
Realer Than Most Podcast
Here at Realer Than Most Podcast, we believe that hip-hop/rap is more than just music its a cultured lifestyle, and a way of expressing oneself. we are based out of Philadelphia tri-state area that's why we focus on artist who are not only skilled in their craft but also have a unique perspective and voice. our goal is to provide a platform for these rising stars to share their stories and connect with their fans on a deeper level.
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Realer Than Most Podcast
FREE Lee Mazin | ft. Lee Mazin | RTM Podcast | SNZ 3 EP 1
The struggles of Philadelphia artists trying to break through the city's "fake politics" takes center stage as Lee Mazin joins Rilla and Moose for a deeply personal conversation about resilience in the face of industry obstacles.
Lee Mazin's story is one of extraordinary promise and painful setbacks. From freestyling on trolleys as a teenager to signing with Meek Mill's Dream Chasers within a year of seriously pursuing rap, her explosive rise was followed by a series of devastating roadblocks. "I've been through a lot with this music shit," she confesses with striking candor. "This shit really drove me suicidal." Her revelation speaks volumes about the mental health toll that industry politics can take on artists, particularly those from cities where hometown support remains elusive.
What makes this conversation particularly compelling is Lee's analysis of Philadelphia's support system compared to other hip-hop hubs. "New York niggas, Trina, all of them throwing it up on the story," she explains about her viral Timberland freestyle, "Nobody from here posted it." This pattern of hometown indifference contrasted with outsider appreciation becomes a recurring theme as she recounts her experiences in Atlanta and LA, where strangers showed her more love than many in her own city.
Beyond music, Lee's entrepreneurial spirit shines through as she discusses diversifying her income through a printing company, luxury vehicle rentals, and her Chosen One Records label. Her business acumen has allowed her to maintain independence while navigating industry challenges – a testament to her adaptability and determination to succeed on her own terms.
As she prepares for her musical comeback with what she describes as a "loaded" arsenal of new music, Lee's passion remains undimmed despite everything she's faced. Follow her journey at @LeeMazin across platforms – this is one Philadelphia comeback story you won't want to miss.
Real it in motion Lock hands. Real it in motion. Real it in motion. It ain't there. Outro Music Shout out to the Rilla and Moose podcast. You already know how we doing it we thugging it. Let's get free to it. Rilla and Red, this is your tape in with the pod man, yeah.
Speaker 2:Rilla and Moose man. Yeah, Tap into the Rilla and Moose podcast.
Speaker 1:Rilla and Most Podcast. I'm Rilla, I'm WhiteboyD2A, and today we got family in the building. I ain't gonna say special guests. You know what I'm saying. We got family in the building today.
Speaker 3:Yeah, yeah.
Speaker 1:And it's real special today, man yeah, so how you want to do this, white boy. There's only one way to do it. It's the right way the most way yeah, man, you already know how you feeling today. I feel good, bro. Yeah, yeah, working. You know what I'm saying, right? Yeah, 10 tools down the I'll be out interview. Crazy bro. I can't wait for the people to get that. Oh my gosh, yo Acor we got to slow down. No, we working that shit, do not stop.
Speaker 2:Foot on. They neck. You hear me, you know what I mean.
Speaker 1:Shit, do not stop you hear me 90 going north. You already know Facts. Listen man Today, listen man today's guest she's a workaholic. You know what I'm saying, especially when it comes to these bars. A hustler, she put it together. Man Hustler, she come up with different avenues of ways to get it. She set different trends. You know what I'm saying. She one of the first female artists. That was like real like put together in the city. You feel me Like when it come to like yeah, establishment.
Speaker 3:Yeah, yeah, you feel me.
Speaker 1:Yeah, for sure, yeah, man, we got Lee Mazin in the building, man.
Speaker 3:We in the building yo.
Speaker 1:Family. What's up, Talia? Not Talia, not the government what it do, man Yo.
Speaker 2:What's up y'all this?
Speaker 1:family man In the rundown not done yet I ain't going front. We ain't even done the rundown though it's really like an honor to have you up here and since we started the pod your name definitely been high on the list, Like we've been good.
Speaker 3:So we on your third season.
Speaker 1:Yeah, that's love how many shows we in white boy Right now like off top. If you think Off top like ones that's not out too right. Yeah, probably like 92.
Speaker 3:Dang it. Y'all about to hit 100. Y'all got to celebrate the 100.
Speaker 1:Yep, it's coming, it's coming up. Yeah, we going to keep loading up this clip. You hear me, yeah.
Speaker 3:Make me like 95 or something I need like a good number. It's happening fast.
Speaker 1:Yeah, he ain't ask me how I feel today, how you feel we just focused on.
Speaker 2:White.
Speaker 1:Boy. I guess oh my gosh, you know, I feel you know a little bit like how you want to say this man, I feel like a boxer right now. Yeah, like I feel like a boxer right now. Yeah, I feel like I want a belt though. Yeah.
Speaker 2:Yeah, I feel like that right now.
Speaker 1:Yeah, I mean, when a boxer won a championship match, what else for him to do? You know what I'm saying? He got to flex. That's how you feeling. Yeah, yo, I like that. We ain't even start yet. Yeah, we ain't even start yet. Yeah, you know what I'm saying, but uh, how you feeling I'm feeling good, I'm here with the fam.
Speaker 3:Uh huh, we about to get into some things. I know y'all got some, some good questions and all that yeah.
Speaker 1:This is the first this is the first.
Speaker 3:This is the first interview I did in the city, in in like years, yeah, damn, yeah, I'm honored. Yeah, me too, I'm honored me too years.
Speaker 1:I'm honored. So who was the last person you did like a interview with?
Speaker 3:I can't even tell you, I don't even know probably like some part 99, like that with one of them. How about that cut somebody like that yeah and so like that.
Speaker 1:So then, now that you even say that and like the game done shifted in so many ways and you got these broadcast services, podcasts and new ways to get information. So like I really want like the people to understand, like why this, why this interview was big for us.
Speaker 3:Yeah.
Speaker 1:In a way that it be informative to the people.
Speaker 3:Oh man, you already know. You know what I'm saying. Yeah.
Speaker 1:Everything be, To be honest with you, we reach to be informative, right? You know what I'm saying. So it's always good to speak on your truth. No, for sure you know what I'm saying Because you don't want the next person going through it. Yeah, especially if you can speak on it.
Speaker 3:That's vital right now too. Like we need that yeah.
Speaker 1:No, because I'm all about like learning, like all right. So if I'm going through life and there's an obstacle in front of me and my brother been through it before and I I could learn from him or learn from listening to him or watching him, then that's what I'ma do. I'm not about to like. You see what I'm saying Like people wanna take the hard route. For what?
Speaker 3:Yeah, right, that makes sense.
Speaker 1:Yeah, so we gonna get into it today yo.
Speaker 3:I try to figure out why I'm the only one that got the drip.
Speaker 1:Oh, I mean, I could pour I could pour up, but you know the label and the water. But you know the white boy on top of things around here. I mean I'll take a shot with you. For sure it's Lee. I got to, I do that.
Speaker 3:I don't know, you know, we really don't.
Speaker 1:I mean we got shot back there. Shot the pour it up. You know we really don't be drinking. I mean, we got Sean back there, sean can pour it up. You know what I mean, sean? You know what I mean Sean. Oh damn, her finger broke. Her finger broke, I forgot, I forgot. But yeah, shout out to. Sean man, she in the building. Yeah, let's get. I want to start by saying I'm proud of Leigh. You know what I mean.
Speaker 3:I appreciate that For sure.
Speaker 1:Because it's not too many rappers you know out here that started at the time she started and can pop up and do what she doing right now. Okay, yeah, Okay, Name one. No, it ain't none. See, look this the thing. Right? I'm going to take it a step deeper, Because we come from an era where it's like I ain't sink or swim Bottom line and we grew up at a time where we know our come up be illegal and shit. She found a legal way to make it Outside of doing rap. That's still cool. So, look, you know how rappers they keep up the image to be the rapper, but when your real life is just what it is you see what I'm saying. Like she really put it on the track.
Speaker 1:She really a boss yeah, she really put it on the line to be a boss. But let's get into it now. White boy, you know how we do this, all right. So you know, here, on a relative most podcast, we do our due diligence up here. So these sit downs be for, like, for the people that actually know what's going on with you and what's up with you like currently. You know I mean, yeah, like you know, you got a lot, of, a lot of stuff that people could go back and watch and your whole come up your grind and triumphs and businesses and you know relationships. But when you like, when you like 10 toes down and then you like, you get that feeling like no, I got to come back outside and wreck. Now I'm saying you've got to go kick it with really the most. Yeah, it's only right. It's only right and we bring in, like the people outside, we bring in them up to speed on, like Willie Mays and got going on and like why and why you gonna get there but,
Speaker 2:let's start how we normally start real quick.
Speaker 1:He trying to, I don't know why is it?
Speaker 2:is a but he's putting it together. I see him trying to cook.
Speaker 1:I'm trying to let him. But, bro, just get to the part where we try and get to man you want to do it. Yeah, alright, so normally on the show what?
Speaker 1:we do is you feel me, is even, is even. You got an influence right and we just trying to figure out who gave Lee Mazin her influence to be Lee Mazin you know what I'm saying, and normally it could be even. It don't have to be a celebrity, it could be somebody in the household, it could be somebody right outside the door. We just really want to get to that part.
Speaker 3:So like who my biggest influence?
Speaker 1:Who's like an influence that make you probably be the person you are now 100% my mom.
Speaker 3:Yeah 110% my dudes yeah. I say that in every interview too. Like just seeing how my mom maneuvered growing up single mom, two kids, strong Two bonus kids. No man Like did it on her own.
Speaker 2:Right.
Speaker 3:And we ain't one for nothing. We ain't even know my mom was struggling, when she was struggling, how she was making ends meet.
Speaker 1:Right.
Speaker 3:She did it and you know what I mean. So that was always like my motivation, like I got to pay my mom back, and not just monetarily, not just with money, just like I want to see my mom you know what I mean Like get what she deserves. I want to get her flowers while she here. So that was always my drive. That was always like my biggest motivation.
Speaker 1:Yeah, shout out to Umi man, that's dope, that's super dope, yeah. Yeah. You know why? Because a lot of these people out here I don't want to say people, but a lot of females out here being led the wrong ways, seeing the wrong things in their life, and you know for your mom to stay sturdy in front of you making sure you see the right things, hold it down, hold it down. You know what I mean. Making sure you don't see her struggling and stuff like that. That's hard to do. You know what I'm saying With a house full of kids. Yeah, see now, things like that, we hear that in your music. You know what I'm saying. We hear it when you speak on those things and it's relatable.
Speaker 2:Yeah, uh-huh.
Speaker 1:And I just want to know like do you shed tears sometimes when you make this music? Or like is it emotional?
Speaker 3:hell yeah, I can say honestly this time when me popping back out, I left all the emotions back there. I feel, like I went through a lot with this music shit this shit really drove me suicidal like real rap.
Speaker 3:I've been through a lot with this music shit. This shit really drove me suicidal like real rap. I've been through a lot of shit with it. So when I decided to pop back out this time, I'm like fuck all that emotional shit, let's have some fun again, let's make some money. It ain't no way and this ain't no shade to nobody, but it ain't no way these bitches is eating and they can't rap.
Speaker 3:That's how it Right, yeah, so like yeah, nah, like I got to come back and get with his minds. Like period. So all the emotional shit is like I might do a song, depending on like what mood I'm in or what I'm talking about. I still might get provoked, you know what I mean. Like if I'm talking about something that's touchy, somebody I lost, or just like stress period because you know, like life be lifin'.
Speaker 3:Especially like right now everybody going through something, so it's like I think that's why everybody can relate to what I'm saying, because it's like we all going through the same shit.
Speaker 1:It's different, but it's the same shit.
Speaker 3:You get what I'm saying so it's like yeah, so sometimes I still do get emotional, but for the most part it's like let's, let's get to.
Speaker 1:all that emotional shit got weak man, you saying you, you, you was like feeling suicidal at a point. What can make you like I? I didn't see that, you know. I'm saying like I mean nobody seen it. We ain't supposed to. Yeah, so like that, see, that's that thing her mom did. It wasn't showing her nothing, you know, I'm saying she know how to do the same thing.
Speaker 3:Yeah, nobody seen it. I'm talking about my Sean ain't see it, my mom ain't see it. You, know, what. I mean Because it was like this is something. I'm going through internally.
Speaker 1:I never really been what built that up, though how you get built up like that.
Speaker 3:You ever been through something and then you don't even know you're going through it till you.
Speaker 3:Out of that, then, you're like damn yeah that's kind of like what it was, but it's like it was just a lot like. I feel like I was in up situations, up two, up deals. I feel like at one point there was a rumor that I got blackballed in the city. Yeah the the it that's the labels is calling yeah the it, yeah and I hear this all the time. It ain't even just just a me thing. Yeah, they calling the it. Niggas like I want to sign Kour.
Speaker 3:And it's a lot of it niggas that be like nah don't sign that little nigga. It's a lot it be a lot of that going on in the city. Don't nobody talk about that shit. It's a real thing. Huh it be a lot of that shit. I got in the city. I did what I was supposed to do here. I gave back. I did the give backs I gave back to the kids.
Speaker 3:I performed on just about every stage here, any feature, and all of that I got did that on my own. Like you feel me, I moved around here so it's like I hit the ceiling. Once I hit the ceiling here, I'm like damn, you know like what's next, you go anywhere else. If I was popping, how I was popping when I took off, I took off in a year. I got signed a year after I started really rapping. Cora, no, me and Cora started rapping together. We had a whole label, self Made Entertainment, sme. Within a year later I'm signed to Dream Chasers. I'm moving around.
Speaker 3:I did a tour with Meek. Then I did my own tour. We funded it ourselves, got on the road ourselves, we robbing peter to pay paul to really make shit shake and it was like if I did that, if I did what I did here in any other city, if I was from anywhere else new york, atlanta all of that I'd have been going, been going, that's facts, that's a fact but it's like it's some shit here that like the politics we gotta shake, like we gotta shake that shit because that shit stop a lot of people.
Speaker 3:It's fake politics politics, A lot of people don't want certain people to pass certain motherfuckers. It's a lot of like. You know what I mean.
Speaker 1:All right. So we got this thing here like the in crowd, and if that shit don't come through the in crowd or if it ain't a part of the in crowd, then it get kind of like a nigga motherfuckers are shunt. That shit, bro. You won't make it to a certain level. You won't make it past the point. You'll make it past.
Speaker 3:I think it's just a level of support.
Speaker 1:I feel like it stops after a certain time, like I said anywhere else, especially if it ain't got nothing to do with a certain individual. That's fact.
Speaker 3:And, too, it's like if somebody in the same lane, me and Cordius, was talking about this. Y'all got a podcast right. It's a lot of podcasts in the city that's popping Mm-hmm Collab, right, that's how you look anywhere else. They doing it in the UK, they doing it in LA, they doing it in Atlanta. Two podcasts, they come together. They do. We gon' make this bag together.
Speaker 1:Keep it a yard, shout out to them.
Speaker 2:They are guys, it's only competition.
Speaker 3:That's what we missing here. It don't be friendly. Niggas would really be mad if you in the same lane as them, you know what they call it here what they call it.
Speaker 1:Dickie here.
Speaker 3:Joe and Joe, I'm gonna be real.
Speaker 1:Philly too serious, Like we take everything and blow it, that's fast. Everything.
Speaker 3:We went on the road for our first time, me and Sean. This when I'm first moving around this before the deal, this before Meek, all of that I never really been out the city. At this point. She like, yo, let's just go to Atlanta, let's just go down there and just make some moves. We ain't had no bread Resources. We fly Spirit. This my first flight for real. We fly Spirit. We don't even know we supposed to pay for our bags, so we bought a flight. Love, we get there with this big ass this. When you was traveling with a big ass suitcase, we get there with big ass suitcases. They like, yeah, your bag is $95. We looking at each other like we ain't got $200 for the bag. I don't even know how we finessed it. But we went to Atlanta and the love. I got out of Atlanta and I'm a brand new artist. Like they ain't know me, but the love was just different.
Speaker 3:I'm like damn like why we don't what's missing home, like what's going on with home, and I started seeing like a difference even in New. York to this day, New York showed me.
Speaker 1:I love Atlanta LA.
Speaker 3:I done, lived in a lot of places. They showed me a lot of love, so speak on it white boy, let's talk about it.
Speaker 1:So I'm out of town, right, I'm out of town, jiggin' to the max, hittin' the lid. I'm hittin' the lid, running to Pierre. I'm running to Pierre out of town. I couldn't believe it, bro. Like I couldn't believe it, I'm like, man, that's the way in. I'm telling Ra bro, this our way bro. We put the bag behind Pierre fresh down Atlanta. I'm like, let's go, he down there. He got a little connections, resources, no bullshit. I went to Atlanta and the just support and the love and like it's just different.
Speaker 2:That's what we say about Philly.
Speaker 1:That shit made me a different person. What we say about like I came back to Philly a different person.
Speaker 3:You want to come back for real.
Speaker 1:Yo, I'm me, today Is everybody like from that everybody here like better than the next person, Bro Philly.
Speaker 3:It's just not enough support. It's like.
Speaker 1:Lee Mazin could be in the room you got you done. The reason why you, Lee Mazin, is because you did all this shit Accolades from here to yonder and a bitch could walk in a room that ain't got half the accolades from here to yonder and a bitch can walk in a room that ain't got half the accolades you got. I promise you she's going to act like she's bigger than you or act like she don't know who Lee Mays is or act like she don't know who you are.
Speaker 1:That's just how Philly is. That's Philly. We make ourselves more important than the important person. How do we do that?
Speaker 3:Even the Joe shit, though. I learned this from being around Meek. Honestly, like when I first signed to Dream Chasers, meek would put us in rooms and he would always tell us, like yo, I'm going to put y'all in a room, but I ain't working that motherfucker for y'all. So we like all right, cool. I learned this shit from Lil Snoop, that little nigga, did not we in the room with DJ Khaled, busta Rhymes, who he going up there everybody he up.
Speaker 3:Yo, you want to hear me rap? And some of them like nah chill, little nigga, you know what I mean.
Speaker 1:It wasn't like that all the time.
Speaker 3:But he ain't care. We all sitting there, all of us from Philly, everybody else, that time we sitting there like I'm like I and Sean I'm like yo. We gotta. Like we gotta get put that dick to the side, fuck that Joe shit like we gotta work the room. So we start doing the same thing and it took a little minute to adjust, but I seen the outcome. Now I got it's relationships that I did.
Speaker 1:How long did you get resources?
Speaker 3:Networking.
Speaker 1:That's the only way.
Speaker 2:We don't fully.
Speaker 3:Trina.
Speaker 2:Remy.
Speaker 3:Marsha and Brody Like this stuff.
Speaker 1:I did I got on my own.
Speaker 3:This wasn't through no labor or nothing.
Speaker 2:It's just like putting your pride to the side and, like yo, I just want to get that Go and go get that.
Speaker 3:No, they say no.
Speaker 2:But if they say they say yes, you got to try.
Speaker 3:So, it's like, yeah, like they all saying come on, you got bars.
Speaker 1:Come on, it's crazy bro.
Speaker 2:We got to is crazy bro we gotta get out of that we gotta get out of that and I could pick you on.
Speaker 1:We gotta get out of there.
Speaker 3:If you worry about who bigger, that's the. That's. We worry about the wrong, definitely worry about the wrong. We don't blow our our people up like with anything, not even just music clothing lines. We got people with popping ass, designer lines, hair food, all of that you don't never see. My video went viral three different times. The same video Three different times, months apart. I dropped that video. That video, the first one that went viral. That shit came out in July.
Speaker 2:Which one you talking about?
Speaker 3:The Timberland beat.
Speaker 1:OK.
Speaker 2:OK.
Speaker 3:I dropped. That shit came out in July of this summer. It went viral the first time. And now you dropped it again and nobody from the city, nobody posted that shit, not one motherfucker. I'm talking about that's like you know what I mean.
Speaker 1:That's like big dog status. I know what you're talking about.
Speaker 3:New York niggas again. Trina and I got time in with Trina. That's big sis. But Timberland posted this shit this is his beat. But he ain't had to do that. It's everybody from up New York, all the DJs, self, all of them. They yo.
Speaker 2:Just throwing it up Right on the story.
Speaker 3:Nobody from here posted it.
Speaker 2:This shit is crazy. Nobody but Diamond Cuts. I don't understand it, because you know what I mean Cuts always going to show me love.
Speaker 3:But nobody else posted that shit. We all and I didn't through this shit, but I'm like. You see what's going on. But, then, six months from now, six months from today, I'm going to have a hit. That shit going to be out of here.
Speaker 1:Everybody going to spend a block.
Speaker 3:Everybody going to spend a block.
Speaker 1:That's how it go. That's definitely how it go.
Speaker 3:That's how it go.
Speaker 1:No see what it is right we are. We just the worst man and we got to get better because our system is just all jacked up, our whole lord like hip-hop system on how we operate and it's from like care of our artists it got to get better from I don't know man, I can't even say this about it. You know where it come from. Stop playing. It come from the, the old heads that's where it came from.
Speaker 2:That shit was passed down.
Speaker 3:Yes, yes, because I'm going to keep it real. That's why we got all this talent but nobody really pressing through this shit. Kev like 60.
Speaker 2:We got the best spitters Kev like 60.
Speaker 1:Period. If you want to get pushed through. You got to somehow get the Kev. That's not. I mean, I'm telling you, bro, I just heard somebody speak today. Like man, y'all can say the radio or the DJs is the way out, but it's so many other ways to be out there. Now. It is it's podcasts, it is it's different platforms. Bro, for you to go ahead and put your music out and for it to go dumb, you know what I'm saying. Like your music out and for it to go dumb, you know what I'm saying.
Speaker 3:You just got to figure it out. You know what I'm saying.
Speaker 1:Especially the way it is now. He said I put my artist on the platform and then I paid for a playlist and he was out of here after that. No, but it's still different vessels that you got to go through in Philadelphia. Oh yeah, so like you can't.
Speaker 3:It's inevitable, you get trapped here.
Speaker 1:You do. I got trapped here. How, bro? Listen she at one point Lee probably was the most dominant female rapper in this city. Hands down, nobody on top. Bro, we just had this conversation, so and I said well, I said, we got to come out.
Speaker 3:Why is the?
Speaker 1:love the way it is, because that's the whole thing. That's what I'm saying, like why Philly treat Cassidy the way they treat Cassidy. All right, see, now you trying to go viral. You trying to go viral, I'm just saying, bro, he hot, come on bro. Bro, am I playing though, and he being bad? And that's the shit that I be saying.
Speaker 3:Why y'all?
Speaker 1:treat Reid Dollaz like that Am I wrong? Why you saying these names? Am I wrong, though, bro? Bro, I'm not comparing them to Lee either. I'm just saying, like these people are hot and they from our city. They hot, but they shitty though, lee, not shitty though Atlanta would never do that to the artists. What you doing right now. You a part of the problem. You a part of the problem, bro. They gotta do more bro. Respecting the artists as a legend.
Speaker 2:Is he showing?
Speaker 1:Philly.
Speaker 3:God. Right now on camera, he's showing you what they do. It's simple, though we gotta put our pride down. It's like we in the same lane and I try to always do this Like even when I was like, like you said, I'm the top chick in the city. Any female that was above me, even like they embraced me, I can't say that.
Speaker 1:Jade, nina, bianca, all of them from the rest, I've seen you with all of them, yeah.
Speaker 3:But I'm like, all right, I want to do the same thing, like so, anybody that was coming up under me and I got more buzz than them. Come on, let's do a track.
Speaker 1:That's fire.
Speaker 3:I put three females on one record, four of us on a track.
Speaker 2:I remember Was that the set it off.
Speaker 1:Yeah, we shot a video and everything because it's like we might have been like the cutoff point, though that's where I'm getting at Like, but are we getting like this, Like what's up? I?
Speaker 3:don't know, but that's some shit. We got to get to the next question. That is crazy.
Speaker 1:So look, would you All right? All right, okay, Now you have been the full package in what an artist should be. Now, I know you had your ups and downs throughout the game. That's what the game do, but you always figure wiggle room for your pockets. Give me like being persistent in this hip-hop game especially coming out of Philly.
Speaker 3:I feel like that's one thing I can say Our hustle really unmatched, though. We cut different. Everybody say that.
Speaker 3:When I spend time in Atlanta, la. They be like yo. I love y'all, y'all just different. I don't know. I feel like I grew up around all niggas for real Kord, my brothers, my cousin, a lot of guys and I just seen them maneuvering, just moving, just making ends meet. So I adopted it. My mom say it all the time. She like I got my first car when I was 15. She like you got that car. You hopped off the porch. I ain't seen you since. It was just like we gotta make something happen.
Speaker 3:So, I treat music the same way. It's like we gotta make this shit shake.
Speaker 1:Right.
Speaker 3:And then, when I first started rapping, I didn't even know what I was doing. I had no clue, of course, no, like I used to play around freestyling on a trolley. We was 13, 14, catching the 11 from Southwest to 40th Street to go see some little niggas. We was talking to that was crazy. And Lady would make me, my cousin would make me rap the whole time Like yo just freestyle off the top. That's how I started.
Speaker 1:But I wasn't taking it serious. Then I used to see those videos and be like damn, I wasn't taking it serious then, because I'm really low-key shy for real, for real.
Speaker 3:So I'm like I don't want to be no rapper. I went to college, dropped out of school, I was broke as shit. We had Fires kicked out of fireside, everybody out front and lady like rap, she make me rap in front of everybody. I freestyle off the top. This one facebook was popping. She throw it. We throw it on facebook. Everybody like, oh shit, like you fire. I ain't know you rap. Somebody hit me up. They're like yo, I want to do a feature with you. I'm like I ain't even know what was going on. I never even been to the studio. They like, um, how much you charge? I'm broke as I ain't got no money. I'm like how much you got? He like I got a nickel for you. I'm like bet.
Speaker 1:First cut.
Speaker 3:Bet I go to the studio First time in the studio I don't even have a name. I wasn't even Lee Maison, yet I'm in that bitch Talia, like yeah.
Speaker 2:Give me my 500.
Speaker 3:Boom, I do this song. Same thing happen again. They start happening. I just started saying 500 was my price Right. And then I had met Sean and them and it was three of them at first. I had three managers. They had like a management company, we all get into it. And Sean was the one rocking Like she, like man, fuck that, Like let's get this shit. And we just ran, we just put our feet on the ground, we just went. You can't name two females in the city that did what me and Sean did, and it was just us. We ain't had no backing. I never had nobody cut no check for me, signed or not. I never got no bag, nobody paid for no studio.
Speaker 1:None of that shit. I might be speeding, but how did you get into a reality show, whoa?
Speaker 3:You, you hey bro, I mean we hear you, they caught, they caught me though.
Speaker 1:They did. I mean, you were so at the part where she, yet, at the time when they, when she got, when she got the Was that though? When she landed that, though, she was scorching though.
Speaker 3:Yeah, they caught, they caught and.
Speaker 1:I was going to do it they.
Speaker 3:They caught me at the same time. Loving Hip Hop called me.
Speaker 1:New York Loving Hip Hop. See, I ain't even know all that. That's crazy.
Speaker 3:I took the meeting with both of them and they had the bigger bag. It made more sense. It was less messy, because I'm not like a messy person. I don't like everybody in my business. I'm not about to tell you who I'm fucking. It made that never been me, yeah. So I wasn't going to do neither one.
Speaker 3:And they like, nah, do this one. They gave me creative control so I'm like, yeah, let's do this. And they was paying eight times more than what Love Hip Hop was trying to give me. So we like, yeah, we're going to do this one.
Speaker 1:Did the.
Speaker 3:TV show.
Speaker 1:And then I mean, I look at that as like a part of your career. Me too, for sure.
Speaker 3:Yeah, that's something Nobody nothing like that. That's what I'm saying that's where, that's where it get closed off.
Speaker 1:When I tell people, you, you, you was on a reality show. Some people don't know.
Speaker 3:But it's like. But you want to know what's crazy, Some of the other girls that I'm on the show with they hood supporting them. They got big-ass watch parties the whole city out there. They booking them, they bigging them up.
Speaker 2:Yeah.
Speaker 3:We don't do that.
Speaker 1:We don't do that here. We got to get. That's crazy man.
Speaker 3:But that's neither here nor there.
Speaker 1:Yeah, it's crazy. Damn, that reality show was fire though. Yeah, I watched that. Yeah, I watched it and you had a. You had a moment on there. Um with mc light no, that was fire too, though the mc light part. But you had a moment on there where you was explaining, like some of the stuff you was going through as an artist and like I guess you and uh shot had a situation where the car got robbed or something like that yeah, no, sean wasn't with me, but um, she wasn't with me.
Speaker 3:I was with my ex at the time and we got I got robbed and they stole. It's crazy. They robbed me the night before I flew to la A to start filming for the show, so I just went to the mall. I'm grabbing Jack my clear this little pieces because I'm like I'm about to be on TV. Rob Markman.
Speaker 1:You know how that be, de'aaron.
Speaker 3:Thomas. They hit the wheel, they robbed me, take everything, they took all my music. So at the time I wound up getting one of my hard drives back because I had a sticker on it with my face on there and all that and they must have just threw it. When they stole the car they just start throwing stuff out. And somebody found the hard drive, but this right literally the day before I go. So when I get on the show I'm like they like, yeah, we need the music, we need this. I'm like I don't even have the music. Like they robbed. I just got robbed last night. Yeah the show. So it just like a lot of people was like yo, did you really get robbed? Or that was like fake for TV.
Speaker 3:I'm like hell no, like I did as big as AK to my temple, that nigga pulled me through the window Like yeah, what yeah?
Speaker 1:Me too. I didn't even know he was there.
Speaker 3:They took me out the car and them niggas didn't know what they was doing. So that was the. That probably was the scariest part. I think I wasn't even like nervous when it was happening.
Speaker 2:You ever you ever feel like some shit happening, but you don't even know what's happening.
Speaker 3:So, as the shit going on, I'm like, damn, I'm really getting robbed right now, but these niggas is arguing they like what we supposed to take bro. I'm like ah, these niggas don't even patting me down. I had money in my pockets. Them niggas never touched me. They were scared Once he got me out of the car. He never touched me.
Speaker 3:They were scared and then they just took the whole wheel and everything was in the car. So they took like all the clothes, my computer, the hard drive. We had like a couple dollars in the car, but that was it.
Speaker 1:Damn, that was a crazy situation, situation for you, especially at that time. Yeah, you know what I'm saying.
Speaker 3:Um, it's always good to have a a mail around too, like, yeah, when you when you know I got cursed out for that, yeah and I was slipping too, like I and my, my you know my pupils put me on point all the time like pay attention, don't put your head down. I'm in my phone when, when it happened.
Speaker 1:I'm texting my hairdresser.
Speaker 3:I'm late for my hairdresser appointment.
Speaker 1:I look up and it's right there.
Speaker 3:So it was like I got cursed out bad, I got took to the range. I got yeah, all that, yeah, we can't.
Speaker 1:We risking too much having you in them type of situations, so we can't have that.
Speaker 3:I feel like everything happened for a reason, like like I feel like everything happened for a reason. Like I needed that to happen Now. Now niggas move a certain way, Like now we militant.
Speaker 1:I'm situated all the time before we continue man, that's the real of the most podcast. Make sure you share like subscribe If you don't use a muff hater.
Speaker 3:Why? Because it's free.
Speaker 1:All right, no man, we got Lee Mason in a building today, so we're done, yet Would you building today, so with you coming off of the chases, and then the reality show is that, like around the time, rough Riders come knocking.
Speaker 3:Yeah, so I do the reality show, and at that time they actually offered me a spinoff, me and Breonna Perry. That was like my sister. We really linked from the show. That's my family to this day. They offered me a spinoff.
Speaker 1:She dope too. I remember her, she dope.
Speaker 3:Yeah, that's my family, so they offer us a spinoff. But at the same time the network they brought out Oxygen, so we was on Oxygen. They bought out Oxygen. Like somebody out there I want to say Zeus.
Speaker 2:E.
Speaker 3:E E bought out Oxygen, so they stopped all these shows at the time.
Speaker 1:I remember.
Speaker 3:So, right when they offered us to spin off, everything got put on hold.
Speaker 1:Production.
Speaker 3:So I'm getting frustrated because I'm like damn, the Meek situation ain't really working in my favor. Tv shit ain't working in my favor. Now I'm mad. So now I'm like I'm ready.
Speaker 1:Angry.
Speaker 3:Aiming at everybody. Now I'm mad at everybody and they called me and I was kind of in like a desperate time.
Speaker 2:Yeah.
Speaker 1:Yeah.
Speaker 3:And I'm like I'm not doing that, Like that's not Right. Yeah, I'm not doing that, Like that's not yeah. And I talk to like people who are, you know, like why are they a fan? And I think honestly, and this is no shade to them, because like you feel me, like I signed because me and my brother was DMXing Eve Like dead ass in a crib, we made bikes out of like pillows and we was Right Like we was.
Speaker 1:A inspirational we was was like we. We was a inspirational for all the kids.
Speaker 3:No, for sure. I'm like then, like this might make sense. Like you know, I mean, I ain't got nothing, that was going on, I was at my tail end. I'm like right fuck it like, let's just do it let's just do it, let's just do the situation and, um, that shit ain't even going as planned. So it was like, after that, I'm still signing them, but this one, I, this one, I kind of felt like I was drowning and I'm like, fuck this music shit.
Speaker 3:No more shit and I'm going to give her her flowers while she here. I was like done with music. I'm like man, fuck this shit. She's not making me no money, sean. Like bro, this shit in you. Like you can't just give up on this shit. She said fuck it, just take a little break. Label we start choosing. I was about to get into that, go ahead, we start choosing one and, um, I ain't gonna lie, I still I ain't want no parts, but I'm like this, this, this my sister. Like I call her mom mom. She called my mom mom. Like this is my family. So I'm like this, the one person that been there through everything with me. So I'm like this, some shit she want to do. I'ma just back, sis play. I didn't want to do this, like I was helping.
Speaker 3:I want you to do it too, but but I'm like I'm gonna support what she wanna do, because she always supported what I wanted to do. So we come up with the chosen one records, we get our first two artists, we get petty levels. I mean. Rest our soul and then we get um seth, and then we find pop pop hunter pop hunter do the pop hunter situation.
Speaker 1:That little nigga take off, take off, we do the now, did y'all know he was gonna take off when y'all first heard the song? Or did y'all because I picked the song.
Speaker 2:So that little nigga fire.
Speaker 3:So we get we got like six tracks that we choosing from. I'm the only one who picked Corvette. I'm like nah, this is it. We arguing, arguing me down that out of town spot?
Speaker 1:right, he used to be out there. What you mean? The Pop Hunter young boy? He used to be out there Out of town spot. I used to be at, yo, I used to see young boy. I couldn't believe that John went.
Speaker 3:Hey yo, I couldn't believe that John went. Man listen, that little nigga is fire.
Speaker 1:He tell his story for a reason. Pop Hunter was out there with it. You hear it Shout out to Pop Hunter man. It was crazy man.
Speaker 3:We do the Corvette record that shit take off. I don't even think we, I don't think none of us thought it was going to do that. Yeah, what?
Speaker 1:it did.
Speaker 2:Yeah.
Speaker 3:Uzi hit us, we do the Uzi feature and then, as fast as that shit went, you know what I mean. So that's when I really Philly for you, philly for you, philly for you, because all these little niggas Philly for you, it's Mickey Mouse's Philly for you. If we get, we're going to get into it I'm talking about I watched them tweeting 11-year-olds While this shit was going on. It's 11-year-olds that's tweeting. They don't know nothing. They don't get into none of this stuff.
Speaker 3:They like I love Pop Hunter. He's so cute. It's niggas from Philly, grown-ass men writing 11-year-olds.
Speaker 2:He a rat.
Speaker 1:That nigga a rat.
Speaker 3:And I'm like damn.
Speaker 1:You can't like him.
Speaker 3:What? What are you doing? Like so I ain't gonna lie like that that situation.
Speaker 2:I'm like this shit ain't meant to be like we just keep hitting the roadblock every fucking time.
Speaker 3:Hell yeah, y'all don't know the conversation you gotta understand.
Speaker 1:Listen to what she just said, like I'm hearing it. I'm here, I'm keeping in roadblocks at the top of the top every time we get right here. It's like at the top of the top of every time we get right here is like at the top of the peak, and then it's from under our feet.
Speaker 3:So I'm like man, I can't do this shit no more. Right after that, that was when I, that was when I high key like I started having, like I really was like in a depressed state of mind, like I'm like man, this shit not, yeah, this shit not making me no bread. This shit all over the place. I'm losing my mind, like I'm like nah, like I can't do this shit no more. But you know, I mean like with prayer and persistence, like you yeah you come up out of all of that.
Speaker 3:So we get back to the label, we start shaking and moving again, we get petty popping, perfect, you know, I mean. And then then that happened. Then that happened. So I'm like at the that was really what provoked me because I felt like I was fighting some of them same battles that I seen her lose to you feel me. So I'm like that shit changed my whole perspective on just life period, because she was young, that was like my baby sister, but she lived her life. Even with going through what she was going through, she did what she wanted to do. If she wanted to go skydive, she going to go jump out of the plane today. She wanted to go here, she was doing it and she still was fighting what she was fighting. So I'm like you know what I mean Like a piece of me, feel like I owe it to her too, like you know what I mean. So it was like kind of around game and I'm like I'm taking this shit personal, I ain't gonna lie. I'm like, yeah, nah.
Speaker 1:That's it, and you should. Because you work for your spot, you earn your spot. Facts, facts.
Speaker 3:I'll wrap circles around a lot of these niggas. These bitches can't stand it with me.
Speaker 1:But that too. But it's style with it too, though.
Speaker 2:How I see it, that's facts.
Speaker 1:Elegance A lot of these bitches don't be having no style Skate. You feel me, and you can't pay for style. That's facts. So you, it's like you can't get your spot up because for one you earned it and for two you the style of the shit. If we don shit and we'll get you, don't pop out then look what we don't want.
Speaker 3:No, that's right.
Speaker 1:I like to see you all working more though the females. Yeah, and that's together, oh yeah, but I'm, with that, always been my MO Like because Philly, we got the spitters but I never forced enough and I've never been forced, if that shit ain't organic.
Speaker 3:I can't force no feature I can't force no studio vibe, and we can't get in and that shit don't click, I ain't doing it with nobody. But on the female tip, I feel like because we got a link when I was coming out. It still was like a one female at a time type of era. It wasn't letting multiple females in at the time and for real, for real. Nicki had her foot on gas 15 years, so it was like trying to wiggle into that shit.
Speaker 3:It was hard it was hard and honestly, we do go through a lot as female artists. I'm talking about when I first was coming out. It't get yo, you can't get pregnant. Like don't let these niggas get you pregnant. I like girls, they like nah, you can't tell nobody. You like girls, like that that's gonna fuck up your shit.
Speaker 3:Nah, you can't do this, you can't. Nah, you gotta show your ass a little bit. Nah, you gotta get a little like. I'm hearing all this shit and I I've never been like a follower, but you know, like I'm thinking, like taking it and there's people who I know can get me to another level. I'm kind of taking some of this, so I'm confused. I'm getting pulled this way, pulled this way, pulled this way, and I'm like y'all drive me fucking crazy.
Speaker 3:Nah, like so then I feel like I wasn't being me, like I wasn't being authentically me, so it's like that shit was harder when I first started coming out. So then to see the shift in the game and they see like them, appreciating females I salute to all the females that's doing anything.
Speaker 1:So when I say, like they ain't got bars, they just calm down. Though they ain't got bars, they just say, but I still salute them, say I'm gonna calm down.
Speaker 3:Thousand females pop out and I love it though, because that is, it's a shift for the culture but if they corny, they corny like for sure, but I do love what's going on like because it's never happened before with hip-hop Like the females run the game, Especially in Philly.
Speaker 1:This the perfect time for Lee to pop out Like just period.
Speaker 2:Even on a big scale like the females is running the game.
Speaker 3:But no, I like what I'm seeing in Philly too. Like even still now, like I'm still now, like I'm I'm the the K Glizzy's, the Deja's, like I'm I'm in conversations with them, like I'm I'm let's get in the studio. I've never been one of them.
Speaker 1:I'm never going to stop nobody.
Speaker 3:I'm never going to stop. Nobody shine Like I'm. I did that back then. I'm a do it now Like cause I want to see everybody, when I've never been the type of bitch when you first, when you, I love it, I love it. She fire and she and she hungry, yeah and she ain't.
Speaker 1:No, I mean like she really going you, you and she got good energy too. That's the whole thing. That's the whole thing. With it right there, the energy, her energy, high and she could really. I ain't gonna lie, man, I look at it like you big dog in this shit now On that status. That's because you accomplished so much. I remember when you was grinding and you went and got that train to feature. I remember that. Yeah.
Speaker 3:I remember that.
Speaker 1:And at that time that was super big for you because you know how that lane of the females, how, how slim it be and trying to be really like looking out for hot artists that be like really hot, and you really was one of the ones yeah, trina trina, one of the, the females that's. That's up there that reach back like she always show love I done.
Speaker 3:Performed with trina and everything like anytime she. We in the same city. She calling me like Like pop out, I'm bringing you out.
Speaker 1:Same thing with Remy.
Speaker 2:Like.
Speaker 3:Remy came home Soon. As she came home like, called me personally. We getting in the studio. You fire as fuck. She was on house arrest. She pulled up to my session with a beat with an ankle monitor on that's dope, got right in the booth and she write her shit. I'm stamping that. She put out a notepad with a pen and wrote that. But it's like you feel like that same thing with trina, though like to this day. That's, that's big sis, that's big sis. I remember how I met trina.
Speaker 3:We was in onyx, okay, and onyx was paying me weekly, yeah I was making a bag at onyx yeah onyx was rolling popping recipes, dj, uncle jen and um, we in onyx and they got me in the big section I came down there a couple of times with you. I remember, yeah, they got me in the big section. Right here in the front we partying and shit. We get our bottles.
Speaker 3:They like lee, we gotta move you one section over because we putting trina right here and I'm like, I'm like no disrespect to the baddest bitch, but like I ain't moving in my city, like she yeah, I'm finna party with me, I'm finna, just tell her.
Speaker 3:Like you know, I'm saying yeah, she come in a section I'm like yeah, you know, I mean, I'm like like your music, all that. She's like man, I know what the fuck you ask like give me a hug. All that we've been locked in since that day I was thorough from the rip. Right then we popping bottles and we, we turned up and my step-pop loved Trina Like my mom. Let him out the crib Like he in the section Wifey loved Trina.
Speaker 3:To this day, like that sis, like right then. And there I ask her I'm like yo, I could get you on a song. She like yeah, send that shit.
Speaker 1:And we've been locked in ever since. Yeah, that's love, yeah, no, you see, that's why I really one of them, ones that put on for us like we'll never be mad, you feel me, because you really come from that gladiator school.
Speaker 3:Now it's been proven.
Speaker 1:Thanks, that's why I was like now is like come on, lee, let's go. Like, yeah, come outside.
Speaker 2:It's your time. Yeah.
Speaker 3:The cook loaded. Though I ain't even going to lie to you, I could just imagine, actually, what I mean Especially like with everything.
Speaker 1:Just you know what I mean Living and going through. I'm still going through what I'm going through.
Speaker 3:Like with the label and all that. But that shit, like I'm like what's up with Rough Riders though they dropped the ball.
Speaker 1:They dropped the ball they dropping the ball.
Speaker 2:Y'all got caught up, niggas.
Speaker 3:They dropped the ball I ain't even here to talk about them, damn uh, drop the ball.
Speaker 1:This, this is the real of the most podcast. Make sure y'all share, like, subscribe, comment. If y'all don't use them off, I hate them. Wow, because it's free. Hey, listen man freely, amazing yeah, amazing tissue yeah, that's the campaign we got to be running. All right, yo listen, we don't play about our art, especially our female artists. Facts you know what I'm saying. Get it right, man. Get it right Really the most we out here. Man, get it right. That's all I'm going to say, man.
Speaker 3:Get it right, let's get it right.
Speaker 1:Let's make it right, but look, is you ready? Yeah, no question. All right, let's go, man, all right. So here on Real or the Most, we played a couple games at the end it ain't nothing too crazy.
Speaker 2:The first one Fast Track where I just say Fast Track.
Speaker 1:Fast Track.
Speaker 3:Fast Track.
Speaker 1:I say two things.
Speaker 3:You pick one out of the two, all right.
Speaker 1:You bet, yeah, so we in Philly. So I like to start with this one State property or major figures.
Speaker 3:State property.
Speaker 1:OK, ok, state prop I say state prop free.
Speaker 3:show me a lot of love to that fab or nice.
Speaker 1:Wait, wait, hold on. I just seen a picture with you on Mac. Y'all was in Gold City. I love Mac Standing on the wall.
Speaker 3:Mac burned me out, Freeway burned me out, Like that you know what I mean. Like I feel like I always got love from the up people in the city. Like I said, jay and Nina, yeah, state prop. I just seen crack in the market literally two days ago.
Speaker 1:Always love. Who was? Who was all right, it's Jay, nina, bianca. Who would you Bianca? But who would you say like is in between them before or later?
Speaker 2:Hmm, it was Lee after that Ain't nobody.
Speaker 1:It's Lee. After that it's Lee Tiara, tiara, tiara, yeah.
Speaker 3:Dizzle, dizzle. I love Dizzle.
Speaker 1:Lane Bean. We all came out at like the same time that's where I always been in love with them too, though it always been everybody I came out with we.
Speaker 3:we always in hustle mode, we all got tracks together, we all came to and Lean fire.
Speaker 1:Super fire.
Speaker 3:She fire.
Speaker 1:She's family to the show.
Speaker 3:Tierra, though I knew she was going. I never forget. I did a song. I put everybody that was popping on the song Young Sam Stizz Ape.
Speaker 2:Gang.
Speaker 1:Stizz Young Savage Dizzle. Name them Lika. Tell us them names, I'm telling you. I remember that time.
Speaker 3:And we all come to the studio. We all recorded together.
Speaker 1:Yeah.
Speaker 3:She pulled out a dictionary.
Speaker 1:Oh my God, I'm like. Oh, she about to walk me on my own. She about to walk me on my own track about to walk me on my own track, and then her flow.
Speaker 3:She came out. I'm like, oh, she's out of here all she needs is the right person. So to this day, I just seen, I just seen uh whack at the fight. It's always been love. Lean bean always been love like yeah, it always been the same temperament.
Speaker 1:Temperament. We're most of the females from the city. After that it was y'all. Anybody else?
Speaker 3:anybody who ain't mesh with that was like a them problem. And all Most of the females from the city After that it was y'all. Anybody else, anybody who I ain't mesh with, that was like a them problem, mm-hmm.
Speaker 1:That was. That's crazy. All the beefs any beefs y'all heard about, was like fake beefs, Like they was beefing with they self. I'm trying to remember. You ever heard Lee beefing with somebody. No, I never heard you beefing with nobody Nobody. We getting money. Yeah, we don't pay attention to that shit. You come from the borough, yeah, but shoot, shoot one, all right, say no more.
Speaker 3:You said Fab or Mase, right, yeah, fab. Oh, you ain't answer that.
Speaker 1:Fab for sure. Fab or Mase? Fab for sure.
Speaker 3:I love Mase though, but Fab for sure. I feel like Fab one of the most consistent artists of the last two, three generations in terms of fab.
Speaker 1:Keep it so hard yeah, no, she good, would you say. Hit it again, it's going all right. Um, that was a good joint. She can explain, she can do whatever, elaborate on why she picked one. No, because I ain't going to lie.
Speaker 3:Because I feel like when Mad came out, I was fucking with Mad.
Speaker 1:Because I'm like, oh, she can spit.
Speaker 3:Then she kind of went you know what I mean, but Lado be dropping them. She be talking in that Georgia Peaks shit and all that. I like when she walk them slow beats. She be talking that shit. Yeah, I like how she do that slow shit too. Yeah, I fuck with that when she just be, like talking.
Speaker 1:Yeah, uh-huh, that was a good one. Yeah, you like that one, I like that one. What about Glow, sexy Red Glow?
Speaker 3:Glow, glow a rapper right. I fuck with Glo. She got the accent she be talking some shit.
Speaker 1:I like her energy, her album. That was a good album. They put a solid piece together.
Speaker 3:I fuck with Glo.
Speaker 1:Yeah, balenciaga or Prada, there we go. Yeah, yeah, pop it Me, I'm me, what you doing, I know that's right.
Speaker 3:No, i'ma go Prada, though I'm going, prada, you ready for one gotta go.
Speaker 1:Or you got another one.
Speaker 3:One gotta go. Y'all gotta turn this fucking heat down.
Speaker 1:Yeah, we do. Let me do one more real quick, distill this or that.
Speaker 2:Yeah.
Speaker 1:I'm trying to be respectable, but it is what it is. It is what it is. Alicia Keys. Mary J Block.
Speaker 3:Mary, what.
Speaker 1:See y'all crazy, that was a bullshit joke, it was a bullshit joke.
Speaker 2:I've been telling you that was a bullshit joke. That was a bullshit joke.
Speaker 1:I've been trying to tell you what, come on, we're going to do. One Gotta Go, man. I love Mary J Blige man. One Gotta Go is a little different. It's where we're going to say four names, but you're picking one to go. But when they go, everything, the whole resistance go. Everything that fall under them go as well. All right, lil Wayne Jeezy Yo Gotti Gucci man One got to go.
Speaker 1:Damn Gucci man. All right, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait. Everything got to go. Gucci, damn Gucci man. He said that All right, wait, wait, wait, wait, wait, wait, wait. He said everything gotta go with it. Yeah, like whoever they got signed people, they put on all that shit. Like everything go Now. Mind you, gucci, put the whole Atlanta on Wayne in his prom was Wayne in his prom.
Speaker 3:Nobody was touching Wayne in his prom.
Speaker 1:See, I ain't gonna. Snowman, I'm never getting rid of Jesus, ever so look that's how I be feeling, right, because his music just was so influential. I don't give a fuck who put who on.
Speaker 3:That nigga, I'm never getting rid of.
Speaker 1:He ain't make no millionaires though.
Speaker 3:I don't give a shit. He ain't make me no millionaire either, so I don't give a fuck.
Speaker 1:None of them made no millionaires. I no, that's crazy. Yeah, I can't see myself getting rid of Snow neither it's between Gotti or Gucci.
Speaker 3:Yeah, maybe, but then Gotti.
Speaker 1:Gotti making millionaires right now.
Speaker 3:Yeah, Gotti got the flow still.
Speaker 1:Gucci got Thug Future, migos Future can't go nowhere. Yeah, you can't let. You just can't let Gucci go like that. He put all of them on.
Speaker 3:I'm not getting rid of Snow, so y'all going to have to figure that back into that Slams Future. I can't get rid of this Snowman Jeezy I don't know, man, that's one of my favorite.
Speaker 1:I can get rid of Snowman for Future though, bro Slams. I mean Snowman probably could go. I'll take Future. Y'all tripping I, I'll take future.
Speaker 3:Y'all tripping?
Speaker 1:I don't know.
Speaker 3:Y'all tripping. Even I just went to a Jeezy show 20 years later. No, I love Jeezy.
Speaker 1:You right. No, I love Jeezy when I first got popping outside. I was getting snuck into the club Jeezy. I was 17.
Speaker 3:I ain't had no business in the club.
Speaker 1:Ah, I went to both of their shows, but man Future Show is something different.
Speaker 3:Y'all talking about Future from Gotti. I can't count that I'm getting Gucci out of here.
Speaker 1:Alright, that's what we going with man.
Speaker 3:Alright Future would have made his way somewhere else, Alright, Reed Dollaz.
Speaker 2:Meek Mill, joey Jahat Quilly one gotta go Say it one more time.
Speaker 3:Reid, reid, meek, meek, haddie, Quilly one gotta go, damn Meek.
Speaker 2:Meek Meek Hattie.
Speaker 1:Quilly, quilly one gotta go.
Speaker 3:Damn we talking back then, or we talking period.
Speaker 1:We talking about whatever you want to talk.
Speaker 3:I feel like they all and they prom they all that they all that.
Speaker 2:They definitely all held it down.
Speaker 3:They all got different flows, and too one guy I would have to go packing these bags. I gotta go ahead on that one. I'm sorry. I love, I love joey, but I feel like meek really meek, really converted that and made himself who he is today from that. Like we watched, we watched it happen.
Speaker 1:I just feel like reed was unstoppable at that time, like still be, like putting up numbers and then quilly coolly going he's still funny on the gram every day.
Speaker 3:Funny he going, he got the hilarious character and then they get.
Speaker 1:I think hattie just need to pop back outside because y'all playing with hattie shout out to hattie man, he doesn't need to pop back out. You don't know where he how he's gonna pop like he popped. He popped in his when he started talking. I'll be like peppermint patty hattie, you crazy bro. He start talking crazy. Yeah, come on, don't act like hattie, don't pop this from that list though you gotta get. He gotta come out here and put some work in. That's cool. But all right, here we go. Lil' Kim Trina, eve Nikki.
Speaker 3:Ooh damn Lil' Kim.
Speaker 1:Trina Eve I came with some work, right and Nikki yeah.
Speaker 3:Yeah, yeah.
Speaker 1:Yeah.
Speaker 3:Sis off the list from the rip training. I just already said what I said that's big sis.
Speaker 1:Yeah.
Speaker 3:She's never coming off the list.
Speaker 1:Yeah, yeah, all the rest of them got history.
Speaker 3:Nicki got the greatest female cataloger of all time, eve.
Speaker 1:she from Philly and she made it out of this trenches. That's hard.
Speaker 2:That's hard. That's hard. Who you say?
Speaker 3:That's hard, eve out the trenches bro, if I was petty, who you say the other?
Speaker 1:one was, I said, Eve, Nicki Trina and Kim Damn.
Speaker 3:Bro, that's hard bro.
Speaker 1:See, you put us on a tight spot, yeah.
Speaker 2:You put us in a tight spot.
Speaker 3:Now break it down what we doing. Wait what you saying.
Speaker 1:Because you can't just say this one Like you, can't just go in and say, oh all right, well, she got to go.
Speaker 3:No, she don't. If I was being petty, I would say you know what I'm saying Because I'm in a situation. But if I'm being realistic, eve might realistically have to go, though. You can't even do that though, because huh.
Speaker 2:Eve might, she might have to. That's why I said you can't even do that, though, because she might really have to go, and it's crazy, she got to put some more work in.
Speaker 3:I can't Only because, but look she had a TV show she from the trenches, bro, I don't know. Trina put me in position, she passed me the ball she got movies.
Speaker 2:She got a TV show Barbers yeah.
Speaker 1:No, no, no, no. You got an illustrious career. You feel me, but you don't give a fuck about hip hop.
Speaker 2:You know she.
Speaker 1:She went more prolific than you and shout out to Eve man.
Speaker 3:I feel like, I feel like in a sense of the culture, all of all Eve, I mean I, eve, trina, kim and Nikki still in it. I feel like Eve, eveina, kim and Nikki still in it. I feel like Eve. Eve did what she did.
Speaker 1:She got she married that nigga.
Speaker 3:I mean that billionaire boy, so I'ma I'ma had to go she marry him and she sitting at the end of the table she ain't worried about us ain't no hip hop that shit old you ain't see that picture at the end of the table I said shit at the end of the table. Yeah, I'm going to say I'm going to have to go. Eve, respect Swap the battery.
Speaker 1:Damn. All right. Okay, that was cool too. I ain't going front. You got another one? Yeah, I got an R&B one. Go ahead, let me hear that. You ready, we going to go.
Speaker 3:I can't sit still long. We gonna go Avant.
Speaker 1:We almost done Avant Joe.
Speaker 3:Case and.
Speaker 1:Tyrese One gotta go.
Speaker 3:Avant Joe Case Tyrese. Definitely not Avant, avant stays. It's between.
Speaker 1:Case can't go, you better google him. Damn Advanced stage it's between. Case can go, you bet googling Case ball.
Speaker 3:He did the Coca-Cola commercial.
Speaker 1:It would be between it probably.
Speaker 3:Might not have had a whole lot of shit, but the shit he had Hit so hard.
Speaker 1:He had 98 on lock.
Speaker 3:I could go without Sweet Lady.
Speaker 2:Okay, that's the last one.
Speaker 1:That's the last one right here, birdman. No, I got one more, though Before you do that, can I do it? You gonna call it bullshit. No, I got one more, though before you do that, go ahead. Before you do that, can I do it? Go ahead, you going to call it boy shit.
Speaker 3:I don't know, corey, you been on some boy shit.
Speaker 1:I got one, though it got to be said though oh my gosh, all right, all right, y'all want the new one or the old one? I got, go ahead, the old one, all right. Mc Lyte, queen Latifah Lauryn Hill. That's what I be talking about. Man, this boy is crazy. Man, this nigga man, come on, man. You don't want me to do them Birdman All right, go ahead. Diddy, dr Dre and Jay-Z. One gotta go.
Speaker 3:Birdman Diddy Dr Dre and Jay-Z. One gotta go. Birdman Diddy Dr Dre and Jay-Z.
Speaker 1:No person, no person.
Speaker 2:Birdman Dr Dre.
Speaker 1:Diddy Jay-Z One gotta go.
Speaker 3:Dr Dre Diddy Jay-Z. I'm stuck, I ain't gonna lie. Birdman Diddy Dr Dre Jay-Z.
Speaker 1:One guy go.
Speaker 3:Diddy and some you know what I mean Like we can't. I ain't really gonna speak on the but Diddy catalog. Retarded Diddy gotta stay.
Speaker 1:No did he, but did he stays? Did he? Definitely gotta stay for me too the dray crazy too, though I might could live without that west coast. Y'all could live without a drink. I might can live without the West Coast. You feel me? I just be real on this job.
Speaker 3:Hov got to stay, that's why we really the most.
Speaker 1:Mack goes nowhere, so Hov goes nowhere.
Speaker 3:Yeah, I said Hov got to stay, hov and Diddy got to stay, no, diddy. And Birdman, the trifecta the greatest hip-hop trifrophecta and you said Berman Berman, I said Wayne and his brother Wayne, Nicki and Drake, Alright, but Dr Dre got 50 cents.
Speaker 1:Who's current right now? Corny, he's still current.
Speaker 3:So we doing without Drake, I'm just gonna go.
Speaker 1:Y'all gonna do without the G-Unit sneakers.
Speaker 3:Yes, nigga, we ain't wearing them anyway.
Speaker 1:Double. Yes, we had S-Dots, but we ain't had no G-Units, so you going to do without the G-Units Facts? I seen you look like you wear you got the colors on right now the G-Units sneakers. It's cool, all right, 50. All right, dre. And he said y'all got to pack your bags, man Got to go. Hey, listen, man, it's the Real of the Most podcast podcast. Make sure you share, like, subscribe, comment. If you don't use a muff, a hater, why?
Speaker 1:because, it's free man. We got in the building and she's popping it. You heard me. So how you wanting this man? I mean, you know rough riders, let her out, you feel me freely amazing that's really. That's just what it is. You can let the people know what you got coming up. Yeah, where they were, they could find you.
Speaker 3:Everything is at Lee Mays and no G open. No G on my shit, l E M A Z I N and we I'm bombing.
Speaker 1:I guess it's we ready for it? Oh, just drop. We just saw a clip. It's loaded when I go loaded is loaded.
Speaker 3:When I say loaded, it's loaded Like I'm coming from.
Speaker 1:Do you got a name of a project? Nah, so we can help come up with a name for a project.
Speaker 3:Come up with a name. I know that shit. That always been a core specialty out man, I'm going to let y'all choose. We're going to let the people choose.
Speaker 1:Let the people get them involved.
Speaker 2:Y'all already know man Back outside.
Speaker 1:Back outside. Y'all ask for this. Y'all going to get what y'all ask for. Y'all already know, Y'all got to follow the.
Speaker 3:we got multiple businesses and all of that too, yeah shout out the print shop seven years in that Are y'all looking for artists? Right now. We always looking for artists.
Speaker 1:See we got to come with some shit. Though Get with Lee man, make sure y'all come with some shit.
Speaker 3:Y'all hear what you got to come with some shit, y'all see what she do with artists.
Speaker 1:She put them out. You know what I mean.
Speaker 3:So make sure y'all come with some shit. I got that's amazing printing designs. We got the luxury rental company coming Tongue twister. We got the Sprinter. No, that's the Julio, we got the Sprinters, all of that. We got the ranges, the black trucks, whatever y'all need, like, yeah, we coming.
Speaker 1:We coming. This our year, this our year. We got booked with Lee one time. Yeah, we got y'all, let's go. Yeah, we got y'all, let's go, we got y'all.
Speaker 3:I can't tell y'all all the other stuff. I don't like speaking on it until it's signed, sealed and delivered. But when I say I'm coming this year, I'm coming.
Speaker 1:Music Music content content catalog content.
Speaker 3:I'm giving up bars all the time.
Speaker 1:It's automatic, the time automatic, oh, oh. So something is in the play, something in the play. White boy, let's go. You know we gotta be the first ones to know, though you know we get the exclusives around her. We gotta do our. Do those. You already know it's the real of the most podcast. I'm roller, I'm white boy, d28. We got lee mazen in the building. Make sure y'all stay tuned, man we out we out of here really the most podcast. We out, we out of here Really the Moose Podcast.