Realer Than Most Podcast
Here at Realer Than Most Podcast, we believe that hip-hop/rap is more than just music its a cultured lifestyle, and a way of expressing oneself. we are based out of Philadelphia tri-state area that's why we focus on artist who are not only skilled in their craft but also have a unique perspective and voice. our goal is to provide a platform for these rising stars to share their stories and connect with their fans on a deeper level.
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Realer Than Most Podcast
CRAZY WORLD WE LIVE IN I FEAT DJ CRAZY I RTM PODCAST I SZN O2 | EP. 16
DJ Crazy joins us on the REALER THAN MOST for an unforgettable episode packed with energy and insights into the vibrant world of music and culture. We kick things off by exploring DJ Crazy's journey from the streets of Baltimore to the bustling music scenes of Philadelphia and New Jersey. His story is filled with colorful experiences and influential encounters, which have significantly shaped his career. As we celebrate his impact on the music industry, we acknowledge the powerful women who helped guide his path and highlight the cultural dynamism he experienced along the way.
Reminiscing about the golden era of Philly's dance culture, we paint a vivid picture of a time defined by electric youth culture, dance battles, and the creative explosion that characterized the city. The podcast captures the essence of Philly's past, where personal branding and individuality thrived through music, fashion, and slang. We discuss the cultural shift that moved Philly away from its dance roots and explore the necessity of reclaiming club music's essence to foster community and artistic expression once more, all while appreciating the legacies of pioneering DJs and producers.
In a lively exchange, we engage in a playful "one gotta go" game, weighing the musical legacies of icons like Chris Brown and Usher and unpacking the cultural contributions of Southern legends. From debating which DJs have left the most enduring mark to celebrating DJ Crazy's unique creative evolution, this episode is a whirlwind of nostalgia, passion, and introspection. Whether you're a die-hard music fan or someone interested in the intricate dance of personal and professional relationships in the industry, this episode promises a thought-provoking journey through the rich tapestry of music and culture.
We'll see you next time, rilla the Moose.
Speaker 2:Podcast it's the Rilla, the Moose Podcast. I'm Rilla, I'm Outta World Cash. I'm White Boy D2A. We got a special guest in the building today man Family in here today. Hell yeah man, we gotta say it's family in the building. Man, I'm tripping how we doing it, man, how y' building today. Man, family in here today? Hell yeah, man, we got to say it's family in the building. Man, I'm tripping how we doing it, man, how y'all feeling? Man, that's how we got to start this one.
Speaker 1:Who, who, who, you asking first? Oh man, I'm going to go with I want first to last time, it's your turn All right, go ahead.
Speaker 2:White boy. Oh man, you know, feel good man. We got crazy in here tonight Executing. Well, you know what I mean. Feel good y'all. Mm-hmm. Yep, one of them ones. Y'all know that feel.
Speaker 1:Yep, yep, me, me next. Yeah, let's do it Yo. I ain't going to lie man, I'm just feeling real. I'm feeling like execution style type. I mean everything getting executed, everything getting planned out right, we sharpening still. You know what I'm saying? We got a pioneer sitting in here with us right now. We gonna get into that. But with all that said, I feel good. I feel great, man. I feel great. All right, how?
Speaker 4:you feeling Prestige?
Speaker 1:Prestige, prestige.
Speaker 2:I'm going to the next level. Prestige I like that Prestige, prestige. It's time to hit another level. You hear me?
Speaker 1:Hell yeah man.
Speaker 4:What's up? Dj Crazy, crazy man.
Speaker 2:How you feel man.
Speaker 4:Crazy man, how you feeling? I'm blessed to be here, man. I've been seeing the platform y'all created go up. A lot of new artists that I A&R is on y'all platform, a lot platform, a lot of artists that I didn't came up with. Work with y'all just shook some man I just saw a lot of y'all saw a lot of shaking shook some shit all right.
Speaker 4:So obviously that on tour. So I'm back. So for me to be blessed to get hit up by my man, white ball there, come on here. I know we all all got our own personal relationships and, with whiteboard being him to try and make this happen, we finally did it. You know what I'm saying. I'm feeling great man my boy, I really appreciate you, man feeling good well, look, man.
Speaker 1:I mean you know, we got a lot of listeners yeah, real quick we oh, yeah, um when, when, when we went well grim, we lose, we'll cry the blues man, and that's just, that's one of our models. Shout out the sun bomb, like that's one of our models. We go by and like, yeah, I ain't gonna lie, like we got listeners. That's not from philly, so we gonna have to break brody down, you feel me. But for those who, in philly, y'all know, like ain't no reason to even talk. The catalog is there, the um, the influence, the, you know everything, and and and one in one bowl and the recipe is there with bro. But for the ones, who's not from philly listening, he, he responsible for for with% of the world doing right now and we gonna get there.
Speaker 1:We responsible for it. I wanna I want to touch on something after the introduction. But we got DJ crazy man round of applause for my boy. I'm gonna do, I'm gonna do this. I'm gonna do a natural round of applause god tell me he deserve it.
Speaker 2:He deserve it already, man, it's well deserved for sure um.
Speaker 1:So we started off a certain way. We're gonna let white boy take it away. You feel me all right.
Speaker 2:So up here on the real of the most podcast, we do our due diligence banners though you family. I really watched your whole career bro yo turn up like literally, bro. I really watch you come up, watch your whole career. I watch you shake up and turn over, bro. So, with that being said, we got to get our listeners the story. You know what I'm saying. So we're going to walk it down. Dj Crazy, where are you from?
Speaker 4:I'm originally from Baltimore.
Speaker 2:Okay.
Speaker 4:I came to Philly, nicetown, pennsylvania, nicetown, pa when I was 13. Okay, then I moved to Jersey when I was 16, my sophomore year. I've been living in Jersey ever since, but just commuting back to nice town, baltimore, during holiday times. Speaker 1. Speaking to the mic crazy Speaker 2. Speaker 1. Speaker 3.
Speaker 2:Speaker. 4. Speaker, 5. Speaker, 6. Speaker, 7. Speaker, 8. Speaker, 9. Speaker, 10. Speaker, 11. Speaker, 12. Speaker, 13. Speaker, 14. Speaker. 15 with all the party music from all the towns. Okay, so, growing up and coming up in Baltimore, then moving to Philly as a teenager, then moving to Jersey as well, like, give me a few of your influences and when I say influences I don't mean like people in the industry or none of that I'm talking about like the people that's even in your house, or like right outside your door, type shit. Give me a few of those influences coming up. That's a different question.
Speaker 4:All right, baltimore, I was influenced by the 12 o'clock boys. My cousin was a part of the first wave of that. Okay, sean, rest in peace. I was raised by a majority of women. My woman was 95% woman in 98. You know, I was raised by a majority of women. My woman was 95% of women in 98. Right, probably 95 now, but 98% of women when I was growing up. So you know I was raised by that and just you know, I grew up Christian. Yeah, you know, and that's my Baltimore bringing out. Came up around like playing sports, bro. I played 12 sports my whole life. Okay, came up around like playing sports, bro.
Speaker 4:I played 12 sports my whole life. Okay, and um, when I tried the celebrity is when I stopped the whole sports, so that wasn't my first thing. And um, you know like who my parents was. My parents had dope lineage stories in baltimore growing up. You know my dad had two tata law books on him to this day. My mom was a. She was one of the biggest pageant models in the city so she was a runway model, a pageant model. So my family, my Baltimore family, a bunch of creators, christians, people that make their own clothes for prom and get their stuff made. You know, coming to Philly when I was 13, and this is why my name did your credit 215, how people really don't really know nice town changed my name. You feel me okay. It's like me and rico having at 13. You feel me meeting.
Speaker 1:I know you said not celebrities, but this fix, don't do it, just fix it. Don't take it.
Speaker 2:Just fix it, just fan it.
Speaker 1:Excuse the technical difficulties, just tell them whatever they're doing, do it in the room.
Speaker 3:Don't do it right under.
Speaker 1:Go ahead bro.
Speaker 4:Yeah, so I can say, like then, coming to Philly when I was 13, you know how I met everybody bro, everybody bro. It's like I could say that's what I was inspired by, philly. I felt that brotherly love stuff when I first came here.
Speaker 4:Okay, stepping yeah, and ohead's telling you the union from baltimore, no more, you from philly like and not disrespecting it, just I understood the love and the like, you know, yeah, them taking me in as an orphan bro, right and then, and then jersey. Uh, the last thing, while I was inspired by that corporate, I went to high school musical type school okay with um like a music like cheetah girls and yeah damn like this look like zach and cody or something you like, corey you like corbin blue, didn't you, bro?
Speaker 2:that was my cody or something you like core, you like corbin blue didn't you bro that was my like look, look, I did all the school plays.
Speaker 4:I was the first black dj and, like I said it was, it was like high school musical, meaning like spirit day. Yeah, you know the uh, experiencing what senior day was I? Never, you know I did my first two years at Grax before I went there Totally different. It was like a culture shock, bro, totally different. It was like I don't. It was, like I said, the best way to explain it was like a fucking.
Speaker 2:Disney Channel movie Damn.
Speaker 4:It saved my life because it made me not want to go back to Philly. Right, you know what I'm saying, right?
Speaker 2:Okay, okay, okay, okay. So, growing up, philly, jersey, baltimore, family-ass influences coming up and you coming to Philly, rico Havoc being one of your early influences, me and him. Okay, when you meet him and him being your influence, was that like his dollar boy era?
Speaker 4:This was right post Okay. This was right when he was about to become Okay. So I always like to start the Rico Hav, rico havoc story because that was like my first. He taught me how to make beats. You know, I'm saying if I'm 13, rico havoc is nine years old. People don't understand what I mean when I say he was a super baby. That's what I still attract niggas like him to this day. I got goddaughter, that's just it. Remind me just of Rico Meaning this. Nigga knew how to work Audacity, fl Studio, photoshop, all these things at nine years old. Bro, if you really think about that, that's like you feel me, him as a dancer. I met him at nine. Nigga know how to do this move called a flare. If you look up what a flare is like, you got kids white boy, yeah, alright. So you would have to put your kids in gymnastic class, paying like 20 bands a month, to learn this particular move and this move gotta take you like a year or two years to master this shit.
Speaker 1:Nigga knew how to do like 10 of them and he knew how to do like 10 of them.
Speaker 4:At nine, bro, that was like amazing to me. You feel me so like Rico come from, like that real family ground, same like me, like my mom, you know. She got clean and moved. She got custody of me and moved Me and my other two siblings, me and my other little brother, philly. So you could say Rico's mom and them was overprotective, so like he was over my man house for the summer. That's how I met him man. He's he's kin to Neve Buck, like the young guns Chris. So I culture shock nigga, I'm living three doors down from fucking you feel me, chris and Neef folks.
Speaker 4:Chris and Neef. I see, I see Chris Every time I'm going there To make beats and shit, so. So so basically, bro told me how I make beats. The exchange was like Alright, bro, you come outside Like I'm about to lead Dollar Boys and make my group Teenage, and then, with his cousin, you feel me. So his mom just trusted us Type shit. Yeah, you know what I'm saying.
Speaker 2:So that was the first time you made a beat.
Speaker 4:Yeah, it was that summer.
Speaker 4:Damn you feel me, that was my first and last, just a summer, you know what I'm saying. Then we was going outside. That was the exchange. He was outside. That's why you see him early videos. And then, you feel me, we built, like we built that real foundation with the Dollar Boys. Yeah, him and Woody started that generation without me. I was gone. After that I was turned team H&M, which turned out to be team Nike. You feel me, I converted my group into that with team Nike. Shout out to niggas like Fresh CY, all the original members and shit.
Speaker 4:People don't know that name come from the young guns. That was a nice thing.
Speaker 2:Okay, all right, know that name come from the young guns. That was a nice thing, so. So, okay, all right, would you say so? Would you say? Your style then was more baltimore than philly or more jersey than baltimore.
Speaker 4:At that time it was all baltimore, all baltimore, right, it was baltimore type shit.
Speaker 2:Okay, okay, you know yeah before we continue, I want y'all to share, like, subscribe, comment. It's the real of the most podcast. You're a motherfucking hater. Why? Because it's free. All right I ain't going to lie man. Make sure my boy's here with me.
Speaker 1:I ain't going to lie. Yo we here. I'm not going to lie.
Speaker 2:Crazy is an interesting soul.
Speaker 1:No, look, this is the crazy, this, this the crazy thing. Right, right, you know I'm 26, bro, so like that was my ever, like that's where I knew you from.
Speaker 3:Like before all this shake that and all that like it was that I was in dollar boys and fire nation feel them change.
Speaker 1:Yeah, like this thing was shitty. Yeah, I'll shrink it right now, right in front of y'all. Stop it stop it the head, shaking all that. Yeah, he don't understand. He don't understand. But it's crazy because you bust a Wu-Tang move, bro. We were on the road. You see me on the road john, I was yeah but it's your little kick was on.
Speaker 1:It's crazy yeah, I'm trying to tell you, bro, it's there and there's something about that era. You just never forget it. You never lose anything you learned in that era, you was on in that era but I was like the Team Nikes, the Fire Knee, everybody be trying to be all gangsta and thorough now. I love that era. I love that we came from that era. People be trying to hide it that we came from that era.
Speaker 2:People be trying to hide it, bro. Bro world rap. I love that, nizzy. Yeah, we go havoc all the people down south philly, that's like that was rapping and had a little buzz.
Speaker 1:They were always in the dark, like rico havoc was as big as a star before lucas he was the best dancer from philadelphia.
Speaker 2:He used to backflip talk about it. Yeah, he was the best dancer for that perry though you know, but that's.
Speaker 4:I'm glad you spoke on that because that's why I wanted to create the whole shape that way, because you know every other I wouldn't say you know every other rapper entertainment from our city. They experience what we talking about from the lineage story that they going to tell. I want to tell that story, the story of nigga.
Speaker 1:You wasn't cool unless you was in the group yeah or you was dancing or you had to be affiliated with a group you had your own party song, or you was in the house playing a game that was my ever man. Yeah, that was my ever.
Speaker 2:Yeah, I'm a little older. So what y'all saying that? I kind of get it.
Speaker 1:Yeah, I ain't know that Like you know how hard, so you had to be a part.
Speaker 2:It was like the Warriors.
Speaker 1:Yeah, you know another thing.
Speaker 2:Yes, bro, I was older than y'all. Yeah, like if you watch that it's like the Warriors.
Speaker 1:Even if it wasn't a big group and it was your own, you still had to get your buzz up At the end of the day it was competition and y'all had to go head to head. If you had a party. Song DJ Bay DJ or DJ Young Gun or. Dj Pop you was bull. Back in the day who was what?
Speaker 2:The biggest DJ.
Speaker 1:He wasn't. No he wasn't a DJ at all.
Speaker 2:Who was.
Speaker 1:Gunna was one of them. No, I wasn't a DJ at all no no.
Speaker 4:I'm gonna keep it.
Speaker 1:I'm a kid, no, are, who was?
Speaker 4:yours, not the biggest. The biggest name, obviously, I was the club king.
Speaker 2:Yeah.
Speaker 1:DJ babe work is ridiculous. That's how he known from that.
Speaker 2:DJ.
Speaker 4:Bay.
Speaker 1:That's how he know DJ Bay from back. Dj tis gonna ray. You had to be around this nigga a million times, bro. I DJ Tiz Gunna Ray.
Speaker 4:DJ Get Em DJ Ray.
Speaker 1:Gunna, that's DJ. Get Em, that's Gunna Give me the.
Speaker 3:Wall-E's.
Speaker 4:That was DJ RL and YB.
Speaker 3:Freak.
Speaker 4:YB Freak, yeah, freak.
Speaker 3:Yeah, I tell that yo, yeah, but look look, look, look, look, look, look, look, look.
Speaker 4:You see the energy we just created. Bro, it was about that it was different.
Speaker 1:It was about being a brand. Rest in peace, Mookie.
Speaker 2:Mook man Like.
Speaker 4:I always say like you have to be a Mookie. Mook Real red Rest in peace. You have to be a Hotshot. Shakur a Like the nigga was one of the Cole Gangsta. He was bro. No, nigga was a big promoter.
Speaker 3:That shit was the best childhood.
Speaker 1:Well, what was you about to say, though?
Speaker 4:Bro, the nigga, the nigga I always say the names because the females from that era were understated, even the niggas bro was being hot shot. I just had a sit down the other day and we said I said, bro, that's why I always ask you Now in the chart rappers, y'all come to me, bro. Y'all niggas had the city, y'all was bringing out, y'all was selling out Nine, two, three, making 10,000, 20,000 at 13, 14 years old, them niggas was doing that shit. Right now, this just a light-skinned, pretty boy, that's it. He used to get chased. The niggas used to beat him up just because he used to just get too much pussy. That was the concept of bro. He was a light-skinned nigga that promoted by himself. He didn't need none of this. He would sell out 9-2-3, 3-2-10, blue Horizon by himself. Swear it, mr DMG. Another one Protectors was like our cousin, like no pics where that name came from niggas. That really that didn't give a fuck.
Speaker 1:Those were the head. They were street dudes that were shooting people and coming to parties. That's when it came. Those that was the only one doing that.
Speaker 4:It is crazy when you look at that shit was like organized, like it remind me like Organized real 90s gang, because even if we had no pics and that name was so crazy, the shooting we had back it wasn't even out of control. I lost one friend to a cop named Billy from Aerie. Rest in peace, billy Wood. You feel me that was the worst random shooting that you. You get what I'm saying or like a kid playing with a gun and it going off type shit, you feel me, even with having a group called no.
Speaker 3:Picks. They was protected.
Speaker 4:They was out of control. You feel me they was our first shooters. That's what really. You know what I'm saying, but they was like it wasn't you would've think what a crazy name like that Even what they was known for, cause they was, like, known for no pics. That's where this shit came from.
Speaker 2:These niggas?
Speaker 4:It still, it wasn't.
Speaker 2:This shit is crazy, hold on.
Speaker 4:Where the crime at right now.
Speaker 1:We'll get into that later, cause I shit because we start going hand, but I feel as though, like the biggest one, I feel as though it was eras when it came to the biggest people, facts, but the biggest one overall, it gotta, it gotta be swizzy, mac, bro swizzy yeah, because he started going to london and japan.
Speaker 1:Off of party music, bro, l Early Japan, early Like Bro. Let me tell you something, bro, let me tell you something Everybody who's my age, or even 30 and down, was in that, like they could be all tough, shoot em up, bing bing and all that. You was in it, like, and if you wasn't in it you was a weirdo Right Like that was the cool thing, yeah.
Speaker 4:Bro, he right bro. You could be normal in this shit, bro. Yeah, Like Beauty Kills Pocket Dollies, Bro. That's crazy Like dancing was trapping.
Speaker 1:Trapping now was dancing in our era.
Speaker 4:Cause you had to go.
Speaker 1:Like, you had to wear the bright sweat suit. Yeah, you had to know how to top rock Wu-Tang. You had to be in a certain group. You had to have a party song to be like the bull. You feel me Like middle school, elementary school.
Speaker 2:That's why y'all all know how to do it we all yeah. I understand it now. I ain't get it, though I ain't know that.
Speaker 1:It's dope to hear it, though I ain't going to front.
Speaker 2:And it's funny because I was going to tell us, because our era we couldn't really dance Tough as niggas.
Speaker 3:It's like no, don't say that, bro, y'all wasn't dancing. Don't say that People was Harlem shaking bro the Hilltoe. They was Harlem shaking.
Speaker 1:They was Harlem shaking. Crazy, that dude's mad. That is not dancing. That's Harlem shaking.
Speaker 2:Bro, when no, they was not bro.
Speaker 1:His era was dancing, break, dancing, yeah, no pop locking, but he got a lot of era. I don't know.
Speaker 2:I came out with you too, cause so like.
Speaker 1:But yo let me, let me tell you something that's crazy though Yo Nah bro, I seen people dancing bro. I like I like come back.
Speaker 2:I like that, though it always just come back, bro.
Speaker 3:That's the era I broke up from, too, that Meacham era.
Speaker 1:Then always just come back bro that meet you in them era and they faded and the era we talking about.
Speaker 2:Then it faded and he don't get back again.
Speaker 1:It always come back, but I want I want, I want, I want to tell this, I want, I want to say this right, I remember when the first time I ever seen crazy bro I was. I was 11. How old you I?
Speaker 4:don't know was 11, 10 years ago. I'm late 20s Late 20s Alright so it was 11, like 10 years ago, though.
Speaker 2:I was 11, 14 years ago, still so black with his breath.
Speaker 1:I was 11 Come here, let me burp you. I was 11, my baby boy, and we went to he crazy.
Speaker 3:He was 11, remember the Huntington Park Cookouts we used to.
Speaker 1:Remember the Huntington Park cookouts we used to have.
Speaker 2:We used to go in the dorm.
Speaker 1:And go in the pavilion. Now, I'll never forget it was Bay DJing and I was in Fire Nation. So I'm over there with Wayne and Bay and Butter and y'all was over there. Team Nike was over there and we just like what's up, everybody rowdy and all that. Yeah, and y'all was over there. Team nike was over there and we just like what's up, everybody rowdy and all that. So we go over to them and it's on youtube. Yeah, remember, remember when you remember when you was dancing, yeah, in the, in the blue shirt, the blue nike shirt yeah, you was like tinging and what I'm like what the fuck?
Speaker 1:and it's crazy, because everybody was like with me, like who who is? Because team nike got so big, they started like bringing different people, like bro, you can really see girls in the background. Like like to him, like cause he just drawing, like just cooking and I'm like what the I'm learning y'all shit.
Speaker 1:And then from there you just start seeing him and you start seeing him just fucking it. Harry Potter fucking it up. You start seeing him more and more. Then he just like became one of the staples, like with. Corey Flocka and with all them, people like P like became one of the staples. Like with Corey Flocker and with all them. People like pops, like that. That's the person who like. I knew this was what happened, though your story is so intriguing.
Speaker 2:It's just crazy. I knew it would be like this, but look, let's try to introduce this though.
Speaker 2:All right, so look I used to just see you dance even back then, right Even back then, even back then, even back then. What you like? You just now getting a whiff of Philly, you learning the dance moves, like you, just you getting to learn how to make beats, you got, you got similar style. I mean, you got multiple styles. Baltimore, philly, like, did you know? Like, which was soon to create or be a band and soon to create.
Speaker 4:Yo, it's crazy. You say this, this, right? So I always tell this story honest to god. Honest to god, I'm a baltimore nigga with a philly attitude like that. Live in jersey I always at five I knew I was gonna be responsible for club music damn being.
Speaker 4:let me repair that. I knew I would be known for blowing club music up, Even knowing around that age, bro. Young I say. When I was growing up, bro, I still had that feeling. I was like 11. Shout out to DJ K-Swift she's the one that put Baltimore club K-Swift.
Speaker 2:That's the queen, yeah.
Speaker 4:I remember when she got Baltimore to where Sway Shout out to Sway.
Speaker 2:Sway in the morning.
Speaker 4:Sway in the morning. Sway in the morning he did a whole MTV joint on Baltimore. Okay, you feel me.
Speaker 2:Yeah, the biggest. Thing.
Speaker 4:Yeah, now I'm experiencing people like you know, like Rara and shit, blow it up. Okay, you feel me, she got signed to Mad. Decent, you was talking about Swizzy. Now she got signed to Mad Decent. She was fucking with Diplo and shit. She wound up signing the MIA Highlight paper playing. She was one of the first superstars on club music. You feel me.
Speaker 1:Yeah.
Speaker 4:So, with that being said, even me seeing at a young age, I still felt like I was going to be this or a club. I knew I had a different niche. You feel me From a young boy. I knew this was going to make me stick out like a sore thumb and I would take this shit to the next level, even though it was big back then.
Speaker 1:You feel me, y'all made me not well, y'all, because you responsible for the music, but, like I said, like how y'all be talking to me, y'all be like Beck and I ever da, da, da, da. This is my era that we talk about, and I always tell people that that ever made me cross over, like from just liking rap, like being as though that was my era, and they go do, do, do, do, do, like that automatically make you like pop automatically make you like alternative um like them jersey shores all that I are ever, when I ever was what it was
Speaker 1:it was like, yeah, epd all that, yeah, so like darn our ever. When I, during our era, when I'm like before that, when I'm in Macy's and hearing elevator music and all that, I'm just like. But when that era came out and you hear a little Taylor Swift type of joint, you like, oh, you hit the Shazam on the side real quick. You don't tell your homies you like this song and all that. But you feel me and I always said that like damn, like I'm glad I came up in that ever. That's why we be up here talking about music and bands and all that.
Speaker 2:I'll be knowing what I'm talking about people be looking at me crazy because my ever was not hip-hop tell us, tell us in game, future and future work, because work Future, future Work he going to say Work.
Speaker 1:Work, he going to say, the one with future on there. Whoa end game.
Speaker 2:Listen, man Work. You're so right about that.
Speaker 4:I say that, like, look at a lot of people that came from the era. There's a lot of us. That's special, bro. We was part of that creative shit. We had our own hippie. That was like a hippie creative shit. We would just be ourselves and try shit. You had to get dressed. You had to think about what your name was. You had to make your mind space a certain way. You was an artist or whatever.
Speaker 2:You had to learn how to DJ or dance.
Speaker 4:So that's opening up all this creativity and little black children. Bro, we was finding our own, so that's why I believe, even with you, to come out to who you was. That was destined because, like I say, we come from that. It's not rap, it's not R&B, it's not that neo soul from Philly, it's not the battle rap scene. We come from the creative dancing. Yeah, it was deeper than dance, bro. Came down to how you dressed like the slang we had the words we created. We created the word buzz.
Speaker 1:Tweaker.
Speaker 3:Twe created the word buzz tweaker tweaker, all that, it's all art, it's all creating like.
Speaker 1:That's why I tell people, bro, like it's all about creating. To me it's not about that song or that is about creating. That's why I'm a catalog person, because if you see a person over time just keep creating and then can make the concept one for 15 years, like kanye with the bear on his head, like stuff is art and that's my era, that's really what I come up like. Just think about it. Like a rapper could just be like I'm a rapper now and just youtube, and back then you'd be like all right, I'm gonna be a dj for parties. You gotta have a name. You gotta think of a creative name. Then you gotta have a little niche like is you gonna be the dancer boy or the cool boy with the girls? You gotta think about how you dressing. You gotta think about all that. Before you even start ever put out anything, you gotta think of all that. So it's just a little different. That's why I say like crazy. That's that's where I know him from, like a lot of people know him from being one of the crazy.
Speaker 2:Let me uh, you feel me ask you a question, uh, where you get your name from?
Speaker 4:damn dj crazy. Uh, myspace man. I used to what we created before before. My first group ever was with my nightstand homies called Fall Out Boys. That's why I was like we was like weirdo boys.
Speaker 1:Oh, you just said that. Right, that's what you got your name from.
Speaker 2:Yeah, philly, right? Yeah, we used to be Fall Out Boys. Did Philly get you your name?
Speaker 4:Yep. Then I changed it to now we trying to be teenage.
Speaker 3:What was it before that though?
Speaker 4:it was uh, what? Uh, it was just, it wasn't crazy, yet okay, it was just jr, actually jr okay. Okay, I bought him more like jr okay so, uh, yeah, so I'm creating team, team h m. So you know our thing at the time. You know, we just discovered urban outfitters h m we discovered, we discovered.
Speaker 3:Urban Outfitters H&M.
Speaker 4:We discovered fucking American Appeal. We used to get these fucking. We set this trend I swear bro, if you around my age I'm about to say one of the biggest trends, I don't know if niggas remember it these $60 shirts from American Appeal. Only thing this shit said was like letter F, lowercase f. Oh, all right.
Speaker 2:This shit was lit. Oh no, y'all did. Y'all, did you remember?
Speaker 1:that shit, y'all did Y'all did Lowercase C.
Speaker 2:I thought it was Team Nike, but it was lowercase C, lowercase C.
Speaker 4:I remember them, shit they just started trying with everybody in the city, bro. They started just going to American Apparel and scarf h and m says corny as fuck hat scarf gloves. You feel me do my little edits on you? It was this edit. You had to use pick stitch I don't know if you remember that, like it's all my space, I'm talking about coding and then make this move. So every time I used to do my, I used to always end with damn, crazy work, crazy, crazy bull, crazy this, crazy that, crazy that. So, like my dad did 13 years in the feds man, I one-on-one like uh, I want to say I met my. I always change it up saying that I met my parents at 13 because now I understand what the power of tongue is. I got a relationship with my dad at 13.
Speaker 2:He just came home from, so y'all was communicating.
Speaker 4:Yeah right, because my dad, like when I tell you the story of him, he was like one of a powerful dude, so he was like I was seeing him. You get him saying he did it like right before he did his bed, you know I see, see him. But as far as me, like, like, having, like my own knowledge of being a man, that's when I got my relationship with my dad he caught me the whole bit.
Speaker 4:Yeah, but so now rico to teach me how to make beats. Summertime. Bro, it's crazy. My mom just got clean right. Philadelphia is where all the fiends from baltimore come in to get clean. Now you feel me, okay, lehigh is where all the drug programs. Yeah, it actually. I don't know why this where?
Speaker 2:that's where baltimore is that going to the worst place? Yeah, that's where.
Speaker 4:Baltimore is at Going to the worst place, and it's crazy, bro. My little brother Dad is the manager of the drug program, still to this day. That's how he met my mom. That's how I got my last little brother.
Speaker 4:That was born in Philly oh okay, okay, I got one Philly-born little brother. Okay, but yeah, long-street shirt. You know, rico taught me how to make beats. My dad just came home from the feds. My mom just ripped me from. I felt like at the time my mom said she just ripped me from my dad. She came home paying two fucking sports. I'm becoming this lit dancer in Baltimore, you feel me. And now I'm over here coming home. So now I'm heightened. On the first day of filming in Baltimore every fucking weekend, my dad came home to bring it. My dad was that dude Came home with the money. So I got the computer. Now, you feel me, I download my own shit on the phone with Rico, you feel me.
Speaker 4:And I had to come up with a fucking name, like he said like all right, you about to do this shit. It's producer DJ, shit, nigga, you got it. What's your name? So at the time, nigga Tag wasn't tags. You have to make your tags. Rego taught me this way. It's still on fl to this day. It's like this robotic, right, we knew how to control siri. That's why I say I give rego his. The knew how to make siri voice or it's like a program you can use fl to type in your name yeah, like dj crazy or a siri voice or yeah, just a robot type ai.
Speaker 4:I know what you years ago, though we talk about my space era with my FL.
Speaker 2:What is this FL?
Speaker 4:eight, ok, fl eight, I'm with you. So I got come up my name. I look up and this is right there. I just see crazy, crazy. First, you know, I don't go my real name, you feel me, I was like, nah, it was just just right there. And then now I just say after everything, I, I, everything, I am crazy, is organized chaos. You feel me? Yeah, you know.
Speaker 2:uh, like, my company is called chaotic records, my production company is called psychotic production, my studios is called the asylum, bro, organized chaos I just want to say, bro, from 13, him at 9, y'all was just like geniuses in there bro, cracking, cool, like that shit, crazy bro 9, 13.
Speaker 4:That's amazing man.
Speaker 1:I'm going to get on with it, but I'm going to. Actually, before that I want to just shout out Rico Havoc man, because a lot of people don't know Rico Havoc come from a real, real, like real, effed up story. You feel me when it come to like his family and everything, yeah, and I ain't going to get too deep into it.
Speaker 2:Yeah, you're going to bring him up. Yeah, no, I ran into him yesterday.
Speaker 1:Moop and Fetty, and them was my family and they was his family, and so we family and that's how a lot of stuff. So I know, but shout out to Havoc because he really like really.
Speaker 2:He a pioneer out here.
Speaker 1:man Like with a lot, though, especially when it come to the dancing, with a lot though, rapping, making the yeah, hell yeah, and then him for him to just and certain dance moves and certain moves.
Speaker 1:Yeah, no to just certain dance moves and certain moves. Yeah, no for him to just top it off with the uh, the songs and everything and the music, like when everybody was like luke and I'm like y'all late, like young boy been a star, like he been here, he been this, but shout out to him, so i'ma just get on with it real quick. When do you feel like that ever ended, like the ever we just was so hype about?
Speaker 1:I've been waiting for that yeah, when you feel like it ended when we start dicky in here, we go.
Speaker 3:I'm about to get real philly political no I'll get the talk about it
Speaker 1:because, we still dicky in.
Speaker 4:So I mean probably love it. Yeah, the real always know that we are neo soul, we are real R&B bro. We real dancers, we real B-boys. That's where the DJs started Facts, that's our lineage Facts. So it's like, bro, we ran from that. I can say this. I'm going to give you a time when we got RU26, right, so it was the era when, you know, it was like that, that, that junior year era when everybody felt like they was getting too cool for dancing dancing for weirdos, dancing for kids, you feel me. And then it was post. It was post. That's when they say shout out to Bay, but they say, when Bay starts speeding it up, putting too much sirens on it, it made the adults get you know because this when we're going to get into the Shake that story, why I feel like, why Shake?
Speaker 4:That is the one that really blew club music up, but it got too annoying for adults because of the sirens and the chopping and all of that shit, right, right. And then it's like you know, the girls start throwing shots at it. You feel me? Uh-huh. Then it creates a versus with you and yourself, right, you either going to love yourself, be yourself, or you going to go with the homie shit, go with the Thomas. And then now we get hit with. You know the plan from the man.
Speaker 4:Them guns start popping up my heritage. We ain't had we get hit with. You know the plan from the man them guns start popping up my hair with that. We ain't had no guns, right, we probably what. I had one little 22, like fucking little caliber that me and my homie had to go to like the Italians down. So it was a lot to get a. He was 13 and them still you feel me Like it was. That's how rare I'm talking about a gun was so.
Speaker 2:I didn't like all of that.
Speaker 4:Listen I know a gumball. I just said, right at times like the timing. Yeah now it's too cool, Now it's the successful gun. Now it's like you even got your friends over there. That's playing with them and you know, now your old is not smacking you for playing with them and smacking me for a track. They encourage and I see my always from nice down. They encourage that shit. My old heads from nighttime didn't encourage this shit. Street niggas would just be the street niggas by themselves. They did not recruit us bro we got recruited.
Speaker 4:I feel like it was a plant and it's like. I'll get into that later. But this is why I wanted to bring back club music, bro, because I felt like, when I moved to Philly, bro, what made me want to be here? Because I was going to Baltimore.
Speaker 4:I didn't want to be here was the fact that, bro, we was going downtown still in clothes to go, look, to go dance in them for girls, that's it. You feel me. We had Boys and Girls Club to go have Team Nike's Fire Nation meetings. We had downtown to go have these meetings. We had Love Park, we had the Pearl Movie Night, it's all this shit. So that shit was taken from the kids.
Speaker 4:You feel me Like that generation of us being too cool for them because we did it to ourselves. We was the dickies. So I said I'm a man of God, bro, my God, that is Muslim Christian. You got self choice. So it's like we had choice, bro. So I feel like my whole thing, what I wanted to do was force this, not even force it. Like bring back something that was there, bro, like these kids need a platform to express themselves, that's it. You feel me like you know, we still got the switches and the young boys and and ski mans, but I feel like now I didn't save the little percentage. Like they'd rather put their phone up and you know, blick, again, you feel me it remind me of us. We was wanting to go downtown, go to Macy's, go to these stores, go to 923, get a cut. All of this shit. You feel me we had, man, we don't got that. You feel me I feel like we ain't have it. That's what I wanted to create again that aesthetic with the Philly Goats right.
Speaker 4:But I thought, about now mixing with y'all. Y'all like, okay, y'all like these rappers and shit.
Speaker 1:Watch how they look.
Speaker 4:It's really good. Look, how do you? They all look like Think about it, bro. It's like I compared my young boys, all of them. Now it's like imagine if Lil Baby can dance. Would you still be thinking? Would you fuck with? You know what I'm saying? Imagine meat was up there, like yeah girls, will you know what I'm saying? Girls, like a street dude, like I'll be trying to say you know what I'm trying to say yeah, bagged our girls off dancing.
Speaker 1:We was doing it, we was doing it point blank period we all was in the streets, but our activities just was that.
Speaker 2:Yeah, that's how I had my son so, so, so, so would you uh at the end of that, the end of that uh, era, and like you not giving up on yourself and you saying like, damn, it's the end of this era, but I don't want to quit, let me, um, let me continue to work and and boom, here come, shake that now, we'll shake that coming out, or would you create and shake that? Did you know at that time? Like, all right, I'm ready to really shake that shit up, nonetheless, with the word, but I'm really ready to shake up with this sound right here yeah, white boy, you see, he almost did it.
Speaker 4:Yeah, yeah, white boy, yeah, yeah, yeah yeah, I'll say this man, man shout out to my ara, bro, like he told me years ago, a lot of my mentors called it, did I know? My whole plan was to get out the club scene, bro. I felt like Philly was taking advantage of me, so my concept was to put people Taking advantage of you on what DJing, djing at venues.
Speaker 4:What you mean about that? I feel like, bro, I've been a local celebrity since I was a kid, so I've been having hits. You know I probably had a hit that took me over, but I had a hit that always had me show money in philly yeah, I was a kid, so meaning like bro you painting your whole event around me.
Speaker 4:You know how you got. Y'all got dj homies, it's gonna be like music. By this whole flyer. It says you're crazy, crazy. I've been having security since I was younger. You feel me? Girls are bum rushing me as I'm going to the DJ booth in your little ass bar establishment.
Speaker 2:So I had to put in my work A lot of people didn't.
Speaker 4:Certain people respected it. I'll shout out certain people, like Level 38. They invested in the shit that was the last club I spent for, like it's, certain clubs and spots that respected it and certain people that was trying to take advantage of it. I don't want to cut you off, bro, but when you, when the first time you start needing security and stuff, the first time I start coming back to Philly to be real Like it was post, because like I left when I was my sophomore year, yeah like I lost myself off my year, so I got picked up.
Speaker 4:Who turned me into a celebrity was a or a the most gangsta top goon in the city.
Speaker 2:Yeah, shout out the ad. Free ad man, I was his dj his creative director.
Speaker 4:You feel me. I was OBA's Gooney Gang creative director. All the cookouts I did the creative direction around it. If you ever been to a Gooney Gang cookout, that was my stage. Sound lighting, that was my.
Speaker 1:You know what I'm saying?
Speaker 4:Yeah, I did all the Young Ball creative shit Shout out to Ab when rock became PnB he gave MF and Love and Bam, that call like just a young boy that's going to get you across that. You know, like that line he made that call. That's how I got over there and rock. You know I became a rock DJ, new Lane creative director. That's how I got to Zy Sosa. You know, zy Sosa, new Lane, Keep walking it down.
Speaker 2:You're walking it down my guy Perfectly.
Speaker 4:That was the yeah so so Ab kicked me off as a celebrity.
Speaker 2:Okay so.
Speaker 4:Ab brought me back to Philly. I was fucking Jersey up. I just created Jersey Team Nike for years. So I just created what we felt in Philly. I created in Jersey just my last high school run. You know what I'm saying. So I was responsible for the nightlife over there. So I bought Jacquees a jersey. That's how me and Jacquees got our relationship. So me doing that, I was able to book Jacquees over like four or five times you feel me you kicking murder right now and that shit had Philly going crazy. To where now?
Speaker 2:niggas in.
Speaker 4:Philly, hear about me. So the boy Nile Nichols. So Nile Nichols, owner of Club Honor, he was the owner of Cheerleaders in Jersey. So I come from being corporate. So Nile Ab, Ab grabbing me up, you feel me PNB Rock and Ab get me with Rock. I do the return in the Mac show Beanie Seagull, first time home.
Speaker 3:That's crazy, you feel me, this was before the accident. Why, boy, you knew that?
Speaker 4:It's the first home Okay. So this, the first joint, and what is me? Pnb, rock, lee Mazin and Rob bombed that shit bro. I took rock so serious bro. I used to come up there with my own banner speakers in the trunk, my own mics. Rock was a star, bro from the rich.
Speaker 4:So, not so. Club Onyx. Now Nichols is there. He recruited me, walked up to me like young boy Start, start this shit's crazy bro. This like this. Not Nichols, bro. We don't know who Nah is. Bro, this is Club Onyx. This is the porn star scene. This is the nigga who put the porn star out, this nigga who did Onyx. So all I got to say you feel me. So he walked up to me like young boy I fucking believe in you, I love your energy. He said I thought about Instagram before it happened, right, Right, and I right, and I had this team, I hired and they dropped the ball and guess what? Instagram became Instagram. Bro, I'm a creative, just like you. I'm a oh shit. So he like. So look, here's the concept. He fucked with me. He believed in me.
Speaker 4:Look, it's a real story the concept is he want to recruit me to be. He want me to run Onyx Radio. A lot of people think I.
Speaker 2:DJ.
Speaker 4:Onyx bro. No, I, no, I was there interviewing celebrities. So he had the concept of having this first idea, the first clip club radio station in the world. So and I was going to be the dude. So he gave me the key to Onyx. That's why I say and I tell you this, bro, this shit weird. This is my first conversation with this dude. I had the and access to Onyx. If I tell you, I never talked to this nigga like that again. Listen, I haven't had a sit down with Nah like that. That's why I say a nigga, give you an opportunity. He gave me the brand to work with and I took it to another level. So I made Club Onyx Radio. That's how I became a celebrity booker. That's how, when I started worrying about my music, I had all these relationships For years at Onyx I was walking up the without even contract.
Speaker 4:This idea he had, bro, and it always worked. How you doing my name, dj crazy, uh. Pnb rock official dj air ab. Official dj program director. Club onyx, nice. To meet you. By the time you shake my hand, you on my energy, the cameras recording you, feel me, you, even if I'm, if I got you in the back, honest, you even want me to hit the stage with you or like. Like, if I got you, let's say if I popped up at the Roots picnic, nigga, I just bought up Ab. That's a protection affiliate, you know what I'm saying. I bought up Rock. He's the new biggest thing. I ain't spent a pussy yet. You don't want to come with me. So I was able to, like, was just creating behind the scenes, but, being a corporate nigga, I became the program director of Onyx Radio and interviewing all the celebrities.
Speaker 4:Bro, that shit took my shit to a whole nother level. I used to record the Friday. Onyx, that voice you hear Lucky and shit. I used to record that shit in the back of Onyxx.
Speaker 2:We had a studio and onyx and speaking of creative and and content and you uh, making new, bringing new things to the game. How you come up with a little crazy the mascot a little crazy.
Speaker 4:A little crazy man. Um, shout out, I come from a costume background. My first job, you know. You had to get your working papers and shit back in the day.
Speaker 1:Yeah.
Speaker 4:So I come from ICANN Entertainment. We got sued by Disney. So shout out to ICANN they the only costume company that cannot use Disney. You feel me? So another costume company years later reached out to me. Jazzy the Clown. You know she's the legendary.
Speaker 2:I remember her yeah, yeah, yeah, she did my son, she retired or something.
Speaker 4:No, jazzy's still here, oh wow she's still here.
Speaker 2:She made this mascot, she actually made this for me.
Speaker 4:She wanted to do a song with me. So you know me, man, I'm screaming for numbers instead of charging her or whatever. I was just like damn, it makes sense. You know, make me a mascot, I'll do a track with you. So we did like a little kid record little jingle and fire that she took to the. She did been doing it on the circus and everything, yeah, so yeah, so crazy gonna be, he gonna be.
Speaker 4:Uh, I'm gonna have my own cast of like you know, like you know how mickey had disney goofy, and so it's gonna be like a reflection of my life. You know what I'm saying. Like me, my siblings, my two dogs care of them all. Yeah, they're gonna drop next year, so I'm just promoting him right now.
Speaker 2:That's why he's been with me wow all my music videos everywhere, everywhere, I seen you out new york and you had, you had him with you, they love him bro, yeah it was fire breaking.
Speaker 1:So so, all right, boom right. So you know the end of the era. You feel me, everybody got they, they reasons or their opinions why I ended. So the era ended that we talk about and if you could, if you could like, estimate it like what year would you say? That is damn, like the ever we was talking about, like 2009 10 10.
Speaker 4:matter.
Speaker 1:All right, matter of fact, here it go Chief.
Speaker 4:Keef Chief.
Speaker 1:Keef yeah, that is the average, so 2012. I think so, yeah.
Speaker 2:Chief Keef and that make much of it It'll make Keef 12.
Speaker 1:That makes sense, that makes sense, that makes sense, because it flipped.
Speaker 2:It kind of flipped.
Speaker 1:No, everybody got gangsta became gangsters yeah, so like the streets being the gangster was like the new norm dog look. This is why I don't like came out that was over. This is why I with it very bad.
Speaker 4:So I with dueling bro, because that's that shit I don't like.
Speaker 2:That's that shit. I don't like that shit. I don't like.
Speaker 4:I was touring the world. I was Ab DJ for seven years, right, we probably only did like three shows in Philly. I should tell you right now I was gone. My whole childhood. Ab came and got me bro when I was a baby. I signed with Ab when I was like 19 or some shit. So he embraced it.
Speaker 4:So now that is cool. The hardest nigga to me fuck with it. The hardest group to me ain't trying to change me. I got my skinny legs on my hilly's anywhere. Shall want to try around. These niggas is embracing dark low then, like you know, they cool with like black Nero all the rest of that era, bro, that's how I met Freeway and E-Nuts and all these other legends, and Chris and me.
Speaker 2:Rob Markman Shut up with them guys.
Speaker 4:DJ Premier. Shout out to them guys, rob Markman, I got closer with them because that's that era, you feel me, gilly. I got locked in with Gilly and shit. So it's like I say that shit, bro, that shit helped me even push the dance producing DJ even more. Because now it's just like I'm going to stick out more like a sore thumb Because, like I said, bitches always going to love dancers, kids always going to love club music and the niggas going to love, like I said, we going to go off the girls.
Speaker 3:You feel me my music hits the kids.
Speaker 4:The kids is shaking their hips to where the mom doing their hair. The mom hear it Now. The mom know the song. Now the mom asking the dad to buy the ticket to DJ Crazy Show. Yeah Right.
Speaker 3:That's exactly how it is too.
Speaker 4:So that's the medicine that I saw. The only thing I needed to do was keep this shit consistent, because the kids bro.
Speaker 4:Yeah, I just got to get it to where the kids was like us, right was like us. It was like over. I had to over-exaggerate it. It wasn't over-exaggerated yet, it was just sprinkled Like if you think about any, if you ask any DJ this question before you shake that music, you will get a five minute club music set maximum. Think about it years ago you would hear club songs to where niggas then start looking at the DJ wrong, to where he got to change it back up.
Speaker 3:You know what I'm saying.
Speaker 4:I'm telling you, that's how it's been, Because now I was utilizing it to be different. I was the DJ that was forcing this shit you feel me? On top of doing my little celebrity shit like post-Shake, that or whatever I come from. My last two artists that motivated me to even work on this album was Yak Yola and Chyna. I was managing Chyna and I was DJing and being Yak Yola's creative director. My beat was the beat that got Yak signed to Alamo.
Speaker 1:So that's my first name.
Speaker 4:No, not Demon Flow. Demon Flow was one of them too. It was Go Get it, Go Get. It was the one that had us like.
Speaker 1:Oh, him and Liv.
Speaker 4:Yeah, yeah, yeah. So that shit, all that shit helped me as far as like post, like when niggas saw like that work because I was already forcing it you know what I'm saying. So even like to get into it was that shit. And then now you got Sloane that just came out with Chubotland Now Feast you know it's COVID now.
Speaker 2:So now Feast right.
Speaker 4:Feast comes and re-breaks a song called Break your Back right, because it's this spot called the uh, the uh. Fuck, it's an after hour. Damn, when I say the name, niggas going to know it the Furniture Store right. He break it at the look this nigga. Take a 10-year-old song and break it. Break your back, so it's lit. All the DJs we supporting it. So you got this song called Break your Back. You got True Bop Land with Sloan and Lil C4. Then you got Don't Call Me White Girl, right.
Speaker 2:Why you?
Speaker 4:Being Weird to Me. So now these are the songs I got. Oh yeah, and we got Shark Baby, right, Baby.
Speaker 1:Shark Hold on Time out. I thought that was Dame. No, yeah, yeah.
Speaker 4:That's what I'm saying. I'm about to explain. These are songs I got. I'm DJing in the club.
Speaker 2:Oh, oh, you got it To now utilize to make everybody be they selves.
Speaker 4:Yeah, yeah, yeah.
Speaker 2:You feel me Like I said Chubacca Land's song is not my song Longer than your five minute set.
Speaker 4:Yeah, so now this making my set expand and now go into songs that we grew up on.
Speaker 2:Dollar Boy songs yeah yeah, now.
Speaker 4:I see it. And now you know, like I said, personally, I'm going through my stuff. I feel like I'm a star, bro. When I come out, I'm DJing for four hours. Bro, niggas be thinking I'll be drunk and fucked up. No, I don't drink it to the end of the night. Probably my last hour, right? Because you see that I gotta play for Neato Dreams and Nightmares. I'm performing each song from left to right. That's how I DJ. That's how I'm different.
Speaker 4:That's the DJ Krazy energy. Everybody, you feel me, that's what y'all feeling that I'm mad because I want a four-hour set of my shit.
Speaker 3:You feel me.
Speaker 4:And I got this club bro, building this whole event around me. Like I'm Lil Baby, you feel me. Like you get me, Compensate me, bitch. That's how I felt, so that's why I felt like Philly was taking advantage of me, so I made this plan to become a $50,000.
Speaker 2:DJ $100,000.
Speaker 4:DJ it takes one song, bro Fact, and then I ain't going to talk a hit or two, I'm just going to give you all that lineage.
Speaker 1:No nigga, you hear the talk?
Speaker 4:Right before this. This is what really kicked me in my ass.
Speaker 2:You've been killing, Noto Look.
Speaker 4:I just shout out and look, this is crazy, because that's how God works. I'm trying to track you. Noto is made for DJs like me. If you peek, they book superstar DJs that got hit songs and then they'll book artists on it with it, but it's a DJ that's bringing out, you know, you know the county community or whatever. Yeah, so post, shake that. Now, right, you got. You got all this stuff that I'm going through. The last things that happened was all right, china. We decided to part ways. We decided to be just brothers and sisters. She went to another with China. Be big China. You know I'm saying so, I know, I just want to understand big.
Speaker 4:China, so this is my last that was.
Speaker 1:If you know my way with cheese, you know that's'm saying so I know I just wanted to say big china, so this is my last.
Speaker 4:That was if you know my way with cheese, you know that's why I shout out to her like me, having her, her crazy self, that helped me on how I can work with all these different energies after her, all these different kids and bro well, that's my baby. Like she helped me understand if I'm going to be motivated by timberland. How to mold a a missy elliot, how to mold a Demi Flau. You feel me A fucking Aaliyah, you feel me so I lost her. That made me creatively upset. Yak, I could say Yak just went back to his family. You feel me Like he was. We had him lit on fucking Alamo. Yak just decided to. You know, he just just went. He wasn't anyone to do music. No more long story short. So that creatively made me mad too. Now I'm like damn every time I go to work on this album, you know I start managing motherfuckers.
Speaker 4:And then I stopped where I stopped my shit. For me, I had this album now I was working at that time, bro, that was year five for me putting it aside, so I'm like fuck that bro then. Then fully taking advantage of me, fuck that bro. And now I see my window, my god, bro, god, he's showing me like take your risk, take your leap. Then the last thing I'm at Nodo DJing for Chris Brown.
Speaker 2:I'm blessed.
Speaker 4:You know I'm getting my one, two, this one thing I had, this why I felt like I was him too. Because, bro, y'all see me getting my 1500 at nodo for an hour, or ac, or y'all see birthdays bringing me out. You feel me, y'all see that already. This is before shake, that I'm already getting all of that. You feel me, I'm already. I come from ab and rock like, come on like, and I already had my hits. So I was like what the you've been getting booked? You feel me. So, bro, I'm at no though bro, I'm blessed, thank.
Speaker 4:Now this is. This is one of them. Events to where you know at the time this ain't even page on. Just blessed that somebody hitting you to come over for chris brown the promoters crazy, I got two bottles. You got the set right before chris brown what?
Speaker 2:let's go, let's go, I'm out Got me let's go, I'm out Back. Bro, I can't make this up.
Speaker 4:I snapped. You ever see me live that night? I wasn't this. So I still treat everything like OD, like five people in a row. I'm a draw. Like you feel me, you let me in a row. I'm a draw. This Chris Brown, I'm snapping. I'm like hanging off the fucking drum. I'm drawn. I'm like jumping in the crowd. I put on a. I feel like one of the biggest performance of my life. Dj I ain't gonna say his name, superstar DJ, which is fuck, probably like top, top, top 10. Richest DJ in the world, really the most.
Speaker 2:This is really the most podcast. Make sure you share, like, subscribe. This nigga put on a mix.
Speaker 4:A mix ain't nothing wrong with it. That's what the edm djs do sometimes. Sometimes the rave djs that's where I want to be. I want to be on the festivals sometimes is pre-recorded. Sometimes you got jazzy jefferson, that's live, and like dj crazies, that's live.
Speaker 2:Or college, that's live but I like how you, I like what you did right there you feel me yeah, I'm with you.
Speaker 4:I saw this nigga get a half an M bro or some crazy ass. It was like Stop playing. Oh it's on, bitch, I need one of them to get there. Oh, it's on. And the show I just put on the bitches love me. And'm the one that got security and you walking through normal, you feel me because you probably yeah, because he lit. But you get what I'm saying. Like as far as like how I felt. Like nigga, I just put on the show. My life, I felt like I'm getting grabbed. All I need is one of them to be that, to be chilling, because he blessed up, he come and and collecting that put on the mix. What was your next move after that? It was over. I went to go locked in bro. A month later I found the Philly Goats.
Speaker 3:It happened all like that the China Yak shit.
Speaker 4:All of that, then that.
Speaker 3:No-No Night.
Speaker 4:It happened and it was over A month later, I was locked in Go ahead Cash.
Speaker 1:So all right. So you put it right where I wanted you to land it so like I'm gonna keep it real right zy sosa he was. He was. It's crazy because our sosa wave was kind of dying down. That's the crazy part. He was popping, he had the city lit he had.
Speaker 2:He got signed the stack of stars right or something like like that. Nah, that was previous.
Speaker 1:I'm talking about.
Speaker 2:Shake that Shit, but he had a song before that.
Speaker 1:He had a couple songs and the whole Already Paid album and all that.
Speaker 4:Yeah, he talking about APA Right.
Speaker 1:But I'm saying Shake that Shit Now. I only knew him. I didn't know D-Sturdy, I didn't know them.
Speaker 2:That was a breakout record for them.
Speaker 1:No, I don't even think they was rapping, was they? I don't even think they was rappers. I don't know no song before that.
Speaker 4:They had one song off A&R, the song called Broke Shit. That's the song that I was like oh shit.
Speaker 1:And it was before shake that, all right, boom. So they wasn't known like they probably was known in any hood, but they wasn't known as.
Speaker 1:Okay, so that alone, like alone, right there, before we even start talking about anything, talking about anything, that alone make you like legendary for taking three or four people when only one of them was known and he wasn't even a superstar himself, he was just a poppin north philly rapper, and and and and all these north philly young bulls who not known as musical talent, and for you to make a song with them. Right and the shit. And I was arguing with a couple people to change the world not not Philly not the United.
Speaker 1:Yeah, I argue with him at that he gonna act like he said that shit, louis. I said well, that shit changed the world.
Speaker 2:I wanted him to make sense of it and then I thought about it. I I'm like it really did yeah.
Speaker 1:So how, all right. So first of all, how did that even like? How did that? I don't even usually ask this, but I got to know how that studio session went All right.
Speaker 4:I got a lot of people. Don't notice if you go to that cover art man like, really look at like my album cover art. Don't notice if you go to that cover art man like and really look at, like my album cover art. Or I lost my mom, grandmom and dad in that order working on this project. Once it was lock in time when I was done with china yak in the club scene when it was just like me in the because after china like I had her studio so I put all the shit in my house. I already had a little setup in my crib already, but now it was like a studio where I, we could we spent church. You know what I'm saying. So it was like I locked in for that month. How that went was I'm dj in a storefront. I'm gonna tell you from being a storefront. These little kids run up to me. Bro, they four or five years old dj crazy. Put on his, put on broke. First of all, young boy, stop cursing at me.
Speaker 4:I'm your uncle, I'm about to beat you up where's the respect talking about some broke, so I bid whatever, whatever so I put it on bro, these young boys start hitting this, dance his suit, shake that to the right and get this hip. Mind you, I'm living in jersey. You know jersey rock their hips film. I see this on on crack because, bro, they dancing on it it's a trap song. It's like spot him, got him, you feel me? It sounds just like beatbox. I'm like who the fuck is the Philly Goats right Now me and Too Rare this is Too Rare just got out of his deal, his first deal. This is no club music.
Speaker 4:Too Rare, this is Too Rare being a lit industry nigga being a lit industry nigga, so we get booked on the same melodic, yeah, he was doing like his, like la type sound. Yeah, I'm a big dripper, big sound my back he doing all that so he's he lit he got an industry wave.
Speaker 4:Um, so we on the same bill now. Mind you, philly, too cool to dance the dance. Producing dj. I just had a run with ab rock I. I got the dancing shit lit. I start dancing. They don't want to dance. Rare start dancing. I'm like, oh my God, this young boy's like you feel me. Who the fuck?
Speaker 4:We exchanged numbers whatever I look up, rare start doing like the. Rare be doing like the. You know industry shit. He remixed broke shit. You feel me Because he just got done His. He remixed Broke Shit. You feel me Because he just got done His wave. You feel what I'm saying? He remixed Broke Shit. That's how I saw the Philly Goats, so it's like a whole industry play, bro. I'm like hold up this guy. This is I. Just these young boys was five, bro. I come from 13-year-olds Our era.
Speaker 3:Yeah.
Speaker 4:These are five roads walking up to me about philly goats now where just remix the song I'm like nah, you feel me like. You feel me like now. I see dicey, now I dm dicey, picked him up and then ben's. I couldn't afford no more. Two donuts on the shit, amg bang could not afford this shit no more. Fuck, it took that south jersey all the way to fucking.
Speaker 2:Uh, uh, uh bro bro that's an hour, two donuts bitch.
Speaker 4:I'm riding like this picked up all of them so was the back of the world up about the goat's how we come from nothing. They were fucking with me it was like the best yo you feel me?
Speaker 3:yeah, bet, all, right now I'll take them back to the video, like I take them back to the crib.
Speaker 4:I take them back to the crib. The concept is like I said. I'm like 80% done with my album. I already got my joint with Lil Wayne, artist Drizzy.
Speaker 1:P. Shout out to Drizzy P.
Speaker 4:You feel me? Sloan didn't send his song in yet, so I don't know what's up with Sloan. So I'm like 80%, you feel me, but I'm locked, the fuck in. So they get to my crib. Sue Dicey Spence, I'm playing them beats, I'm playing them Mosh type of shit, the BPM 140, they bed, knowing me. Oh hey, this your ass. Oh hey, fuck out of here. And this way this little brotherhood was formed because we come from bed and we come from these young boys don't even know me yet and they just in my house A nigga, not from Philly.
Speaker 4:I feel disrespected. You feel me they really like Ben, you know, fuck that shit that shit ass Yo for real.
Speaker 4:That aggression. So I'm like, all right, bet, all right, let's just make some shit. So we making this joint from Shreds, one of my biggest songs, the uh, one of the songs that my vocals on it's that philly shade, you're making that beat from scratch. All of us, mostly me and spence that's why I love spence so he made me speed this up to 165. Right, that's fast, that's fast, as that's dollar boy, that's db woody in them. Error, that's club music gonna crash. All right, cool bet, may philly shake bow hot.
Speaker 4:Mind you, this album is about mental health, about my mom's called let's go crazy with my mom, dad and grandmoms. About mental health in philly that we don't even as a black community, we don't touch on. I'm telling you, I'm crazy for you. You feel me? That's the concept of the album. Meaning, like bro, I just lost my mom, my dad. You feel me that's the concept of the album. Meaning, like bro, I just lost my mom, my dad. Did I become a shooter like my father? Or I found DJ crazy a platform to express myself? I'll get into that whole reason later. But this shit about my dad folks, these young boys, go home and leak my song. That's like me coming to your show like yo, come give me a feature and you leak it.
Speaker 2:Who the actual young boy that was just record.
Speaker 4:Yes, spence spence leaked it. He's leaked boy whoa, I look up. Yeah, I can feel some type of way. Right, I look up, bro, my life changed. I'm viral. It's 50 000 videos made to this song. I'm happy you feel me at.
Speaker 2:I had to even understand.
Speaker 4:Me as a creative. I had to obviously digest, but God picked my single Damn. Look here's the thing. Zy, my man, I was Zy DJ. I did travel the world with Zy, so Zy make millions. You feel me, zy? We ain't getting on the same page, really the most right, this nigga not hitting me. We ain't getting on the same page, really the most right, this nigga not hitting me. We ain't getting on the same page, I got a whole album of fucking Zyde the concept to get on this project, real rap.
Speaker 4:You got to give me a video and you got to give me a show. I need picture for the flyer, bro. I need your promo video and I need that's how you're going to get space on that shit. We couldn't get on the same page. Now we shaking the world, philly shit go up. I put the concept At first. That's what I'm trying to call it. The world is out. Do you know how? It was something new when Young MA first popped, when Lil Uzi first popped, when Big Drip first popped Fabio you on it, you feel me Fucking Lil Uzi first pop. Or when Big Drip first pop, with Fabio you on it, you feel me Like you on it. First wave. So I wanted to put the name behind the dance. So now it's going up. Zy want to jump on a remix. Everybody want parts of Shake that. Now it's just. It's that Philly shake, it's not Shake that shit. So I Sturdy, hit me, yo, zy. I want to jump on the remake. I mean jump on it, because it's just a clip out. I'm like you, sure.
Speaker 4:I've been hitting up. Call a little, bro Zy. You've been bullshitting me, bro. You sure you're going to come? Yeah, crazy, I got you. I've just been working. All right, bet, we all meet up. We come to my crib again. Self, I'm like as a creative. It didn't work for him to go on philly shake. That was this forcing it. The to me was fire, you feel me. So now I make shake that before the night before my it went viral on my page because, like I said, they taught me how to make shake that music. Shake that music.
Speaker 4:Tempo give y'all a little sauce it's 165 old club music that we grew up on like 130 old club music that we grew up on like 130, 140, boom, boom, boom, boom, you feel me, or so now it wouldn't go viral because I got this. I'm about to structure shake that hit bro, because it's a real song. Hook burst is a melody that I know gonna control people from 8 to 80, you feel me. I just basically I fixed what happened with club music. Club music got annoying. If you listen to that song, he Ain't Grazing President of the Button is a real track, you going to fuck with it. So I played them that beat. Zyde started going he Ain't Grazing, president of the Button. Then Sturdy started going that would be Dicey third time behind a microphone His first time was without me to that trap song Broke Shit and then after that it was club music going on.
Speaker 4:So what I did for the Philly Ghosts, I say you know, philly Ghosts was already Philly Ghosts. I A&R'd them. I wanted to be a part of what they had going on. I just saw the Dollar Boys Team, nike. I gave them a platform to express themselves. That's what Shake, that Music did for everybody. Over 10 creators got signed off. Club music, bro. From producers to creators, I say club music just gave all them artists a platform to just be themselves. You feel me?
Speaker 1:And I ain't going to lie, that's a full circle moment for you. To Baltimore, Jersey, Philly and all that. Be as young as you was, get into the party scene and you saying you knew since you was five you was going to have something to do with club music. Then fast forward to Philly, the whole team, Nike Jersey. That's a full circle moment. To just come back around and then be the pioneer for the biggest. It might be like I ain't going to hold you.
Speaker 4:Your song got leaked too.
Speaker 1:Yeah, that's crazy.
Speaker 4:Look, I went home and did the same shit to Shake that and then Shake that video. That shit was like abnormal Bro. Two days it got like this post she's a runner, she's a track star. This post, no parties, corey Lee Way. So we stopped, like I said, remember a lot of people was starting to get signed off dances and shit from TikTok. After the hips it was just all hip shit For the last three years it's been hips you know what.
Speaker 4:I'm saying All hips, and that's why it's crazy, because no fucking Boss Bandilo just kind of just flipped it on us, and then the New Orleans Bounce shit the trip out sound, yeah, yeah.
Speaker 3:You feel me, so my sound ran this shit for three years as far as it changed.
Speaker 4:You feel me.
Speaker 2:Because of how everybody wanted to be a part of this new dance that these young boys created we just put real music behind it, and there's a bunch of young artists that was able to provide for their family from up under your umbrella Exactly. Yes, sir so that's the more important part Over 10 people getting signed up under your umbrella.
Speaker 4:Just from that sound, you created Major deals bro, on record labels that I'm sampling to create this shit. Yeah, you feel me it got to get clear.
Speaker 3:Shout out to everybody.
Speaker 4:Fucking Sloan he's at Sony AWOL. Fucking Rare. Fucking Warner yeah, Fucking.
Speaker 2:Are you in it?
Speaker 4:though I'm independent. I'm just signing with.
Speaker 2:Jahlil Beats you independent. Jahlil Beats. Jahlil Beats yeah, shout out. Jahlil Beats, shout out.
Speaker 4:Jahlil man, me and him about to. He can sign niggas, yeah, to do some partnerships, but I ain't ready to sign yet because I'm the creator. And it's not even just that, bro. It's just waiting for the right situation to understand that, bro. I look up to Quincy Jones. Bro, I look up to Khaled DJ Drama. I'm an idea. So you can't edit this shit. I just don't want your producer on your label I feel you.
Speaker 4:I just don't want DJ for somebody. Nigga. I'm the new, you know what I'm saying. I feel like I'm my whole thing. I want niggas. The best way I could put it is like Chris Brown with turntables, like if you don't understand that idea. Or like the black Skrillex, black Diplo you don't understand that, like then, I'ma stay, me and y'all gonna stay independent and keep bombing?
Speaker 1:Yeah, bro, just like. Why would I you?
Speaker 4:know what I'm saying. And two, the right situation makes sense. That's why me and Lil shout out to my manager Lil Beat Silk, rick Danger, l Planets. We about to do these one-off projects, we about to do some partnerships with some labels and shit. We got my first project about to come out.
Speaker 2:shit like that, that's Club Crazy is the name of it, and it's heavy. Would you drop in your tape, family getting a chance to drop it, with everything that was on your back to drop it, and the city receiving it? Well, like, give me the feeling of that time, like it actually dropping, and you know what I mean. You know grandma, mom, dad, everybody looking at you from up top. You know what I'm saying. That was all done, and not only just the city, excuse me, the world is receptive to your music and your tape. Like, give me that time and how you felt at that time, damn.
Speaker 4:I felt blessed man. But I always say this, bro, to be honest with you, and this can probably be crazy, but I got to say this because, bro, to be honest with you, and this can probably be crazy, but I got to say this because I want my brand and what I'm standing for is God, God, God, God, God, God, God. I want to change some things, Bro. I don't even like to be idolized, bro, Even though I like attention. I like the crowd, I like to control people off music and entertainment. I like to start a fight off music. I like to make people cry. I music and entertainment. I like to start a fight off music. I like to make people cry. I honestly don't like behind the lines. So when it happened, it was more like I had a spiritual awakening to understand why my mom, dad and grandma passed. They couldn't be here in this physical plane for that to work, because I tried you know me, I've been trying to do this music shit since we was kids. I felt like they couldn't be here here so
Speaker 4:that's the best way I could put it for me. I just felt like this okay, I get it. I understand what life is. I understand what a calling is. Yeah, like why I'm called here to bring people close to god through music. Right now it's hip, hips. Okay, now it's club or or, uh, shake that music. You feel me like. So I just felt like, dang, that's what you're calling it, this is what you know, I it. You know what I'm saying. Now, you get it, bro, I'm bringing people close to God through my music.
Speaker 2:Yeah, that's dope. Before we continue, make sure y'all share, like, subscribe, comment. Yes, sir, if you don't follow, because if you don't You're a motherfucking hater. Why? Because it's free.
Speaker 1:We got.
Speaker 2:DJ crazy in the building. Wake up man.
Speaker 1:Y'all got to get crazy in here, man.
Speaker 2:So look, I ain't going front Like when you did that, right, I'm looking right, I'm like damn man, this kid is a fucking genius man. It looked like he having fun and that's the whole point, because we was living in a time where kids weren't having fun, man. It was a lot of death, a lot of violence, a lot of drill music the kids.
Speaker 2:You know what I'm saying, yeah, so, but like that, when you just like broke off and you would start breaking the little artists that was around you and bringing them up, and now they got they sound and they dance and they look like they get money and that shit just like warm my heart, bro, because it's like damn bro, it's like another way and my son love that shit. Nah, man, to kill my son, my nephew, they love that shit. So I'd be like damn he. It took a lot for him to get to where he at, but he there. That's the important part. It took a lot for him to get to where he at, but he there. Right, that's the important part. You got there and like you, using your platform as a vessel to help other kids, and that's the main part. Know what I mean. Each one. Teach one, know what.
Speaker 4:I mean, that's why it's crazy to be up here.
Speaker 2:Because you know, if can't nobody tell a story.
Speaker 4:I'm with the three niggas that know it. That's why it's kind of just like an eerie moment bro in a good way, because it's like even for y'all. I remember you was giving me the blueprints on what was going to happen. I remember just talking to all y'all just about like y'all next moves and y'all creative career.
Speaker 2:Us rubbing shoulders and shit, just to know, like damn, I'm here talking to y'all about it, so I really asked the right. How do you feel, though? How do you feel about your moment of being, like damn, I'm crazy, like everywhere I go, like they know who you are?
Speaker 4:how you feel about that. Bless man, like be able to like like me. And rare just got off a worldwide tour, bro. Our last show was with chief keith. To be a part of like that's from my generation, bro. I used to love, like, love, salsa, shit bro. Like that helped my set to this day. So to be a part of the show you know he got borrowed out of Chicago years ago. We was a part of the show that you know. The mayor let him in and it's his first time ever performing in fucking years. So to be a part of that shit. And I'm performing my songs. The one of the most crazy murder cabals in the world. And this a legendary day for this dude. And ain't no hit music, bro.
Speaker 4:That shit, really do something to me.
Speaker 2:Rob Markman, you ever have like a mama.
Speaker 4:I made it moment. Lil Jon, hell, yeah, I actually got a song I just made called I Made it yeah. When I was in Portugal performing Shake that in front of like thousands of people.
Speaker 3:Bro, rob Markman, just kick the murder performance. Shake that in front of like thousands of people, like when I was in Portugal.
Speaker 4:Right, yeah, bro and like.
Speaker 1:Where'd I see that I don't even know what I said? I don't see that.
Speaker 4:Me and Red walking in this dude, this little young boy like hearing, like our names in other languages Tuva, tuva, like that shit is crazy, bro Like you know Because, look I come from hustling too bro with the artists, bro, like I'm not an artist, like I break artists still to this day. So having a picture artist that the crowd don't know, yeah, that's what I'm trying to say and now you're in a whole up a country and these know your name.
Speaker 3:All right, damn, it's dope bro hey, I'm saying you've been controlling the songs I made in my living room, my like how did I feel this was.
Speaker 4:This was like I got my dog when my mom left. You feel me on my mom pad, so to make all that music off me, you not losing my folks. That's what shake that music is, bro, and to have it receive it's like damn yeah mom, you wasn't tripping.
Speaker 2:That's the ultimate.
Speaker 1:That's the ultimate I want to ask you something real quick, like I'm asking you, and at the same time, I want you to like give information, like because us being from philly man is like this, probably this probably the most important question. I could really excite us in your position. Like we from a city where it's like easy to get peer pressure, you feel me it's easy to like you want to be different, but you got so many people on the same type time on this block or on a block you grew up on or the neighborhood you from. It's easy for everybody to you know be, it's easy for everybody to do what the mass is doing and what the mass is thinking, but it's hard for you to be like you know what, instead of like being with this gang and shoot them up, bang, bang and sell this and do that like everybody else want to do, or you can even go to the other side, where you want to be a athlete everybody want to.
Speaker 1:I want you to tell the people how, like how you overcame stuff like that and still stuck to your guns, like when you was five you knew you was going, had something to do with, uh, club music, and I want you to tell you knew you was going to have something to do with club music and I want you to tell the people how it was for you to just stay on it. You feel me Like not get peer pressure, not do it, because I'm sure you had people. You said you in Nicetown, that's the heart of it. You mean, so how was?
Speaker 2:that for you how it went.
Speaker 1:Like like it got corny and motherfuckers yeah, it got it got dead and all that. So how was that for you? Like going through that?
Speaker 4:damn, that's a great question. The best way I could put it is I wouldn't say it was a challenge. Bro, if you're a real creative and you got an idea right, it's like like, like we all here like to find each other right. What I did over the years was I attracted the people that were sitting here for me, you for me on all levels of my career.
Speaker 4:God brought me the people that were sitting here for me, my team for me, to hear we worried about this idea. The idea was the dance and producing DJ and you really can't be taunted by. You can't be taunted by anything that's outside you and your whoever you and your folks is, if they really run about this idea, bro, it's like being on your own planet. Y'all really can't be taunted by outside anything. Yeah, no, you feel me and worry about this idea and stay down on it, but in in like to understand, like, if you, if you become let's say you want to become a the first ai rapper, that, that, that, that do african, you stay motherfucking idea. And if anybody try to motherfucking tarnish that shit, you and your team stay on it.
Speaker 1:Yeah, you good, oh, you good yeah.
Speaker 4:I say like, just stay locked in on your idea, bro, and put God first yeah, god first. Worry about being yourself. That's one thing I fuck with.
Speaker 1:I always bring up up we go.
Speaker 4:And I said we go we ran into each other when he had his atlantic wave and I was spinning for ab and, like he's always telling me crazy, I with you because you always being like bso you know when I was on stage bro, I forced this, it's my me.
Speaker 2:Yeah, I can't you ain't about to edit me, bro, like yeah, I always say that like I done been in more than 20 rooms with you, bro. You always yourself, you always control the room, you always keep your energy and your frequency high. Yeah, I mean you're a class act, bro. And I just commend you bro because, like he the question he just asked you where I know times got hard and where it's like, damn, is this gonna work?
Speaker 2:or is this corny or no? By you just standing down and keeping your realness and your authenticity, you got to where you wanted to go. You got the world attention, not just Philadelphia, baltimore or Jersey. No, you got the world attention. Know what I mean. So I just commend you and I want you to keep working hard. And you bored out Rico Havoc. How did y'all link back up to get to start doing music?
Speaker 4:again. I wanted to bring that up real quick.
Speaker 4:You had something my bad. So that story is crazy. So, rico, I was popping up around Rico when I was working with Edmund Rock and he got his Atlantic move, so we was seeing each other a lot. We started to rub shoulders so we really started locking back in. When I was fucking with BBM China, he helped me with her. He threw me a crazy feature to help stare her shit up back in the city. And then he was there when I was working with china. But, like I said, I was working on my album. I was always working on my album, right. So he was there when I was trying to shit, you feel me, and we.
Speaker 4:We had records, but let's say I wouldn't say that rico was one of them creative niggas, friends, that was opposed to rapping on at the time. It just didn't work right, it didn't work out. We didn't try it. So what happened was it was shake that, shake that pop. I called Rico like look. I was like I was big with him. I was like look these, your children, the world dancing again. Bro, where's Woody at? I said where's woody. I said where's woody at that. Then I told him, me and dame dollar linked up. That was the concept. Me and dame had a conversation about it and I was like yo, rico, gotta get on this, right, you gotta get on it. And then we invite him to the studio and I don't believe in ever sending nobody with records. Only people I ever gave records to without me being there was rico and D4M Salon.
Speaker 2:So you just do all your records yeah, everybody else. I created every record with everybody else, that's fire Because you know everybody want to send records these days. Send a record over Email. Send a record. Send a record Nope.
Speaker 4:I don't believe in that shit, if you fuck with Shake that you like, any songs that I like. You can't edit how that was created. You ain't gonna get the results.
Speaker 2:You know what?
Speaker 4:I'm saying so with Rico. He left with Blick. I woke up the next day that nigga start campaigning. He's the best promoter, bro. You understand the promoting shit from our era. He just start popping up with people and I look up. Blick is lit Even when we foot for the set. I said we had a conversation about him popularizing the word because the kids start saying it.
Speaker 2:Yeah, blick. They start saying Blick.
Speaker 4:Blick, blick, blick. I said get on it. He called me like should I say that, yeah, that's it Right. So I just told the nigga that I popularized that word. Then after that, you know, he had a run with the Shake that Artist. So when the shit first popped, like when we doing our tours and shit since Blick was a big song, right, yeah, it was Like two years ago, when the shit was popping, hell yeah.
Speaker 4:He had a run. But I say what Rico did was he started dropping his other stuff. I always told him like we supposed to maximize that shit, but he dropped the project that went successful and shit. And then we linked back up like we were still in a studio for you, like he had pop up on my sessions and shop up, oh man. But he put, pulled up with this idea. He had this song already made his recent young you know. Okay, it was a regular song, it was a hip-hop song. Yeah, um, he wanted me to do my thing with it. I'm like yo for us to work, let's start working.
Speaker 4:Yeah, like so we start working on more. But the concept was we like, if we're gonna do this, you know we're gonna make a hit, we're gonna do this, we gotta do it the right way and have ideas. There's only one way. I'm saying so. I just reformatted the song. We made the beat, you know, put rich youngin up forward with him to where it sound like it's both of their tracks and the nigga, he did it again. He got woke up, he campaigned, he went fucking meatball K-Glazy. Yeah, he there with it, there with it. Then we came up with the idea to take it on a press tour. So we've been on a Circles press tour, yeah.
Speaker 2:I've been saying that, so you just been working the record.
Speaker 4:You know what I'm saying. Yeah, no doubt.
Speaker 1:Nah, I ain't going to hold you though I maximize. I'm here to tell you, bro, to your face, you the epitome of Philly. Bro, I appreciate that my man. For real. You mean a lot For real, bro. You know this is where the DJs come from.
Speaker 2:You feel me, and the dj's come from you feel me and you still doing it.
Speaker 1:Yeah, you know what I'm saying at a high level, like you're still doing it, like you feel me and you you still. I met dj crazy for the first time. It was some club slag. You feel me, the uh, the middle of your career was that and and it's still that. That's hard to do. You see a lot of people trying to rebrand because they did something and it got it, got it ran out, or it got corny to others and or them and they try to rebrand it, or you know, people was not the same person from 10 years ago. You feel me. So for you to be able to do that and be successful with it again and again, and then you got the biggest.
Speaker 1:You got the biggest part, like out of philly is the biggest party song.
Speaker 2:Like the biggest party movement yeah, it's the biggest one. You know what I'm saying he's got movements and wu-tang and the hill toe and all these that Philly come up with in eras and times. Your shit is the biggest movement. How you feel about Philly now, like everybody, like the Philly scene, like with people working together and stuff like that, do you feel like it need to be more unity?
Speaker 4:or you feel like we getting there. That's why I'm trying to show this shit bro. I be telling motherfuckers like this I have to understand what value is on myself. Most times when somebody catch a wave like me, you'll be like unaccessible. So I try to still create that. Create those sessions to where it's Rico Havoc, it's Two Rare, it's managers, it's cameramen, it's podcasters. In there it's fucking this, that and the third to where we kill that bro kill that, bro.
Speaker 2:That's a philly disease that we got, bro, I feel like, and it's really the most.
Speaker 4:And I also want to ask something over top of that too it's really the most. What go ahead like an era left is, with that like that whole, like not supporting each other, sneaking your mans and shit and just not want to fuck with each other, not fucking with the next black man next to you in philly era. Left is with that. That. That that's the boop out there, man. That's the damn. I don't want to say no rap groups, but it's the Errol, you know them.
Speaker 2:Groups that was doing shit. It been happening before we was here bro.
Speaker 4:I feel like, as the young boys, I feel like that shit was cool and I feel like, damn, I got a hit song, Fuck you on fuck you. Yeah, ain't nobody support me coming up, I got a popping shirt, a clothing line? Fuck you ain't nobody. That's not hip-hop, that's not. Even if you really like money, that's not. You say you rapping about trapping how yeah, how you turning people what the?
Speaker 2:fuck like, because if you like trapping like, if I got this song, I'm shaking hands, kissing babies this shit is called a game I'm not speaking on, probably like our culture too, because like it's like it was like a year, like a time span. Well, right now you can't even speak to nobody. You just gotta keep it put. You gotta walk by people and not even speak to people because you don't know how they're gonna react trying to stop, bro like.
Speaker 4:I ain't create my music like that.
Speaker 2:I ain't none of this, bro, like so because you had other, so because you had the luxury of like touring the world and engaging with people in other states and saying how people are like philly, just not like that, I'm glad we're not like that we walk right, you got it, you got it you got to be open-minded right now see that that you taught. That's that closed mind. It don't get us, nowhere don't get us nowhere it. It actually set us back it sets you way back.
Speaker 4:If you create a product right, if you pop that, you flip and trap and you get to an ounce, to a quarter pound, you gotta take when you you rapping about that shit. So, how could you be too cool for anybody?
Speaker 2:You gotta go flip.
Speaker 1:That doesn't make sense to me. When they do it, it be like you won't be here next year, enjoy your little hit Instantly turn the business away. I'm not gonna lie, bro. I'm gonna keep it all the way real with you. I really think this go for you as well, because I look at you like this, like that's why we cannot let nobody take us for granted because we different people. You know what I'm saying yeah like I don't care if it, what type of situation it?
Speaker 1:is I don't care what I'm talking about Bad vibes, lion, backstab, whatever. We just different type of people Like how you just said. I'm glad we ain't like that. Yeah, there's a lot. It's not a lot of. We ain't like that, yeah.
Speaker 2:So like a one percentile.
Speaker 1:Yeah, and I really look at bro like that bro, I really look at it like that, bro. I really look at it like that, so that's why I said like you just, you just can't let people take you for for granted. You can't let people misuse you like at all. Treat me like a fragile piece of fucking trophy or something, because because it ain't a lot of me, especially with bro, thank you like the way he ground the head you feel me, so it's just like you walk in the building, turn it right turn it right up are you?
Speaker 2:different from everybody in the building like everybody and then like under your umbrella it. You will fall under the umbrella or be a lead from the tree and still wind up with a deal. Come on, that's amazing, bro. That's that's deal. Come on, that's amazing, bro. Yeah, come on, bro. That's crazy. That's why I asked you that question of how you were able to maintain that in Philadelphia. Because it's a hard thing to do, still being around.
Speaker 1:Every time I see you with a group Right, you feel me, you can be around anybody. Yeah, you still maintaining that knowing that you one of them like opposite, leads on a tree, like you feel what I'm saying. So I commend you for that period. Like, besides all the music and all that, I commend you for that period Because if you know who DJ Crazy is, not being from Philly from the beginning, make you come here and get super-duper peer pressure.
Speaker 4:You feel what I'm saying.
Speaker 2:Share it with us, philly good at manipulation, bro. And then make you feel like what you created is corny when they fuck what you are already. You know how, philly is they? Hate you, then they love you, then they hate you, then they love you again. Yeah.
Speaker 3:I ain't going long.
Speaker 2:We about to get crazy though. Yeah, we definitely about to get crazy.
Speaker 1:Listen, we about to get crazy. One thing I'm going to say before we get into that man you absolutely a gem, you a pioneer. You feel me For real. You a pioneer, everybody always be saying yo, bro, you, you throw that legend word around too loosely and then I tell people how a person is a legend. You may shake that, but you, that's just that's legendary, super legendary, from the jump it ain't.
Speaker 1:No, I don't gotta get deep into it, you gotta. And people, and people think it's just that. And up, bro, you got a catalog out this world.
Speaker 2:Out this world.
Speaker 1:You anybody?
Speaker 2:Non-stop work ethic.
Speaker 1:Anybody who's shaking the world up in Philly right now. You made, you worked with them.
Speaker 2:Yep, you worked with them Got.
Speaker 1:Beyonce and all that.
Speaker 2:Yeah.
Speaker 1:Shaking that on stage. That's a part. That's a part.
Speaker 2:That that that's the part of it when you told me he came to work. That's what clicked in my head.
Speaker 1:Yeah, bro, yeah, like different countries and all yeah, so we couldn't, you and you really the most family now, man, we can't really do all right now, but before we go, though, is there anything you want to say, though, to our people?
Speaker 2:like you, got anything coming, you want to share your handles and all that I'll say this man being a black on loc.
Speaker 4:I tell people this I want to get some game. This 95 relationships, five percent talent, look at your career.
Speaker 4:Everybody play motor combat. You look at your career as that health bar right, your career is all the green, that's 90. So when the red that you feel me, that's your talent. 95 relationships, five percent talent. The five percent talent is your grandma. That's your calling from God. You was already caught here. God installed that in there. That's whoopty. Do you know what I'm saying? That's what I always say put that in your back pocket and kind of be like oblivious to it, because it's somebody next door that's fired, just like you, right? But what set us all apart in this room? We were in about the 95 relationships. Yeah, the five percent talent. Right here, man, you can get in the studio. We know we can make a crazy album in a day. So what's going to set us apart? That 95% relationships?
Speaker 4:And me and you going to do? We going to take it to RL, we going to call Swizzy, we going to utilize him. You feel me? We going to worry about that. 95% relationships.
Speaker 2:So that's what that's built around.
Speaker 4:That's why you are running to a fire-ass baby mom with seven kids. But that bitch can blow.
Speaker 4:She think them seven kids hold her down. You feel what I'm saying. But that next bitch that's probably got five kids. She fired because she worried about the relationship. She said her baby dad was this or her cousin was this. She didn't get it. You feel me Everybody this or her cousin was this, she ain't get. You feel me, everybody got that. Five percent greatness in the essence. It's really who we're about. The that you don't want to do. That's the revert, that's the really, that's the 95 relationship.
Speaker 2:That's really the most. Y'all, make sure y'all share, like, subscribe, comment, repost. Tag all that man, because if you don't you hate it.
Speaker 1:Why?
Speaker 2:because it's free man listen, man, we about to get into these games, though, cash, you want to break them down.
Speaker 1:Yeah, yeah, yeah, yeah, all right, listen. Oh, no, that's white boy job, my bad, my bad, All right. So on the Real Estate Podcast we play this game.
Speaker 2:It's called Fast Track, it ain't not too of the other. And because we from philly bro, I gotta start with this one major figures of state property, state property, okay, okay, I just I just did a show with them like three days ago. All that um, um, uh, uh.
Speaker 1:But you definitely work with everybody though dj jazzy jeff or kid capri, damn jeff, let's get it, let's get it started. That was crazy got some for your way all right, fucking kid capri.
Speaker 4:I love you it's crazy y'all bringing up people. I just met kid Capri. I love you. It's crazy Y'all bringing up people.
Speaker 3:I just met kid.
Speaker 4:Capri at BET Legend. Fuck, that's crazy. Y'all just All right, here we go.
Speaker 2:All right, here we go.
Speaker 1:DJ Funk, flex or DJ Clue. There wasn't nobody like him. Dj Clue, what'd you say?
Speaker 2:DJ Funk, flex or DJ Clue.
Speaker 3:We playing Def Anjetta. Fight for New York bitch.
Speaker 2:It's the new version, dj Envy or DJ Self Envy, dj Premier? I don't know this.
Speaker 4:DJ.
Speaker 2:DJ, dj, dj, dj, dominic Cuts or DJ RL.
Speaker 3:That was great RL. That's my mentor.
Speaker 4:But Cuts, that's my heart.
Speaker 3:I gotta go with RL.
Speaker 1:You gotta go.
Speaker 4:RL. I just performed, with Cuts too Damn.
Speaker 2:RL. That's my mentor. Who can we compare?
Speaker 1:the ball who. For me, that's fucked up.
Speaker 2:No, no, no, no. I bet DJ DJ who the the boy passed away, or dj dj, dj, dj, no, not clark fat man scoop and dj's case slug. You've been bad, that's. Hey, no, dj, that's you can't.
Speaker 1:It's not really nobody you could put with school.
Speaker 2:I know, know you can, it's not nobody.
Speaker 1:And you can be done with every generation. And not even that he just he bore what he did, nobody else did. All right Like it ain't even nobody to put with him Joey Jahad or Reid Dallas. No, no, no, no no.
Speaker 3:You showed your head.
Speaker 2:He really crazy. I know, y'all funny as shit.
Speaker 1:How about yo. Y'all funny as shit.
Speaker 4:My heart beating fast right now At the whole interview. Why this part?
Speaker 2:Sloan or Rico Havoc.
Speaker 4:Damn, Damn. I gotta go see Slone after this.
Speaker 3:Fuck.
Speaker 4:I'm going Rico.
Speaker 2:Alright, I got one Too Rare Raw G's. I'm going Rare Lay Banks, or Chyna Damn Raw G's. I'm going rare Lay Banks, or China Damn you playing.
Speaker 1:Y'all doing everybody. I don't even know if it's.
Speaker 4:Go ahead. Damn, I got to go with China.
Speaker 2:Lee Mazin Rocky.
Speaker 4:I'm going with Lee.
Speaker 1:Did you Rocky, I'm going with Lee? Did you say I'm going with Lee?
Speaker 2:Alright Cash get one in, y'all saying every fucking body, hey, get one in.
Speaker 1:Alright, let me see. Let me see, I want to know yours, timberland, or Pharrell. Whoa, I want to know yours, timberland, or Pharrell.
Speaker 3:Whoa.
Speaker 1:I want to know yours.
Speaker 4:Damn, I'm going to let my manager choose. They called me the other day like damn, I got who you remind me of because Through like all the labels, I done had a lot of label meetings, bro, since Shake that Pop Turned down so many deals and I became partners with a lot of labels. Instead of just signing with them, I just rather work with the artists. So they all compared me to Lil Jon. That's what they've been saying for all these years.
Speaker 1:That's who you could have compared to Scoop. That's exactly who.
Speaker 2:I could have said Lil Jon Fat man Scoop.
Speaker 1:That would have been crazy. Shout out to DJ Drama.
Speaker 3:He gave me one of that.
Speaker 4:He Crazy.
Speaker 2:Fat man's school, desmarque, he gave me that. No. No, I'm going to say it's the same type of trip, not on biz level, bro. Ooh, saying about level Timberland.
Speaker 4:Timberland. My man in Timberland said that I'm reminded of.
Speaker 1:Timberland, damn yeah.
Speaker 4:Oh no, rick said that, rick Dane said that.
Speaker 1:All right, let me do one more, and I'm done.
Speaker 2:No produce another producer Go ahead. Producers again, yeah yeah, one more I want to say Swizzy or Kanye.
Speaker 1:Kanye yeah, that ain't fair.
Speaker 2:Yeah, that ain't fair.
Speaker 1:Yeah that ain't fair.
Speaker 2:That ain't fair I pick Ye, ye, the top of the top, though, but I like Swizz.
Speaker 4:Man. Swizz is like my style comes from him, man. He put how I pop with sloan like I say like how my sound is.
Speaker 4:Especially with hard artists like swiss, I say his sound, bro, he'd be using like sounds that he like that showtime, showtime that song like when he was doing that like his sounds, if you, if you listen to X, to me DMX shit it worked because you got this street dude rapping over female beats, bro, Like pop shit. I feel like beats that. You know that's going to work in a club, the radio, white people, girls, especially girls. I feel like his sound was like got this street nigga like barking his shit over this glittery ass beat.
Speaker 4:You know what'm saying. That's how I did with sloan. I took that from swiss, so I like really study you're kind of right though I like the greats that come with the artists bringing the bounce to the streets like yeah, that was swizzy all right um Deadblow or Steve Aoki, steve. Aoki, steve Aoki, I got to go with Steve Steve.
Speaker 3:Aoki, I got to go with Steve.
Speaker 4:Shout out to Bac Nero, my man's son. Shout out Bac Steve Aoki man.
Speaker 2:Lil Wayne or Young Thug. Lil Wayne, of course, hellstar or Tear, or Denim, denim. Denim Tear Hellstar.
Speaker 1:Hellstar denim, then I'm tearing that else that that was star house star all right um. I want to hear yours on um go with. I want to hear yours on um drake or kendrick, or Kendrick, kendrick. Kendrick.
Speaker 4:Yeah, ayo, I gotta say something about this. It's my first time, probably, saying something about this. Should I say something about this? Should I say something about this Go ahead son Go ahead. I wanna work with him. I wanna work with him.
Speaker 2:He was up on y'all for a minute. He had too rare and shit in the video and all that.
Speaker 1:He fucked with us. Yeah, I know he fucked with us.
Speaker 2:But, speak about it, though, what you was about to say.
Speaker 4:I just feel like ah, shit, now my heart beating. Oh my God.
Speaker 4:No, all right, this is really the most right when I I'm a real student where I research real battles. I remember when me too, like a couple ogs uh flip when I say this when biggie said something about kwame sweater and it was like over for this. Yeah, yeah, you feel me like, like, like that, bro, so it's just like when you got time to pop it, I think you should really pop it a lot of I feel like a lot of them records. I heard Drake just grabbing his nuts too much. He was being cocky.
Speaker 1:He was taking advantage every second, like Kendrick did Kendrick pressed record he was going to lose anyway, but that's why he got destroyed. I get what you're saying yeah, because I think he was just like nigga, I'm Drake.
Speaker 4:You feel me? He going to make a good song. He made good songs, you feel me, but I just feel like he didn't take that like a battle. Bro, when you battling, you take advantage of every second. I'm a dancer bro I'm going to fuck you up from the moment I start. You get me. I just feel like he just was just the family man. Like he did with me.
Speaker 1:Yeah, chilling. All right, he should have popped it like he did with me. All right, look, that's what he didn't do All right Cool, cool, monica Keisha cool Fuck.
Speaker 4:Monica, try to hold us off a little bit. Yeah, I ain't trying that shit.
Speaker 2:I just saw her live man White boy. I didn't peep that he trying to hold us off a little bit.
Speaker 1:No, all right, chris Brown or Usher.
Speaker 3:Ooh Fuck.
Speaker 2:I'm going with us.
Speaker 4:Tank or Tyrese.
Speaker 3:Tyrese.
Speaker 1:One guy Gizzy.
Speaker 2:One guy go, one guy go.
Speaker 1:All right, look, this is the second game. All right, One guy go Damn, it's the opposite. We're going to say four things, we're kicking one out the house. One guy dip like ranch, all right things. One guy dip like ranch, alright.
Speaker 4:One guy dip like ranch. That's good, that's a good joke.
Speaker 3:Yeah.
Speaker 1:Alright, bet. So we gonna do the first Philly joint. Alright, you ready. Alright, nh. Reed, meek or Hattie, one gotta go, one gotta get outta here, one gotta go.
Speaker 4:One gotta get out of here Fuck.
Speaker 1:All right, I think they're going to steer in the speech.
Speaker 2:I want to see what he's about to say.
Speaker 1:One gotta go. Let's get it All right, hattie.
Speaker 4:I'm going to get rid of Hattie. Okay, all right.
Speaker 1:Okay, okay, okay All right, all right, boom, all right.
Speaker 4:look this is right, okay, okay, okay, all, right all right, boom.
Speaker 1:All right, look, this is what we gonna do. I hope I'm gonna have some nut. Let's do this. No, no, no. Creator creating. Let me go to creating route. All right, go ahead, all right, creating. All right. Missy elliott ludacris Nelly.
Speaker 3:Busta Rhymes.
Speaker 1:Yeah, yeah, yeah, busta Rhymes. Ludacris Missy Elliott Pharrell Dream One guy go Ludacris Missy Elliott Pharrell Drayton One guy go Ludacris Missy Elliott Pharrell.
Speaker 4:And Busta Ludacris Okay.
Speaker 2:Tia Ludacris, tia stand up Tia Jeezy, stand up Tia Jeezy, the big Air Force. Yeah, tia Jeezy. Gucci Rick Ross. One got to go.
Speaker 4:Tia Gucci Rick Ross one go, gucci Rick Ross, one gotta go.
Speaker 1:I ain't gonna lie In that lineup. Ross gotta go.
Speaker 4:He gotta go right In that lineup Because you're going to fuck some culture up.
Speaker 1:You just named the biggest down south legend and then a nigga from Florida. I'm going to fuck some culture up.
Speaker 2:He gotta go. He the biggest too, like he the. You know what I mean.
Speaker 1:If you get rid of him. No, he a legend.
Speaker 2:I ain't want to put Luda in there.
Speaker 1:That's Fugati in there. I was, you could pick Gotti in there.
Speaker 2:I was. I was Gucci TI Jeezy.
Speaker 1:Yeah.
Speaker 4:Gotti, hey Ross, if you could pick Gotti, yeah the Gotti, All the niggas being motivated.
Speaker 1:Yeah, all traffic.
Speaker 4:If you could pick Gotti in there, jeezy got a lot of street n morning.
Speaker 2:Yeah, hell yeah.
Speaker 4:Yeah, I did too. No, hell, yeah, go to.
Speaker 2:Gucci Next time you do that.
Speaker 3:It's still going to be. It's still going to be, All right.
Speaker 1:All right, dj clue, dj drama, kid Capri, funk, master Flex why? Not go Shit.
Speaker 3:And go with it like that.
Speaker 4:I'm going to speak from this. Damn, all right how I'm doing my shit. I'm protecting music, protecting culture, right.
Speaker 1:Okay, I like that, I like that DJ Kluge I like that.
Speaker 4:I'm going to fuck some shit, some up again. I can't get rid of clue. You're gonna up some tapes being made.
Speaker 2:All right, protect that some real things you don't gotta explain it, go ahead, we listen.
Speaker 1:He wanna, he want us to throw the angle I get it too. Uh, just from you saying that I know who you're gonna pick now. All right, just from you saying that, I know who you're going to pick now, all right, bet Me too.
Speaker 4:Who the other one?
Speaker 1:Clue DJ Drama Funkmaster Flex Kid Capri, I got to keep.
Speaker 4:Funk. I mean I got to keep Drama Culture, the tapes he created, yeah, the mixtape era.
Speaker 2:I don't know how are you going to get rid of anybody else on this show.
Speaker 1:I'm about to tell you I might be mad he about to bring it down Flex and.
Speaker 4:Kid Capri, bro Kid Capri, they at the top. I got to keep him because he come from the first team, so you're telling me you about to get rid of Flex Got to.
Speaker 2:Whoa the tunnel Over, drama Damn.
Speaker 4:Drama over Flex. Yes, I don't see no better DJ or anything.
Speaker 2:Gangsta Grill? Yeah, gangsta Grills. Damn man trippin', that's all the dedications. Yeah, all the dedications, yeah that shit damn Damn.
Speaker 4:I'm talking about us being inspired by some shit. Just think about us, I feel you man. I'm with you, like we was inspired by a lot of that shit yeah.
Speaker 1:I'm with you.
Speaker 4:Funk Bro Flex In this a lot. He did, he did a lot, bro, he did, he did, he did so much An overhaul for a lot of people, bro.
Speaker 2:Oh my gosh, the tunnel To get rid of Flex in New York is going to go crazy on you.
Speaker 1:Every DJ we just said got more to give up than.
Speaker 2:The tunnel was a hard place to come up in.
Speaker 1:That was a hard jump.
Speaker 2:I ain't gonna lie, that was crazy.
Speaker 1:We gonna do our heavy hitter. That's a good jump so when we say this right, I'm gonna ask niggas that you got, you got, you got all personal yeah and make sure.
Speaker 2:He's about yeah.
Speaker 1:I'm gonna take y'all in that Like yo, cause people be stealing. Bro, blame really the most.
Speaker 4:Yo Drama.
Speaker 3:Flex. Who wasn't Drama? Who wasn't drama?
Speaker 2:I'm doing that. Kid Capri and Clue. That's a hard jump Watch this.
Speaker 4:That's a hard jump, bro. My nigga's back against the wall with the camera recording.
Speaker 2:Capri did the biggest parties ever. That's what I'm saying.
Speaker 4:I found out some shit while I was in documentary he started on we Gon' Get Fucked Up with Def Jam. Like I found awesome shit. Watch the documentary he started and we're going to get fucked up with that jam. The comedy show.
Speaker 2:Yeah, it's, the DJ Did that, so it's like you get rid of home before I think you feel me before. Before the big one let's go, let's do the big job. No, before that.
Speaker 3:No.
Speaker 4:I'm going to kill us. Crazy, all right, oh shit. They're going to kill us.
Speaker 2:D-Sturdy, oh D-Sturdy. Rico Havoc Zy Sosa, uh-huh Spence.
Speaker 1:Oh, Lee Banks, bro Lee.
Speaker 2:Banks. All right, how y'all do that? D-stur Banks, d-sturdy, zy Sosa, d-sturdy, d-sturdy.
Speaker 1:D-Sturdy Too Rare Lay.
Speaker 2:Banks. Rico Havoc One gotta go in the house.
Speaker 1:You gotta kick somebody out the house, bro. I got it. Now I got theoc. One guy go in the house.
Speaker 2:That's probably the hardest you got to kick somebody out the house.
Speaker 1:bro, I got it.
Speaker 4:Now I got the blueprint. Who you kicking out the house? Rare Can't get it out because he blew up the sound. He got the first free record.
Speaker 2:Somebody got to get out the house.
Speaker 4:Dirk, he blew it up. Rare blew up the sound.
Speaker 2:Keisha, lelika Zeta Latina. He said Sturdy no D.
Speaker 4:Sturdy. Sturdy created Shake, that. He created the sound. He created Shake that. You know what I'm saying.
Speaker 2:Who you kicking out the house. Then you said who else Lay Banks, lay Banks and Rico.
Speaker 4:Havoc, the culture he created. Yeah, I wouldn't be a producer.
Speaker 1:Right To make none of this, so everybody would have yeah, yeah, so so what you don't want to get rid of, nobody.
Speaker 3:No, he's a lay back.
Speaker 2:All right, but all right, now the heavy hitter. All right, the heavy hitter, let's go.
Speaker 1:All right. So all personal things aside, just just about them and the entertainment world. But if you pick them, everything they had something to do. It is going all right, all right, everything he has something to do with it, whoever they signed wall and I'm out.
Speaker 2:You, you taking all the rights dr Dre, doctor get them.
Speaker 1:they was one guy go, so one guy go yeah I might say it, but no personal things. All right, dr. Dre diddy, birdman jay-z one guy damn one guy get up out of here, man how much you love the culture right how much? You really love this shit? How much you really love the coach, motherfucker.
Speaker 2:We're going to see who you get rid of. Say it again.
Speaker 1:Dr Dre Birdman Diddy Jay-Z.
Speaker 2:Who's going to get mad at him?
Speaker 1:y'all he asking his team. Look his whole team. They start texting and shit. What are you saying? Oh man, no, who you getting rid of? What?
Speaker 4:the hell is Tomb had on the answer? Crazy what you think. Getting rid of Dr J a lot of shit don't happen, right?
Speaker 1:You don't get a lot of shit. Uskoos, don't happen, period. We going to have Eminem, 50 Cent, all of them.
Speaker 4:Yeah, we going to the.
Speaker 2:Chronic nigga Kendrick Lamar the Chronic.
Speaker 1:You can't lose the Chronic Top 10 best hip hop. No, I got Keith Drake.
Speaker 4:I'm keeping Drake from the rip.
Speaker 1:All right, you said who left?
Speaker 4:We got Diddy left.
Speaker 1:And Jay-Z.
Speaker 4:Jay-Z and who else we got left Did and who else we got left Diddy, jay-z and Birdman. Yeah, fuck, if I get rid of Birdman I don't got the hot boy shit Back, that ass up Drake.
Speaker 1:Fuck that, you don't got none of them. Yeah, back that ass up for him.
Speaker 2:Yeah, drake, nicki, back that ass up, should be enough.
Speaker 4:And I need a hot girl Juvenile. All Juvie records, all Juvie records. Y'all might look at me like I'm crazy who.
Speaker 2:Rich on me, Quan and Thug.
Speaker 4:Going for it. It's going to make sense to me. Because look how we just broke everything down. Seagull on Ho, I'm getting rid of Ho. Ah, because, if not, hold up, hold up, hold up.
Speaker 2:I'm getting rid of Ho Chris Neif.
Speaker 1:Wait, wait, wait, hold on, Don't say that.
Speaker 2:Because, if I get rid of who Don't persuade.
Speaker 1:He said it already.
Speaker 4:All right, let me just try and understand. I'm trying to see what the culture you created. Can I live without it? Let him do that. Fuck. I'm with them. I ain't all right.
Speaker 2:No deal Yo you getting rid of Mac you getting rid of Yeezy Reebok? I meant the.
Speaker 3:Yeezys out the way You're crazy Adidas.
Speaker 4:Whatever Can. I go without you know how weird them bitches.
Speaker 2:If it's D versus. Jay-z right now as far as culture, if I'm thinking about what I'm going to lose. So you're going to get rid of Mary J.
Speaker 1:What's in the world without this, bro Mase, the world that we all grew up in, when our mom was cooking on the fucking stove Mase who would. I go what are you talking about? Yeah, you gotta get the fuck about it.
Speaker 4:man, I'm being too personal with the Philly shit, because I could live without Ye and them three compared.
Speaker 2:Pusha T 2 Chainz. All them boys could go too right.
Speaker 1:Pusha wasn't founded by.
Speaker 2:Good music, man. That's the one of the most podcasts. Keep boarding back to life.
Speaker 4:I'm chilling. Fuck this game. This shit hurt my heart.
Speaker 3:I'm going to do this to you niggas too. I'm going to get y'all drunk.
Speaker 4:The difference is my shit going to be written down, my shit going to be strategic.
Speaker 1:We got recorded too.
Speaker 4:I'm picking it up that y'all got coming up with y'all show.
Speaker 2:We got recorded.
Speaker 1:Fuck that shit, we got you I always said I want somebody to do the game on us. Yeah with us.
Speaker 4:We always wanted that that's a good joint.
Speaker 2:That's crazy man, that was a good one man.
Speaker 4:Y'all real music lovers man, I appreciate y'all. Come on, man, I just be putting them on.
Speaker 1:Yo, we got DJ Crazy in the building.
Speaker 2:You know what I'm saying.
Speaker 1:You feel me.
Speaker 3:Pirate Air Legend I'm really the most podcast.
Speaker 2:It's the realest of those podcasts. Hey, DJ Crazy, is there anything you want to leave our guests with? You want to tell them anything? Go crazy.
Speaker 4:You working on yes sir.
Speaker 2:What's going?
Speaker 4:on Shake. That Music is running the world right now. Know that it ain't lying. Tell them where to follow you. It's running the world at DJ Crazy 215 on social media right now. We got Circles Out.
Speaker 1:Me and Rico have it, y'all got Circles Out. Oh, oh, all right, not bad.
Speaker 2:Oh, don't start talking this. The Rula the Most Moose podcast.
Speaker 1:My name is Rilla, I'm Outta World Cash.
Speaker 2:I'm White Boy. D2a. And we got circles out.
Speaker 1:Don't get us indicted. He ain't talking about, he got circles.
Speaker 4:Rilla the Moose podcast.
