Realer Than Most Podcast
Here at Realer Than Most Podcast, we believe that hip-hop/rap is more than just music its a cultured lifestyle, and a way of expressing oneself. we are based out of Philadelphia tri-state area that's why we focus on artist who are not only skilled in their craft but also have a unique perspective and voice. our goal is to provide a platform for these rising stars to share their stories and connect with their fans on a deeper level.
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Realer Than Most Podcast
BIGGER THAN THE PROGRAM | FEAT. HOOD TALIP | | RTM PODCAST | SZN 3 | EP 18 |
Hood Tally steps into the Rilla the Most studio for a refreshingly candid conversation that shatters expectations. The Philadelphia artist – typically known for his energetic street presence – reveals himself as a calculated strategist with business acumen that belies his years.
"I'm going to do it, but I'm doing it how I want to do it," Tally declares, summarizing his philosophy toward building a music career that serves him rather than the other way around. This approach becomes evident as he shares how he recorded approximately 50 songs before ever dropping his first video, demonstrating a patient quality-over-quantity mindset rarely associated with emerging artists. His background growing up between West Philly and Germantown, with early education at the discipline-focused Harambee Institute, clearly shaped this methodical approach.
What truly captivates is Tally's shrewd navigation of the music business. Despite his rising profile, he reveals he's largely avoided entertaining label offers, understanding that leverage is everything in negotiations. "I ain't even really allow nobody to offer me no bread for real, for real," he explains, showcasing remarkable restraint in an industry where many artists rush into potentially restrictive deals. Meanwhile, he's quietly expanded his reach beyond Philadelphia, building a substantial fanbase in Chicago – a city he casually mentions living in, much to his interviewers' surprise.
Beyond the business talk, we get glimpses of the person behind the persona – from his close relationship with his mother who raised him young while introducing him to artists like Amerie and Mary J. Blige, to his plans for a more melodic EP showcasing his versatility. Hood Tally emerges not as the impulsive figure some might expect, but as a thoughtful artist building infrastructure and positioning himself for sustainable success while proudly representing Philadelphia.
Ready to see the calculated mind behind one of Philly's most magnetic new voices? This episode pulls back the curtain on an artist determined to succeed on his own terms. Subscribe now and join the conversation.
Real Ones Motion Picture Association of America Inc. The show advertised has been rated R. The content discussed may cover sensitive topics. Listener discretion is advised If you feel that any content may be triggering or distressing. Please take care of your well-being first.
Speaker 2:It's White Boy D2A. I'm rolling and we just wrapped up the craziest, craziest interview, sam holding it down for the light-skinned niggas. Yeah, yeah, I got my fucking boys. I'm not even willing to move.
Speaker 1:I'm not even willing to move. Y'all didn't know that. Yeah, I'm not even willing to move. Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah.
Speaker 3:Yeah, yeah, yeah, yeah yeah.
Speaker 2:Yeah, is One.
Speaker 1:Oh man.
Speaker 3:This is about to be crazy man. We got the top top, top boy in the building, man. Y'all already know man, TTG, TTK.
Speaker 2:How you want to do this, white boy. I mean, there's only one way to do it. It's the Rilla. The Most way you feel me. I'm Rilla, I'm white boy, d2e and y'all tuned in to the Rilla.
Speaker 3:I'm White Boy D2E. Y'all tuned in to the Rilla, the Most podcast. Yes, sir-ski, y'all heard Tally in the building man yes sir-ski, now listen, this is about to get real, real, real, real. You know what I'm saying.
Speaker 4:Yeah, yeah, it's feeling good Real Rilla the.
Speaker 2:Most the energy real good in there. You know what's going on, I mean. I mean like yo, it'd be crazy, how like it'd be crazy, bro, we'd be on the run and then we'd click right back into work. That should be crazy. Like work ain't never stop, but it's like we ain't been recording in Philly. I don't know, and it's been like as soon as we like you feel me.
Speaker 3:Wham Hood Tally, Do the rundown real quick, man.
Speaker 2:Okay, so like how you feel, though.
Speaker 3:Oh, I feel good, man. I feel like, uh, I just feel like we got a lot of work ahead of us. You know what I'm saying. So I'm not. I'm in a space where, as though, I feel like we know what we doing. You know what I mean, yeah, and that's cool, that's cool, but I want to get to a place where, as though, like, we deserve a check out of this. You feel me so no question, that's where.
Speaker 2:That's where I'm at with it yeah, no question, it's coming, it's just you know, we just working and sometimes like it just work for people like brick, brick by brick. Sometimes it don't happen like overnight. You know what I mean it just you know what I mean. It take time, you know what I mean. Patience, you know what I'm saying, prayer, and just hard work and consistency, bro, and I must say so myself, like we've been on a good path when it comes to like doing that.
Speaker 2:So yeah, It'll come my boy, come on man. Hey man, I said tolly gonna be in here man, yeah, I here man, yeah, I get it.
Speaker 3:Better come correct, man, I get it. I get it man.
Speaker 2:That boy be popping it. You hear me? I like Tally, bro, and we going to get into it. How you feeling? I feel good, bro, like I just said, right, come on. Come on, I don't know.
Speaker 3:That was an accident. All phones Right, come on. Come on, I don't know that was an accident. My phone, all phones on silent, you're speeding Mm-hmm.
Speaker 2:So yeah, like I mean we've been, you know what I mean. We get right back into work and I mean filling up the schedule. We got a full month ahead of us, a full next month ahead of us.
Speaker 3:So it's like, you know, it's like let's ball bro, yeah whoever y'all don't see us uh like, really like moving around with they, probably not really the most, you know I'm saying so if you need to contact really the most, make sure it's white boy, or call, you know I'm saying anybody else, burn you out your money.
Speaker 3:Probably, uh, uh, send you on a dummy mission. Have you calling a thousand niggas to get to us? But yo contact Rilla and White Boy, you cool Direct connection. You know what I'm saying. But yeah, man, we got her tally in the building.
Speaker 2:We on that. It's Rilla the host man.
Speaker 3:So you know, like you know, he's supposed to have been up here too, man. He was on the list.
Speaker 2:He was like season list Most definitely, definitely on the first season list. So you know, it's just like now we got him here, so, and that I'm just glad that we get to sit on the couch and get the people to understand that he ain't really just one of them like the dumb YNs, like you know what I'm saying, and there's like, there's layers to him, so like.
Speaker 3:He's not a YN.
Speaker 2:no more either, though, yeah we're going to get to that. But of course, from the outside, looking in, it just looked like organized chaos. You know what I'm saying. But if you get to actually sit down with him and pick his brain and talk to him, you'll understand. It's a method to the madness for real, for real. Yeah, we're gonna get into that a little bit today, my man I can't give him the blueprint though no, no, no no things, man, you know how to talk right yeah man, no blueprint man.
Speaker 3:But look, before we get into it, make sure y'all share, like, subscribe, comment. If you don't, you're a motherfucking hater. Why? Because it's free, it's that easy. Go to relativemostpodcastcom and go check out our latest content wwwrelativemostpodcastcom already know um. So yeah, do how you normally, do you already know where you from, bro I'm from west philly, but I grew up in germantown, true avenue.
Speaker 4:You know what I'm saying okay I went to school, and I was going to school on ron bay, then I uh, we got a crib in germantown you went down robin, yeah, I went down I went down ron back.
Speaker 2:Yeah, the first cedar, oh one I went down kindergarten second grade. I went there from seventh to eighth Baba K.
Speaker 4:Yeah, you Baba K Baba.
Speaker 2:Island. I don't remember. Mama Karen, you feel me, but that shit.
Speaker 4:I remember doing the At the end of the school. They getting a circle and shit.
Speaker 2:Oh, yeah, yeah, and you go to the Harambee's and shit Emoji Circle. Yeah, yeah, yeah. I Lil Jon Z, lil Jon Z, lil Jon Z, lil Jon Z, lil Jon Z, lil Jon Z, lil Jon Z.
Speaker 1:Lil.
Speaker 3:Jon Z Lil, jon Z Lil. Jon Z Lil, jon Z Lil, jon Z Lil. Jon Z Lil.
Speaker 1:Jon Z Lil, jon Z Lil, jon Z Lil Jon Z.
Speaker 2:Lil Jon.
Speaker 3:Z Lil Jon Z.
Speaker 2:Lil Jon Z. Lil Jon Z.
Speaker 3:Lil when Fresh and Amir Ali, amir Ali Pop was.
Speaker 2:John Skeets he was his grandpa Was the one who started Harambe and he, like I was like getting in trouble and my mom took me right to him and she said he put me right in Harambe.
Speaker 4:Harambe didn't get on your ass.
Speaker 2:What Discipline was crazy? Push up position and all that.
Speaker 4:What.
Speaker 2:They discipline you for real, for sure.
Speaker 3:Because I watch her Italian. He do move with discipline. You know what I'm saying.
Speaker 2:So with him saying that he went to.
Speaker 3:Harambe. That changed the whole narrative.
Speaker 2:How I look at it, it explains a lot Because one thing Harambe going to do for you is give you militancy and discipline, and it's gonna have you understand, young, why you like, why are you black and why you here all that Christopher Columbus type of teaching they're not giving you that all. Swahili Africa pro-black like they don't play that. Yeah, I mean the first man and all that, they don't't Speaker. 2. Yeah, for sure Speaker. 1. They giving you real game. I love.
Speaker 3:Harambe Speaker. 2. So the knowledge is sharp? Speaker. 3. Yeah, it's different Speaker.
Speaker 4:1. Yeah, it is Speaker 2. Especially going there, you in kindergarten, first, second, third. I probably like it probably did teach me a lot. I just don't even notice it because it's not regular.
Speaker 2:So when you walk through the halls, you have to walk through the halls with your hands across, and the girls got to walk with their hands like this.
Speaker 1:Yeah, like this.
Speaker 2:That's why nobody get to touch each other. There ain't no reason for nobody to touch each other if you're walking through the halls Like they teach you so much.
Speaker 1:We definitely did that's crazy.
Speaker 2:It'll hang you sharp, I ain't going to lie it shirt. So yeah that I ain't gonna lie. That's dope, that's dope, that's real. Like you get west and germantown, so it's like you get to see kind of like both sides of how, how shit, how shit going on in the city no for sure. So that's that's kind of dope. So, um, but you growing up and um, and you know, you growing up and I'm both sides, give me like a few of your influences coming up. When I say like influences, I mean like the people that might have been right inside your house or right outside your door, type of influences I mean just like it wasn't really.
Speaker 4:I used to be like we used to all be on YouTube Niggas I got cool with around there. I just got cool with niggas from my school and shit. But you got to think we in fourth grade, so we just with each other, we playing wrestling men and playing the game and shit like that.
Speaker 4:Just being kids. You feel me. We just was on some kid shit. So that's like really like. That's like who I grew up around, but like we'd be looking at shit like Fire Nation, cool kids, shit like that you get what I'm saying. Like we used to Dollar Boys, all that shit. Like that's what we used to like, that's what niggas really used to want to do, like be like and shit Like we'd be in the crib dancing shit like that, like practicing dances, like it really was like childhood shit.
Speaker 2:We going to.
Speaker 4:Mallory playing basketball, shit like that. Now, like it's just a lot of shit going on around this, but we really oblivious to it, cause you a kid, you get what I'm saying.
Speaker 2:We just play basketball and shit like that, but we know, though you feel me, how influential was your mother growing up for you.
Speaker 4:It was just me and her, for real, just your mom, yeah, like I had my grandma and my aunts and shit. But I was around my pop when I was younger and shit. But it just got to a point where I just stopped being around my pops. So it was just. You mean, my mom had me when she was young, so we like grew up together. Type you for me that's fine.
Speaker 2:I always hear you talk about your bob a lot yeah, that's my heart right there, yeah so yeah, that's dope, I like that. So, um, you know, coming up with a young mother, my mom had me early. I I I'm saying my mom had me 18, top of 18, sharp. So I resonate with that and, coming up, I feel like I grew up in hip-hop because that's the soundtrack of my life.
Speaker 4:Yeah, for sure. How about you? Yeah, I can say that my mom used to have me listen to a lot of A Marie shit like that.
Speaker 2:You get what I'm saying. We used to be listening to a lot of shit like that, like that like you get what I'm saying, like we used to be listening to a lot of like that's how I got put on like monica mary jay, like tether pendergrass that's what, bro, and I take my son to school every morning. I don't play no rap, you feel me, I play all that, yeah, for sure so.
Speaker 2:and it take me back to like that, like I'll be thinking sometimes, like why do I even play this type of music? And all that is just what sent me, it's what instilled in me from what I've been hearing all these years Rob Markman.
Speaker 3:Take you back to memories. Nelly T it used to have me listening.
Speaker 4:I used to be listening to Nelly and shit. I used to get band aids.
Speaker 1:Put them under my jerseys, all that type of shit.
Speaker 2:Rob Markman, that's crazy about nelly. I'm gonna give you some history on nelly. When he first came out, right, he was influenced by philly, yeah. So he was um signed to universal. He had came out. He was signed to universal. Cool to love was his manager, who also managed mace okay, and universal at the time had also signed ram squad okay, and ram squad had a deal with nelly and they came out. They song actually came out before Nelly's came out. I see nothing but ballers up in here, I see nothing but players up in here.
Speaker 4:I heard it, I heard it. I didn't listen to it. That was that word, nelly, in the video. Yeah, I ain't never seen the video. That's crazy Wow.
Speaker 2:That's crazy, we ain't going to need to play though so yeah, coming up, give me a few of your influences musically growing up like when you first started listening to music.
Speaker 4:I ain't going to lie, I used to listen to Lil Wayne a lot. I don't know if that's an influence, though, but I used to listen to Lil Wayne a lot. Everybody I used to listen to Fabulous Lil Wayne, fabulous.
Speaker 3:Dipset shit like that. I got to stop. You know, that's definitely an influence. You got tats on your face, bro.
Speaker 4:I don't got no tat. I don't got no tat.
Speaker 3:No.
Speaker 4:That's my birthmark For real, yeah.
Speaker 3:I don't got no tat I. This is not a birthmark. Damn Ain't no tear drop, no this is my fault bro, I thought you was on the OG.
Speaker 4:Bobby Johnson, I was born with this. You heard me. Yeah, on my baby pictures.
Speaker 3:I had a birthmark. I ain't used to, but I used to be insecure about my birthmark.
Speaker 4:That's going to be a drop used to like that shit when I was like going to school and shit I used to like have no birthmark on my, you know about A$AP Yams. Yeah, I know what you're talking about. You see his drums.
Speaker 2:Yeah, you got to lean into that shit. That should be play. No, I don't give a fucking damn.
Speaker 3:Once I got like just getting used to it and like, like I, like I ain't. Yeah, you'd be even forgetting my brother used to have a birthmark right here, right here on his eye.
Speaker 4:Yeah, I'll be glad I got my birthmark now. I'm glad my birthmark right there man you don't, you talk about you?
Speaker 2:you wasn't.
Speaker 3:You're crazy bro look, there's probably fans out there right now.
Speaker 4:My secret weapon Look there's probably fans out there right now. That ain't no birthmark.
Speaker 2:That's a birthmark. They probably definitely think it's a tat. They probably definitely do.
Speaker 4:I wouldn't tat my feet.
Speaker 3:No.
Speaker 4:No, I ain't trying to hurt my mom and all that you see what I'm saying.
Speaker 3:He go right back to that.
Speaker 2:That's fire, bro. He go right back to that Nigga's a lot.
Speaker 4:I wouldn't even do like nothing. I wouldn't do none of that shit. That's fire. I ain't going to take my feet.
Speaker 3:All right, all right, so Wayne probably still an influence, though.
Speaker 1:Yeah, yeah.
Speaker 2:I'm trying to think who else?
Speaker 3:Because I'm thinking of the age limit, though because Wayne was smoking for that period of time Probably like.
Speaker 4:I did. I used to be watching 106 and Park and shit a lot, bro. I used to like the game. I used to like a lot of rappers, bro Right, I just can't really think off the top of my head but like Lil Wayne for sure, yeah, and he was young. So you get what I'm saying.
Speaker 2:Yeah, he like a young nigga yeah he was like yeah, man, yeah, that's respectable, because shit too like in my era coming up. Nah, man, like we used to, we used to with wayne coming up.
Speaker 4:He went through so many errors yeah, part of the uh he's still out here and all them and all that, like when young money came out. I was listening to that.
Speaker 2:Yeah you feel me that's a whole never, ever a wayne, that's like a little they don't need they skaters?
Speaker 4:skinny jeans. Yeah, it was on fire too. Skinny jeans. Shit, you feel me yeah.
Speaker 1:It was on fire too.
Speaker 4:Drake. Everybody, though Like when Drake first started dropping.
Speaker 2:So, like when you listening to them, did you ever think like in them times like damn, I'm going to be a rapper or I could be a rapper?
Speaker 4:No, I ain't going to lie. No, I used to just like I'd be in the crib, like just as a pup, and like try mimic their videos and like like that. But I ain't never think I'd be no rapper and but I always did like like watching, like rap videos and the outfits and like like that. You feel me? It's crazy because bt award.
Speaker 2:I always watch that how I be looking at your right is, like you, one of them that, like you, had to be popular growing up. I was. I I was cool, bro, because it'd be like to me, right, I'd be thinking like that him like, since, like it's like you wreck, it's like you don't want, it's like sometimes you don't want to, but you do it because you know you can and you got all the fan base that you got. But but it's like you don't be like jacking it for real, for real.
Speaker 4:Yeah, that's really how it is, though that's really how it is, though.
Speaker 3:Yo, he just broke it down, though.
Speaker 4:That's crazy, that's how it look from the outside, looking in.
Speaker 3:Because to me it's like you don't need it.
Speaker 2:It's like no, not even like on the sense of like he play with it, I, when I feel like with it, I with it and I go crazy, and when I don't, I just it's just not that now, I mean, and it's like just because, like, I guess because of like, how they respond to you and the results you get from when you do drop is like you do what you want when you want that's.
Speaker 3:That's how I look at this boy.
Speaker 4:Do what he want, yeah I do do what I want, but it's like when I, if I'm not driving, it ain't it, ain't even knowing there's no. No, it's that it's not like it, but we, just we just want something else.
Speaker 4:Right now you feel me like we on something else right now, like we gotta get some paper, whatever you feel me, like it, just like I don't. I don't want to be. I'm not just the type of person I am. I'm not going to record if my mind might be somewhere else. All right, I got to get this right real fast. You feel me, rob Markman, you need stuff to talk about DJ Premieres. So yeah, you feel me. So then we get this shit right. All right, now I can pop it you get what I'm saying.
Speaker 3:Rob Markman yeah, he ain't no fake rapper.
Speaker 2:So look, so you coming up what you was doing growing up Sports.
Speaker 4:No, I ain't really played sports or nothing like that. I ain't going to lie. I just used to be playing outside with my friends and shit, just doing regular kid shit. But I just always used to like cap guns and guns and shit. You feel me? So my grandma and my grandma and Barbara she died and shit, but she'll always take them from me. Nobody can't go to the store buy me no cap guns and shit. But I just was like shit, I wanted to be a fucking wrestler or something. I wanted to be on Disney Channel growing up, you get what I'm saying?
Speaker 2:Reckless shit. So when did you have the thoughts of being a rapper? When did that come along? When you just playing around with words and like starting to rap? When did you pick it up?
Speaker 4:All right. So like I don't know how old I was, when I probably like first ever recorded, I probably was like I made a song like my man.
Speaker 1:What song was out?
Speaker 4:I ain't putting no song out. My man was rapping, though my man still was rapping. So like around that time that's like probably when I first recorded a song ever I probably was like 16 when I recorded the song you feel me? But I ain't put that shit out though, it just was me playing around. And then I probably I think I recorded another song after that After that and I was just playing around with that shit. It didn't really say all right, I'm a rap till like Damn near 2020 before me, but I was recording 2019. Like I was recording a lot of songs in 2019, probably not like the whole year, but like later on towards the end of the year. Yeah, and then I just finally was like I'm gonna drop a video, you for me, and then I dropped the video. So by the time I dropped my video, I probably already had like 50 songs.
Speaker 3:That's what you was doing.
Speaker 2:I'm trying to figure out the timeframe and the duration from when you start rapping, because for me it's like you go from nobody fucking knowing you to everybody fucking knowing you. Rob Markman Jr. Yeah, so how did in the between time? What the fuck, rob Markman?
Speaker 3:Jr. He was heating it up already. How did that?
Speaker 4:happen Bro, it just.
Speaker 3:Nah, he don't even know, Like I ain't going live, bro.
Speaker 4:I probably had like fucking 500 followers on Instagram, bro. I don't like. I just like I had a conversation with my pop, when we start getting back to talking and shit, but I had already got shot all type of shit. I already got a fucking son on the way by the time I started talking to him. So I'm like man, I done been through all this shit, you feel me? Boom, but I guess this was him finding a way to spend time with me. So he used to rap and shit.
Speaker 4:But fucking he start. He told me if I go to the studio with him, basically he going to pay me. But that was like a little finesse, you feel me. But I just started recording and shit and I started liking it. You feel me. I started liking it, so I started writing and then I just was recording. That was just a way we'd be smoking and shit. You know what I mean, just a way for me to chill off being outside, go to the studio and just was recording and shit. All right, but I wasn't going to. Like I knew in my head, like I'm not about to just drop this shit Like this, like I got to, like you know what I mean about to just drop this shit, like, like this, like I gotta, like, you mean saying you feel me, I sound the one way that I started.
Speaker 2:You get what I'm saying. Did you think, like when you did drop, that you would get all the views and that you that you would get coming out it?
Speaker 4:was like 50, 50. I probably like, probably like. No, it was probably like like, like, probably like 60, 40. I'm like I I know, I know, but I don't know, you feel me, so I'm like I'm gonna see, but if it don't work then I'm gonna just say it you get what I'm saying, yeah, but once I seen the actual video, like before it came out, and I'm like this job might go.
Speaker 2:So I just was like you mean yeah, no because, this just seemed like like I said come on, player I thought it was on silent man like I said, um it you, it's like you. You came out and hit the ground running I mean normally people and to get them type of views and attention that you begin and that was good when you first came out and it take people 10 or 20 years I done watched it.
Speaker 4:No, for sure.
Speaker 2:So, like for me to be like damn, that's crazy, how you get the eyes on you like that. That's like. That's something I be wanting to learn. You know what?
Speaker 4:I mean Just be organic though, and that's good, that's the best way People be like you guys got like oh, some people be attracted to that shit. I get it, though, Because it's like damn who the fuck is this. You feel me? They got all this shit in the video Niggas. Probably like damn who the fuck is this, but that's why I knew it probably is going to catch. It was like that's the motherfuckers we wanted to see.
Speaker 2:That always was the game plan for it to catch right away.
Speaker 4:I ain't really had no game plan. I just was like if it catch it, do catch it. But I got a feeling that it is going to catch. You get what I'm saying. But if it don't, then I'm going to, just If it don't.
Speaker 2:I wasn't going to be like all right, I'm going to just build it up, no.
Speaker 4:I was just going to be like fuck it Okay, so it went down.
Speaker 2:okay, so it went down. That, with you coming out, and now that you are getting the results and the recognition that you get, like, what's your mindset at that point? All right, let's go, let's ball. Is it like? All right? What's next?
Speaker 4:Like what's the?
Speaker 2:game plan at that point.
Speaker 4:It's like just get rich off this shit by all means. You feel me I can't do it and then just feed off on that shit? No, I'm going to do it. I'm going to do it. You feel me? I'm going to do it, but I'm doing it how I want to do it. You feel me, if that makes sense, you feel me.
Speaker 2:Yeah well, frank Sinatra, my way.
Speaker 4:Like you feel me I ain't going All money I know all money ain't good money. You feel me I ain't quick to jump into no money whatever. I gonna figure that shit out and just like we gonna come together and figure this shit out, we all gonna.
Speaker 3:Did you see something in it, like in this shit, that make you be like, that made you feel the way you feel about this shit?
Speaker 4:Yeah, a lot of shit. Certain shit, I can't really speak on camera and shit. But just the environment, that shit crazy.
Speaker 3:I heard young Chris say you got to hang with these lames to get a little bit of change. Y'all real shit. You know what I'm saying. I was just wondering was it some of those type of things going on?
Speaker 4:Man, it be like certain shit, like if you don't do something, a nigga might not fuck with you. Like that shit be like you could be like damn, I don't want to sign that or sign with you, feel me.
Speaker 3:Yeah.
Speaker 4:Niggas will feel some type of way for a bit, Like it be a lot of shit.
Speaker 2:So, what you like, OK, what you like, what you coming in and then, like you know it, building, and then it being organic you start. Well, you had already had relationships with Skrilla Mm-hmm. Tell me how that come about and like y'all curating it over the years and staying tight.
Speaker 4:Yeah, so it was like like like I was like growing up, like when, like over the years I ain't gonna say like we stayed in touch, but we always follow each other on social media and shit you feel me. But like I just bro just used to be up there. He used to be up Germantown and shit, and he used to be across the street from emily, but this party I'm trying to think, by time I probably was like out of emily and where I probably was like I probably was in like seventh grade, some like that. So I used to be seeing bro and like going up the pleasant and like that, like up there, and so I used to always just see bro up there. We just we used to be cool and shit. You feel me, sometimes he'll mind with us, sometimes he'll just be out there, you feel me.
Speaker 3:But everybody up there we already have these are real friends you feel me like that shit just was like that's fire for both of y'all to be doing what y'all doing now no, for sure.
Speaker 4:That's why I look so dope no, for sure you know what I'm saying and it's like an organic relationship. That's why I was telling regal having a glass like.
Speaker 2:They've been cool on the same type of time and I'm I ain't even peeped. Squirrel was in and lucas I'm like jive started a video.
Speaker 3:Yeah, right soon they come on, lucas. Was that soon?
Speaker 2:lucas, come on right there and and seeing that and I'm like wow to see where they at today.
Speaker 2:It's like damn, that's dope no real, and that's like a whole little slew of uh kids that was coming out at that time, man that whole generation is is because y'all got a high level of talent and if, if we could structure it the right way, y'all could actually take care of yourself and your family for the rest of your life Know what I'm saying. That's why I be looking at it like yo, it's so dope and he put a team together. He put a team together, he put a team together.
Speaker 3:everybody come together and we work, and that's why we actually got realer than most so we could shine a light on what y'all actually doing work-wise, because there's a lot that go into what they got going on. You know what I'm saying Creating videos, doing studio time, keeping up with the social media. To y'all it's probably like a walk in the park, that shit be stressful, bro.
Speaker 4:Yeah, dealing with all that shit, bro, that shit Like just being a rapper period, like yeah a motherfucker might think I'm a rapper, I'm a rapper, I got his bitches and that shit like that shit do be like annoying sometimes. Right, that shit be annoying sometimes. You just want to be, you just want to disappear from that shit, but you can't. So it's like, I mean, you got an image, you got to uphold all type of so what you saying?
Speaker 1:that imagine somebody like uzi yeah, like that I can only imagine what the he go through.
Speaker 4:He probably got all coming from all different sides.
Speaker 2:We probably got to deal with that shit coming from all different sides Damn, but no, that's what it see, that's what it, that's what it's all about I ain't even speak on the business side of it In order to be a star. You got to be able to withhold yourself in all those situations. That's what it's all about Now. I mean because when you make it to a certain point, everybody looking at you like or for answers, or to do something for them. You know what I mean.
Speaker 4:It's crazy out here and like being like that type of star, bro. It's like, bro, you like. You get what I'm saying.
Speaker 2:The magnifying glasses. Come on, man, it's like it don't never stop.
Speaker 4:Them with the labels and the games they try to play.
Speaker 1:that shit Don't ever stop Stress with the labels and the games they try to play. That shit Don't ever stop. Stressful, bro, Stressful, but everybody look at it like it's the dream I don't want to blow up and be like no drink or nothing like that.
Speaker 3:That's too much.
Speaker 4:I just want to disappear for a bit and be able to take care of everybody around me. I'm cool with all that superstar tour, world tour, shit. I'm cool.
Speaker 2:Yeah, yeah, they go through a lot bro and damn, and people don't factor that in because they look at it like everything cool, because they rich, I think about all that because it's a different game now.
Speaker 3:Like it's not the same. Like you just don't rap and just get in the camera or freestyle on the corner no more, it's not the same. No, like the rappers that was back then. The corner no more, it's not the same. No, like the rappers that was back then. They wondering where they at, where the rappers from back on the DVD time. You gotta be able to do this.
Speaker 2:Yeah, studio time, everything.
Speaker 4:All my homies like me and all my homies, we'll tell you we'll be cool with not being on the gram. Got the J and the clothes and all that shit. We don't gotta pose, gotta be no grant, we still. They still get the same amount of females or that. We just don't Cars, whatever you, for me look without that shit. Being a rapper, you gotta, like I mean, hold the image. I'm about to just hit somebody. Run my page, though. Delete that shit off my phone.
Speaker 2:I sound smart. That's what the team for, so that's not smart, what you having, a, what you doing, everything that you're doing it and you know you haven't like you putting out Singles and and and they like receptive to it and things is happening. You moving around chicago receptive to you got a chicago fan base talk about talk about that how that come about, because everybody can't do that yeah, it's like.
Speaker 4:That's like, that's like my second home for real, though I, I with a lot, lot of real niggas out there and shit, you feel me.
Speaker 3:But again, you'd be from Philly and just say that's my second home.
Speaker 4:I was living out there, bro, I had a crib out there bro.
Speaker 3:I was living out there for like. He said I'm going out there.
Speaker 2:Who gonna move the shit there? He said that shit like it was Miami. Palm trees and shit. What's wrong with me, bro? You saw it like that. I went and moved out there, where, where.
Speaker 4:It was. It was 4th of July. It was fucking 4th of July. It was 4th of July 2022. I'm in the middle of the south. I'm in the middle of south south side of Chicago.
Speaker 3:Bro, you is wild dog who does say they move from Philly to the shadow. I never even heard that I'm living out of.
Speaker 4:Atlanta.
Speaker 1:I had moved from.
Speaker 3:Atlanta to Chicago.
Speaker 4:But I go back and forth between Chicago, Atlanta and Philly For real, yeah.
Speaker 2:You wild dog. It's wild as shit out there you talking about. That's my second home.
Speaker 3:Like it's straight up there, Like you look up on trees. I hear Chicago niggas say Philly, my second home. You're crazy man. I don't never hear Philly niggas be like yeah, sean, my second home.
Speaker 4:And how I be out there. A lot of nigg it's dangerous out there, bro.
Speaker 2:What are you talking about? Of course, yeah, man, I know, but it's like that's why, I'm like I already know how to move out here.
Speaker 4:Like you get what I'm saying. Like I know how to move out there and I don't like the same way. Like niggas be Joe as shit. Bro, can't be like. You know what I mean.
Speaker 3:You can't be too all. You know what I mean. That'll get you hurt sometimes. You know what I'm saying. Especially in the wrong city.
Speaker 2:It's dope to see your shit transition, though Like you know what I mean Going from like everybody fucking with it in Philly and having it like. You know what I mean, you know as you one of the top guys, and then you knowceptive of it. It's just dope for me to see, because it's like all right now. You can take it to the next state and then the next state, after that and then the next state. Because there's real niggas everywhere.
Speaker 4:I ain't going to lie. We love the road man. You know what?
Speaker 4:I'm saying I hit that road. That's one thing I do be doing, though. I hit that road. I might not even be recording my own song, but y'all might, I might y'all probably don't know Like I done did like five features. So niggas dropping these shit. So it's not like I'm not rapping, it's just like I just be on some other shit. You feel me, sometimes we just gotta do it. We gonna go here and do features and shit like that and that shit work though that shit dope.
Speaker 2:Everybody can't do that, bro, I'm going to keep it real.
Speaker 1:That's why I be like why would I stop?
Speaker 4:Motherfucker can't get up and all right, I'm going to go two hours real fast and make X amount of dollars and shit and then you come back. Now you could have been flat, like flat. That shit brought me right back. Like that shit. Motherfucker, wake up, go make $10,000 off of Reva for two minutes.
Speaker 2:I ain't gonna lie.
Speaker 3:That's crazy, that's crazy.
Speaker 2:Now you talking.
Speaker 3:Yeah, now I'm liking it now, see, because now when you add that factor into it it's like why not you feel me?
Speaker 2:And like I was just saying, let's go to the next state and do that. Let's go to the next state and do that, let's go to the next state and do that again like you feel me, because philly is a ceiling, my man, and it ain't no resources here.
Speaker 2:And even if it was right, the person that's in the middle of of the pers, the person that's in the middle of you get into the resource, is going gatekeep you know, philly is a great place to come to get your art respected I know my, I know my worth, bro.
Speaker 4:So ain't that's it like we hit the road, not ain't gonna come, petty that, since you some throwing them drawings to a band. Fifteen hundred, yeah, two bands, no right, twenty five hundred gotta stand stern three k, no, we, yeah, yeah, come with that, pete, and I ain't gonna bullshit that, don't you so yeah.
Speaker 2:So, since you've been on pop and doing music, how many deals have you had on the table?
Speaker 4:I just recently entertained one. Like it never even got to a point where, like, like a lot, lot of labels like trying to argue they want to talk. I'm like, when y'all want to set up a meeting and I ate that shit Like I wouldn't do it, so like it ain't.
Speaker 2:I ain't even really allow nobody to offer me no bread for real, for real, but somebody recently did, but I ain't take that job how you feel about like that part of it, like, um having to navigate the business part of it and um making sure everything around you is up to par, so that way you can execute the right play to take care of you and your family so all right, like, like as far as the labels and shit, I never really like entertained them because I already was like I don't got no leverage, you feel me?
Speaker 4:So I'm like all right, I just waited out until I built my leverage to where I could get what I want or close to what I want. You feel me? You get what I'm saying. So it was like a leverage thing as far as the label and shit, but just like period. You get what I'm saying. So it was like a leverage thing for us to leave on shit, but just like period, with the whole business of my music, like shooting videos and shit. Like I got, bro, I got I got like a real engine behind me, bro. Like that shit. I got some real like yeah, behind me, bro, Like that's why I was living out of Chicago, like shit like that. You feel me Like it ain't just I got some real shit going on behind me. You feel me? So, like we got, we all got like a real game plan on what we want and what I'm trying to do. You feel me Right. So, boom, when I do it, I'm going to be straight for the rest of my life, yeah.
Speaker 2:Yeah, yeah, building that infrastructure to execute when it's time.
Speaker 4:That's why I like him. Damn Nigga could have been jumped and made something. All I got to do is pick up a phone. You can press a button, pick up a phone and call. All right, we want to sit down and talk to y'all.
Speaker 2:What y' going to give me 200 000, 250 000, okay and get this and next week, but it's like no we.
Speaker 2:I respect that I put in too much and I respect that and streams what I didn't need, that man, what I tell you. Before we started I said I said sitting down with us is going to be little bit different. It's going to make the people understand who you really are and how you really navigate and out here, especially when it comes to that part, because you know they think you just a while younger than me.
Speaker 2:And and sometimes you know I mean we understand why they think that, but like it's still also another side that they had to learn that you are, because it's layers to life. You know what I mean. And of course you can't just live in that one layer because you're trying to live you know what I mean?
Speaker 4:Yeah, for sure, and not to cut you off, but what I'm saying for real, for real, I we ain't like hey, I'm 25. I'm like one of the youngest bro. We not doing all that arguing, talking. We not doing none of that, bro. If it's going to be, it's going to be whatever with whoever. It's going to be that you feel me. But all that crashing out and on video and all that, that shit dead. You feel me Like we ain't doing none of that shit. You feel me, that shit dead.
Speaker 3:With that being said, do you consider yourself a drill rapper?
Speaker 4:No, I really don't.
Speaker 3:Or an artist.
Speaker 4:I'd be on the tip Like I'd just be, because I'd really just be talking my shit, bro Popping, I'm going there and preaching, I'm popping, but I don't be like I'm a drill rapper and shit. You feel me?
Speaker 3:Rob Markman, you thinking about making any other type of music besides like yeah, probably like Rob Markman, Because you said you grew up in the soul. And all that listening to that type of music, man.
Speaker 4:Yeah, I couldn't. I don't know, bro, rob.
Speaker 3:Markman, you ever rap to him. Rob Markman, this is what I'm going to do. Rob Markman, you ever rap on some?
Speaker 4:Smooth. Rob Markman, yeah, rob Markman To the ladies. Rob Markman, he got my songs. Rob Markman, oh, I need Rob Markman.
Speaker 3:They old bro.
Speaker 4:Rob Markman Yo before y' an EP. Five song EP. It's going to be all girls. Girls songs, love songs, yeah.
Speaker 2:That's fire. Yeah, show them a different side.
Speaker 3:Yeah, I want some artists in the city to really like get into that man.
Speaker 4:Like let's start having more fun, let's start making music for the ladies I'm probably I'm going to drop a tape like within the next, like 45 days.
Speaker 2:So we get to a point down like, all right, it's it's a game board you beat the. You beat a certain part of the board where all the young niggas is behind you you did what you did, you may have lost some people in the way.
Speaker 2:All right, now it's time to like, really attack. This gets us a paper now. The artist that you are now it's time for you now. All right, let me find different ways to express myself and artistry wise, so that way I can attack the game for multiple ways. You feel me? It's also a big world out here and millions of people that listen to different types of music all over it. Now, I mean so you don't have to just attack it from the so-called drill facet of it.
Speaker 3:You don't, you really don't bro.
Speaker 2:When you already got the people you hood Tali, so now they're going to listen to you, regardless of what you put out.
Speaker 3:You know, what I mean, Because you already know what's thorough. You know what I'm saying.
Speaker 4:That's what it be, though, I'd be like how they going to take it, but like is they going to fuck with it. But I ain't going to lie, I'm going to really drop that during the summertime, yeah.
Speaker 2:Dude, I think about it At some point. Like you plan on being here, you ain't going to be the you not going to be the person you is today, in five years. Know what I'm saying? No, for sure. Like we all to make things shake and grow. You know what I mean. We've been stagnated for too long.
Speaker 3:I know you know how to make different music, for the simple fact you said Dollar Boys all this other stuff. I do know how to make different music, I know you know how to go in there and make something go crazy for a party or something.
Speaker 4:I ain't going to lie A lot of this shit just never came out bro.
Speaker 3:Yeah.
Speaker 4:And it's just like it's 2025.
Speaker 3:We want to see it. I ain't driving no shit from 2025. Come on, man, we want to see you switch it up real quick. Let's see something else come out.
Speaker 4:Man, I got some shit, though I ain't going to say I got some shit, but I'm about to put a tape on.
Speaker 3:But stay you though? No, for sure, stay you, for sure, for sure, Stay you, you know what I mean.
Speaker 4:Man drive a T Bippin ain't easy. I like that.
Speaker 2:I like that a lot, that's our whole thing. Bippin to the max. That's our whole thing.
Speaker 3:That's all we doing over here, we bit for nothing Major. Bippin Major.
Speaker 2:Bippin, we bit for no reason. Real talk Maximum capacity. That's what we on. I'm talking all the bitch shit.
Speaker 3:I like that With that being said, make sure y'all share, like, subscribe, comment if you don't you a motherfucking hater?
Speaker 2:Why? Because it's free.
Speaker 3:Come on, man you dig. Yo.
Speaker 2:Tap on wwwrelative have been WWW dot really the most podcast dot com.
Speaker 2:You did go check out our latest episodes. They on there. So yeah, yeah, and it's like you understand that who you are and now you like a fixture in the arm and Philly hip-hop scene and your name is like a force to be reckoned with. How that make you feel. When it's like when it's like you say something it's law, or like when you say something it is. That's what it is like type, because that's the type of time to be on. You feel me like could tolly say something. I mean that's what they on.
Speaker 4:How that make you feel they on how that make you feel you're going to smoke. I don't know, bro, that cool, but that ain't cool like I don't know that come with a lot of responsibility.
Speaker 2:You're even so you took the words on my mouth, bro. This was where you say that, like, just having that, you got. You got to have a lot on your shoulders, because people are looking forward to what you about to say or what it is that you're gonna say.
Speaker 1:Mm-hmm.
Speaker 2:Yeah, so it's like you got a guard, your tongue.
Speaker 4:Yeah, I watch you say yeah. And I'm a type nigga. I am like around the guys. It's just like I didn't say whatever, you're me. So I learned how to like control this.
Speaker 3:You feel me, rob Markman? You really don't though. No, you control it. But I'm saying you really don't say anything though, because I was watching you on live one time, bro. You was like all right, that's cute, all right, that's cool. You really don't. You're not one of them that be just popping it all crazy.
Speaker 2:Yeah, but it's certain motherfuckers that can get me there that get you there, yeah, I know, it's just like when you shop when you grow you get to, you start to understand like everything don't need a response. You know what I'm saying Everything don't need a response to because when the only way that the person that you even responded to even get the light is if you respond to them Other than added a fall under deaf ears. That's how I'd be looking at shit, because these don't be having really not going on.
Speaker 3:What they be doing.
Speaker 2:They just be talking yeah, how sodium.
Speaker 4:No.
Speaker 2:See, look when you eat like art and be the food they eat. Is high sodium? Like all right. It be the food they eat, bro. Like fuck. Break it down? Like all right, it's a drug.
Speaker 4:Oodles of noodles is high in sodium. You know what I?
Speaker 2:mean, and then they drink that green syrup.
Speaker 1:And eat and sugar be up, it be like a lot, it be like high.
Speaker 4:No, bro, because blood pressure be running high, mix with the oodles of noodles, mix with and all that that shit be Like hate motion.
Speaker 3:That's like the easiest way to break it down you know what I mean. They start wearing fake shit all types of shit.
Speaker 2:You want to manage your crazy out here from these guys. They be hot, running high sodium and pull you in a high blood pressure.
Speaker 4:The rules should be for all the cups or some crush.
Speaker 2:Yeah, man, you've got the culture, bro, and it's like yeah, I mean it's damage.
Speaker 4:I get my credit though, bro. That's important. You see, you get an damage, I'm getting my credit though, bro.
Speaker 2:That's important. You see, you get an order, so you just starting to worry about different things. That's gonna take you farther. I like that. You know you gotta have, because you can't take no street credibility inside a PNC and say, let me get a credit card.
Speaker 4:It's not gonna work but like on the tip, like what I did like for the own music shit like in Philly, like just Just how niggas be in they videos, or certain shit niggas say in they rap, or even bro, even Bippin not saying that I started the word because I did that it originated in Philly but this our lingo and everybody this is our lingo Every now. Everybody this is our lingo.
Speaker 4:This is the crowd of people that I be around lingo and now everybody's saying you get them. Well, how you feel about that, I really don't care, but it's like like y'all got it. Everybody just got to know where originated from.
Speaker 2:You got to like it, just like because it may just, you just want the credit, like.
Speaker 3:all right, I don't know.
Speaker 4:It's like everybody already know, though, but you gotta think like niggas is putting this shit in. They raps like to where it's like. It's like nigga heard on the song. The song called how to Bip Fucking. I mean Lucky said Bippin' in the song.
Speaker 3:So wait, wait, it go that far.
Speaker 4:Bro Lucky, I forgot what song it was we was listening to Lucky. Lucky said Bippin' in the song. Meek said it in the song.
Speaker 2:Niggas that say they don't fuck with us say it in the song See, see, see, philly, we start a lot of things that people take and run with. You know what I mean, the world, you know what I mean. It's just like a form of flattery. Imitation is a form of flattery. You take it in stride.
Speaker 3:But hey, like you said, you got to know where it came from.
Speaker 4:The Morris brothers. They just was on their podcast.
Speaker 2:They saying Bippin on there. Uh-huh yeah.
Speaker 3:You know, that's look, that's low word, look love bippin, that's all you say yo, we say that shit. We don't even know y'all. It's good to know. It's good to know where it came from, though we got that from YGG Tate like Baltimore and shit Free. Ygg man, yeah, yeah, fuck him, he hot.
Speaker 4:Yeah. He definitely hot, we just listen.
Speaker 3:That's what I was listening to Heavy like so you got it from Baltimore, nigga.
Speaker 4:Right before I start rappingate the word.
Speaker 3:Shout out to Baltimore, though we can't do that. Shout out to.
Speaker 4:Baltimore, but I just was going to take, like this did our lingo though. Like damn you, bippin', you feel me Y'all bought a hair though, yeah, you feel me, so I definitely like that, like that could be like somebody I say influence. I was a who, I was really listening to heavy.
Speaker 2:Yeah, I like cuz he hot.
Speaker 4:So you'll collab with him, yeah, but he in the feds, yeah. Yeah, he in the feds. They give him some time too.
Speaker 2:If you had a chance to collab with anybody, though, who would that be?
Speaker 4:Yeah, I'm trying to think If I had a chance to collab with anybody, who would it be? It'd probably be like I'd probably Choice of collaboration. I'd probably be like I probably.
Speaker 3:Choice of collaboration I probably like anybody, anybody, you got your choice.
Speaker 4:Like it's going to get me, get me, like you mean Budget open. I'm saying like I'll make some paywall, your budget open.
Speaker 2:I'm the label. I just gave you a blank check. Tell you to go get whoever you want.
Speaker 4:Whatever you want to do, I'm going to go to get Drake. I'm going to keep it at being. I'm going to get Drake. Bro, just for like on the tip. Like all right, I want to go. I want to get a big ass song and go number one. Yeah, but like just like all right, who I would pick? I'd do like Youngboy, I'd get the song with Youngboy.
Speaker 2:Youngboy yeah.
Speaker 3:That's crazy.
Speaker 2:I like that too. I like that.
Speaker 4:Look, the whole gang said, yeah, the whole gang said yeah, I don't know how. Like weird, like you mean though.
Speaker 2:Yeah.
Speaker 4:Like if it was like a personal interaction, like I don't know how we going to do it.
Speaker 3:Okay, I don't think he click with nobody. That's what I'm saying, that boy.
Speaker 2:I mean, he just yeah.
Speaker 3:He different.
Speaker 2:Yes, he is that been against the wall for a long time, so you know what I mean.
Speaker 4:I feel where he coming from Yo.
Speaker 3:Freehung, like you said, this should have drive you crazy. You said it yourself. You said I don't even want to be that high. I don't even want to be that high. I don't even want to be on that level because I don't know how I'm going to act. Like, look how NBA is he on the level? Yo NBA. I remember NBA when he was starting off. Man Like Lil Snoop was more popular than NBA. You know, what I'm saying.
Speaker 2:And now NBA is like one of the biggest, if not the biggest, right now In the game.
Speaker 4:Yeah, he is Because he's so young. Yeah, he got some Lil Wayne shit.
Speaker 3:He's so young he could take some time and still come back out.
Speaker 4:He's young, but he is big as like.
Speaker 3:I would say he is big as like. No, he is big as like drinking them bro.
Speaker 2:Like he really is big as drinking them. Hell yeah, he, he's stadium boy.
Speaker 4:he could sell out a stadium hell yeah, like he in, like juice world and all them category so you, uh, you ever do a big performance um, I didn't, I didn't do no like I did, like like in the club, like that, you that, you like performing? No, not really. I be forgetting my lyrics, bro. They pay. Now I be knowing the newer drums, but like they pay some older shit. I'm like, damn, I fucked up the lyric on that drum, I ain't gonna lie.
Speaker 2:I had a set playlist.
Speaker 4:But performances be cool though they be cool, yeah, it be cool. Be cool though they be cool yeah, it'd be cool, I'd be in my head watching everybody reaction business.
Speaker 3:That's part of the job though that's how, that's what I like. That gets you, that gets you like in your bed that's part of the job.
Speaker 2:That's how I look at that. They're like yeah, man, that come with like having a hot song. You got a hot song, you won't have to perform it no at some point.
Speaker 4:Yeah, I ain't got like no stage fright.
Speaker 3:I like that, though I want to see you and Skrilla go off one time.
Speaker 4:It's crazy. I ain't perform, though, but when he had his show I was there, yeah, when.
Speaker 1:At the TLA.
Speaker 4:Lucky had his show. Lucky, he from Chicago, and shit, lucky had his show. He brung out Skrilla. I ain't perform, though, but I came out, shit, and I was that. Shit, fuck my head up, cuz a lot of people Was screaming my name and shit yeah. I had jumped down when the crowd Damn right now, I Gotta give it to my man 50, my man 50, to turn this you 50 blood him, but 50 hot vert hot, um, boogie hot.
Speaker 3:What's his name that made me mad. What's his name?
Speaker 4:uh, uh. What's his name you talking about screwly? Screwy screwy yeah, it's really really hot he's not from chicago, though he's not indiana, but all right yeah, but bro, like that's my dog right there, that's my dog. We got some he different we got some, I ain't gonna lie.
Speaker 3:We got a couple songs, that's all I'll be saying I made me mad, what?
Speaker 2:else you got coming up, get a video shot whatever what you got coming up right now whatever features you got coming up and like I mean I got some coming with.
Speaker 4:Mean I got some shit coming with. I got some some more shit coming with 50. I mean 50 got a lot of songs to do. We got we was going to put a tape together, me 50 and screwy.
Speaker 3:All right we are.
Speaker 4:But it's going to be a lot of like they get shit, got to get clearances and shit like that That'd be free. They both are about to say I ain't that.
Speaker 3:That'd be crazy. You know they both signed. I'm about to say they signed.
Speaker 1:I ain't signing until it's like it be a lot of clearances.
Speaker 4:Shit gotta be clear for this, like shit, like that, so it can't Skruly Q50,.
Speaker 3:Real of the Moves Hood Tally. We need to make that happen, though That'd be crazy man.
Speaker 4:At least one track, I got this shit in my notes. I got this shit. We got songs. I got opens. I got to hop on for Skruly, Me and Skruly. We got three songs Me and 50 probably got five.
Speaker 3:That's the tape right there. A label need to get behind that. Get behind that tape right there. Y'all going to make what the label need to sell right there. Y'all making it. Y'all gonna make what the label need to sell right there. Y'all need to. Yo, here go the project. Y'all need to get behind this right here.
Speaker 4:Bottom line we gotta finish it though, because we gotta like we gotta finish it, and then like bro might be one, please, he might be one please. I might be one, please you feel me yeah so it's like once everything lined up and shit. When we around each other, it's like brothers. You feel me? So it's like once everything lined up and shit.
Speaker 3:When we around each other, it's like brothers you feel me, if y'all know what I know. I don't know who y'all need to like. Who hearing this, who watching this? Somebody, one of y'all, yo Gotti, one of y'all. Y'all hear this. Go put that tape together for them, boys. Man, this tape is right. Y'all labels whatever. Put this tape together, man. We waiting on it. The people want it. Um, we got a few games we play, though, like where everybody that comes sit with us. Man, they like there's nothing crazy or nothing. It's like no shade. We really just shine a light on the people that we talk about, so like if we saying these people names, it's pretty much like a shout out yeah but uh, it's.
Speaker 3:It's one called Fast Track and one called one got to go Breakdown Fast.
Speaker 2:Track before we do fast. Not too crazy, I'm just fast track, it ain't not too crazy. I just say two things and you pick one or the other, all right. All right, so is a low age difference, so I want to. All Alright, let's do this. Bloodhounds or Go-Getters, bloodhounds, okay, okay. Lil' Baby or Lil' Dirt Dirt, lil' Dirt, yeah, um Uh.
Speaker 1:Hmm.
Speaker 2:NBA Youngboy, nba, nba boy, nba man. That's why I was trying to think of somebody hard. I knew he was going to just pick him automatically.
Speaker 3:He over everybody, man he over everybody right here yeah.
Speaker 2:Dang.
Speaker 3:Let me do one. Go ahead, lil Dirt, lil Baby, I just said that.
Speaker 1:You said that. Oh damn, I didn't hear you say that.
Speaker 3:My fault, you always spew.
Speaker 2:My fault.
Speaker 3:I be reversing too. Go ahead, go ahead, man All right.
Speaker 1:Future or Slime.
Speaker 3:Okay, damn Future. Okay, you said that real fast. Future, slum, slum. Yeah, I knew it was going to be a little difficult to you somewhere, but what you saying, what you say.
Speaker 4:Future, future, yeah, pluto, future gonna be it for sure, pluto.
Speaker 2:Slum, slum, usher or Chris Brown.
Speaker 4:Usher, or Chris Brown, usher Chris.
Speaker 3:Brown Usher, chris Brown, chris Brown Usher. We set up a debacle over here. We set up a little settlement Usher. Usher. Y'all got to be about that later, man Usher got more classics than Chris Brown.
Speaker 4:Facts you on point.
Speaker 2:Usher yeah, they on point, he on point All right, usher, don't got no confession Sexy Red or Glow-Rella.
Speaker 4:Glow.
Speaker 2:Sexy.
Speaker 4:Sexy Music director. Sexy or Glow-Rella.
Speaker 3:Whatever you choose, whatever you choose.
Speaker 4:Look better with Sexy Red. She got the music shit.
Speaker 3:He trying to break it down? Who? You figure, sexy, sexy All right, sexy.
Speaker 2:Okay, prada or Balenciaga.
Speaker 4:Prada, prada, prada.
Speaker 1:How I like the dress, though.
Speaker 4:I like it. It be clean, it's not doing too much. You're down there, don't even know what this shit is, so I say Prada, and they bring the old cups back.
Speaker 2:Yeah the old cup. I ain't going front. I'm ready to get me the Grand Parade. Yeah, the old cup right there, I ain't going front, I'm ready to get me a pair Pride With the great shoe laces With the great shoe laces.
Speaker 4:But Balenci right after it though.
Speaker 2:I'm going Balenci first, though.
Speaker 3:No, he don't play about Balenci.
Speaker 4:Balenci be snapping.
Speaker 2:Yeah, yeah, All right so how about Rough?
Speaker 4:Riders or Rockefeller.
Speaker 2:Rockefeller G-Unit or Dipset.
Speaker 4:Dipset, dipset.
Speaker 2:Dipset Yo Gotti or Gucci man Gucci man Jada kissed Beanie Seagull.
Speaker 4:Beanie Seagull, Gucci, man nigga you trippin' he said Jada.
Speaker 3:He said it, he bubbled it in, he like hold on, I don't know.
Speaker 2:Mack on his way too. Damn Beans, Beans.
Speaker 3:Beans raised me On the music, tip man.
Speaker 2:How about? How about I'm trying to go groups.
Speaker 3:Do R&B groups All right?
Speaker 2:Two of them Jagged Edge or 112. They ain't that young.
Speaker 3:They too, they don't know I know Jagged Edge they too, I'm trying to think, but like, all right, any of you.
Speaker 2:Look, he said what's the song? All right, but look so, look, it's crazy. Look, this is that's that it's crazy, but that's a whole another conversation. What me, what, uh, male r b groups is in between that time? After them, it's none. I was born in 2000 see. So all right, who, who, damn, b2k, b2k like who was. So who, who, who, who would they be in his time mr jones.
Speaker 3:What's his name? B2k that's what I'm saying all them, yeah them dudes, you don't know them, dude, you don't know them. Yeah, we ain't doing them millennium tour, right now, you don't know them, you don't know everybody. I don't know what you got.
Speaker 2:Don't know them, you don't know everybody on there what you got serious I got to see it.
Speaker 3:He don't know, he don't know, he don't know. No R&B groups right now.
Speaker 2:You told me they're my R&B group.
Speaker 3:Hey man.
Speaker 1:I like the Temptations.
Speaker 2:See, see this nigga, always playing man I'm dead serious.
Speaker 4:I know all these songs, bro, you could have went old school with them Bro. Yeah, my mom used to listen to them, but I used to always like the movie. And then my mom had this. It was like a DVD but it was like all the performances.
Speaker 3:Marvin Gaye or Teddy.
Speaker 4:Pendergrass Marvin Gaye. Over who, Teddy Pendergrass? Yeah?
Speaker 2:you trippin' what. I don't even know who that is.
Speaker 4:I just know more Marvin Gaye songs. We about to close this hole. I'm going to shut this whole shit down. Let's song Teddy Pendergrass. We got one more game. Wait, that's just who I like.
Speaker 3:No, you definitely won't pick Teddy.
Speaker 4:I heard more Marvin Gaye than Teddy Pendergrass. Yeah, you playing. You playing right now, I don't know, bro, he playing.
Speaker 2:I don't know, teddy, been at Lincoln Drive man, that Rose, he was big. I'm trying to tell you, yeah, tell a bitch, turn the lights off.
Speaker 4:You going Teddy, you going Teddy. I got to hear the song.
Speaker 2:Turn them off. Turn off the lights.
Speaker 3:Turn off the lights.
Speaker 4:I probably got to hear a song.
Speaker 1:My mind used to have me listening to you got to think though, put Teddy on, you ain't going to have to do nothing.
Speaker 3:My mind used to be listening to like more so, like Tina Marie and shit like that.
Speaker 4:All right, there we go there, we go, go on that lane, but I don't know Tina, marie and shit like that bro.
Speaker 2:I don't know. All right, let's.
Speaker 4:A Marie. I know her songs. I know her songs, a Marie. I don't know what happened to A Marie, though.
Speaker 3:All right, let's go into One. Gotta Go real quick, all right.
Speaker 2:One Gotta Go is like the opposite. We're going to say four people and you're going to have to pick one to go. When they go, everything under them go as well. So they just don't exist. So everything under them don't exist as well. Let's go. Meek Mill, Quilly Mill, Joey Jahad, Meek Mill, Quilly Mill, Joey Jahad and Reed Dollaz One gotta go.
Speaker 3:Damn, you can't do that though.
Speaker 1:That's what you think One gotta go.
Speaker 2:They all made each other for real. One gotta go, one gotta go, I choose one who gotta go out of that, joey gotta go, joey gotta go.
Speaker 3:Yeah, that's what I was thinking.
Speaker 1:Because like.
Speaker 4:I gotta pick Reed over Joey Reed like Joey gotta go, joey gotta go, that's a good one. All right, here gotta go, joey gotta go, that's a good one.
Speaker 3:All right here we go. Let me do one no, hold on, Go ahead go ahead go ahead, go ahead, let's go, because I was thinking Kour.
Speaker 2:Tor Kwani Skrilla, one gotta go. Mmm, mmm, that ain't hard that ain't hard.
Speaker 4:I'm about to drool.
Speaker 1:I already know who that ain't hard.
Speaker 3:That ain't hard. I'm about to drool. I already know who you're going to say. Who is it? I?
Speaker 4:didn't think that he playing Skrilla got to go.
Speaker 3:Come on he coming up here to bar bro he playing.
Speaker 4:He's going to come up here to bar Skrilli got to go Yo. That's my final job, Yo oh my God.
Speaker 1:Where is that. All right, here we go Yo, all right.
Speaker 2:Gucci man. Yo Gotti Lil Wayne, jeezy One got to go Jeezy. Oh, yo Gotti Lil Wayne, jeezy One gotta go Jeezy.
Speaker 4:Yo Gotti.
Speaker 3:He the one that don't gotta go.
Speaker 4:Matter of fact, gucci Mane, yo Gotti Lil.
Speaker 2:Wayne.
Speaker 4:Gucci Mane Lil Wayne.
Speaker 2:Or Jeezy Lil.
Speaker 3:Wayne gotta go.
Speaker 4:Nah, the Lil Wayne gotta go, because Lil Wayne cool but motherfuckers related more. That's the trap. Shit, you feel me? Gucci Mane, Jeezy and Yo Goddard.
Speaker 3:Out of that circle.
Speaker 4:Lil Wayne is just like a rapper. Rapper, you feel me?
Speaker 3:They like rapping for the trenches. You get what I'm saying, you don't belong with them.
Speaker 4:Yeah, then we going to say like I don't know bro.
Speaker 3:We used to say TI, right there. We used to say TI, but everybody say TI got to go. Yeah, it's too easy.
Speaker 4:I'm going to put me personally, I'm going to put Lil Wayne out Over Yo Gotti and Jeezy and Gucci Mane.
Speaker 3:There's nobody else to go there for real for real.
Speaker 4:I'm going to put Yo Gotti out. All right If I substitute it's between, because I want to say Jeezy and Lil Wayne, but I don't want to say Jeezy and Lil Wayne, but I want to say Yo Gotti, but I don't want to say Yo Gotti, Yo Gotti made millionaires Because Yo Gotti is like he made a lot of millionaires on that team.
Speaker 3:Gucci made Migos.
Speaker 1:Gucci got a lot of people signed, he got Slime and all of them on Gucci like a god of people signed.
Speaker 3:He got slime and all of them on Gucci. Like a god damn thing, gucci, that nigga bro.
Speaker 4:It wouldn't be no Young Thug, nobody without Gucci. So I'm going to take out Lil Wayne. That's my final job. No drink, no. Nicki Minaj I got Future and Thug. What do I need them for? All right, I ain't even listening to them on the regular Damn. Yeah, I got Future and Thug. What do I need them?
Speaker 3:for I don't even listen to them on the regular, damn yeah.
Speaker 2:Lil Baby Lil Durk Slime. Lil Baby Lil Durk Slime and Pluto. Which one Lil Baby Front of Rip Yo nah, damn yeah. You know how you cool, tell me you cool.
Speaker 3:You good brody, got stocked up.
Speaker 2:now y'all All right, I got you. Okay, you already know. Yeah, so oh, you said Lil Baby.
Speaker 4:Yeah, lil Baby gotta go. I can't keep it. I have to live without Lil Baby.
Speaker 2:Yeah, yeah, all right, here we go, here we go, here we go.
Speaker 3:I'm gonna make up one real quick though, Go ahead, here we go, here we go.
Speaker 2:Glorilla Ice Spice, glorilla Ice Spice. Sexy Red Cash Doll.
Speaker 4:One gotta go Cash, doll Ice.
Speaker 1:Spice.
Speaker 4:Ice Spice, ice Spice, ice Spice. That's what he got to say, not me. No disrespect to Ice Spice.
Speaker 1:He like I'm saving my chain.
Speaker 4:No, I don't want Ice Spice. That ain't my type. I would put damn who I say. You said Glow Ritter Ice Spice, sexy Ray and Cash Doll. I ain't my type, but I would put damn who I say.
Speaker 1:You said Glowrita, ice Spice, sexy Red and.
Speaker 4:Cashdow, cashdow. Look like she big, though Yo Like she tall as shit. So yeah, I put Cashdow on. She older shit too. So Cashdow not old, she probably like shit too. Cash down not old, she probably like 40. No Cash down like 27. What she's, not 27, bro, that's a girl and a woman right there.
Speaker 3:She like 30. She like 30. She like 30. She like 30. She's Yo. I got to double check that.
Speaker 1:All right.
Speaker 2:All right, I'm keeping Cash now, and here we go.
Speaker 1:Here we go here we go.
Speaker 2:Here we go.
Speaker 1:You know, we got
Speaker 4:she was how old? He says she five, five.
Speaker 3:Oh, how old is she she was five, five, she was.
Speaker 4:she was six foot five.
Speaker 3:Eleven. I mean she did let's go, let's go. I was going to say, let's go, told you damn near 40, my 40.
Speaker 2:My cake was a.
Speaker 3:Uh huh.
Speaker 2:AP the psycho Uh huh, look, you look at like. China.
Speaker 3:China, okay, china.
Speaker 2:Lou James.
Speaker 3:Robbie. Good Lord I'm hoping we amazing.
Speaker 2:Oh OK, china, luciane, um rocky, um good lord I'm helping you leave me.
Speaker 1:Oh okay, they all gotta go all right, that's the real of the most podcast man, you're the last one, bro we out. Bro, we had a wonderful interview. No, don't do that.
Speaker 3:We out bro. We had a wonderful interview. No, don't do that, I do this, my boy don't do that. Why, boy?
Speaker 2:all right, here we go, the biggest labels real quick, man Jay-Z Birdman, p Diddy, dr Dre one got to go.
Speaker 3:He did it. Now, mind you, when you say one guy go, everybody sign, everybody ever put on, they going to be Diddy, diddy got to go to the world, a better place without Diddy.
Speaker 2:It's the real of the most podcast man. I'm white boy.
Speaker 1:We got out of here.
Speaker 3:We got a building.
Speaker 2:It's amazing.
Speaker 3:Relativemostpodcastcomcom. You know what I mean.
Speaker 1:They can't though.
Speaker 3:Alright man.
Speaker 2:We out.
Speaker 3:Alright, we just need a drop man.
Speaker 4:Yo, Tyler, you was great.
Speaker 3:He said it's a better place. He's amazing with his stage. All right, bro, I had to go.
