it'll work?
VERNON HARPER
It has to.
NARRATOR
The black sedan sped north towards
Bedrock Mountain and the Westcott
Device.
SCENE 10
NARRATOR
Vernon opened the door to the Site R
laboratory and cautiously peeked
inside. It was empty, just as he
expected. His team wouldn't be
arriving till 5pm to start
preparations for the experiment. That
gave them almost 3 hours. Plenty of
time to lower the output of the
engines and get far away from the
Westcott Device.
VERNON HARPER
Come on. There's no one here.
NARRATOR
Getting into the facility had been
surprisingly easy. They had stopped
the car about a mile from Bedrock
Mountain and Vernon had forced
Corporal Ellis into the trunk of the
car at gun point, shooting two air
holes in the lid so he could breath.
He knew there was a chance that the
young Corporal could die in there but
he put it out of his mind, telling
himself a lot more would perish if
didn't act. As Vernon had suspected
Colonel Harris had not suspended
their credentials so he and Dr Davali
had simply been able to walk in like
it was any other day.
PREM DAVALI
(upset)
Please Vernon. I think we should turn
ourselves in. That man is going to
die if we leave him locked out there
locked in the trunk.
VERNON HARPER
We can't think about that now. We
have to stop this catastrophe before
it's too late.
PREM DAVALI
(upset)
But what if you're wrong? I can't go
to jail, Vernon.
VERNON HARPER
You won't. I'll take the blame, I'll
tell them I kidnapped you. All I need
you to do is stand at the door at the
door and stop anyone from coming
inside. I need about thirty minutes
to change the output on the engines
and reconfigure the control panel.
Okay?
NARRATOR
Prem nodded yes but he looked far
from convinced. Vernon waited till he
exited the room before he approached
the control panel. He was nervous,
altering the machines output levels
and safety protocols was dangerous
and something he'd never planned on
doing. But he needed to act and there
was no other way he could think of to
stop the experiment. They had to
believe the machine didn't work, then
there was no way they would continue
to proceed with the development of
the device. And everyone would be
safe.
NARRATOR (cont'd)
Vernon removed the plate from the
side of the panel and started
following the maze of wires,
connections, and circuitry that
linked the plasmatic engines and
electro-magnetic capacitor to the
central monitoring and control
system. This was going to take longer
than he thought.
SFX
(security alarms)
NARRATOR
Just then the facilities alarms
started blaring loudly. Vernon sat up
from the control panel and looked
around in a panic, his eyes going to
the doors of the laboratory.
VERNON HARPER
Prem. What's going on out there?
NARRATOR
There was no response.
VERNON HARPER
Prem? Prem are you there?
NARRATOR
Vernon waited, hoping to see Prem
come through the doors, but they
remained shut. He started to panic.
Someone must know they were here.
They must have found the guard locked
in the trunk or Colonel Harris must
have contacted security and told them
not to let them into the facility.
VERNON HARPER
Prem. What's going on out there?
NARRATOR
He got up and ran to the door,
ripping it open and motioning for
Prem to come inside. But he wasn't
there. The hallway was empty. Vernon
looked up and down the hall again,
bewildered. 'Prem couldn't have just
dissapeared.' Vernon thought to
himself. 'They must have already
found him.' There was no other
explanation. Vernon closed the doors
and locked them then ran back over to
the control panel. Prem must have led
the guards away from the lab to buy
him more time. He didn't have long,
so he had to make this count. Vernon
bent down in front of the control
panel examining the control systems
of the engines. There was not enough
time to reconfigure then engines and
recalibrate the output
instrumentation.
VERNON HARPER
(frustrated)
Aargh. There must be a way to do
this. Think Vernon, think.
NARRATOR
Then it struck him. While he didn't
have time to change the four engines
he could change the capacitor.
NARRATOR (cont'd)
If he dropped the charge it would
hold by 20% and recalibrated the
output instrumentation, the capacitor
would fire before the engines had hit
their full output level and alert his
team that there was a problem, they'd
be able to recalibrate and complete
the test. BUT, if he upped the charge
the capacitor would hold by 20% it
would not fire, as the engines were
designed to cut out at 302,500,000
joules. There would be no way there
could be an accident and no one would
ever know he'd sabotaged the machine.
The Westcott Device simply wouldn't
work, it'd be a dud, and the Pentagon
would walk away from the project
forever. Vernon smiled to himself and
got to work readjusting the firing
sequence of the capacitor. He knew
he'd be arrested after this was over.
There was no getting away from the
crimes he'd committed. But that was
okay, just as long as he could save
all those peoples lives, just as long
as Prem would be okay.
NARRATOR (cont'd)
Vernon finished adjusting the
capacitor then he quickly altered the
output instrumentation so it would
not read above 1.21 gigawatts and
alert the members of his team
monitoring the experiment. He closed
the panel just as he heard the first
bang at the laboratory door.
SFX
(loud bang)
NARRATOR
Vernon crossed to the middle of the
lab where he stood hands clasped
behind his back, a stoic smile across
his face.
SFX
(loud bang, then 2 more)
NARRATOR
The door burst open in a shower of
splinters and dust and squad of
heavily armed soldiers rushed into
the room, guns trained at Vernon
Harper's head.
VERNON HARPER
Gentlemen. I'm glad you could make
it. What can I do for you this fine
afternoon?
SOLDIER 1
(shouting)
On the ground now!!!
NARRATOR
Vernon raised his hands as the
soldiers rushed at him, the closest
striking him across the temple with
the butt of his rifle.
SFX
(sound of a hard blow)
VERNON HARPER
Aargh!!!
NARRATOR
Vernon staggered from the ferocity of
the blow, then fell to the floor. He
tried to get up, managing to push
himself up to his elbow before he
fell back down again. Vernon could
feel warm blood trickling down his
face and he tried to speak but the
darkness took him before he could
open his mouth.
AD BREAK
SCENE 11
NARRATOR
The acrid smell of ammonia filled
Vernon's nose. He groaned in his
stupor and breathed in again, the
pungent, suffocating smell causing
his to cough violently and snap his
head awake. He blinked away
unconsciousness and coughed violently
again as the soldier standing before
him waved the package of smelling
salts beneath his nose one more time
to be sure.
SOLDIER 1
He's coming to.
NARRATOR
Vernon tried to stand up but
couldn't. He was strapped to a metal
chair in a cold and dark looking
concrete cell.
VERNON HARPER
(panicked)
Where am I?
NARRATOR
Vernon looked around the room. There
were no windows, only a reinforced
metal door, it looked like the only
way in or out. The space was bare
except for a metal table and another
chair opposing where he sat. A long
mirror ran the length of the back
wall. It looked like he was in an
interrogation room. Vernon noticed
there was a television monitor set up
on a stand in the far corner.
VERNON HARPER
(panicked)
What's going on? Where's Dr Davali?
NARRATOR
The door opened and in walked Colonel
Harris. The soldier in the room
snapped to attention.
COLONEL DESMOND HARRIS
At ease private. How are you feeling
Dr Harper?
VERNON HARPER
My head hurts.
COLONEL DESMOND HARRIS
I'm not surprised. I hear they gave
you quite the greeting.
VERNON HARPER
Was that really necessary Colonel?
COLONEL DESMOND HARRIS
Sometimes the men get a little over
zealous in the treatment of someone
who's killed one of their own.
VERNON HARPER
(quietly)
Corporal Ellis is dead?
COLONEL DESMOND HARRIS
He suffocated in the trunk of the car
before we could get to him.
VERNON HARPER
(scared)
I... Look I didn't mean for that to
happen Colonel.
COLONEL DESMOND HARRIS
It doesn't really matter now does it?
Your sentiments aren't going to bring
him back to life now are they.
SFX
(hum of engine)
NARRATOR
Vernon shook his head and felt a knot
well up in his throat. He hadn't
meant to kill that boy. It was the
last thing he wanted to do. Vernon
swallowed hard and did his best not
to cry. Through the walls and the
floor he could hear and feel a
familiar vibration.
VERNON HARPER
(tentatively)
Where am I?
COLONEL DESMOND HARRIS
Don't worry you're safe. Believe it
or not you're still at the Bedrock
Mountain Facility Dr Harper.
COLONEL DESMOND HARRIS (cont'd)
I had a security rooms built into the
lower floors when we were
constructing your engine, just in
case we encountered a scenario like
we have today.
VERNON HARPER
What time is it? How long have I been
out?
COLONEL DESMOND HARRIS
Boy, you ask a lot of questions don't
you? But you're a scientist after all
so I guess I shouldn't be all that
surprised. It's 4.56am Saturday the
4th of April 1955. In five minutes,
you're gonna make history doctor.
VERNON HARPER
You're going to test the machine?
COLONEL DESMOND HARRIS
That's the plan. But before we do I'd
very much like to know what you were
doing in that laboratory before we
found you?
VERNON HARPER
Where's Dr Davali?
COLONEL DESMOND HARRIS
(forceful)
We'll get to him in a moment. I'll
ask you again, what were you doing in
the laboratory doctor?
VERNON HARPER
I wasn't doing anything. Where's Dr
Davali?
SOLDIER 1
3 minutes and counting sir.
VERNON HARPER
(angry)
Goddammit Colonel, I haven't done
anything to your precious machine,
now tell me what you've done to Prem?
COLONEL DESMOND HARRIS
See, I don't believe you Dr Harper. I
don't believe that you would kidnap
and kill one of my men and break into
a government facility all to stop the
testing of a machine and then not
sabotage that machine.
VERNON HARPER
I don't care what you believe. Did
you kill Prem?
COLONEL DESMOND HARRIS
On the contrary, your friend has been
most helpful.
NARRATOR
A light turns on behind the mirror on
the far wall and the room behind is
illuminated. Vernon can see Prem
Davali standing with a group of
soldiers watching on. He looks as if
he's been crying. He reaches down and
press the button for the microphone
in front of him.
PREM DAVALI
(upset through
intercom)
I'm sorry Vernon. I had no other
choice. I had to think about Priya
and the baby.
COLONEL DESMOND HARRIS
Your colleague has been very co-
operative. Did you know he was the
one who raised the alarm?
VERNON HARPER
(scared)
What did you do?
COLONEL DESMOND HARRIS
You see he thought you sounded as
crazy as I did, so he raised the
alarm then told us exactly what you
planned to do to the test today.
SOLDIER 1
2 minutes and counting sir.
NARRATOR
Colonel Harris turned and flicked on
the TV monitor behind him.
(MORE)
NARRATOR (cont'd)
The screen went white as the valves
came to life, then an image of the
Site R lab came into focus. He could
see the team preparing to fire up the
engines and bring them to full power.
VERNON HARPER
(scared)
What did you tell them Prem?
SOLDIER 1
90 seconds.
PREM DAVALI
(upset through
intercom)
Vernon, I'm sorry. You have to see
this from my point of view.
VERNON HARPER
(scared and angry)
What the hell did tell them?
PREM DAVALI
(upset through
intercom)
They know everything. They know about
your plan to lower the output levels
of the engines by 20%... about how
you rigged the instruments to hide
the real output to make it seem like
the test was a failure.
SFX (alarm)
NARRATOR
Vernon's heart feel like it stops
beating and the floor seems to fall
from beneath him. He can hear the one
minute alarm sound and see the
scientists in the Site R Lab on the
monitor begin firing the engines.
VERNON HARPER
(panicked)
You have to stop the test right now.
COLONEL DESMOND HARRIS
We have corrected your attempt at
subterfuge doctor and readjusted the
engines output level by 20%.
VERNON HARPER
(panicked)
Oh Jesus... you have to stop... I
didn't adjust the engines, I swear
it. I didn't have time!!!
NARRATOR
Prem's face drains of colour.
PREM DAVALI
(upset through
intercom)
What do you mean you didn't adjust
the engines? Vernon, what the hell
did you do?
SOLDIER 1
Thirty seconds.
SFX
(engine hum gets
louder and rumbles
like an earthquake)
VERNON HARPER
(terrified)
I increased the storage capacity of
the capacitor.
PREM DAVALI
(terrified through
intercom)
If you increased the storage and I
increased the output... then...
VERNON HARPER
(whispers in terror)
It's going to explode.
SFX
(countdown in background)
10
VERNON HARPER
(desperate)
Colonel you need to call the control
room and stop the test. The machine
is going to explode!
SFX
(countdown in background)
7
NARRATOR
Colonel Harris saw the terror in the
eyes of Vernon Harper and Prem Davali
and picked up the phone.
COLONEL DESMOND HARRIS
(shouting)
Get the Site R control room on the
horn now!!!
SFX
(countdown in
background)
5, 4...
VERNON HARPER
(screaming)
For the love of god Colonel stop the
test!
SFX
(engine hum whines
loud and high like
its about to explode)
SFX (cont'd)
(countdown in
background)
3, 2...
COLONEL DESMOND HARRIS
(shouting into the
phone)
This is Colonel Harris you need to
shut down the test immediately.
1...
SFX
(countdown in background)
VERNON HARPER
(whispering)
Oh my god, what have I done.
SFX
(explosion)
NARRATOR
Vernon Harper bows his head as the
capacitor discharges, detonating the
Westcott Device and most of Bedrock
Mountain in a cataclysmic explosion
more powerful than anything witnessed
in the history of human civilization.
The last thought that flashes through
his mind was that this was all his
doing, if he hadn't had listened to
that broadcast and tried to change
the future then none of this would
have ever happened.
NARRATOR (cont'd)
Less than an half an hour later
radios across the country came to
life, all blaring the same tragic
news story...
NEWS READER
We interrupt your regular programming
to bring you this special report.
There are unconfirmed reports that
shortly after 5:00 am Saturday
morning there was a huge explosion at
the David Air Force Base in Nevada
which has apparently engulfed several
surrounding towns including Austin,
Eureka, Battle Mountain and Spring
Creek. Details at this point are
still coming in but early reports
indicate a massive blast was heard as
far as 3000 miles from the base and
an enormous 100-mile-wide fireball
was seen spreading across the sky.
Emergency services are reportedly
already on the ground. Initial
casualties have been estimated to be
up to 60000 people. Authorities are
yet to comment but there is growing
speculation that the blast may be
the work of sabotage by somebody that
worked at the air force base. We’ll
have more on this unfolding story
within the hour.
EPILOGUE
BARON SORDOR
Well, well, well, is everyone okay?
Shall I bring the smelling salts?
(Laughs) My word, what a
terrifically, terrible tale of
temporal terror we have all
experienced here tonight. I trust
that you, my most valued audience,
have enjoyed the pleasure of
paradoxical perils as much as I have?
Unfortunately this is the end of our
show. But fear not, we will open our
doors soon for another tale of
terror, horror and suspense. I bid
you all farewell, until the next
episode of Baron Sordor's Theatre of
the Doomed.
SFX
Credits Music
END