Realer Than Most Podcast
Here at Realer Than Most Podcast, we believe that hip-hop/rap is more than just music its a cultured lifestyle, and a way of expressing oneself. we are based out of Philadelphia tri-state area that's why we focus on artist who are not only skilled in their craft but also have a unique perspective and voice. our goal is to provide a platform for these rising stars to share their stories and connect with their fans on a deeper level.
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Realer Than Most Podcast
WISHING WHAT MADE IT HAPPEN | FT. JNAT BEATS | RTM PODCAST | SZN 2 EP.14
Join us for an enthralling session as we welcome the remarkable music producer, JNAT Beats, who has worked with industry heavyweights such as Lil Uzi Vert, and Chris Brown. We celebrate the creative energy of Philadelphia and the power of collaboration while diving into themes of personal growth and mental health. Surrounded by friends and family in the studio, we embrace the joy and chaos that fuels our creative spirits and reminds us to cherish each day.
Our conversation heats up as we tackle the current dynamics of the hip-hop scene, spotlighting Kendrick Lamar's recent triumphs at the BET Awards. We dive into the artistry that propels Kendrick to the forefront, challenging the stronghold of artists like Drake. As we navigate the competitive landscape, we ponder the roles of Pusha T and J. Cole, delving into the evolution of hip-hop and the yearning for the raw, fearless energy of past legends. The discussion naturally unfolds into the intricacies of music production and the journey from church choir rooms to the bustling studio atmosphere.
We wrap up with a reflection on the music producer's journey from securing his first major placement to becoming a celebrated name in the industry. This episode is a tribute to resilience, consistency, and the support of local figures like Dominicus and Buzzworthy. Through playful debates and insightful anecdotes, we invite you to immerse yourself in the vibrant tapestry of music, creativity, and podcasting. Tune in and celebrate the endless possibilities that lie in the world of hip-hop and beyond.
We'll see you next time. I'm out of world. Okay, white boy D2E.
Speaker 2:We got Jada in the building, y'all.
Speaker 1:We got Jada in the building.
Speaker 2:We did this shit all wrong.
Speaker 1:Keep it rolling, yo fuck it, fuck it.
Speaker 5:It should be crazy shit, man.
Speaker 1:That's what it like this is a fun episode, man we got family in here today.
Speaker 5:We got family in front of the camera, all behind the camera.
Speaker 1:Oh man we had a great time for a real long time before shooting the episode, so don't mind us man.
Speaker 2:Listen, listen, this person we got sitting down with us man. This guy been working man for years. He been out here. Man, j-net, been working with a lot of people man, oh man, sure I could go in right.
Speaker 5:Yeah, I mean you want to. I don't care, you know what I'm saying.
Speaker 4:He worked with some of your favorites.
Speaker 2:He got the Uzis out there. He got the Meek Mills out there, he got the Diamond Cuts out there.
Speaker 5:Nah, you know what I'm saying. I ain't doing too much.
Speaker 2:Come on, man, he got the Chris Brown out there. Beans, beans.
Speaker 5:Yeah, chris Brown, out there, beans, beans, let's talk. I'm sure you know like he can name a few. I could name a few, but I'll be trying to, like you know some of the work that I do is now. Some of the stuff don't even come out, so I want to say that I did some what's down.
Speaker 3:I mean, you ain't do it though. No, you know what he's doing.
Speaker 2:He. He's trying to be my not finished yet, he's still working. You know what? I'm saying you know, when somebody's still like I ain't there, yet y'all. I'm trying to get to a certain point before I brag and all that. Like bro, we ain't trying to hear that man?
Speaker 2:We ain't trying to hear that we showing our love to all our Philly artists, producers, comedians, et cetera, man, fashion designers Like if you doing it, you doing it bro. Because, he could be doing anything he could be out here doing anything yeah right Right right, right, you know what I'm saying.
Speaker 1:Not being a college kid, and all that. That's what I'm saying I got my high school diploma, you got university on right now.
Speaker 5:Bro, listen, I ain't go to this college, y'all just got the city from somewhere else. Somebody shout out to that person that gave it to me Yo. But anyway, you know, listen, I think it's like Shout out to the person who gave it to me. Listen bro, right, you don't even remember.
Speaker 1:I don't know who gave it to me when the fuck is Robert Morris at man I don't even know, I think it's in Pennsylvania, though?
Speaker 3:No, it ain't. No, it's not, it's in Jersey.
Speaker 4:Bro, that's the college off of fucking Drumline.
Speaker 5:Oh, all right, you know.
Speaker 3:You don't remember Drumline, Robert Morris.
Speaker 5:Yeah.
Speaker 1:Oh yeah, oh yeah, that shit fire then. Oh yeah, that hoodie, that's a whole new look now, that's fire.
Speaker 4:That's fire.
Speaker 2:Oh yeah, that's fire, so all right look, look, look, I ain't gonna lie man, jnap beats man.
Speaker 5:Yeah.
Speaker 2:We gonna get into who JNAP beats is, but for right now we gonna start the show off like this man how you feeling white boy.
Speaker 3:I feel good, man. You know what I'm saying. Gaining progress in the pod. You know what I'm saying.
Speaker 2:Right.
Speaker 3:You know we moving forward, Loving this feeling. You know what I mean. The space is open. We smashing on these.
Speaker 2:Where you at. Mentally, though, I'm good bro, you sure. Yeah, hell, yeah, all right, my guy.
Speaker 1:How you feeling Cash? I'm feeling great, man. I'm just getting ready to start this physical health journey. Man, I'm about to start eating. Right, I see you got the fit gear on, yeah man.
Speaker 2:So what you like on your workout now.
Speaker 1:Yeah, starting tomorrow that healthy cash.
Speaker 2:I'd love to see that, Bro, is it bad, what bro? I'd love to see that hey Rube, can you hand me that cup right there?
Speaker 1:Starting tomorrow.
Speaker 2:I'm going to try Shout out to my boy, ruben, who's been helping us out since day one man holding it down.
Speaker 1:You know what I mean Shout out, rube, I'm a child, though, rob Markman Jr, y'all see Ruben out in the mix.
Speaker 2:Man, make sure y'all show Ruben, love he the reason really the most, still moving around like this. You know what I'm saying I'm a child.
Speaker 1:I'm a child and I don't like using the word child, so I'ma do that shit, man, and mentally I'm just. You know, I understand this day by day stuff now. So that's what I'm doing, and it's all good for me, man good, I appreciate that.
Speaker 2:I mean you letting us know how you feel and everything.
Speaker 5:Absolutely jaynette, how you feeling right now, man oh man, you know, just waking up every morning, that's just a blessing itself. You know, yeah, I mean, there's some. You know, just waking up every morning, that's just a blessing itself you know yeah. You know what I mean. You know some people don't wake up every morning. You know they don't get a chance to Right.
Speaker 5:So I'm thankful for that. So I'm just going to say, morally, you know how I'm feeling, I'm feeling thankful. You know what I'm saying, damn Paul Crazy. You know what I mean. But you know, yeah, I feel thankful today. You know what I'm saying. Like you know, yeah, that's it.
Speaker 2:All right, All right, that's my guy. Man that's family man that's my guy. I'm going to just say, man, I'm happy that I got J-Net up here right now. You know what I'm saying? Like that ain't normal. You know what I mean? I need a round of applause just for J-Net coming through. Yeah, Shout out J-Net.
Speaker 1:Yeah, yeah, shout out J-Net. You not going to see him on? No podcast.
Speaker 2:You not going to see him doing no interviews?
Speaker 5:Ain't not really, he don't be at no music videos, no more. I mean, you know, I don't. I ain't gonna say I don't come outside. I be outside. But if I go outside, like you know, I'm trying to get some money. You know what I'm saying. And you know I just had a child. You feel me and stuff like that, but you know, outside ain't. You know, I'm older, so outside ain't really for me it's these young boys, you know.
Speaker 5:Right you know, trying to fuck some bitches. You know, do what they do. You know what I'm saying. I mean even these young boys. They need to chill and go outside. Y'all need some bitches, Because y'all young boys be wildin'. Let me just say that, first of all, like y'all, it's not, it's not. Don't be scared to fall in love my guy.
Speaker 5:Go get your girl you know what I'm saying? Go. You know what I mean. Chill, stop trying to be thorough around your niggas when you know you're going to argue with your bitch tonight, because you're trying to be thorough in front of her. That's why she be like you always want to beat y'all. Just do the right thing my niggas If you don't want to argue, just listen to your bitch sometimes.
Speaker 4:You know what I'm saying.
Speaker 5:But anyway, you know that's one thing. You know what I mean. But other than that I be chilling man and I do be outside. Just, you know I don't be in everybody's face. You feel me? If I fuck with you, yeah, I'm a bust it up. You know all that type of shit, but if you ain't, you know what I mean. Like partner, like that shit over Party's done, shout out to my man Twine.
Speaker 2:Party done, party's done yeah.
Speaker 5:Yeah, yeah.
Speaker 2:That's that shit.
Speaker 5:That's that shit We've been saying that shit for like five, 10 years there now, man, i'ma say 10. That shit over yeah.
Speaker 2:Party's done.
Speaker 1:There's all this South Philly inside joke shit going on right now and I don't know what the fuck going on.
Speaker 4:This shit been happening for like three hours and I don't know who these names is.
Speaker 5:I'm going to keep it real. I don't know. Let me get this straight right now. People are going to be like oh Jay, you ain't no fuck from South Philly. I know that I ain't from South Philly you know, but I got you might as well say, I got family in South Philly Family ties. And not only that, not there up north, west, southwest yeah, you know what I mean. All parts, man. You know, niggas, fuck with me you gave you your South. Philly, I don't know what type of time you on.
Speaker 3:We gave you your South Philly Shahada, especially if you got money and you don't fuck with me, you crazy.
Speaker 5:We gave you your how you got more money than me, but you hate.
Speaker 3:We gave you your South Philly Shahada.
Speaker 1:What the fuck is wrong with these niggas South.
Speaker 5:Philly.
Speaker 1:Shahada South Philly. Shahada no no, no, oh OK, if, if, if I know you eat pork, I know you eat pork.
Speaker 5:Who me you?
Speaker 1:a fucking pork chopper.
Speaker 5:No, I don't eat pork, no, I don't eat pork.
Speaker 2:You don't eat pork, Leenat. No, I don't eat pork.
Speaker 1:So look right, I don't eat pork. It's all, felicia Hottis, that you eat.
Speaker 5:I used to. I ain't never eaten something.
Speaker 1:What was your favorite?
Speaker 5:Bacon. No, it was some Haitian shit. I'm Haitian y'all, so I used to eat something called griot. All right, oh, griot, griot, that shit was oh man, what's that? It's like some deep fried pork or something like that. Oh, all right, you know what I mean, but after that, just knowing what it do to you and what it is like, no, I ain't.
Speaker 2:But what I been tell you though, Huh, what I been tell you about that, Like man, I tell you like don't, don't, Stop eating that shit.
Speaker 5:I ain't never eat it, man. What the fuck did you say, you crazy? He trying to catch you. He is just crazy. He trying to catch you, duh. You never heard me do that.
Speaker 1:Fuck that. Hey, yo listen man Bro.
Speaker 5:It's funny, man, let's get right into it, bro, y'all my niggas, yeah, you already know.
Speaker 1:Kendrick Lamar just won every award that he was in.
Speaker 3:On BET right.
Speaker 1:Every joint.
Speaker 3:Should have known that.
Speaker 4:Best hip hop artist.
Speaker 1:Not like us. Won like five new single best hip-hop artist.
Speaker 4:Best best video best video the best lyricist he just, he just made a clinic.
Speaker 1:He just just, he just like cleaned up no tour this year, no for a house. Real rap no tour no album this year, none of that, it's just they not like us. That's it. That's all it took. Yup, yup.
Speaker 5:I'm going to keep it real. It's like that. That's not what's that song. Not Like Us, but that just show how many niggas don't fuck with Drake. For real, for real.
Speaker 3:No, I don't really think it's that Shout out to K-Dot man, I ain't say Drake.
Speaker 5:Listen, I like both of the artists. I think it's Drake. I think it's Drake.
Speaker 3:Drake been winning for a long time and they just wanted to see somebody else in that spot.
Speaker 1:Exactly that's what he did. That's the same thing For real, oh I don't know.
Speaker 3:He said he say they mean, like he was saying, like they like Drake, like people. No, I don't think they don't like Drake, I just think that Drake just been number one for so long.
Speaker 2:Yeah, that's true, it's the same thing, like with me. You know, I mean they want to see you. Take that. Oh, you know, I mean they anxious to see you. I mean go down.
Speaker 3:I want you to go out like that 50 and 0.
Speaker 5:They don't want that at all. You got to listen. I'm undefeated for real. You ain't nothing. Oh, I could do this. They feel like they could do the same thing you're doing. They could.
Speaker 1:I ain't going to lie though, bro. I'm going to keep it real. See, this is what I said right when Pusha T and Drake was going through they whole jaw.
Speaker 2:My fault. My fault for the FD Spray. Make sure everybody phones on silent FD Spray.
Speaker 1:FD Spray. It's in the fridge. Pusha T did what he did to Drake. You know what I mean. He ain't drop story or add a dime and become what Kendrick becoming.
Speaker 4:So it's, I think it's part.
Speaker 1:People keep saying things like it's not Kendrick, though.
Speaker 3:Oh no, it's Kendrick for sure.
Speaker 1:Yeah, like it got to be who you are like, still Like he is his. Remember when our first episode that we ever put out, I say yo that boy Kendrick going, remember Y'all remember that shit.
Speaker 4:No, I remember yeah.
Speaker 1:That was the first episode we ever put out Motherfuckers laughing at me. I knew what it was because Drake never even pushing out like Kendrick.
Speaker 5:Like it's different, bro. Right right, right, right.
Speaker 1:It was either going to be Kendrick, I said it was, either going gonna be Kendrick, I said it was, either gonna be Kendrick. Push it to, but it just it's just later in his career, right now. But there's a couple people that, like you could just tell Drake didn't wanna they said that it was a white boy they said it was thank you.
Speaker 3:They said that no problem. They said that it was um jay prince that was telling drake to pull back off a pusher you believe that? I'm just saying that's what they say because of the, uh, the disc or whatever it was too crazy or something, bro. You heard that, though, right I heard that.
Speaker 1:But I right, I heard that but I feel like Be, careful with the mic, my bad.
Speaker 2:You're making a lot of noise, yeah.
Speaker 3:I just think that Drake had that number one spot for so long that the masses wanted to see at least him be at battle with somebody that can take the spot like Kendrick did.
Speaker 1:Yeah, right, right.
Speaker 3:You know what I'm saying. So it did have to take an artist like Kendrick to get the people of the masses.
Speaker 1:Yeah.
Speaker 3:Because I still, like you saying, Pusha is a well-rounded artist. He's one of my favorite personally, but I still don't think he yeah, he couldn't have-.
Speaker 1:No, he either could have been Kendrick or Cole, but I still don't think he can Kendrick or Cole, but Cole.
Speaker 4:Yeah, about to say Cole move flaky flaky flaky.
Speaker 1:No, I'm cool, he flaky. Kendrick, kendrick, I'm telling you, bro, is how he's how he did it.
Speaker 3:Kendrick said F that unapologetically right at him. Real shit, that's how they wanted to see it, bro, ain't. Nobody wanted to keep saying subliminal nigga, pull back.
Speaker 4:Subliminal moonwalk out, he's my brother.
Speaker 2:I ain't gonna lie Subliminal. Next, thing, you know, they on a song together.
Speaker 5:They on a song together. Drake is the king of subliminal.
Speaker 3:No, bro Drake is the king. Kendrick went right at him. I don't fuck with you no, Jay-Z is. I don't. But Drake taking that spot now I don't fuck with you. I'm not fucking with you. You got all these weird like you know what I'm saying Start pointing out things around him Like nigga you, that's what the people wanted to see. Yeah, you know what I mean? Nobody really knew it was just going to be Kendrick.
Speaker 1:I think um.
Speaker 2:Hold on, hold on. Before you continue, make sure y'all share, like. Subscribe comment.
Speaker 3:If you don't, you're a motherfucking hater.
Speaker 2:Why? Because it's free y'all. Yeah, look, and J-Net y'all. We letting y'all know this right now he is not a regular guest up here. He is really like our brother for real Don't look at it like oh, y'all not questioning the ball, or this not how it? Normally go.
Speaker 5:No, this is fan shit, this is like regular shit.
Speaker 1:We just mobbing right now, but I wanted to get through this because I know we want to do a little shorter today. Kendrick was obviously going to be always the one for the last decade to do what he did to Drake. That's why Pusha shit was so much of a surprise, because everybody knew it was going to be Kendrick.
Speaker 1:So Pusha doing that shit first was just like damn, but Kendrick is the one to do it. Take 10 home 10 awards, get a Super Bowl. We all knew all that type of shit was going to be, Kendrick. And on top of that we could get right into the cold. We could get right into the cold shit because cuz I ain't fucking with him.
Speaker 3:No, listen, I mean that been that way, since that Like you feel me Right, right, right, like we said we was talking off camera or whatever. So like why the fuck you gonna, how the fuck you throw a shot, you back out of it and then, after this shit is over with, you, want to talk about it.
Speaker 1:Why you want to hear that that shit don't make no sense bro.
Speaker 4:Why you burning me out bro? He's just being a man.
Speaker 3:I ain't going to lie, bro the modern day rappers, bro, they burns me out, bro, they be burning me out, bro. And then they soft as shit, bro, because look, because it be taking me back to, like when I be first getting into hip hop, right, and I be first, like damn Beanie, siegel, jay-z, all right bet. And like Biggie Smalls, like we be invested, like these, be the people that we be invested to. That made us love hip hop and y'all the top three, yeah.
Speaker 3:Bro, it's lyrical warfare, bro, ain't nobody going to put, made us love hip hop and y'all the top three. Bro, it's lyrical warfare, bro. Ain't nobody going to put a bomb on your house, it's only fucking raps.
Speaker 2:Why would you moonwalk out? Why you moonwalk? You already got the. You feel me.
Speaker 1:Bro J Cole be in New York riding a bike.
Speaker 2:So the fuck what? Ordering from a loud point, you one of the best.
Speaker 1:no, what he trying to say, no, what I'm trying to say is that's how free he is like free going to happen to you, bro, but this is this is look, bro, so look, and jayman, I want you to burn me out.
Speaker 3:Can you imagine my bad? Can you imagine going to college and growing up off of j cole like him, being your number one rapper and and he do some shit like that?
Speaker 1:Yeah, yeah, college kids man, and I want everybody to know that we hear what y'all saying in the comments.
Speaker 2:We're going to try to like shape up the show a little bit better. Man, we paying attention, you know what I'm saying. But we definitely Philadelphia. You know what I'm saying, we Philly.
Speaker 1:Listen, fuck that for right now. J Cole, you want some bitch ass shit, bro. I ain't trying to hear none of that, bro.
Speaker 4:You want some bitch ass shit bro.
Speaker 1:This is hip hop. Fuck, is you talking about? This? Is not Big Meech and Larry Hoover and them bro. This is hip hop, bro, real rap. And then if you leaves up, we all know y'all always cool. So if you want to answer that, all cool. Even if he wouldn't answer and put this song out, he damn cold really a rip.
Speaker 3:You put out a song first of all.
Speaker 1:You started it because you know we big three before great, yeah, kendrick went at you and then you put out a fucking album Going at Kendrick Hold discography, then took the shit back.
Speaker 2:He the one that made Kendrick go win Come on bro.
Speaker 1:Everybody know Kendrick really wanted Smoke with Drake. That's why he was.
Speaker 2:But come on, bro. Once he heard that J Cole, he probably was ready.
Speaker 1:So this is what I'm saying you can't, never. I don't give a fuck, cause J cole is like an excellent a plus to the max rapper, but he can't be the best rapper how you, the best rapper, when you send warning shots it's chinks in his armor bro that said he was losing sleep.
Speaker 5:I feel like, I feel like you know, I feel like he was just trying to be a man, but because he just knew the smoke was coming, he ain't really wanted, because he ain't. That's not who he is, you know. You gotta understand drake, I mean not drake, uh j cole, he ain't. Do you consider him a street?
Speaker 3:you're saying about no street.
Speaker 5:No, I'm just saying he probably look at it like that and he don't want to think it's serious.
Speaker 2:Because it's really serious between Drake and Kendrick right now. Yeah, that shit serious, it's really serious.
Speaker 5:Like niggas could die off of this shit and he's not ready for that. So you know what. He already knew what was going to happen.
Speaker 1:So a I think that J Cole knew Kendrick was going to be talking all this PDF file.
Speaker 5:Shit on. Not Like Us. That's what I think.
Speaker 3:He heard the record.
Speaker 1:I mean he heard yeah he knew he was going to be on something he heard the record. Yeah, and that's when he backed out. But still, bro, this hip hop, you shouldn't never Heard the record, bro. You putting a song on iTunes and taking it off is like the worst shit a rapper can ever. True, rob.
Speaker 4:Markman Jr, that's that.
Speaker 1:like that, that's bullshit, bro.
Speaker 5:Like that's the iron True but you go guess who else did some shit like that, and that's like one of my rappers who, Jay-Z did that with Jadakiss and he put beans on them. You feel me Like.
Speaker 2:Jay and Jadakiss what song was that that he took down?
Speaker 5:I forgot, but damn, I ain't forget, but I know something.
Speaker 1:Hold what you say. It's just Jay-Z and Jadakiss what you say.
Speaker 5:What you say Jay-Z and Jadakiss was really first origin with Jay-Z and Jadakiss.
Speaker 3:Right.
Speaker 5:And he threw Beans in the mix and they turned into they. You know what I'm saying.
Speaker 2:They turned into they beef. I remember that happening like that. You feel me.
Speaker 5:Because certain niggas know, like it's only certain niggas that come. It could come at Dre and his and Pusha T is one yeah. And Kendrick is one, and J Cole, because they really are well-respected in the music and rap game. You could be hot as shit, but if niggas don't look at you like that, top nigga you ain't. You could say some hot ass shit coming at Drake but you just ain't that to me.
Speaker 3:Look at who they gunning at.
Speaker 5:But you just ain't that to me. Look at who they gunning at Niggas. Don't listen to rap no more. You even said it earlier, you feel me.
Speaker 3:Look who they gunning at.
Speaker 2:You know what I'm saying they gunning at the number one person, so Well, I'm going to say this but the go-at drink, you need to know how to rap.
Speaker 5:Yeah, I think, and.
Speaker 3:You ought to know how to rap on a high level. Yes, very high level.
Speaker 2:Yes, you ought to be elite.
Speaker 1:Yes, that's what's making me even more mad at J Cole, Like he's like.
Speaker 3:He's kind of perfect for the job. But yeah, not backing out like that though.
Speaker 2:That's the only thing your heart got to be in it.
Speaker 5:I feel like he backed up because he ain't a street them. So he know, and this shit is real, man, bro, boy, guess what Niggas try to drop? Uh, niggas was, they was, uh, I'm sorry y'all, I keep saying niggas, so please you know what I mean. You feel me, yes, you killin' us, but you know, uh, when Rick Ross, you know they start beefing what they try to do with Rick Ross and his DJ, they beat them the fuck up.
Speaker 3:Wow, that's my jaw right, you know what I mean, because it's serious. You think?
Speaker 5:J Cole want to get jumped and beat up right now.
Speaker 3:Can you imagine Cole, 10th grade, 11th grade, lord Wayne and the beef and he throw a shot and then and then moonwalk out of the situation, right, can you imagine that, bro?
Speaker 2:he did it well jelly, y'all remember when, when, uh little wayne, birdman delete timeout.
Speaker 3:I'm about to eat this on worse.
Speaker 2:He came to philly. He had a. He had a. He had to do a appearance at a club. Bro, he didn't show up left, hopped on a tour bus and hopped back on the road he did bro gillian was in there yeah I know, but I'm just saying that's the that's damn near the same shit, that's something like street shit involved but that's how we looked at that back I'm talking about the rap, just rapping but right there, we looked at it like that. You, though, back then you feel me, though.
Speaker 3:Can you imagine that if he backed out on some rapping?
Speaker 4:shit. He was like oh, he ain't go to the club.
Speaker 1:And you talk about you, the greatest rapper alive and all that.
Speaker 5:Oh shit Dillion and that who Back then oh.
Speaker 3:We all knew that he wasn't that who, who.
Speaker 5:I couldn't stand it with Gilly, but guess what?
Speaker 2:But Birdman though.
Speaker 5:Well it ain't that you right. If you got a nigga behind you, that's straight.
Speaker 1:It don't matter. Hand me that John Go ahead you heard what Kanye said.
Speaker 5:Right, he told a story where a nigga tried to rob him somewhere in the diner right.
Speaker 3:In the beans.
Speaker 5:Somebody trying to rob him at a diner. Guess who he called. He called Beans.
Speaker 3:He put a two-way out. He's not about that, so he called Beans. He put a two-way out and Beans the only one that responded.
Speaker 5:Exactly, he put out a whole emergency.
Speaker 3:To the whole Rockefeller and Beans showed up On a two-way Matt the only one that showed up and he slide.
Speaker 5:And they already know Matt the only one that showed up and he slide and they already know. If you didn't know Beans, you knew him then and now.
Speaker 2:But that got nothing to do with this rap shit, though it don't. I feel, like when you're a rapper man, you got to stand your ground. You know what I'm saying.
Speaker 4:I don't care if you're a backpack rapper.
Speaker 1:I don't care if you came out yesterday with songs. That's really part of being a hip hop artist.
Speaker 2:I feel like, as an artist, you got to stand your ground, bro.
Speaker 3:That's one of the elements, bro. People be losing sight of the elements of hip hop. That's because they don't be knowing what they be a part of. They be just singing songs.
Speaker 5:Right, right.
Speaker 4:Yeah, and if you can't stand, the heat, get the fuck out the kitchen.
Speaker 1:I'm not feeling him, though I'm not feeling Cole bro.
Speaker 3:Yeah, I agree.
Speaker 2:Point blank period I grew up off this shit, alright Cole, so look this the end of this. I still fuck with you, Cole Real, of the most said you gotta do something extravagant for us to even be like damn Cole wants some shit Classic album or something.
Speaker 3:You gotta do something.
Speaker 1:Even with a classic album, bro, I ain't fucking with him bro.
Speaker 5:I'll fuck with you, Cole.
Speaker 1:You don't do that in hip-hop, bro. I understand you ain't do nothing to run in hip-hop, because I don't want to hear.
Speaker 5:all right, I don't want to hear if he drops something crazy and niggas bopping like oh shit.
Speaker 2:No, he definitely going to drop something crazy. Because everybody already bopping to what he got right but stay out of that lane, don't go back in there. No, he learned.
Speaker 5:That's why he put that song out. He let you know I was, I was out of pocket, even though everybody tell me do this and do that. But you know what? I did this and I'm I'm I'm real alliterating to say I apologize again, because I should never. But in the same time, drake is my guy and he looked out for me. You know what I'm saying. It could have been music, everything in life. He looked out for him. So he got you never bite the hand that feeds you. You know what I'm saying. So they got a different type of relationship. But in the same time, he messed with Kendrick, and Kendrick guess what? Kendrick ain't gonna come at you and say, oh, if they don't feel like that, we should not feel like that All right man, Because it's the type of they got history and everybody know each other behind the scene of rapping.
Speaker 5:It's different a lot of things. You know what I'm saying?
Speaker 4:Mm-hmm.
Speaker 5:That's what I feel like you know what I mean.
Speaker 2:Don't listen to me, Don't listen to me what you was about to say, paul. I want to ask J Nat, producing-wise, how art on a producer's tip? Because you make all type of beats. I see R&B, rap, pop, all that right. So now, when it come down to music, I'm switching it up a little bit. Y'all. I'm going off of the Kendrick. Y'all done with Kendrick, all right. When it come down to the music, man, what's your process of getting down in the studio Like how you start off with your music process.
Speaker 5:I mean, I start off. First of all. You got to have your product. You know what I mean. Whatever you use to make music, you know what I mean. It could be a keyboard, whatever you record on your laptop, your program, whatever.
Speaker 5:But when I'm in the studio my process is all about vibe. I'm going to keep it real. If I'm having a bad day or whatever, you might catch me sometimes might put it on the beat and just make something or produce something real quick. But most of the time I'm always in a good mood. But if I'm not in a good mood, I mostly time don't do it. I go off my vibe how I'm feeling at the time and I just lay something down. Some people different, they all go in there and make 10, 20 beats, but I consider you know, quality over quantity. You know what I'm saying. It don't matter if you make 15 beats to like three beats. It's all about quality to me. You know what I'm saying. I'm not rushing the process, I'm trusting the process, you's it. But whatever floats your boat, don't listen to me. Whatever you like to do as a producer, whatever that's what you do, just be comfortable with what you like doing.
Speaker 2:Right, so how you get into producing.
Speaker 5:Man how I get into producing. You know what I'm saying. It all started to keep it real. It started all in the. It all started to my guy. His name's C man. Shout out to C man, you know, you know like he was, like Mr Miyagi to me, you know, and he was just teaching me, you know, and I just from there, just like music, and it always started in the day it started for me when I used to go to church.
Speaker 5:I just had people playing drums and piano and stuff like that, and I just like music from there, like you know what I'm saying, and from there I always wanted to play piano and drums and everything my pops used to send me to school, even though he used to give me the money and not spend the money and get video games or clothes or something. He whooped my ass for that too, because he caught me. I wasn't going to school. But guess what? I teach my own self because I just wanted them to know the basics. Once I knew the basics, I learned everything myself. That's it. And you know, I mean, like I said, my old head showed me how to make music and stuff like that, and I went from there Rob Markman.
Speaker 2:So who? Some of the people you know, anybody that Saint worked with before.
Speaker 5:Lil Jon. He worked with a lot of people. You know what I'm saying. You know he was doing his thing. You know a lot of people. You know I ain't gonna say no name. They already know who they is. You know what.
Speaker 2:I'm saying Rob Markman Is.
Speaker 5:Just say it was big artists in the city. That's it. I've been around. I ain't new to this. You know what I'm saying. I already know everybody. Everybody know me. And for you niggas that know for real who I am, man, stop acting like y'all don't know nobody. It ain't just for me, it's for everybody else. Y'all got to stop acting weird. You know what? I'm saying Because we all know each other. We all know each other.
Speaker 4:Let's get some money, man stop stopping this bad, because you and your feelings take a shot of julio and get loose.
Speaker 1:No daddy he said and get loose hey, jayden jayden, you're gonna lie.
Speaker 5:Don't want me to get money though.
Speaker 2:Why you say that.
Speaker 5:Because niggas already know I ain't going to and the crazy thing, I ain't the nigga. When I get money I'm going to be talking crazy and snapping. It's just the vibe man, the squad like us. You know what I mean. You give us the paper we're going to turn up, we're going to put real niggas on. Niggas gonna understand we standing on business.
Speaker 4:Hey yo, hey, yo, hey, yo, hey, yo, hey, yo hey yo hey, yo hey, yo Shit.
Speaker 1:Oh we should've man.
Speaker 5:Hey Rube. I hope you recorded this joint. Last time you fucked up the baddest.
Speaker 4:Well, fuck y'all.
Speaker 5:I'm talking to the camera man. Hey, yo, hey, hey, hey.
Speaker 4:Hey, make sure y'all share like subscribe comment.
Speaker 2:If you don't, you're a motherfucking hater.
Speaker 1:Subscribe to Real or the.
Speaker 5:Most.
Speaker 1:That was an inside joint, y'all don't get it, that was an inside joint.
Speaker 5:That's called hard work and dedication, Like blood, sweat and tears. Man, you niggas don't understand. Everybody be laughing and all that.
Speaker 1:Yeah, we laugh, but you know it's a lot of guys, there's a lot of these dudes go hard, hard, real right. I'm talking about hardships, a lot of texan group texting and meetings and, for sure, for sure, like all types of stuff, man, before we even get in this building, turn cameras on and talk about what we talking about there's a lot of things that go on and go into this stuff yeah.
Speaker 5:So hey, gilly, let me get one of them. Uh, mule them, perk 30, uh, whatever, no, no, no, no, whatever you got look look, look at that weed.
Speaker 1:No, I'm glad you said that, look at some of that, guys. I'm really glad you said that we can sponsor you over here. We can sponsor you.
Speaker 2:Just give us some of the.
Speaker 5:Bud.
Speaker 2:We're going to smoke it right on there. Get that shit right to us.
Speaker 5:We're going to act like we're talking your shit when we smoke your bud. That's a crazy commercial.
Speaker 2:You turn into Gilly. You smoking a weed, you know what I'm saying.
Speaker 5:You turn into Gilly you know what I'm saying? You, a nut ass nigga, get that on the girl. A-c, a-c, a-c. One of us like, get that on the girl.
Speaker 3:A-C, a-c, a-c.
Speaker 2:One of us like get down on the girl A-C, a-c.
Speaker 3:Yeah, get down on the fucking girl.
Speaker 5:He's a nut ass. Nigga, he's a hey Gil, I'll fuck with you. I'll fuck with you.
Speaker 2:Gil Finley man, I don't really know.
Speaker 3:Wilder like that you already know man. You know what I mean. Man a long time ago.
Speaker 2:Yeah, yeah, yeah, gil and EA came down to 7th Street.
Speaker 5:Oh, shout out to my man, ea man all day the Philly Uncut down there Okay okay.
Speaker 2:I was one of the first people Gilly did an interview with man. Yeah, it was fire, Real talk. Yeah, Gilly always.
Speaker 5:Right after that.
Speaker 2:I haven't stopped seeing Gilly on the camera.
Speaker 5:Fire man talk shout out to gilly man. Shout out the wild.
Speaker 2:I just want to say how do it feel to hear yourself on a radio when, for your first time and what song was it?
Speaker 3:hold on hold on, hold, on, hold on, hold on hold on. So you went from Hold on, so you went from creating, so you went right on the radio.
Speaker 5:Yeah, you know I was on the radio. You know what I'm saying. No, but I was on the radio. I had a song. It was DJ Drama's song. You know it was called Wish it. You know it was a single. It was Chris Drama's song. You know it was called Wish it. You know it was a single. It was Chris Brown on it. Drama, two artists, la Quinn and Skin.
Speaker 3:That was your first placement.
Speaker 5:Yeah, you could say that you know major placement. You know, okay, okay, I had placement, but that was like my first major placement in a mainstream radio. I mean, last thing, I know it went dead, went gold. You know, thank god for that. But for real, for real, like you know, that's one of my proudest moments right there. You know what I'm saying what was that movie?
Speaker 2:when they heard, they saw from the radio and they started going crazy. Five rb, oh man, when you like, that night yeah, I was like this is crazy.
Speaker 5:I was like no, I wasn't even like that for real I'm gonna keep it real.
Speaker 5:I was like this shit is crazy. I was like, no, I wasn't even like that For real. I'm going to keep it real. I was like it's supposed to happen. I worked my butt off for this. You know what I'm saying. I ain't going to hold you. I'll say what's next, even though I know a lot of people looking at me. Yeah, I'm drawn my bad. You know what I'm saying. We I'm, you know, we're going to check back to reality. You know what I'm saying. But you know, I just couldn't knew that was going to happen. I mean, I had visions and stuff like that and I still have great visions. I just got to. You know, like they say, you got to manifest your dreams. You know what I'm saying.
Speaker 2:Say that again.
Speaker 5:You got to manifest your dreams, oh yeah, and you got to work hard. You, yeah, and you got to work hard. You know what I mean. Consistency is key. You know what I mean. You can't really take a day off and if you take a day off, it's a day that is that day felt like you still work, if you understand what I'm saying. Yeah, you know what I mean.
Speaker 2:OK, you know what I mean.
Speaker 3:I know, exactly what you're talking about.
Speaker 5:That's it. That day off feel like it's still work and it's crazy so.
Speaker 2:Because I'm going to wind up doing something else.
Speaker 3:So, exactly so. So so would you, would you land in that placement right? And what year are you? What year, what year are you saying?
Speaker 2:This might get JN another shot, yeah, oh that's me.
Speaker 5:Oh, my shot, yeah, oh, my man got me Appreciate it Lil Jon.
Speaker 3:He good, you said what year was that.
Speaker 5:What? When I did that?
Speaker 3:When you landed that placement.
Speaker 5:I think damn, I'm sorry, I don't, it's probably 2000, what's it? How long 2023. Okay, times in 23. Okay, probably like 15 or 16 maybe more, maybe 14, 30s, I don't know.
Speaker 3:Um. So how long was you like creating and making beats up until that point?
Speaker 5:I've been doing this since I was 15. You know, I mean, like I said, I started, you know, playing in church first. You know playing music, but I had an old head that showed me how to do that. And from 15, my little first, actually my first, you know placement was like a Christian rapper song, whatever, boom, boom. And when I did that drum, my second drum, I forgot what it was but I started getting into it because you know, I started messing with a lot of stuff. You know artists and stuff like that. But back in the day it was more, I'll say, when it was my turn, when I was under him, it was mainly him doing his thing and I was just learning Rob Markman.
Speaker 2:You was one of them. Dudes that make the beats he be like. Let me get that. I can fix it up for you, TJ.
Speaker 5:Exactly. He'll take over and do the other process. And then once I got older, past my 21 years. You know what I'm saying. I am not 40, and I'm not. I'm less than 35, but you know, I'm just letting y'all know. You know what I mean.
Speaker 3:Nigga 50, man, nigga 50, man After I turn 20 years old.
Speaker 5:That's when I start doing my own thing.
Speaker 2:I'm not 40, and I'm less than 35.
Speaker 3:Nigga 50, man.
Speaker 2:Nigga 50. Yeah, I heard I ain't 50. Shit, I ain't 50. But look though, I want to go into pretty much the grind mode. You know, like the part before, like how you know you was Ari, like how you knew the beats, was it Like what type of people was taking music from you saying J-Nat, you got it?
Speaker 5:Listen, I've been to her, I just needed the opportunity.
Speaker 2:Who gave you that opportunity? And the opportunity, what was the first?
Speaker 3:hot.
Speaker 5:Shout out to my man, dominicus, and Buzzworthy Dominicus, a girl, you know what I'm saying that's my nigga too. You feel me she is a queen now. Sorry, Dominicus.
Speaker 2:You a queen.
Speaker 5:Who? Who was the hottest local but Dominicus, and Buzzworthy shout to them cause he was the first people to like. Really you know what I mean. I do have my squad hold on real quick.
Speaker 1:Real quick was Wishing on that classic drama in Chris Brown's song like the real classic drama where he's sitting down in the chair. What that drama called.
Speaker 5:Wishing.
Speaker 1:No, no, no. The CD.
Speaker 2:Oh, I don't know about the CD.
Speaker 3:It was on a drama album. I think it was a drama album. It was a drama album, his second album.
Speaker 4:He dropped, he got two albums, that's all he got.
Speaker 5:Well, he got three. Now Gangsta.
Speaker 1:Grills, what was your album? No, that's mixed.
Speaker 4:Gangsta grills mixed it.
Speaker 2:Oh all right, oh all right he may drop like a major album.
Speaker 5:This was on Drop.
Speaker 2:What was your first local hottest artist? Yeah, yeah, what?
Speaker 3:was that, Joe, your first local hottest artist?
Speaker 4:My first local artist.
Speaker 3:That rapped on your joint.
Speaker 5:Frick Lucas Art. I'm going to keep in mind my man Korp, right here. You know, my man's been showing me love, he not?
Speaker 2:trying to give up no tape. I'm about to run his resume down y'all oh man. He ain't giving up.
Speaker 3:No tape you did Rico Havoc. John, right yeah.
Speaker 5:Oh yeah, I did, rico. Oh man, shout out to my man, rico, yo y'all, I'm sorry, everybody that's watching and know J Night.
Speaker 2:Y'all know he cool.
Speaker 5:Hold up. Listen. I'm sorry y'all, I'm like listen, you did. I think you did Frank, I love all y'all man, I ain't nobody that I'm talking about.
Speaker 3:You did Lucas, you did Lucas right.
Speaker 5:No.
Speaker 3:No.
Speaker 5:I ain't do Lucas. We did a. Remember is hot damn. Um, it's a couple of drones we did. You know that was playing on radio and we got videos for we was killing rico, have it. I did a joint with uzi what was that?
Speaker 2:john, so we could go.
Speaker 5:It was his first mixtape that he ever, the real uzi that he ever dropped one, right you know what I'm saying. Track one, the intro, I did that mel love young poo mel, young, poor the bloodhounds. You know what I'm saying. I do got a joint joint with Meek, but something happened where somebody wasn't right Tell.
Speaker 2:Meek Holler at you.
Speaker 5:He'll be watching hey listen Meek, already know man.
Speaker 2:He better stop playing what you going to say to Meek if he watching you?
Speaker 5:Listen, all I got to say is the day when me and Meek do something we're going to have a platinum diamond record.
Speaker 2:Put that on everything. He ain't lying. He ain't lying the day we do something. It's going to be a plan. He might need a couple turns to go in with him, but he going to get that shit.
Speaker 1:We just got to lock in. That's it. He going to get it out who we just was listening to on your beat Huh, who we just was listening to. We was listening to. Beanie Sigel, right you know what I ain't got to say? No more, you know.
Speaker 5:Listen me, call at me, stop playing. You got your fitted on too tight. Say that, or Let me stop playing Me. Let me chill.
Speaker 3:Because you like all right man. You know he like the bust. Yeah, man.
Speaker 4:You know he like the bust.
Speaker 2:I'm going to go with bus. He like the bus. He probably got it my gosh cuz. I know you, I know you.
Speaker 5:You know he like the bus. I know you Grab me up cuz Tell me y'all cuz do the cut.
Speaker 3:Cuz see everything.
Speaker 1:Cuz do the breeze back for a reason man Cuz see everything Cuz got wisdom.
Speaker 5:Y'all think he dumb Cuz is smart what.
Speaker 1:He's smart, he's smart, he's smart, he's smart, everybody be thinking like he know what he doing.
Speaker 5:He do it for a reason, so he too smart.
Speaker 3:Cuz ain't no dickhead, bro.
Speaker 5:Cuz is far from that, hey cuz I feel you Do you Fuck these niggas? You feel me, I feel you Cuz. That's how I feel now Cuz look Cuz you still got your fitted tights, Because look though who can you name?
Speaker 1:We not going to do Noel Smith type of.
Speaker 5:But who can?
Speaker 1:you name from Philly, with his longevity, that's all because, of how he be moving.
Speaker 3:Carrying it and how he thinking.
Speaker 5:He took Quilly words Carry.
Speaker 3:Bro the nigga befriended a billionaire, Became his damn best friend. Carrying it, he carrying it. How, he thinking he took Quilly Words carry. Bro the nigga befriended a billionaire, became his damn best friend Billionaires. Went in the business with the nigga, and this all from 20th and Snyder Billionaires.
Speaker 5:Like people who got more money than Hoes is closer than them. You feel me.
Speaker 3:To Robert Kraft and. Michael Rubin, one at auh, you feel me. To Robert Kraft and Michael Rea, you got Hope in the back pocket.
Speaker 5:You got Rube in your back pocket. You messing with the owner of Robert Kraft that made cheese in your back pocket. You at the Met Gala. You at the Ruben that make cheese? Yeah, no, what is wrong with this, robert?
Speaker 1:It's a business called Kraft that makes cheese, not Robert Kraft.
Speaker 5:He own a Patreon bro.
Speaker 1:He's the one that made cheese.
Speaker 5:No, he not.
Speaker 2:No he not Yo Jay, dat might be right, because he be right. Go look him up. He might be right, though, bro, go look him up why you think they calling Kraft Robert Kraft.
Speaker 3:Bro, no, it's not Do Robert Kraft own the cheese bro?
Speaker 5:No, that's not the point. I hope you ain't going off half cocked on this podcast. If it's wrong.
Speaker 1:Cut me out on this podcast.
Speaker 3:No, we ain't cutting you out, nigga, don't go off half cocked on this podcast.
Speaker 1:No, that's the owner of the.
Speaker 4:Patriots bro.
Speaker 1:He's the owner of the Patriots bro. He own the Patriots bro. He's the owner of the Patriots, bro.
Speaker 5:He own the Patriots, but he own the Chiefs coming first.
Speaker 2:Stop, stop, you got to know what you're talking about. Stop, all right Stop it OK. It's crazy because niggas like him be frightened about wearing stuff like that.
Speaker 3:Yo, that's why I Google it. Yo, you try to fuck this up. I'm going to be like what Yo?
Speaker 5:I ain't going to lie, don Julio. My man, I'm drunk. Take a seat, yo. If y'all could rewind, put this shit back Yo. This nigga is a weirdo. I ain't meant to do that. That's what happens when you can drink. Yo, yo, yo yeah it can't be my fault, yeah, other type of niggas said the nigga got shot, he outside.
Speaker 3:I said you said the nigga got cheese.
Speaker 5:No, my bad, my bad. You know how you just be hype, trying to move a point. Yo Don't get it twisted.
Speaker 1:Don't get me wrong, me and Karr looked at this dude.
Speaker 5:I was just hype at point I was drinking my bad.
Speaker 1:Yo, I was drinking my bad, so hold up my bad.
Speaker 5:So to clear it up, right, I was drinking my bad yo.
Speaker 1:You know Krave, krave, macaroni and cheese. Ah, he thought that.
Speaker 4:He thought Robert Krave, my bad, what Yo that shit just killed me bro.
Speaker 5:My bad, yo that just killed me bro. He just put that shit together in his room one day that was crazy.
Speaker 1:He look up shit. He just heard Robert Kraft like cheese.
Speaker 3:He said yo, yo, yo yo. He said he got cheese, yo yo homemade cheese.
Speaker 5:And I never looked it up because it said a real ass, dick crab. And then he really, oh man, every interviewer say he's a real man. I'm like yo man, I'm a real man, I'm a real man, I'm a real man, I'm a real man, I'm a real man, I'm a real man, I'm a real man, I'm a real ass, dick crab, and he really.
Speaker 3:Oh, you're kidding man. You're kidding man. That's what every interviewer say. He's doing a big thing.
Speaker 5:My bad. Y'all. Yo my bad, that was my bad. Yo you're hanging up on me, bro. Yo, I was drinking, I was drinking, make sure you like, subscribe and. I just thought about this shit right now.
Speaker 3:Bro, this is a broadcast bro, my bad.
Speaker 5:I'm on a podcast, my bad. Yes, Listen what I just say, right, that's why they say do not drink. Do not drink y'all. If you can't listen, I can control it, but it's just, I'm all up in here, you got to relax. You know what I mean my bad, my bad, my bad, y'all my bad.
Speaker 2:Woo, let's do the games man.
Speaker 5:It was a good laugh, though I feel like the camera's going cocoa man. What time?
Speaker 2:is it?
Speaker 4:Let's go, man, let's hurry up man, let's do the games man.
Speaker 5:My bad. My bad y'all, my bad y'all.
Speaker 3:Ladies, gays, it's called Fast Track or Fast crazy. You just pick one or the other, because we in philly we gonna start off with major figures of state property this poor, crazy you heard anything, man?
Speaker 5:I think you see robin craig silly man.
Speaker 3:You're silly man, damn. You said, the nigga got cheese and shit.
Speaker 5:My bad. I'm sorry, I'm just thinking about that shit. My bad. Say that question again. My bad, my bad. So it's fast track.
Speaker 1:You pick which one you favor, all right. All right. So state property or major figures?
Speaker 5:Damn state property you going to go?
Speaker 2:Why you going with state Park?
Speaker 5:Let us know I don't know it, just maybe to me. Not saying major figures, don't do their thing and shout out to Ab Lava, you know what I'm saying? Y'all don't even know, man, ab Lava Not saying nobody like Bump Jack. Shout out to my man Bump Jack, I fuck with Bump Jack. You know what I'm saying? Fuck with Bump Jack. You know what I'm saying? Fuck with Dutch.
Speaker 2:Hey Gil, you already know why you got to curse him. Man, Come on.
Speaker 5:My bad, it's just emphasis. You know what I'm saying, but you know I mess with them. You know what I'm saying. My man, Gil Nina Ross, Shout out to her.
Speaker 3:Nina Ross ain't part of Major Figures, bro. Like, what are you talking about? I don't know she already with them.
Speaker 5:Slicka, keep going.
Speaker 2:I was in.
Speaker 1:Youngboy when they came out. Bianca, bro, bianca.
Speaker 5:Bianca.
Speaker 4:Bianca, I'm sorry, you can talk about Nina.
Speaker 3:Raw, but no, shout out to Nina Raw. Shout out to Nina Raw. He said stay proper.
Speaker 5:Bianca, Bianca, All right come on, I'm sorry. So if you hear me, but I shout out to everybody. Pharrell or Timbaland, bro, no I did, I did, I picked State Prop and he asked me why.
Speaker 3:And you named the whole major figure.
Speaker 5:No, I'm just I'm trying to say shout out to them. But Ab Lava, that's my guy, you know what I'm saying. Like y'all don't even know he write for Dr Dre, bro.
Speaker 1:You know what I'm saying he right for Kanye too I mean he hitting it.
Speaker 2:So why did you pick State Prop? That was my answer. What did?
Speaker 5:you mean Rockefeller is like, that's my spot. Jay Nack came under State Prop. Saint man came up under.
Speaker 4:State Prop too. I came up with State Prop.
Speaker 5:He ain't want to tell y'all all that Saint man used to make all the beats for State Pride. He ain't even make one beat yet.
Speaker 3:Chad.
Speaker 5:West. I'm like he did stuff. But yeah, chad West White Bull, right, you know what I mean. That was one of the Bulls.
Speaker 4:Then you got Kanye.
Speaker 5:Just Blaze. You know Sink was a part of history, but those dudes were like more. So shout out to them Pharrell or Timbaland. Timbaland. All right, pharrell, I bang with you, but Timbaland, mm-mm. Aaliyah, come on, missy Aaliyah. Yeah, you know what I mean. Justin Timberlake, justin Timberlake, yeah, jay-z, the catalog, everything he was dropping. You know what I'm saying? Yes, shout out to Danger. If y'all don't know, you're going to know now.
Speaker 2:I got one for you, cam or Phat.
Speaker 5:Shit, that was hard. I ain't going to hold you. I'll take a shot for that one.
Speaker 3:Ain't no shot, nigga you. You gotta pick one, drink champs.
Speaker 2:What the fuck is you talking about? I know they ain't drink champs. I know it's not.
Speaker 5:Drink champs but in the same time, you know, shout out to every podcast that's doing it. But this is really the most. You know what I'm saying.
Speaker 2:Answer it. That's why you gotta answer it. It's hard, you know what I'm saying, but if answer it, that's why you got to answer it.
Speaker 5:It's hard. You know what I'm saying, but if I had to go, I'm going to keep it real. I'm going with Cam. Why Cam talking shit? Man Fab talking shit, but Cam is my guy.
Speaker 2:What's crazy is y'all still asleep? That's what's crazy, fab crazy, that's his last door that's just dropped what's crazy is y'all still sleep.
Speaker 5:That's what's crazy jermaine, dupree or diddy no, diddy so cool no no, diddy, I ain't gonna lie no but you know what I? Ain't gonna say no diddy. I ain't gonna lie no. But you know what? I ain't gonna say no Diddy, I'll pick Diddy because he had them classics. I ain't gonna lie, Diddy had them classics. Diddy had them classics.
Speaker 3:They don't lie.
Speaker 4:So Jermaine.
Speaker 5:Dupri is an animal, but no, Jermaine got some crazy stuff, but NH or Joey Jad.
Speaker 2:Yeah, turn it up NH Beans or Jadakiss Beans.
Speaker 3:Styles or DMX.
Speaker 5:This nigga's style DMX, dmx.
Speaker 3:Coogee Rapper King.
Speaker 5:Oh, you got it. You know what I'm saying. Yeah, what you talking about.
Speaker 4:Bro, first it.
Speaker 5:That's Kool C, bro. Oh Kool C. My, bad, my, bad, I fuck with Kool C, though. Oh, cool C. My bad, my bad, I fuck with cool C, though Fuck them niggas.
Speaker 1:All right, all right.
Speaker 2:All right, hey, yo One got to go.
Speaker 5:One got to go, man. Cool J, cool J. I hope y'all laughing though DJ Drama, or DJ Khaled. Dj Drama, he gave me the opportunity. What's up?
Speaker 1:Oh, yeah, all right, all right, bad, bad.
Speaker 2:I like that, Nat yeah.
Speaker 1:Bank or Don Cannon.
Speaker 5:Don Cannon.
Speaker 3:Clue or Flex.
Speaker 5:Flex, what I ain't know. Flex put in work Flex. He did Flex put in work Flex. He did Flex put in work Cool yeah he did too. He did, but flex is crazy.
Speaker 2:Flex is crazy, though.
Speaker 5:Yeah, they both crazy but flex put in work All right, all right.
Speaker 1:So we going to do one Got to go now Hold on, hold on.
Speaker 2:I ain't done yet, yay, or for real.
Speaker 5:Yay.
Speaker 2:One more Come on.
Speaker 1:We're going to go producers. All right, alchemist.
Speaker 5:I'm just going to say Alchemist, I don't going to say Alchemist.
Speaker 1:I don't care who you say Damn. That's how I be. It'd be hard.
Speaker 2:It's hard to do that Like you can't ever really you can't really like you got to get somebody else that go in like him.
Speaker 3:But it'd be hard to like.
Speaker 5:The only person I can keep up with him is Jay Dilla.
Speaker 3:OK.
Speaker 5:That's it.
Speaker 1:Still Alchem. Up with him is jay dilla. Okay, that's still alchemist to me all right, so we gonna do? Um, let's do the classic one.
Speaker 5:Yeah, let's do the classic one that everybody be um asking about uh Timbaland or Swizz Timbaland Timbaland.
Speaker 3:Ah, yeah, timbaland, Timbaland, zone, zone, zone, zone All right, we're going to do some singers real quick. Zone zone Rihanna or Beyonce, I ain't going front. That's hard, bro. It's Rihanna for me. I ain't going front, bro, but dance for me.
Speaker 2:I ain't gonna write, bro, but dance for me, bro, you say beyonce all right, I sure trade songs.
Speaker 3:I sure trade songs, rihanna I love you too damn, especially when she died I ain't gonna lie.
Speaker 5:That's your story.
Speaker 1:Trey. Trey, trey I'm going to keep it a, b, it's Trey for me Trey no.
Speaker 3:What.
Speaker 2:Y'all getting on my nerves up here.
Speaker 3:I'm going to keep it real though.
Speaker 2:I love.
Speaker 1:Trey but Usher is bull bro.
Speaker 4:You know what I've been playing the last week, though.
Speaker 3:Fumble.
Speaker 1:That shit Passion, pain and Pleasure. And Ready is the best two R&B albums I ever heard.
Speaker 5:The only album Usher had was Confessions. I ain't going to lie, usher had his jewels Confessions, confessions, confessions 87.01.
Speaker 3:No, nothing 87.01. Yeah.
Speaker 1:Yeah, but Ready Like every kid that's about to be a dub was going off there.
Speaker 5:What my man said.
Speaker 1:I wish I never hit it. I wish.
Speaker 5:That's my shit. I don't know what's going on. Bro, that's my shit. Trey is.
Speaker 3:That is not. That was not the lyrics. It wasn't Actually. It was the lyrics.
Speaker 5:But I just don't know. That's my shit.
Speaker 4:All right.
Speaker 1:You said all right. So.
Speaker 2:Oh, on that part, I love the part you're talking about we can't be friends, yeah.
Speaker 5:Everybody go through that. All right, do one gotta go y'all.
Speaker 2:We probably got a couple minutes left man to wrap this up, man.
Speaker 4:Make sure y'all share like subscribe.
Speaker 2:Comment man, we got JNAT. Beats up here on Real of the Most Podcast. Y'all know he keep it real All the way. Let's go, man.
Speaker 1:One guy go. One guy go. This, the opposite. I'm going to say four things and then one guy get the fuck about it. All right, all right, see what? All right. Nh Reed Hattie.
Speaker 3:Meek One guy gotta go Hattie.
Speaker 2:Damn. That's the first time I heard that.
Speaker 3:No, somebody picked Hattie yesterday.
Speaker 5:Hattie gotta go why?
Speaker 2:Hattie gotta go.
Speaker 5:Just Reed. Reed is animal, meek, he doing it. You know what I'm saying. And NH is one of my underdog of favorite rappers. Mine's too yeah.
Speaker 1:Okay, okay, okay.
Speaker 3:That is a hard four.
Speaker 2:Hattie, I fuck with Hattie bro, that is a hard four, that's a hard four.
Speaker 4:Yeah.
Speaker 1:No personal stuff.
Speaker 2:Shout out to all of them too.
Speaker 1:No personal stuff, like you know it yeah, you feel me, no personal stuff. It's just everything they ever did, gotta gotta get out of here. All right once you say they go. All right, diddy dr dre. Uh, diddy dr dre. Birdman and jay-z birdman and JZ Birdman.
Speaker 3:Drake, that's Drake Wayne. We gonna wrap this up. Yeah, cause we gonna wrap this up. Yeah, this interview done and I think he doing this shit on purpose, but it's cool it's the realest and most podcast
Speaker 2:we not even gonna talk right now what you mean we not talking?
Speaker 1:I'm realer, I'm realer. Cash. I'm whiteula, I'm.
Speaker 3:Rula Cash, I'm White Boy. D2a.
Speaker 2:Yeah man, we out here y'all.
Speaker 3:We out Rula the most.
Speaker 5:Yo, I'm Taylor Burman. Fuck is you talking about you.
