Realer Than Most Podcast
Here at Realer Than Most Podcast, we believe that hip-hop/rap is more than just music its a cultured lifestyle, and a way of expressing oneself. we are based out of Philadelphia tri-state area that's why we focus on artist who are not only skilled in their craft but also have a unique perspective and voice. our goal is to provide a platform for these rising stars to share their stories and connect with their fans on a deeper level.
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Realer Than Most Podcast
400 BARS FROM THE BABY GOAT || FEAT. KAH ROBERTS | | RTM PODCAST | SZN 3 | EP 15 |
From the heart of South Philly emerges a voice that refuses to be contained by convention. Kyle Roberts—known to many as "The Baby Goat"—joins us for a raw, unfiltered conversation about artistic authenticity, entrepreneurial spirit, and the relentless drive that separates talkers from doers.
Kyle's story begins with a cousin who saw his potential before he did, growing up in a household where his mother's bold fashion choices shaped his own willingness to stand out. What unfolds is a masterclass in artistic evolution, as Kyle takes us through his journey from freestyling on South Philly DVDs as a child to crafting complete projects when many of his peers were still struggling to record singles.
What sets Kyle apart isn't just his music—it's his approach to building a sustainable career. While others waited for opportunity, Kyle invested in himself, learning to record in his basement and studying the business side of music distribution. "I didn't want to wait on nobody," he reveals, demonstrating a self-reliance that would become his hallmark.
The conversation takes an unexpected turn when Kyle shares how he launched Faces Global during the pandemic, initially selling masks before expanding into radiation-blocking hats—products designed with purpose beyond profit. This entrepreneurial mindset illustrates Kyle's ability to adapt and thrive even during challenging times.
Perhaps most compelling is Kyle's candid reflection on his lowest moments—sleeping on his grandmother's couch after setbacks, rebuilding from zero, and finding strength in that struggle. "When you get it easy, you ain't going to keep it," he observes, a testament to the value he places on earning success through discipline rather than luck.
Whether you're an aspiring artist, entrepreneur, or simply someone navigating life's challenges, Kyle's journey offers valuable insights on authenticity, resilience, and the power of disciplined action. As he puts it, "This ain't our year if we ain't accomplishing nothing"—a challenge to listeners to move beyond talk and into meaningful action.
The following show has been approved for appropriate audiences by the Real Ones Motion Picture Association of America Inc. The show advertised has been rated R. The content discussed may cover sensitive topics. Listener discretion is advised If you feel that any content may be triggering or distressing. Please take care of your well-being first.
Speaker 2:It's White Boy D2A. I'm Roland and we just wrapped up the craziest, craziest interview. Sam, hold me down for the light skin niggas. Yeah, yeah.
Speaker 1:I Hold me down for the light skin niggas and a certain thing is a certain blame, is a certain package of trying to be it. I might have to do certain little things that my family can trust in, but if this is really the most I can do, keep it coming.
Speaker 2:If you don't, you're a motherfucking hater Wilder than the rest of the world. Real of the most podcast.
Speaker 3:I'm Rilla, I'm White Boy D2E and this the Rilla the Most Podcast Today. We got family in the building Like seriously, like for real. Yeah, so this ain't no, like I don't want to say like no, made up family Like there, this really family.
Speaker 2:And for sure.
Speaker 3:Yeah, so we got Kyle Roberts in there.
Speaker 4:Baby, go in the building In the building, but it do what it do, so they do the P in the house.
Speaker 1:Oh man.
Speaker 2:Squad cars baby.
Speaker 4:Fam yeah, yeah, it is.
Speaker 3:Why, well, you?
Speaker 2:still got to give him a walk now? No for sure. You know, like Rob Markman, white Boy, you still got to give him a walk now, rob Markman, no for sure. You know, like I mean, we got Kyle Roberts in the building, the baby goat. Like people don't even get to be able to be called that. So like for him to have a nickname like that. Then you know what type of time he on, and like, so like, when it comes to this music thing, right, you got artists Sometimes they be like one-hit wonders. Then you got your artists that be like street rappers. Then you got your artists that really curate catalogs. You know what I'm saying. And Kyle really one of them type of people. If it ain't right, it ain't right, he ain't dropping it. If it ain't the time, it's just everything got to be.
Speaker 3:We're going to get into it. Yeah, we're going to get into it.
Speaker 2:And since he came on the scene he's been dropping like full length projects.
Speaker 1:You feel me yeah.
Speaker 2:Everybody don't do that, can't do that. We live in a single bass era. Yeah, he's been around it since a pup man. Yeah, like so we gotta get into it, man, for sure you already know, okay, okay, so. So. So, kai, like you know, you come from south philly. Growing up in south philly, that's like a smaller side, so I just want you to give me like a few of your influences growing up, and when I say that, I mean like the ones that maybe like been inside your house or maybe like right outside your door, type shit.
Speaker 4:My main influence was growing up on the music tip was my cousin.
Speaker 2:Okay, feel me Zed, okay yeah.
Speaker 4:Shout out Zep.
Speaker 2:Karch. Shout out Karch.
Speaker 4:Zed was like a person that knew that I could rap before I knew I could rap. Okay, he was always telling me spit that shit, cuz. Since before I could even comprehend sentences for real. Okay, you know what I'm saying. Yeah, spit that shit you, since before I could even like comprehend sentences for real. Okay, you know what I'm saying. Yeah, like spit that. You know what I'm saying? That he gave me like a little bit of like confidence confidence and like influence, so like even just being interested in what the rap was, or what music, you know right spitting, just just rapping in general, you feel me.
Speaker 1:Like.
Speaker 4:I never even you know what I mean Never had that thought and I never knew I could rap Right Like at that age, for real, for real, because I remember it like vividly him telling me spit that shit. Like put me on the spot. Spit that shit.
Speaker 1:Yeah.
Speaker 4:I'm like, what are you talking about?
Speaker 2:You feel that shit? Yeah, I'm like, what are you talking about? You feel me? Yeah, you know, that's that too. Yeah, embracing hip-hop early on, like yeah, yeah, so okay, with that being like your early influence, that's like, that's right there. And and like you know, zeb talented like because I've been rapping for years, he's been giving heat for years, like, so like he wanted them freestyle he wanted them kings man he wanted
Speaker 3:the elites when they come to the freestyle he wanted them and when it.
Speaker 2:When it come to making songs too, man, he wanted them like okay, with zap right there and no, and you having like the influence from him and and like watching him go crazy and things like that give me like some of your early musical influences, like besides, something like okay, so now that put you on the music now as you like, exploring the world with some of some of the first rappers or, like you know, I mean first entertainers that you, you know, I mean, start liking.
Speaker 4:Mac being state property. Uh-huh, my mom was a whole fanatic, okay, so, like all I heard was hope throughout the house. Oh, upbringing she stayed with a crazy system okay, he was like a neighborhood DJ banger fill me all day. Every day you could hear the music from the poppy store the Chinese. Still you wear the music from. Feel me, that was just my crib right. That is in me like it wasn't like yeah something that I went out there and tried to find, like okay.
Speaker 2:So like okay, well, um, so basically what you growing up in like a musical house, I would say and then, and then you got um, then you got mac, then you got Mack, then you got um, you got mom who like hove you know she banging hove so like what you early listening to them and then like you start rapping, like give me, like how you like, the first thoughts of you, like crafting your style.
Speaker 4:Style was more so like getting dressed. It wasn't never. I never wanted, never wanted to like rap for real, like that shit was just came from like getting fly, getting dressed, and I got to a certain point I was picking out my own clothes like I was like dressing myself right and it became a thing like in the neighborhood where people knew that I dressed myself, Because my mom would tell them, Like you know, he dressed himself Like.
Speaker 1:I don't put that shit on.
Speaker 4:I don't do that to him, I don't get him fired or more, and it became a thing Like certain people in the neighborhood that my mom used to hang with always come around and hype me up. He dressed himself Like you know at an early age. That shit like that shit.
Speaker 2:Yeah, especially like because you would do it a little different. So you would like you would wear like funny pants and stuff like that, but they would look dope. So it was like so with style, it's not even like you know, you getting dressed yourself, but you styling yourself. I'm not wearing what everybody else wear. I'm not wearing the normal else wear. I'm not wearing a normal cool the normal, uh, nike sweatsuit or whatever. I mean I'm gonna go a little different urban outfitters or whatever like where that come from you, just picked up on it my mom.
Speaker 4:Well, my mom was that type of person. She would take fashion risk and wear crazy looking boots and have her hair and a crazy looking mohawk and right, feel me be. She was different. She would dress like a nigga one day. Next day, wear a dress.
Speaker 1:Her mom was like she was different.
Speaker 2:Her mom was on some different shit. Ok, so just growing up with that, you know, you just adapted to style, just having different styles and being able to breach your individuality. Yeah, that's dope, because, like, because I mean ultimately, like we live in a world where it's like everybody follow everything. Everybody just followed the normal.
Speaker 2:You go on your phone, you see something that's that's normal or that's popping, and they follow that like you know what I mean so in south philly to like step outside the box early on, it's dope to say that's why I always like no car dope, like you know what I mean. He he's thinking outside the box, him you got, you had a different flow the way you approach uh, the whole rap thing for yourself was different. I mean, and normally you don't see that coming from kids your age you know, I'm saying because I I would. I would hear you talk, you would think young, you would think different young, like where you think that come from early on I was on south philly live on like back on the dvds.
Speaker 4:Like you feel me um the dude that used to do it was like one of my mom homies. Okay, and you know me was on, meek was on that.
Speaker 2:DVD. It was a lot of people, it was like a lot of people on them. Dvds back in the day.
Speaker 4:Yeah, a lot of local stars on there, yeah and I was like five on there freestyling and you know people recognized me from that growing up Like they always be like damn you, a young boy from South Philly, la, that was on there like and shit, but I was just on there bullshit and like I wasn't like actually rapping. So when people would see me they'd be like yo, can you spit for me?
Speaker 2:Okay.
Speaker 4:And I was like I never knew how to spit for her. It was just like I wasn't really on there, like trying to be like. You know, I was just being myself. He just put the camera on and I just was talking like right as a kid like, and it became a thing I didn't know I had on a bucket hat with the matching button up, like on some cool I didn't know who I was at that time.
Speaker 4:You feel me but you know, like my pop and I'm seeing like I don't know you feel me like I was always different growing up. I always used to play chess and pop used to take me to the poppy store and play the poppy and chess right like my son gonna beat you. You feel me and it's like growing up that, that that type of confidence from all your people, it make you feel like I'm you know what I? Mean, I could do whatever. No, it.
Speaker 2:Do it make you feel like you know I mean the chosen one, especially when you got it like young like, especially when it comes from like young, it'd be a lot of expectations on you. It could be good or bad, yeah, it's just all on how you balance it. I think you do it well, though. It's just that like we'll get into it All right. So so, ok, ok, five. So, ok, ok, five.
Speaker 2:So when did you, when did you like start crafting and really like start paying attention to, like how you say words and write words and and put them to the world like, because Early on it was probably we probably would say swag rap. You probably had back then like coming in, but you was like really like a kid, okay, we just gonna, we're gonna go there a little bit. All right with you in that in that phase, right there like, but even like that's gearing you up for like your next phase in life. But you even like telling your style and rapping about it and making like songs. That's kind of catchy for kids your age at that time. Just give me that, give me like approaching that for real.
Speaker 4:It was like I used to remember songs like super quick from off the radio, from like beans I could, yeah, wrap a whole bean song and yeah at like seven years old and that wasn't normal. You feel me like at the time, like I remember my folks used to like always say, oh, he know the whole song. He wrapped the whole song and it became like, damn, I want to remember these songs like every song. I used to just try to remember so I don't know, probably like subconsciously, that like formatted.
Speaker 4:You know my style as far as music, like listening to Mac and my mom was a whole fanatic, so like me repeating all that shit being on a repetitive tip, just keep hearing the same songs over and over, like, and it probably got embedded in me on some early stuff. And it probably got embedded in me on some early stuff. But as far as getting into music on my own, I had to be in like I probably was in seventh grade. My first time really being in the real studio was that you feel me and they threw me on the track. Okay.
Speaker 4:So was that like about 13? Yeah, yeah, it was probably like 13, 12, probably just turned 13 and um, I used to see how he record and I got interested in it, just being in there like on some. Naturally, it wasn't like you know, I'm saying they just had a session and um, um, yeah, they put me on the track, I with wop and all um, I remember. But, uh, before that, even before that, um, I was like getting into like trying to, trying to see how to right, yeah, like seeing how to do it, but I could, could never really do it.
Speaker 4:Express it yeah, I could never really put it to how I wanted to say it or like you feel me get it Because you had to just say it and I remember when I used to get mixtapes because back in the day it was mixtapes my uncle was a big person that used to like burn discs and do mixtapes, put music on people, mp3 players and all that. So I mp3 players and all that, so, um, I remember I tried to write down what they were saying on the mixtape. Okay, like real early, just on some band in the house board yeah, and I tried to do that with a lot of songs, like try to write down what they were saying yeah and you never know.
Speaker 4:You know I'm saying like maybe I was gearing myself up to, you know, prepping myself for real and I didn't even know what I was doing at the time.
Speaker 2:Absolutely, no, absolutely Subconsciously. Mm-hmm, you, you know you're crafting your style. You know what I'm saying Without even it's just like a, it's like a vibration thing. You know what I mean you paying attention to sounds and the way music is written and go out, and then you just try to mimic it, craft your style from that, you know what I mean.
Speaker 3:So, with that being said, make sure y'all share, like, subscribe, comment. If you don't Use them up, I hate it. Why. Because it's free um, I want to ask you, what kind of music do you make? Like what's in your music, like if you was to tell me to go play a song that's going to describe you, what song would you say at the moment?
Speaker 4:side story, because it's like a real life story of me coming up, me growing up. I'm telling everything in that story. I'm talking about everything. That's why I say about this project, cards, baby 3, it's the real me. We speeding, we speeding, we speeding, we speeding, we speeding, we speeding.
Speaker 3:We speeding, we speeding, we speeding, we speeding, we speeding, we speeding.
Speaker 2:We speeding, we song that'll describe me that's true, though we ain't even, we ain't even get the 1990 right now.
Speaker 4:You're not there enormous enormous, but I know, but at the moment that's just fresh on my mind, so that's where I just jumped to. That is like, okay, like that is, songs before yeah, yeah, oh, 400 bars. I didn't skip all through my bad oh, 400 bars was the song that was like.
Speaker 3:Because I want to get to the point where you like damn. I know how to rap.
Speaker 4:That got me here 400 bars.
Speaker 3:You know what I'm saying? 400 bars. I didn't want you to skip all the way up there, brick.
Speaker 4:Thoughts Right, it was a song Brick.
Speaker 3:Thoughts.
Speaker 4:You feel me.
Speaker 3:Yeah, and.
Speaker 4:I was going through a lot at that time, you know getting Maybe the best song, yeah getting kicked out of the crib and I really just was expressing myself for real. It wasn't like I didn't know what it would become.
Speaker 2:That's what music is all about. That's what it's for.
Speaker 4:No, I needed to get that shit out and you can hear it in that song. That's what it's for. I put all my homies' names in the song, rhymed it and it was a big deal at the time. Sound Cloud D's, that shit was a big deal and that song right there described me a lot, and 400 Bars obviously. Okay, that was the song that really showed everybody else.
Speaker 3:Now what was the time around there for?
Speaker 2:400 bars, that's like right before. That's before everything that's beginning, that's the beginning.
Speaker 1:There we go, who we talking?
Speaker 2:Now a little bit right after that. Okay, 400 bars. Cool, that's like the identity, John. There we go.
Speaker 3:For sure.
Speaker 2:That's what I was looking for, for sure all right, my, my, my, my toes is uh, stamp my feet, I'm here I'm here, yeah, I'm here, yeah that was it so like gearing up for uh 1999 theory, like give me like gear enough for that, that being like your first uh body of work. And then like, okay, so like you're a little different and everybody don't know that catalogs are important, why? Why was that on your mind early? I could tell by how you structured the tape yeah, seven.
Speaker 4:Well, it was like 17, 16, yeah how?
Speaker 2:how was that even a thought, and why is that important to you at that time?
Speaker 4:Because it was like all these songs, it was like I made some I used to commit, not used to. I still I work so fast.
Speaker 1:Like.
Speaker 4:I don't be in the studio playing Right Like I used to see people in the studio, you know I mean messing up and like you know, just just not. You know, I mean so.
Speaker 3:So what's your?
Speaker 1:process.
Speaker 4:I used to write. I used to write like crazy and I write like 10 songs a day and I would record like five to six to eight songs per session. So it was like insane. I was making so many songs and running through them. It was like what is we going to do with all this? But the whole thought process behind curating that stuff into an album came from me just wanting to come in, wanted to brand myself.
Speaker 2:Okay.
Speaker 4:You know what I'm saying. I knew I wanted to brand myself. I knew that this music you know what I'm saying this music thing could be quick, it could be bubble gum. You know I'm saying this music thing could be quick, it could be bubble gum, you know. But if I brand myself and I'll make this a project, now I have a product. Yeah, I knew that early on. Like you know, I come from hustlers like. So, like me, being the youngest one, I learned a lot of early on. Like you know, I know what I'm saying. As far as, like, the streaming, the distribution, I studied all that shit.
Speaker 4:I'm a student and whatever I do, I become like a student or whatever I do. You feel me so like. When I chose to do music, I really studied, like what is happening with this music, like what's the streaming about? You know what I'm saying, what is publishing, what is all of that, and I studied it like school, like more than school.
Speaker 2:That's good and you can tell, though, because it's like the way that the project came out. It was like that it's a great body of work and it's like you don't normally expect it to be like that well crafted from a 17 year old just coming into the game. It's like well crafted and it's like you know how it is when you put your first piece of music out. Everybody wait for the second piece of music, like, let's see, like all right, can he really stand it? And then I mean you dropped again. So it was like okay, okay, okay, kyle here, you know. I mean it was like you made your stamp in in, in, uh, philadelphia hip-hop scene. I mean I could say that and it's not easy to do that coming out, coming right off the bat.
Speaker 2:People struggle in't, people struggle in this business. I watch it, I see it happen, we all watch it happen. You know what I mean. You know sometimes talent beat work ethic. Sometimes people don't have enough work ethic. You know what I mean. It seem like you got them both. Now, when you getting okay, so you dropped the second tape, you came again. Now, when you get into like that part of your career where the third tape come out, you're getting more mature. Now it's like all right. Now it's time to like.
Speaker 3:That's the part I want to ask you start seeing that you could pit your style that you like with your music, your fashion with the music. Am I right?
Speaker 4:For sure.
Speaker 3:Is that around the time? Because the fashion already has been a part of your life already. So once you had a chance to show it with the music, it go together. You know what I'm saying, for sure. So what made you kick into that move?
Speaker 4:Even just my first video was to be honest. So even the aesthetics that I had on the video was like different at the time.
Speaker 4:I would say trench coat butters. You know, like the Huff shirt I had on at the time, it was just different at the time. Like, looking back on it, I know how different it was. Like you know, at the time people always tell me like you're ahead of your time, but like now that I'm where I'm at now, it's like I really understand that shit, like a lot, like I was really ahead of my time at an early age. You feel me like like huh, but you know the. I don't understand, but personifying my fashion with the music was inevitable for me. You know what I'm saying and it's like a, it's like a genuine thing of just like loving, loving, yeah, loving, just loving that shit. You know what I'm saying.
Speaker 3:There's more, so just like loving what I'm doing.
Speaker 4:It was a genuine thing.
Speaker 2:Yes, it's the first video I have a shot ever the baby go how you uh like when that name start coming about. Give us that like, how you like, like when they first start coming about. Give us like how you like, like when they first start calling you that you first start calling me baby.
Speaker 4:Go from 1999 there, because I dropped 17 songs no features, at 17 years old we're got that. It was like unheard of at the time and then people didn't understand how the fuck I got it on Apple. Yeah it wasn't so in front of your face, like it is now.
Speaker 2:Yeah, how you craft it.
Speaker 4:People was like how the fuck you got your shit on the iTunes. Like I'm in high school, you're like what's going? Like how did you do that?
Speaker 2:Right.
Speaker 3:You a baby goat. You was on some goat shit.
Speaker 4:That's like different, like how normal. Now you know, I'm saying hey, stuff on distribution, but at that time wasn't nobody thinking like that. We still on SoundCloud, we YouTube, you know that we've been still on that piff at the time it's like still CDs, almost still yeah, I had CDs. My second project, we had CDs. Yeah, I was selling mixtapes.
Speaker 1:I was going in barbershops selling mixtapes.
Speaker 4:I caught the last little bit of that wave. Was that 2017? Yeah, 2017. I caught the last little bit away but having mixtapes. I caught the last little bit of that wave. What was that? 2017? Yeah, 2017. I caught the last little bit of wave of having mixtapes and having to hustle and, like you know, buy this.
Speaker 2:You feel me Like, yeah, lil Jon Nah, man, it's real. That's why I be like no, that's why I like seeing you going through your journey and this music thing is like I honestly feel like you made for it as well. It's just be consistency. So, like you know, like it's in you, and I know sometimes that it could get discouraging because you've been in it for a minute and like you had a lot of pressure on your back and you just growing up in it Now. I mean it could get discouraging at times, but you know like those be the times you know the best work come out. You know what I mean. And for real, for real, it just all come down to like, all right, me really wanting to do it, all right, that's what I really wanted to do. I know it's going to be hard at times, but I got to push through, no matter what.
Speaker 2:The music got to keep coming, because what you did was build a core fan base. So throughout your journey in music, you got your core fan base. That's always going to stick with you, no matter what, and they always want new Kyle Roberts music and content. And how you craft your yeah, yeah, uh projects is different from everybody else. So it's like you know, I mean people want, people want that from you. When it's like want it, you got to give it, I mean so like you gearing up to do the uh, baby goat and the baby goat 1.5, like get me coming into them tapes and the Baby Goat 1.5, like get me coming into them tapes.
Speaker 4:It was at a point in time where, like I stopped, like I was being myself still, but like it was like 1999 Theory and Baby Goat 1 is like me having genuine love for it and it was like.5, I kind of like Wave, rap Wave rap. You feel me it was like.
Speaker 2:You going with the wave.
Speaker 4:Yeah, I was trying to be something.
Speaker 2:You know what I'm saying.
Speaker 3:It was like it was a transition.
Speaker 4:You listen to other music, yeah, it was like I started going to Atlanta. You know what I'm saying. I started traveling. I started going to Atlanta, you know what I'm saying. I started traveling, I started doing more and it was like I was listening to a lot of people and I kind of like not lost myself. But yeah, at 1.5, baby Goat, 1.5, was like a crazy transitioning period for me where it was like I wasn't fully all the way staying to my core self.
Speaker 2:It was like more, so going outside of the that I was, yeah let me, let me, let me get with this beat because these, yeah, because they like that somebody told me rap like this, or told me switched it up on that, or I heard you know yeah, I heard this, so I'm going with. Yeah, always stay true and authentic to yourself, because, like that's the authenticity of it. Know what I mean.
Speaker 4:Had to learn it.
Speaker 2:That's why they got them. That's why Future is who he is. You want to listen to Future? Go listen to Future. You know what I'm saying. You want Kyle Roberts? Go listen to Kyle Roberts.
Speaker 4:I'm saying you want Kyle.
Speaker 2:Roberts. Go listen to Kyle Roberts, right, sometimes, right, just like that for sure. So that's that's good, that you noticed that. Identify that early, yeah, and get through it, because you know it's all, it's all, it's all a path and a journey, that's all exactly that's it.
Speaker 4:I had to learn that so like?
Speaker 2:okay, I think so in between uh, baby goat 1.5 and Free Notes. Yeah, Free Notes 3, I think, yeah, it's like a little space, right, so getting to Free Notes and family, like all right, let me get back to the authenticity of Kyle Roberts.
Speaker 4:Free Notes, was that too.
Speaker 2:Yeah. It wasn't all the way. Kyle Roberts Right.
Speaker 4:It was still me, that was me really trying to myself. Okay, like Free Notes 3.
Speaker 1:Yeah.
Speaker 4:Because you know, the Free Notes collection was a mixtape series of my mixtapes, exclusively on my mixtapes. Okay, I got Free Notes one and free notes two. You feel me, and that's where I had to do not disturb freestyle and stuff like I do not disturb freestyle when goofy. Right to this day, my core, the core people that know who I am know, about the do not disturb freestyle and I was like that was like great, like that was like at the time, that was like to this day, that song song still hit the scene, you know what I mean Like that don't lose its touch right there.
Speaker 4:But the Free Notes 3 came about with just all the miscellaneous music I had scattered around. I was in a transitional period of moving to Atlanta and going to college and moving back and forth and having to come back and forth home, just going through a lot Like that was like a real period of me, like.
Speaker 2:Getting it together.
Speaker 4:Yeah, getting my life together and like becoming an adult. You know what I'm saying.
Speaker 1:Right.
Speaker 4:Like more so On your own. Yeah, like shit was happening a lot Shit was happening rapidly. I was losing friends and shit you know what I'm saying I wasn't on some music. Free Notes 3 was just miscellaneous music. That's why I really named it the Free Notes 3.
Speaker 2:Is that a period of time you were figuring yourself out Exactly.
Speaker 4:It was just me emptying the crates and me trying to start fresh for whatever else was next.
Speaker 1:You know, what I'm saying.
Speaker 4:Okay, which I didn't know at the time, right, what would come next? But I do know that I had a bunch of music, yeah.
Speaker 1:That.
Speaker 4:I wasn't doing nothing with at that time, okay, and I curated it into a project which became Free Notes 3.
Speaker 2:Uh-huh, you know what I'm saying yeah, you know what I'm saying. Yeah, yeah, yeah, I get it. I get it. So it's like you know. I mean it's just like you know. I mean I'm just gonna put this out, I'm gonna go ahead empty my tank so I can go ahead and get ready for whatever's next in my journey, which I don't know what it is right you know we'll find out.
Speaker 2:I mean, and this one, I think like okay, this one, I think k Roberts coming to Kyle Roberts, because now it's like all right, I think you start developing your clothing line and now it's like you're in Atlanta, you move back now, but you still was like back and forth back and forth you know what I'm saying.
Speaker 2:Moving around doing you? It's like all right, are you getting in the fight? Are you Carp's baby one? Now? That's like OK, now Kyle Roberts on the scene. He grown that kid. She ain't none of that. That is none of that, no more. Like. I mean, I'm a man and and that's what I I still like at that time, still like you still was able to craft a great body of work. You know what I'm saying. Thank you With Carbs, volume 1, because that was like all right, you wasn't playing on there, mm-hmm, you know what I mean. Tell me about this first single that was coming up off of there.
Speaker 4:The Carbs Baby 1 came about me traveling you know what I mean going to California. I recorded some of them out kylie, but you know I had, I had just moved into my first, my first little apartment out jersey. You feel me like? Um, it was another transitional period.
Speaker 4:Right through all that, I'm happy that I was able to express all like, put all that stuff out because, like you know, it's just, it's still part of me, it's still part of my story. You know what I'm saying? Like um, yeah, the carps baby one was just like.
Speaker 4:Yeah, like I was in that mood, I was on some grinding like yeah that's when I was really like on, some really started getting to it and you know, talk about it and I was still finding myself it's like on there, still too like on some um getting back to it and, you know, finding the love for music again, which was karts baby one okay but I I feel like I I've took that one a little bit more serious. Like right, I took Kurt's BB-1 a little serious, like I got to like talk more.
Speaker 2:No, yeah, that's how I feel. I feel like you was, you know, sticking and finding yourself and getting the authenticity of yourself. And all right, I'm moving around. As you know, I'm the team I'm going to build my team. I'm going around. I don't. As you know, I'm the team I'm gonna build my team. I'm going and I'm not I'm gonna go get it now. I mean a future with lord q, let's go now. I mean, like people, it's just certain things that you was doing at that time that people your age wasn't doing now.
Speaker 4:I mean cars, baby one. I actually recorded a lot of that in atlanta. I went to atlanta for a weekend and I challenged myself and said I'm to get a whole tape done in this weekend.
Speaker 1:I booked 10 hours.
Speaker 4:You feel me. I went out there dolo by myself.
Speaker 2:You were serious, I was on some serious shit.
Speaker 4:When I made that song with Lil Q. I went back down there two weeks after that because I loved the way I felt it again and it made me feel like Damn, like this is what this is about again yes, and that was a challenge, you know. I made that song on the spot then.
Speaker 2:I remember the beat all day, everything right there, that was shit was like right head-on like him too.
Speaker 4:Yeah, right there that was. Shit was like right head on like him too. Yeah, like we did all that shit right there. It was real organic and the way it came out made me like it really made me feel like damn, I love this shit.
Speaker 2:I'm like damn, I don't to watch you, even like be in that pocket, great for him. Nah, man, I'm like that's, that's where you gotta go. Nah, man, because it's like, uh, you put that together man. Nah man, I couldn't. I couldn't even take no credit for that one. I mean all Kyle.
Speaker 4:Yeah, niggas was trying to figure out because, remember, we was all in there.
Speaker 1:Everybody was recording and shit Right.
Speaker 4:And I was just quiet the whole time. I was outside the studio. Everybody was in the studio. It was deep as shit.
Speaker 1:Super deep.
Speaker 4:Everybody was like what isyle about to come in?
Speaker 1:here and say or what he about to do?
Speaker 4:well, he in there, working though I was quiet as shit the whole time, because I don't like to be in that studio playing right like a lot of people like to go to the studio play chill, vibe or whatever. Like I don't go in there and play. It's not no play.
Speaker 4:This shit ain't no play for me, yeah, I take that shit I take that shit serious, like yeah, to the point where it's like I go in there, I don't want to be all right, another take, all right, another take. No, I'm really trying to one-take this y'all you feel me Right, right. Like so that's what I do, that's how you know, that's how I am. Whatever I do, I take super serious. So like if I'm planning on doing a song or if I got to work on a spot, I'm not trying to because I could lose the inspiration for it. That's how it is with me.
Speaker 4:I would lose my inspiration and I would say fuck this song, let's go to another song. Okay, you feel me. So it's like you got to do it while it's hot. Like with me, I got to do it while it's hot, especially if I'm not in my own space. It's like all right, we got a bunch of people in our studio session. I'm not about to be in here playing around Like y'all can play around, but you know, feel me, I ain't just.
Speaker 2:Let's get it done. No, you got to respect that and it's like you know what I mean. Like where you was at, where you was at in your career, like I ain't really got time to play. I'm trying to get this project right and I'm trying to get it out.
Speaker 2:It's time to go right so I totally understand that and it's like, okay, alright, so yeah, carbs, baby one now Now. Right now, this is where you call right, this is where this is where things get a little deep and we're like where we just go, like kai, just say, all right, carbs, baby one, on the same verse with little q, all right, now, we're going big time. Now, when you go, when you come around for carbs, baby two, you got that's, that's the one with dennis, yeah and all that right.
Speaker 2:So okay, now, now, kase, no more playing, you feel me this is where, like we come up out of the g league and go to the a. Now I mean, he go, he go crazy videos, dennis. And what's the other one, luke shot? Uh, wheezy, wheezy. And it was another one, yeah uh, it was written written.
Speaker 4:It was written yeah, it's another one too. What's the other one?
Speaker 2:and um in the garage. Yeah, that's Wheezy, that's Wheezy, right, okay, yeah. So Wheezy, come around, dennis, come around. It was written come around and are like great shot videos. He putting full promotion behind this project. These are great singles and the authenticity is there and he rapping, rapping. So like, okay, now give me the thought process behind that, and like the marketing process too, because both was different, like you know, what know? I mean, when you came out it was like no, it was a little different right, I mean I guess I would say cars, baby.
Speaker 4:One was like the introduction of, like the hustling okay, you feel me of myself, right, right, right cars baby two was like I'm getting to it and I'm I'm on some. I was in the basement.
Speaker 1:I'm becoming who I'm trying to get out this fucking basement.
Speaker 4:Okay, you feel me, I'm trying to, I'm getting money, I'm getting to it, but like I gotta get out this fucking basement type of thing that's what that whole attitude was. It was really me like I'm serious, I'm a serious, like a serious person type, like being I don't give a fuck. No more type of energy that's what curse. Baby 2 was was like I got some, I got some cheese. I got. I mean, what we, what I gotta do, what I'm doing like?
Speaker 1:what the?
Speaker 4:and that's, you can hear it and all that shit like you can hear, like all that shit, you could hear it like I was getting to it but. I was trying to get the fuck out the basement I was recording myself. That's when I really started learning how to record myself.
Speaker 2:Okay.
Speaker 4:So it was like all right, I bought pro tools, I bought this mic, I bought this computer, I bought this shit. So, like, how am I going to like? What can I do? Like, how am I going to sound? Like, how am I going? You feel me? What's going to happen? Like, and that's what it was was, that's what that is genuinely like me recording myself being in my most comfortable Element in that basement and trying to get the fuck out the basement. Well, I Made beats.
Speaker 3:I've been making beats since.
Speaker 1:I was in eighth grade.
Speaker 4:So it was like recording myself was like making beats eighth grade. So it was like recording myself was like making beats. So it was like I caught on pretty fast, like with uh recording. I just really didn't know how to engineer that well, but as long as I, but as long as I, as long as my voice was like not not be like on some muff, like on some uh staticky shit and it was uh muffled and poppy, as long as my shit was clear, once I heard how I sound on the microphone you always get engineered and I was like, damn, I'm clear, like I can hear myself, right, you feel me?
Speaker 4:It was like, oh, this shit is over, this shit is too fun.
Speaker 1:And that's what it was. It was fun, that shit got fun again for me.
Speaker 4:Now it's on my time. You feel me? Um, you mean, I'm, I was getting listen.
Speaker 3:That's when I started getting that's like that's like a beautiful moment when you know like, damn, I could do what I like to do on my time yes and you like, and you and you saw the shift like you saw it in his career.
Speaker 2:Yeah, you heard it and you saw it.
Speaker 4:Yes.
Speaker 2:You know what I mean. So that be important and all.
Speaker 3:I had to do was see the picture of him with the Pro Tools up.
Speaker 1:I said, oh it's over, it's over you, always, you know believe in yourself, invest in yourself.
Speaker 2:That's what it was.
Speaker 4:That's what it was Me doing that investing into myself, bro, putting that money out on myself like, and that shit was like it it be a point you like. I don't want to do this yeah, it's like it got like right there. It was like I don't want to go, I don't want to have to go to atlanta. I didn't want. I didn't want to have to go to atlanta because I told you I recorded curse baby one, mostly in atlanta, because I love the way I sounded out there, yeah, so it was like so.
Speaker 4:When I got my sessions, I just looked at how bro was recording me.
Speaker 1:You feel me, and it was like Let me learn.
Speaker 4:Yeah, like, let me learn this shit. I'm paying to learn. Let me figure this shit out. Let me, because I don't want to have to keep going to Atlanta to record yeah, paying $800 for a studio and all that, you know what I'm saying.
Speaker 3:Take the flight.
Speaker 4:You feel me. All that shit I was paying, that shit was coming out of my pocket.
Speaker 1:You know what I'm saying.
Speaker 4:It's like the belief in myself was like all I really needed.
Speaker 2:But it was immaculate because ultimately you got the project done Like you believed in yourself. You executed the plan and it sound good and for real, and for real, for real. I'm gonna keep it real. That shit probably was like your, uh, your best work to date, appreciate it like up until you drop in um this last uh work that you, that we're gonna get into, but to date, like that's, that was your best, for sure, for sure.
Speaker 2:It was like the grimy thirsty yeah, you can hear it, and I'm betting on myself you can hear it because I I bought that pro tools, I bought that computer it was like. You feel me. That's what you can hear. You can hear that shit.
Speaker 4:That shit was like this ain't coming out of nobody else's budget. Right here type of energy.
Speaker 3:This was like now, this kind of give you, uh uh, a head start on some people like, even if you probably don't feel like it, you know what I'm saying because you've been doing this for a minute now. You know what I'm saying, but right now, like right now, there's not too many people that's going to put it together. Rap on beat. You can make the beat right, make the beat record they self, put the video together, make the play with the video, even call a feature if you want to Right, style it self and then go ahead and invest it into marketing. There's not too many people that's going to do that.
Speaker 2:Facts.
Speaker 3:You know what I'm saying? Saying they're going to wait for a label and they're going to wait for somebody in the hood or the neighborhood that got it going on and and try to wait for them to do it for them you know what I'm saying. You've really taken the time and initiative to go ahead and invest into your music and figure out the work part of it.
Speaker 3:You know what I'm saying. The part that people don't want to do. You know what I mean. They'd rather go to the studio and pay the studio. You know what I mean yeah um, that, right, there is a plus. You know what I mean. That's a head start. Uh, that's that. Travis scott, kanye west, that's that, I don't, don't know the list. Go on and on that. Do that, but yeah, you on the right path.
Speaker 4:Thank you, man. I appreciate it For sure.
Speaker 2:It can't get no better than that. I had to wait on nobody. I'm not waiting on y'all, and I know what my sound's supposed to sound like. Why? Because I did it myself.
Speaker 3:Now, one thing about that are you I always bring this up, so don't feel offended about this. Are you cool with ghostwriters? Like, would you cool with somebody making a track fit for Kyle Roberts?
Speaker 4:No.
Speaker 1:Okay.
Speaker 4:I would ghostwrite for somebody.
Speaker 1:Okay, I would willingly do that.
Speaker 3:Because, you're on the creative side of things.
Speaker 4:Yeah, like, I would gladly take a subject from somebody. Yo, I think you should rap about this. Yeah, like, when I freestyle, that's how I like to do things now sometimes Like yo give me a topic to rap about, right? You know what I'm saying.
Speaker 3:And I'm going to rap a lot for that. Yeah, off of that. Yeah, give me a topic. You know, I heard some rappers be like yo, you know pharrell gave me that you're on first man and I ain't even taking that's supposed to be my song, like because people don't they not with that goat, they not with it but, I feel like, at these days and time, we in a business man right so it's like that's where the records yeah, I mean we gotta collaborate away.
Speaker 4:We're gonna collaborate, like you know, we we do in the writing room like we do. I got the studio on my crib. So, like you know, you're a real writer probably be like yo. You might just say it like this right, you feel me, and be like uh, yeah, or be like yo. You might just say this Say this real quick.
Speaker 3:See how that sound. Not my 416. That's like taking away from the crowd. Take a reference, though.
Speaker 4:For sure you be, like yo, I think this is sound hot.
Speaker 2:Yeah, we open to references.
Speaker 3:For sure no but, he just made it clearer for me, because he more on the creative side, because just listening to his story he pretty much letting us know he really loved us, you know what I'm saying, he don't play with it. He don't even sit in the studio. While everybody in there smoking and chilling, he outside the studio writing his music. You feel me? So he on the creative side of it, he rather write for another artist.
Speaker 2:You know what I'm saying and I so, coming up with give me coming up with Faces Global, give me coming up with that.
Speaker 4:Faces Global. That shit was a phase I was in, you know, we was in the pandemic. You know what I'm saying. And I made this design on Photoshop because I do graphics too, like all my cover art.
Speaker 3:I pretty much make myself Right, right.
Speaker 4:So I made this graphic and it was a bunch of faces, all these Chinese people, faces my folks, was like, and I had wrote faces over top of it With an.
Speaker 2:F though.
Speaker 4:I was like see how that look with a PH. I was like damn. That looks so decent. I just like the way it looked on when I typed it out Right Faces, because it's such a multi-meaning word, like it's like phases, but then it's faces. It's like you facing phases, mm-hmm, I like that you know what I'm saying.
Speaker 4:Then it's the P-H. I'm from Philly, yeah, you know what I'm saying. It's like the F and the P-H thing is like. And then what came about? With the P-H thing, too, I just started writing down because I journal a lot as well, so I wrote down every word that came to my mind that started with a P, and they were so powerful. All the words that I came up with was super powerful. There's so many dominant words that start with the letter P.
Speaker 4:And I just you know, that's how I came up with the brand. It was like faces and I put global at it on the back of it, because this shit not local, you know, Like this is a Globu thing. Yeah, yeah, yeah. And I knew he was gonna be wearing masks, bro.
Speaker 2:I wanted to reach for masks. Yeah, that's what.
Speaker 4:I started, that was my first product. I ordered some masks. I knew he was gonna be wearing masks. Like, believe it or not, I had a prediction that we would be wearing masks, so I was already ahead of the curve. As soon as the pandemic came, I started designing masks and I was like damn faces.
Speaker 4:This is a face I'm going to put faces on a mask and I'm going to sell it. And that's what happened. I started selling masks. I had my little brother out there selling masks. We were selling masks. I flipped the mask and reinvested it and was like all right, what's next? What can I do next? And it was like um, well, since, since I'm running with something that's for pollution, which is a mask.
Speaker 4:What's what's for pollution? What's what's pollution? Pollution is invisible, right, so it's like, okay, what's next? What's gonna be my next thing? What's what else? The invisible war. This is an invisible war. Okay, this is your protection against the invisible war. What else is? What else is invisible? What else is a invisible? That's a form of pollution radiation.
Speaker 4:I went down the rabbit hole of researching radiation and emfs electromagnetic frequencies and I created a hat to protect people from radiation and it was like, oh, this, this is a dope product now, but it also goes along with the mass thing, you feel me. So it was like, yeah, that's what was. The whole thought process behind me doing this brand was was like, uh, the pandemic and the world changing and the 5g towers and me telling people, yo, that 5g is like a microwave and you feel me and cooking stuff like that. You feel me. It was like me wanting to tell people about what I was learning.
Speaker 4:Right, that was crazy. It was also wanting to, you know, have a product and be able to talk.
Speaker 3:Yeah to people about you know provide a product. That's crazy, that was.
Speaker 2:That was because normally people just make um product, I mean just turn a profit never, never to help, like help during the research, and it was to help people like you're making it make sense that make you to Alright, so now you're selling with integrity.
Speaker 3:It's like I'm not. I'm selling you a product I know you can use that's a product for the masses.
Speaker 2:You know what I mean.
Speaker 1:Globally 5G and radiation is global.
Speaker 4:It's a global phenomenon Radiation to cover your head.
Speaker 3:It's crazy.
Speaker 2:Them joggers be out there in the sun, with the sun beaming on the top of their head.
Speaker 1:Yeah.
Speaker 2:You know what I mean. We get them all hats like that. Donate all those type of hats. We be saving our lives.
Speaker 1:That's what I'm saying.
Speaker 2:Like. Nobody makes product, especially apparel, with the mindset of helping Right. I mean no, just to turn the product and style it was like what can I do?
Speaker 4:that's different, but it's also me you know, yeah, yeah yeah, so fly.
Speaker 3:I want to write some fly cool, so I like sticking with that whole thing, like yeah the radiation, the protection and yeah it makes sense, it makes, it makes a lot of sense educating your people on pretty much, I guess, the pollution side of things when it comes to yeah I mean like I apparently was on to something because like maya, you know the lady that's saying paper planes like get fire, like she came up with a brand you know, years after mons and uh, she's doing the same thing.
Speaker 4:She have emf products, okay so apparently I was on to something.
Speaker 2:Yeah, no, for sure, for sure. My thesis yeah, for sure, that's for sure. And you're probably gonna see a bunch of more products that's gonna come like that, like in the near future, because that's the world we live in right now things ain't gonna do nothing but emit more radiation
Speaker 3:yeah you know I'm saying people ain't gonna do nothing, but get more help to the shit.
Speaker 4:Tell the people where they can find your product faces globalcom yeah h okay a c e s globalcom all-H-A-C-E-S globalcom all products is on there and also have the Dickie set the. Dickie set was a thing where it was like what do people like in my vicinity of scope that I can sell to them? They love Dickies people from. Philly love wearing Dickies you feel me, so it was like so it was on a exactly.
Speaker 4:So it was on the tip of uh all right, I'm not going to reinvest into mass again because we're not. We're no longer. We started to not wear masks yeah, it's like what's the product?
Speaker 1:what else?
Speaker 4:what's the next, what's the what I'm going to wear and what can I wear? That's fly, and what can the people wear? That's fly. That's also going to educate people at the same time, they being fly. And that's where it was like I had the invisible, got the invisible war right here.
Speaker 4:You feel me stitched in and all that. So it was like that's the education part of people going to ask you what the you know what's invisible war or whatever, and it's like it was. Also, the Dickie is like this is a Philly staple thing. Con became like and I wanted to make the new Dickie. I wanted to be black on, I wanted to make a common Dickie set. It was me thinking outside that was.
Speaker 2:That was a great idea.
Speaker 3:That's fire.
Speaker 2:I just hear a bunch of creativeness, like throughout this whole spill, and I'm saying you just being creative since you jumped off the step. Sure, I mean man, that's dope, because normally, bro, people are just creative in their mind. It's hard, it's so hard for a person to actually take the steps to execute it exactly how hard that is.
Speaker 2:That's what I'm saying no for sure we all got thoughts of us being creative and doing things that we want to do, or me you know I mean, but actually like putting one foot in front of the other and another foot in front of the other to actually execute what we're thinking. That's where it come in.
Speaker 4:The mask made that real for me. You know what I mean Seeing that and people actually loving the mask.
Speaker 2:Yeah, people love the mask. For sure, I think I still got two of them. People actually love the mask.
Speaker 4:People was got two of them. You feel people actually in the car love the mask. People was like no, like I wear this, like I actually like this. You know I'm saying so. It was like that made it real, like damn, this was in my brain and that was hair. Yeah, that was like a powerful moment for me, like right, seeing that come to life, like this shit was in my brain, like I manifested us wearing masks, like I seen this. I seen that shit in high school, bro I was designing.
Speaker 4:I was designing masks in high school. You feel me like and I was well out, well out of high school when the pandemic came about yeah, a couple years later, we were three years later yeah, no, no, we weren't mad. So it was like damn, it was like a crazy feeling to know that that product came from my brain.
Speaker 2:That was real, like you know I mean, that's part of being a visionary, though you've been visionary your whole career, like you know. That's how, like you always saw yourself, you saw yourself being a creative and creating the projects you've been creating, and they also been tailored a certain way because, um, now not even now, but like for for a while now sometimes artists just take a bunch of songs that they record and slap them on a tape and name it.
Speaker 3:That's the tape, actually, you know what I mean Making them cohesive is something different, Rob Markman you ever know your music good and hear somebody else and they taking off you like that happen to you before.
Speaker 4:Yeah, for sure, for sure.
Speaker 3:Was it like? Did it like all right? Did it make you want to go harder?
Speaker 4:or did it make you like man, this is so cool. I used to feel some type of way about it, but, like now, I don't, because you just got to know. When you a leader, you know his antics. Yeah, you know what I'm saying. You just got to know. When you influence a lot of things, you know like it's, it's natural I mean we muslim the cutter.
Speaker 2:What's for us is for us.
Speaker 4:What ain't for us, that ain't for us, right it was always going to be for you, it's for you.
Speaker 2:You know that you're already missing that we have no for real, I mean. So you know, okay, carbs too carbs, baby too. Carps to carbs, baby to best work to date. Not me now you, you went at it, you went at it for real and you know now, you know you like growing up man, entrepreneurial, creative curator, you know I'm saying engineer visual, like you just basically do it all. You know I mean still a student, and now you know, carbs baby three on your mind. Now just give me, like, give me like kyle roberts, like really, all right, I'm, I'm, I'm ready, gear up and put out this Carp's Baby 3.
Speaker 4:I'll put that together in 48 hours. Yeah, to be honest with y'all, the whole tape, the whole tape I'll put together in 48 hours, just feeling like I needed to drop this, just felt like the right time, right, wow, I didn't drop, no music, I gotta put. Gotta put this stuff.
Speaker 1:I can't keep gig keeping this music. Yeah, yeah, yeah.
Speaker 4:Put it together in 48 hours to be real with y'all. That project is like a year late.
Speaker 1:I've never been concurrent with who I am like now you know I'm saying yeah, music has always been a year late, or yeah every time you hear my songs, the year I'm like.
Speaker 4:Now you know I'm saying yeah, music has always been a yearly or yeah every time you hear my songs the year I recorded that a year prior yeah, as you hear.
Speaker 2:Yeah, you never have to like that's why where I'm at now it's like getting up to date yeah, I'm catching myself up with myself yeah, that makes sense. No, I know what you.
Speaker 4:I'm at the point where I can drop a project every month if I want so all right, I don't want to speed past Carps 3 like that.
Speaker 1:I'm going to grind you up in two seconds, all right.
Speaker 2:Carps 3 is just some. You know there's a few tracks on there that's crazy, and you know. I just want to name them and I want you to tell me what's up with them. The first one is Small Side, the side, side Story, side Story yeah, my bad. Give me your thought process and how that coming about that specific song.
Speaker 4:That song was recorded in the basement. Remember I was telling you I was in the basement trying to get out. That's one of the songs that was recorded in the basement remember I was telling you I was in the basement trying to get out. That's one of the songs that was recorded in the basement and, um, it was just me being. You know me like I would. Come on, you just gotta speak your truth, right?
Speaker 4:it ain't hard like that's how I would come on like and that's I freestyle now, like I don't write no more, right? So I don't know that's how that song came about. Like okay, it was me like really going in a deep trance, free thought. Remember it was team nike and star nation remembering me and my eyes was worn with the older graders, so now with this I understand if they really hate us okay, I always knew I was this I just never say it
Speaker 4:yeah, you know when I thought was the one turned out basic okay, I was on a bike down to pee with anastasia for real, for real. That's the reason my son asian, you gotta know that he my son. I'ma really raise him. I remember when I first turned a bitch crazy like little shit like that.
Speaker 4:Like that shit was just really me going digging in my past and letting it out and that was a real vent, like that song. Right was just really me going digging in my past and letting it out and that was a real vent, like that song. Right, there is really me venting.
Speaker 2:I'll probably like shed a tear, recording that you know what I'm saying yeah, i'ma keep it real, bro, man, when you in them pockets, bro, I feel like you unstoppable bro, I appreciate it. I really do, bro, like that, beat them pockets that I really need car and bro, and I'd be like you, like when you got records. Really do, bro, like that, beat them pockets that I really need caught. And, bro, and I'd be like yo, like when you got records like this bro, like, like while we playing, I mean what are we doing here? Like you know, I mean these be the records. They be the records, bro, when you most vulnerable, bro, they be the records. I'd be like, come on, man, I had to learn that.
Speaker 4:Yeah, the vulnerability. You know what I'm saying yeah yeah yeah time where it was like I don't you know, I don't want to reveal myself right, right right I'm an artist yeah, so it's like being an artist. That's what creativity is.
Speaker 2:It's vulnerability and then like think about it like this, right, your path might help another kid in their path. Seriously, you never really know. You know what I mean. Seriously, yeah, yeah, your music on the platform that's spread all over the world. Seriously, back on the joint, like coming up with that record and why was that important to put on the project?
Speaker 4:because it just come right on, like yeah it was a point, it was like a whole month or two. It was like a whole month where I was just recording songs, challenging myself to rap as soon as the beat come on.
Speaker 2:Okay.
Speaker 4:Instead of letting the beat build up. No, I'm going to rap as soon as this shit come on.
Speaker 2:Yeah.
Speaker 4:And I got. I don't want to just get past it, but I got a lot of music. I told you it was a whole month where. I challenged myself Just rapping like that, rapping as soon as the beat come on. Right, you feel me Like I'm gonna rap soon as this joint come on. This beat, not gonna be able to breathe. And that's what that was back on drink it was like I was on drink at the time.
Speaker 2:You ain't leaving no space.
Speaker 4:Yeah, I'm like I ain't even gonna rap, like I'm on the drink, I'm gonna just keep this beat. Can't breathe right here.
Speaker 2:Okay, yeah, see, they be them joints too. That's what I be saying. It's just like the um range and um where you can go with it. Yeah, I'm here, but I could go here not me.
Speaker 4:That was a challenge. That song was a chance. Yes, yeah, I'll be here I'll be here, I'll be.
Speaker 2:I can get conscious, or I could go straight. I can go here too yeah I mean, so that'd be like yeah, I love hearing you in that space as well thank you yeah, yeah, them joints, them be them joints, lombard and South.
Speaker 4:That's my shit. That was another one of them I'm going to rap as soon as they come on.
Speaker 1:Yeah.
Speaker 4:If you peep that shit come as soon as they come on, don't breathe yeah. I grew up a little nigga. Go where the soldiers go, you yeah bread around games is black colloge rope. I'm saying niggas flexing hard when you know he broke. He's gonna bullshit me about the prices.
Speaker 2:We really know the folks like this is real life, popping it, that's another one of them. Joints like in that, in that space, can't be with you. Gotta like understand, man, when you get pockets, bro, that's where it's possible to be, especially when you're growing into who you are now. Yeah, you got to pop it more, that's it.
Speaker 4:That's what that was. Yeah, it's cool Sipping drinking.
Speaker 1:Popping it.
Speaker 4:I was in my studio just talking shit. That's what I realized. It should be like a shit-talking competition. You could talk the most shit sometimes. Yeah, we could pop it the most. Yeah sometimes we could talk the most shit. Sometimes it's not about being sad, it's not about sometimes, it's just talking shit, and that's what them two songs is. Back when I Drink Lumber, I saw you know shit like Wheezy. It's just that's talking shit.
Speaker 2:And that's the space, because, like you know, like if we could get a consistent car in that space, then I mean everything that you ever wanted in this shit I honestly think you'll get. Thanks, bro. You just got to keep going For sure and be consistent. That's what it's about, Right? You know what I mean? It ain't going to never happen what we want it to happen. The. It ain't gonna never happen what we want it to happen. The stars gotta align. You know what I'm saying. And it's like with you and everything that you work for, man, you deserve it, thank you, you really deserve it. You put a lot of work in. Appreciate you, bro, what you got coming next.
Speaker 2:I know you just dropped, so I I expect some visuals to be no for sure?
Speaker 4:yeah, we work on a whole bunch of visuals for them content moving around yes, I've logged the whole drop too, oh good 48 hours prior to me dropping it, good good yeah, yeah, I dropped. Um, I uh recorded the whole vlog and uh the whole 48 prior right to me dropping it that's great.
Speaker 3:See, like when I was making music, it was like kind of like fun to get in the studio rap about what you got going on maybe what you just did the same day going to stew you rap about it and, um, it was fun. You know what I'm saying? We was just having fun with it. Like some of this stuff was fabricated. Some of the stuff was like, yeah, we just did that and that was I mean all right yeah that happened up the block right but now on, the rap game is like in your era, is like kind of different.
Speaker 3:you, you know what I'm saying Like y'all got the drill scene, y'all got the battle rap stuff going on. It's a lot of ways for an outlet for a rapper. You know what I'm saying, and for y'all to release y'all music and make a way Right. But I know you, you move like a leader, bro, so do you find it like difficult, like trying to make sure that you stay in the right lane and also maybe even keep your team on?
Speaker 4:on point with certain things I used to right you know I used to, but now it's just kyle yeah, now it's like I don't give a fuck about certain shit, oh, all right, oh, so it's just.
Speaker 4:Yeah, now it's like I don't give a fuck. I used to like put a lot of pressure on myself, right, you feel me I'm already hard on myself as it is. You feel me so like certain shit. When certain shit be out of my control, I don't try to react. I don't try to give too much things my attention If it's not directly correlated to me making some kind of progress off it or some kind of like beneficial, or if it's not a money play.
Speaker 4:You know what I'm saying. So it's like certain shit don't get my attention at all. Right, you know like it's like to the point where you feel me. It's like to the point where, like I, I was gambling a lot last year. It was like to the point where I wouldn't want to watch a game if I didn't have money on it. It's that serious, yeah, yeah, yeah, I mean like I don't want to waste my time watching no sports if I ain't making no money I know some people like that right, it was like, uh, and this is that's kind of how I I am at the point.
Speaker 4:You know what I?
Speaker 1:I am at this point in my life.
Speaker 4:Make it make sense. Yeah, if it ain't beneficial, it can't get my attention at all, especially this year. I'm on some other shit this year, you know what I'm saying.
Speaker 1:I'm working out, I didn't quit drinking.
Speaker 4:I didn't quit smoking, right, feel me. It's just like I'm locked in. I got like five, six different businesses. I'm actually a business owner, so, like I, you know he's my babies. He's the, the seeds that I planted from every year, this, this, this where I'm, I need to see shit start, start to grow.
Speaker 2:So, like everything I do now gotta make super sense bro with um, yeah, um, your workout journey, man, like let's talk about that real fast. Like you coming upon that stop quitting, stop smoking, quit drinking. Like give me, give me that.
Speaker 4:Like get through a press process behind doing all that yeah, I just was getting too high, like I just was getting too high, I was dealing with too many chicks. I was was like out here not focused Like, I just felt like, and then I had a heart-to-heart with one of my homies. Like one of my Mexican homies. You feel me and he's just like he's seen me from the outside looking in.
Speaker 1:He keeps it real.
Speaker 2:Yeah, he just kept it real with me one day, Like what are you doing? Bro You're like a mess out here.
Speaker 4:like you think this is cool, like you think you know I'm saying like they just kept it all the way real with me and that shit resonated with me, bro because I'm hard on myself yeah I'm real hard on myself and I just was like, yeah, what the fuck am I doing, like tipping out here and that shit, just like me, you know, I mean then. Then I lost my uncle. My uncle took my uncle took his life, took his own life, the suicide. Right and that shit fucked me up.
Speaker 2:You feel me.
Speaker 4:Like uncle used to call me a lot Right.
Speaker 2:You know what I'm saying? Right right, right right.
Speaker 4:He took his own life and that shit was just like if I sit around like it's, I gotta be moving. You feel me? I gotta keep myself busy. Let's make it count.
Speaker 4:I gotta keep myself busy, I gotta move, like thinking about trauma, yeah you feel I got head I got a lot of trauma in my life so it was like I gotta internalize that shit a certain way and it can't just always be music you feel me sometimes I don't want to talk no, for sure you know what I'm saying sometimes I just want to grind right, right, and that's what that
Speaker 4:is and then it came from seeing progress. It's like, oh, I gotta keep this shit up like or feel me or even just like yeah it's like I take two days off. I feel like I'm getting bony and shit now a lot of discipline yeah, real right. It's like super disciplined, like we don't lack the knowledge, we don't lack the motivation we let niggas elect the discipline.
Speaker 4:You know, yeah and um, and that just came about with me Working out in um, my habits, my daily habits, you know, learning certain shit, the knowledge I started to pick up. It all became like a full circle thing and like how I'm hard on myself, I'm hard on the people around me now too, right, make them be accountable. Yeah, I'm real hard on the people around me now Because if I'm doing it.
Speaker 2:You can't make no excuses.
Speaker 4:I'm a vibrational person, so like, even if a nigga come around me complaining, I'm gonna tell him bro, stop complaining, bro too much, bro what?
Speaker 2:the fuck is you gonna do about it right?
Speaker 4:you want to do you on point don't come around me complaining bro we on that, bro?
Speaker 2:yeah, we on action. Tell me we gotta do something about this shit.
Speaker 4:That's a fact, it's like now and I see, like now my head clear, I see how much I was on some bullshit last year and I might. It might not look like I was on some bullshit because, like you know, I'm low key as fuck. I felt like.
Speaker 2:Yeah, you gonna know.
Speaker 4:Yeah, like I hold myself.
Speaker 2:You gonna know, Standard.
Speaker 4:You gonna know Like down in my head, clear, you can see I'll be on some shit with myself and I'll be on some with people around me. You gotta be we gotta step it the up, bro. That's how I've been. I don't mean I like that. I step it up, that's all that's it that's all.
Speaker 2:That's all, because people, be all tough, you feel me, and it'd be like it'd be, and it'd be like I feel you. I'll be wanting those things too, but the only way we're gonna get them is if we execute Exactly.
Speaker 3:I said it. I said it this year. It's 2025, man, we moving forward. You ain't know what I'm on man it's 2025,.
Speaker 4:Bro, get out my way, man, let me go do what I gotta do. What you waiting on, you gonna play with this time that you got here. No, they, you waiting on. You're gonna play with this time that you got here. No, they be like they went. No, no, this our year. Y'all this our year. This is our year. This is our year. This is our year. Ain't did nothing in that year. Ain't accomplished it's the discipline.
Speaker 3:Stand for somewhere. You're gonna fall for anything, man that's a fact, bro.
Speaker 4:That is a fact. Who get what you want? But exactly definitely gonna take the discipline you gotta go get that for sure, yeah, for sure, yeah, I'm going to keep talking about it, I'm going to keep planning and keep planning. Nigga, execute, go do something. You feel me you ready, exactly.
Speaker 3:This that year, like for yeah.
Speaker 2:All action, nothing but action.
Speaker 3:Last year was the year for everybody to plant the seed if they wasn't playing these real red bro.
Speaker 4:You know what I mean. And I feel like this the year.
Speaker 3:Everybody should be taking action, because he gave out the money he showed you what they do the money out. That was everybody's chance to plant. They seed and whatever they was trying to go. Do you feel me? Um, I see a lot of people came out of the pandemic like you know what I'm saying like they got thrown in the jungle. They came out wearing manks winning what life different you feel me for them you feel me no, no question I just feel like, yeah, we had the time to plant the seed, now it's time to execute.
Speaker 3:Everybody gotta either put their team together and start working towards something. You know I'm saying seriously um, yeah, man, let's get focused that's it, I'm saying make sure y'all share, like, subscribe, comment if you don't use a muff, a hater.
Speaker 2:Why?
Speaker 3:because it's free it's the real of the most podcast.
Speaker 2:I mean we got kyle roberts in the building, baby goat and we can't pee in the house and we can't let him get out of here without these games.
Speaker 3:You know I mean so I really want to ask a few more questions bro, I'm here.
Speaker 4:I'm here, bro, I'm in Russia.
Speaker 3:You know what I'm saying Because, like, what you doing is like stuff I wasn't doing at your age. You feel me Facts, my mind wasn't even right there. You know what I'm saying, so I like for the people to know you know what I'm saying. Like, alright, people to know you know what I'm saying. Like all right, you took some time, like you got into music when I got into music. I stayed in the music. I didn't know how to get out of it. I was like locked in Like I couldn't leave the studio.
Speaker 3:You feel me. You took your time with it. Where was the time you was like I need something else to back this, or I need to take time from this music right now and make sure I'm good right here with this, because I know you had to do that at one point, for sure, I mean I went through a lot just as far as my living situation and shit. You feel?
Speaker 4:me, I was-.
Speaker 3:Tell the people, because there's somebody out there just like you, right? You know what I'm saying no real right.
Speaker 4:I mean like I ain't going front. I had to figure that shit out. But I birthed the business, which was faces, you feel me, and it was just like. It was a point in time where it was like this is what's going to get me to this next chapter. You know I'm saying right and um, maybe it didn't happen quick enough or whatever the case may be, but um, it's when I was at zero and I got myself out of bands from zero, like when I had to move from jersey and move back with my grandma you feel me right or I had to move in with my grandma and really, on a couch, so when you had to run it up, you was going to, you was on the up and up, I was on the up and up like I'm out.
Speaker 4:I moved from my mom crib to jersey. You know, at the at folks crib it was fucked up. It was like at that point in time folks crib was fucked up.
Speaker 3:It was like a lot of bad shit going on in the neighborhood right inside, the crib was fucked up smokers and shit your mind and your mental pride, like I'm in.
Speaker 4:Jersey I'm feeling good, but then I had to move abruptly from Jersey. I'm coming back, I'm back in the hood. I had to figure shit out, bro. I had a u-haul.
Speaker 4:I made faces drops in the u-haul, bro, like giving niggas faces and you know certain influencer girls and paying them yo you know, I'm saying like and that's the hustle part I was fucked up at that point of time, bro like, and I ain't know how I was gonna get out of it, but that's when I started taking my hustle so serious at that point in time because I had to Right.
Speaker 4:I didn't want to be such an industry. You know I didn't want to have to like come from Jersey and you know, throw myself in the field. Now I'm back in Philly. Now I feel like I failed or whatever, whatever. And it was going to grandma's house and getting the fuck out of grandma's house and seeing myself double up, and double up, and double up, and double up Discipline and that shit made me like damn, I'm a fucking beast. Like I was just on zero.
Speaker 3:I was in the negatives, bro. Some of these things you already understand Like yo, listen, I'm different.
Speaker 4:When you see yourself go from zero.
Speaker 2:I can dig myself out the mud To get from zero and you stack a dime. I know what you, I know what you Come on, you know what I.
Speaker 3:That shit is a different feeling, bro, that shit feel different, bro.
Speaker 4:It's like whew, I'm a fucking beast, I'm a champ, I can do whatever.
Speaker 2:I can do it all. I can make it out of anywhere, in any situation.
Speaker 3:Hit me anywhere, just me.
Speaker 2:Anywhere.
Speaker 3:Yeah, Real rap, bro yeah so I wanted you to share that with the people, because that's what makes some of us our down stories Seriously, the part where you like damn, I want to do this music, but I got to go get right.
Speaker 4:You know what I'm saying? I was going through it, bro.
Speaker 3:And all of us go through that as music artists or somebody that want to make music.
Speaker 2:As men.
Speaker 3:As men.
Speaker 4:You know what I'm saying when you want to go in and follow your dreams as men.
Speaker 3:You know what I'm saying.
Speaker 4:Betting it all and shit as men. You got to you don't know if that shit gonna work or not. I didn't put all my money into my brand and I'm in the fucking U-Haul. You feel me, bro? Nigga, seen me do that bro.
Speaker 3:Yo, you know what I'm saying. So sometimes there's not no easy way to the top.
Speaker 4:It ain't never easy. You know what I mean? That shit ain't never easy bro.
Speaker 3:Absolutely not. You got someone here in one of those days. They get the overnight job.
Speaker 2:But then they blow it and then they be back broke, yeah, and then they be.
Speaker 3:I mean, I feel like if you get it easy, then you ain't going to keep it yeah.
Speaker 4:Never.
Speaker 3:You know what I'm saying.
Speaker 4:Never.
Speaker 3:So the grind part be the best part, because you know how to make it there you know how to get back to the top again, if you ever fall the journey.
Speaker 4:show you how to obtain it, you know what I mean.
Speaker 2:Help you to obtain it.
Speaker 4:The hustle man. The hustle is like that shit went to at such a young age to prepare me to be where I'm at right now.
Speaker 2:No it's a blessing. I'm ready to flourish Successful businesses.
Speaker 4:Yeah, flourish yeah flourish All up from here it is. It's like I came from nothing All the way up from here.
Speaker 3:All the way up from here, all the way up. How could I lose? Now that's what it feels like listen. That's the real of the most podcast. Make sure you share, like, subscribe, comment, repost, tag, share if you don't use them off a hater.
Speaker 2:Why?
Speaker 3:because it's free listen, man, you're about to get into these games real quick, uh all right kyle roberts in the building. Let's see what he all right where he at music all right, all right, all right. Roberts in the building. Let's see what he All right, where he at Music, where he gonna go.
Speaker 2:Are you for it? All right? All right, all right. It's the real of the most podcast and like on here we play these games. The first one called Fast Track. It ain't not too crazy, you just pick one or the other. And because we from Philly, we got to start State property or major figures, state property.
Speaker 4:Okay, joey.
Speaker 2:Jahada NH. Joey Rita Meek Meek.
Speaker 4:Core or Tor Core.
Speaker 2:Skrilla or OT7 Quani.
Speaker 4:I listen to Skrilla a little more.
Speaker 2:Draco J Cole.
Speaker 4:J Cole.
Speaker 2:Draco Kendrick.
Speaker 3:Wait, more um drake or j cole. J cole, drake or kendrick. Wait, I know my god, that's your, that's your pick you said who drake?
Speaker 4:or kendrick kendrick um rockefeller rough riders. I gotta go rockefeller. But as the older me Rough riders, you feel me, cause I listen to. I listen to styles that kids way more. I didn't understand them niggas when I was a kid, you know what I'm saying but now I get what they was on.
Speaker 2:Okay, gucci man or Jeezy Jeezy Lil Baby or Dirt Dirt EST or 4-2-Duck EST um little baby a dirt, dirt est, or four, two dub est.
Speaker 3:I like this um all right, come on, take it to Philly.
Speaker 2:All right, quilly or Vodka Quilly.
Speaker 3:No, no, no, no, go right now. What's going on?
Speaker 2:Slow on the Rico Habit Rico, that's your man, that's my boy, uh-huh. Who's Big China? Or Rocky Rocky K Glizzy K Glizzy? Or Lay Banks K Glizzy? Help me dog.
Speaker 3:Kyle Roberts is in the building.
Speaker 1:You already know what it is, man we about to play a couple games.
Speaker 3:We got what got to go right after Fast Track man Balenciaga Prada. Man, here we go. That's the best part.
Speaker 2:Gucci or Louis, louis Givenchy or Off-White.
Speaker 4:Off-White.
Speaker 2:H&M or Urban.
Speaker 1:Urban.
Speaker 4:Urban.
Speaker 2:Zeb Carps or Young Poop.
Speaker 3:Damn, I was going to do that. Carps. It's cool, I got one, let's do One.
Speaker 2:Gotta Go All right, all right, one Gotta Go is a little bit different. We're going to say four names and One Gotta Go, but when they go like they whole existence go, yeah All right, go ahead, corey.
Speaker 3:Whole existence go.
Speaker 1:Whole existence go once you say they gotta go alright.
Speaker 3:Alright, you ready, let's go alright. Young poo mel love zeb carps that nigga lil yeah, that's crazy, one gotta go, damn that's how you do it damn, we all know who gotta go.
Speaker 2:Damn, that's how you do it. Damn, we all know who got to go. We all know who got to go. Come on man, wait, wait, let me do it again.
Speaker 4:Let me do it again.
Speaker 3:I forgot. Yeah, all right, young Pooh, mel Love, zev Cart, meek Mill, one guy go.
Speaker 2:Cubs gotta go bro.
Speaker 4:I'm sticking with the fam.
Speaker 1:Who.
Speaker 3:Oh, alright, yeah.
Speaker 4:I'll stick with the fam.
Speaker 3:Alright, cubs, gotta go.
Speaker 2:We on the next one, I might trade Cubs for Lizzo, though Lizzo might got to go.
Speaker 3:I said love I ain't going to lie.
Speaker 2:He might got to go. Lizzo might got to go out of that group.
Speaker 1:Did.
Speaker 2:Yeah.
Speaker 3:Damn Young Pooh.
Speaker 2:I'm going to keep Lizzo. I love Lizzo. Better love that. That's a hard one, though. Zed Carps Meek Mill. Cuzz gotta go, bro, cuzz gotta go.
Speaker 3:I ain't never Cuzz, never was born.
Speaker 4:Damn, that's crazy.
Speaker 3:That's crazy to see that there's no Bloodhounds without Cuzz.
Speaker 4:Yeah, that's true, there's no Bloodhounds without Meek.
Speaker 3:There's no Bloodhounds without Mel Love it ain't Damn. There's no bloodhounds.
Speaker 2:Without me, there's no bloodhounds without Mel, love it ain't Dang, there's no bloodhounds without Pooh either man. You trying to put Zeb in the hot seat? Dog, zeb ain't in the hot seat, shout out.
Speaker 3:Zeb.
Speaker 1:Corp Zeb Corp is in the building.
Speaker 3:That's why. I love these games, man, because you get to shine a light on the artist, whether you're kicking them out or not.
Speaker 2:No facts. That's a big fact. At least he's in the circle.
Speaker 3:No facts. Facts. They name even be board up the name is in the circles you know what I mean Facts, facts, facts that give people time to go ahead and research you. No, that's a big fact.
Speaker 2:Yeah yeah, that's a big fact. All right, so let's go here, let's go, let's go here, let's go, let's go. Sexy Red Glorilla Lotto. Cardi B One gotta go.
Speaker 4:Sexy Red Cardi B Lotto.
Speaker 2:And Glorilla and Glorella Glarilla.
Speaker 1:Mm. I like everybody, I'll say Cardi B, yeah, cardi.
Speaker 4:Yeah, I say that too, I don't know why. Yeah, I say Cardi just because I like all the other chicks' music a little more than the.
Speaker 3:But look after K Smith told me he was like well, I don't take it. He's like now that make the list a little different. He's like you can't do that with Lado. Like.
Speaker 4:I was like uh, what's the?
Speaker 1:one with the ice spice. What are those?
Speaker 3:That's the one we should have said.
Speaker 2:Remember, we took what's the name out Cardi, cardi, ice spice right there.
Speaker 3:Yeah, that's who was supposed to be there.
Speaker 2:Ice spice.
Speaker 3:Yeah, who got?
Speaker 1:to go.
Speaker 2:Cardi's that it still probably would be her, though.
Speaker 3:No, because Cardi would have to go for me too, because she don't mix that list. You feel me, and I said that last time.
Speaker 4:Yeah.
Speaker 3:Yeah, so you got to say Ice Spice. Yeah, she too far gone.
Speaker 2:Too far gone, all right, what about this one?
Speaker 3:Let's get it.
Speaker 2:Jeezy.
Speaker 3:Don't say TI.
Speaker 2:Gucci Uh-huh Wayne. Yo Gotti One got to Gucci Wayne, you got one guy go Gucci Time. That's the whole, all right, all right Wait what Gucci said. Gucci got to go.
Speaker 4:Let's see the names again, strictly, because I didn't listen to the names again.
Speaker 2:Um, uh, Gucci Jeezy Wayne and Yo Gotti yeah, so alright.
Speaker 3:Reason why I wouldn't say Gucci Is because I know he influenced the whole South, the amigos, the thugs.
Speaker 4:I know that now, but Growing up I wasn't no Gucci fan. I wasn't listening to no Gucci. I didn't even understand what cuz was on. I didn't feel Gucci until he came home and he was the new Gucci. Right, let me keep it real. Okay, I ain't old Gucci Never ever lemonade, all that.
Speaker 2:I didn't like none of that shit. Alright, alright, alright. Right here he was messing.
Speaker 3:He was killing the game. I ain't gonna lie I know now but, I didn't like Gucci.
Speaker 2:I don't never know, gucci little baby, little baby little dirt 21 Savage offset one guy go offset damn alright, here go the one right here. One gotta go Offset. Damn Alright, here go the one right here. One gotta go Jay-Z Puff Daddy. Jay-z Puff Daddy. Dr Dre Birdman One gotta go.
Speaker 3:No personal. You gotta think about the people they sign, the people they connected to all that before they go. So no personal.
Speaker 4:That's a lot of Bird and Puff. So you get rid of the wing, I mean, but like.
Speaker 3:I can't get rid of the wing, you know what.
Speaker 1:I'm saying I can't yeah Puff.
Speaker 3:Puff got.
Speaker 2:Puff got Biggie Mary J Blige the locks. He missed that whole era, though, yeah.
Speaker 4:I was a Biggie fan, though more than Tupac, to keep it real, the locks and all of them, uh-huh. Yeah, Puff, all right.
Speaker 3:He got a girl. He got a girl, he grew up on that?
Speaker 1:No, man. That's why I'm giving him a brief. Yeah, man, that's why I'm giving him a brief.
Speaker 2:Yeah, yeah, I know, I know, so he can go ahead and say all right. He know all that already, but he like no. It's Stan.
Speaker 3:He got to go.
Speaker 2:Yeah.
Speaker 3:I feel it. Take us out, Cole. Let me do one more real quick.
Speaker 2:Go ahead what you got.
Speaker 3:State property. I Like doing a state property on. Make sure I do this one right though. Help me out. Man freeway, young Chris Beans.
Speaker 2:Pretty correct. Who Neif Neif or Matt PD.
Speaker 3:Crack or Oskeno. Oskeno who you picking? Juni Shibu, chris Matt Freeway Freeway Can't get rid of Free.
Speaker 2:I'm not going to get rid of Free. I'm going to get rid of Free. I'm going to get rid of Free.
Speaker 3:I'm going to get rid of Free.
Speaker 4:I'm going to Chris.
Speaker 3:Matt Freeway.
Speaker 4:Can't get rid of free, can't get rid of Chris, can't get rid of Matt.
Speaker 3:Oh god, girl Olaf, already. Anyway, man, it's the, really the most podcast. It's the really the most podcast. I'm rolling.
Speaker 2:I'm white boy D2A.
Speaker 3:You already know, man, we got the baby goat in the building. Roberts, roberts, make sure y'all follow him on instagram yeah, carl roberts, tap in right now. Face is global face is global. You already know it's the really the most podcast.
Speaker 1:I'm out we out man that's it really the most podcast. That's it.
